Question about import with Lr 5.4 update

I did the Lr 5.4 update... where did the "import subfolders" option go (at import)? I have the main folder, I imorted that...then I went back and imported a subfolder that is saved within that main folder. BUT now the sub folder images are all showing up first, then all the main images. (they're my photos and my second shooters photos from a wedding) I went to view at the top, and changed it to "capture time" but it hasn't changed it! The date and time are correct on both cameras. Thanks in advace!

ok I found the "include subfolders" I totally missed that earlier.... BUT I still need to figure out why they're separated like they are. help anyone?

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I see lots of people asking questions about the "white screen" app store update failure. I see no answers from Apple about this...What is the problem, and what is the solution?

I see lots of people asking questions about the "white screen" app store update failure. I see no answers from Apple about this...What is the problem, and what is the solution?

It's a problem that Apple is having with their App updating system. The best solution is to be patient, and wait for Apple to solve their systemic problem.

Question about import database pk, fk

Hi
I want to ask a question about imported database. I imported database and I noticed tables doesnt have Primary key or foreign key. They havent relation between eachs. Why can this occured ?
is it about import or another something?

yeah ı am surprised none of tables have pk or fk ..
but ı want to show you http://i51.tinypic.com/2hedc9d.jpg
what is blue shapes in there ?
can be foerign keys ?

Question about function with in parameters

Hello,
I have a question about functions with in-parameters. In the HR schema, I need to get the minimum salary of the job_id that is mentioned as an in-parameter.
this is what I am thinking but I dont know if it's correct or not or what should I do next!
create or replace function get_minimum_salary (i_job_id in varchar2)
return number
as
begin
SELECT min_salary INTO min_sal
FROM jobs
where job_id = get_minimum_salary(xy);
RETURN i_job_id;
end get_minimum_salary;
thanks in advance
EDIT
Thanks for your help all.
Is it possible to add that if the i_job_id which is the in type parameter does not have a minimum salary then use the following function to register an error:
create or replace procedure insert_error (i_error_code in number,
i_error_message in varchar2)
as
begin
insert into error_table (error_user, error_date, error_code, error_message)
values (user,sysdate,i_error_code,i_error_message);
end insert_error;
This function is basically to say that an error has occured and to register that error, at the same time I need to print out the error using the dbms_out.put_line.
Any ideas of how to do that?
Thanks again
Edited by: Latvian83 on Jun 1, 2011 5:14 AM

HI
I have made little bit changes in ur code. try this
create or replace function get_minimum_salary (i_job_id in varchar2)
return number
as
v_Min_sal jobs.salary%type=0;---- Variable declaration
begin
SELECT min_salary INTO v_ min_sal
FROM jobs
where job_id = i_job_id;
RETURN v_Min_sal;
end get_minimum_salary;
Regards
Srikkanth.M

Question about Communication with Oracle 7

Hi,
Generally we use Oracle Snapshots for Communication, but since Oracle 9.2.0.5 do not work with Oracle 7.1.5.2.4. we are thinking about do use Oracle Interconnect for this Link.
Now I have the following two Questions about Communication with Oracle 7:
1. Is an Adapter for Oracle 7.1.5.2.4 available?
2. From your experience, does it make sense to install Oracle Interconnect for implementation of only one read only Link with 3 Tables if an OAS for BI is available?
Thanks,
Hannes

1. The Oracle database adapter is for Oracle 8i and up. I checked the code needed in the database and doubt that will work in Oracle 7.
1. The other option Advanced Queuing also needs 8i and up.
2. For me it doesnt make sense that you want to connect to Oracle 7. Oracle 7 is unsupported and should not have to be developed against. Also the license costs for Oracle Interconnect ~17K without any discount is a bit steep for read only links to three tables. Having the OAS means you wont have to pay another additional ~17K for the apps server.

Basic question about importing wma files

Hi, I have a basic question about importing wma files. I ripped some cd's on a Mindows computer using Media Player, but now want to copy them to my Mac and use them in iTunes on my Mac. when I use Import in iTunes, nothing happens and I cant even seem to copy them one by one using the Music folder.
Can someone help me?
thanks
eMac Mac OS X (10.4.4)

iTunes for Mac doesn't support .wma files.
If you can use a PC to convert them, you can use one of many freeware applications. Google for 'wma to mp3'.
For the Mac there's the shareware program EasyWMA that can convert them.
Hope this helps.
M
17' iMac fp 800 MHz 768 MB RAM Mac OS X (10.3.9) Several ext. HD (backup and data)

Some questions about importing HTML files

Hi, folks
Let's suppose we want to import a pack of HTML files formatted in HTML5 wit's it's CSS into a double-oriented folio. A couple or three questions about that, please:
1. Is there a limit for a reasonable quantity of HTML files I can import into a folio? I mean.. 100 would be way too much, for instance?
2. These HTML files could be navigated and referenced from inside TOC-pages made in InDesign,right? (navto://..., I gues?)
2. Will it be possible, by means of HTML adaptative design techniques, to treat both orientations (vertical and horizontal) as different viewports or screen sizes so that the design adapts for instance the column width with its CSS?
3. That said, will the InDesign final app. respect that adaptative CSS rules?
I am asking this because we are looking for a way to inject big quantities of content with a very similar design into our application in a really fast and automatizable way and I have the suspicion* that importing HTML5 preformated CSS files could be the a very good and simple alternative to importing XML into InDesign templates as we start out content as tagged almost-html files.
Thanks a lot
Gustavo Sánchez (Posting from Madrid)

I assume you are asking about using HTML articles.
1. There is no limit beyond simply keeping things reasonable.
2. Yes. Just use navto://articlename
3. Yes. I've used min-width of 768 and max width of 1024 to control it.
4. InDesign does not enter into any of this with the exception of using the folio builder panel. Everything else is done in Dreamweaver or whatever program you decide to use for the article.
If you want to restrict the HTML articles to one orientation or the other, use the _h and _v suffixes.
Bob

Basic question about import

I need to import an already existing user from a dmp file.
I am not sure if I must drop and recreate the user before importing or the import would drop all not existing objects, create the new ones, modify those that are different, insert new records, delete those not in the dmp file and update the different ones.
Thanks in advance.

Unfortunately the advice from the other poster is
just plain wrong.I wouldn't classify it as "plain wrong", "not accurate" yes maybe, but not wrong.
The OP's question was that he needs to import already existing user with existing objects.
Quoting Oracle's online Documentation of Oracle Utilities, Import's IGNORE parameter:
IGNORE
Default: n
Specifies how object creation errors should be handled. If you accept the default, IGNORE=n, Import logs or displays object creation errors before continuing.
If you specify IGNORE=y, Import overlooks object creation errors when it attempts to create database objects, and continues without reporting the errors.
Note that only object creation errors are ignored; other errors, such as operating system, database, and SQL errors, are not ignored and may cause processing to stop.
In situations where multiple refreshes from a single export file are done with IGNORE=y, certain objects can be created multiple times (although they will have unique system-defined names). You can prevent this for certain objects (for example, constraints) by doing an import with CONSTRAINTS=n. If you do a full import with CONSTRAINTS=n, no constraints for any tables are imported.
If a table already exists and IGNORE=y, then rows are imported into existing tables without any errors or messages being given. You might want to import data into tables that already exist in order to use new storage parameters or because you have already created the table in a cluster.
If a table already exists and IGNORE=n, then errors are reported and the table is skipped with no rows inserted. Also, objects dependent on tables, such as indexes, grants, and constraints, will not be created.
Tony

Questions about editing with io HD or Kona 3 cards

My production company is switching from Avid to Final Cut Pro. I have a few editing system questions (not ingesting and outputting, just questions about systems for the actual editors - we will have mac pros with either kona 3 or io HD for ingest and outputs)
1) Our editors work from home so they most likely will be using MacBook Pros - Intel Core 2 Duo 2.6GHz 4GB computers with eSata drives to work on uncompressed HD, will they be able to work more quickly in FCP if they are using the new Mac Pro 8-Core (2 Quad-Core 2.8GHz Intel Xeon) or will the mac book pro's be able to hold their own with editing hour long documentaries, uncompressed HD
2) Will having an AJA Kona 3 (if we get the editors mac pros) or io HD (for the mac book pros) connected be a significant help to the editor's and their process, will it speed up their work, will it allow them to edit sequences without having to render clips of different formats? Or will they be just as well off without editing with the io HD?
I'm just trying to get a better understanding of the necessity of the AJA hardware in terms of working with the editors to help them do what they have to do with projects that have been shot on many formats- DVCPro tapes, Aiptek cameras that create QTs and P2 footage.
Thanks

1. with the IoHD, laptops become OK working with ProRes and simply eSata setups. Without the Io, they can't view externally on a video monitor (a must in my book). It will not speed up rendering a ton, nor will it save renders of mixed formats. The idea is to get all source footage to ProRes with the Io, and then the Io also lifts the CPU from having to convert ProRes to something you can monitor externally on a video monitor, and record back to any tape format you want... all in real time.
2. Kona 3's on Towers would run circles around render times on a Laptop... no matter what the codec, but the Kona does not really speed renders up. That's a function of the CPU and just how fast is it. (lots of CPU's at faster speeds will speed up render times).
I'd recommend you capture to ProRes with Io's or the Kona 3 and don't work in uncompressed HD. You gain nothing doing it quality wise at all. And you only use up a ton of disk space (6 times the size in fact) capturing and working in uncompressed HD, which from your post, you're not shooting anyway. The lovely thing about ProRes is that it's visually lossless, efficient, and speeds up the editing process. Mixing formats can be done, but it's better to go to ProRes for all source footage, and edit that way.
With either the Kona or the Io, you then can output to uncompressed HD tape... that's what they do for you no matter what codec you've edited in. ProRes is designed to be the codec of choice for all HD projects when you're shooting different formats especially... Get them all singing the same tune in your editing stations, and you'll be a much happier camper. Only reason to buy laptops is portability... otherwise you're much better off with towers and the Kona 3 speed wise.
Jerry
Message was edited by: Jerry Hofmann

Question about capturing with JVC GY-HD200U

I am looking at this particular camcorder, JVC GY-HD200U, and was wondering if there is any issues capturing footage into FCP6. Does any one own or worked with the JVC GY-HD200U or early model?
share you thoughts about this camcorder if you have worked with it.
much thanks

Excuse my naivety here, but how does one go about importing HDV 720 as 'pro res'?
Can this be done by changing the import / capture settings, or does it require transferring the material to HD?
I'm using footage from my JVC HD GY100 in 24p. I've spent over a week trying to import the material into FCP through a JVC BR-HD50 deck with absolutely no luck, and it's getting really frustrating!!
I'm dealing with over 80 tapes of footage, so I don't have the option of going through each tape and logging individual clips. I've been trying to import entire tapes at a time.
I keep getting a 'stream error' prompt when attempting to capture.
I've tried with both start / stop detect on and off, I've tried to 'capture now', which seems to work until the very end of the tape / capture, at which time another error is reported. I've also attempted to set in and out points a minute or two from the beginning and end of the tapes, then batch capture the logged tape. Again, no dice.
Unfortunately I haven't had luck with anything, and I'm getting very frustrated.
I'm not a professional editor, so perhaps I'm missing something very basic? I have no clue why this format is so difficult to import!! I've never spent over a week trying to figure out how to import footage!
I don't care whether each tape I import is an entire tape or cut up into clips at time breaks, but I can't seem to get anything!!!
I really appreciate anyone's suggestions here. I'm at my wits end.
And again, I don't usually do this type of work, so if you could describe in detail any suggestions / solutions I would be very grateful. Many thanks.

Important!!!! question about database with huge volumen

The possibility exists in our BD (in at least a table) of ending up managing volumes of data of the order of 37 thousand million records. Then, we want to know if experience exists in 10g with these data volumes and the recommendations that the experienced ones can give us about it.

37 thousand million records.Why not just say 37 billion records? Because depending where you are in the world 37
thousand million isn't 37 billion. Whilst 1
billion in the U.S. is 1,000,000,000 (one thousand
million), here in Britain 1 billion is
1,000,000,000,000 (one million million).Thanks that good to know.
1974 British prime minister Harold Wilson explained to the House of Commons that UK government statistics would from then on use the short scale [6][7]. During the last quarter of 20th century, most other English-speaking countries (Ireland, Australia, New Zealand, and South Africa) followed this lead and switched to the short scale use. However, in all these countries, some limited long scale use persists and the official status of the short scale use is not clear.

Checked FAQ: Question about importing into library, need some assistance.

Hi,
I've done some searching and have yet find my answer. I hope that some of the sharpshooters here can help out.
I keep all of my music on a network drive to avoid "bloating" my Mac with music. So the other day, I wanted to use iTunes to catalog what was on there and to load some more music onto my 'Pod. So, I performed an import of the library. Here's my dopey question: When one imports into a library, does all of the music come over with it, or, does just the songs' data get imported and then point to the source drive? Does this make sense?
TIA,
Chris

I also keep my music and all on an external drive. Before you catalog it you need to do one important thing or it will copy everything to your computer. Go into the Advanced setting under Preferences and uncheck *Copy music to your iTunes Music folder when adding to library*. If you don't do this you will end up with your music trying to be put on your computers drive. You can then use this to update your iPod as it points to the original file and will bring anything needed to load on your iPod.

General Question About Importing Music

Ok this is the scenario..
All of my music is saved in one folder.. Recently added files do not appear in iTunes library..
If in iTunes i select File>Add Folder and add my music folder, it is still not adding all my music from that folder and is also creating duplicates.
Am I the only one with this issue or can someone shed some light on any preferences I need to change, etc?

Just got off the phone with Apple support, still confused about how duplicates are created.. The rep informed me that it had nothing to do with iTunes, and a duplicate would only be created if there was an actual duplicate of the song on my computer.. which there isn't..
I just deleted my entire library, edit> selectall> rightclick> delete> chooseremove> choose keep files > file > add folder > selected music folder..
she assured me there should be no duplicates.. and it's going to take a while for my music to import, but i will update when it is done..

Question about using an incremental backup to update a standby

We have a 2TB Oracle 10g database with a standby and the application that uses it is about to be updated. We're using cumulative incremental backups with block change tracking to back it up with weekly level 0 backups. The application upgrade will be making a lot of changes (several hundred GB) and we have stop the standby during the upgrade process as a quick way to get back (we don't have the space for a flashback recovery) in the event that there are issues with the upgrade. We can just let the archivelogs back up and get them over to the standby and applied once they decide they like the upgrade but, it looks like it would be simpler and perhaps quicker to use an incremental backup to update the standby. I probably won't but, If we do that, it looks like we can turn off archivelogs in the primary and not deal with them at all. I've never tried this but, I do have some questions.
Does it make sense to take this approach?
If we were to turn off archivelogs in the primary, would that have any effect on block change tracking? I don't see why it would but, had to ask. Of course, we would turn archivelogs back on and take a level 1 backup after the upgrade.
Thanks in advance for the education.

Funny you should mention that rolling upgrade, I'm actually planning to do that in another environment. My testing says it works pretty well and I'll be able to move a 400GB database to new hardware and upgrade it to 11g with very little downtime. However, in this case, the database is not being upgraded. The application is. It's just that, as part of that upgrade, there are a lot of updates and I'd just as soon not deal with the archivelogs for that. Here's what I was thinking about:
Set logs shipping to defer in the primary.
Stop log apply in the standby.
Turn off archivelogs in the primary.
Do the application update.
If they like the results, turn archivelogs back on in the primary.
Take an rman incremental backup from scn in the primary.
Apply the incremental backup to the standby.
Start log log apply in the standby.
Start log shipping in the primary.
The process for getting and using the incremental is described here:
http://docs.oracle.com/cd/B19306_01/backup.102/b14191/rcmdupdb.htm#BGBCEBJG
This isn't your regular incremental backup.
So, am I the only crazy one? Has anyone else tried this?

Question about benchmarking with Premiere Pro

Hi all:
I am a writer for a website that focuses a lot on benchmarking PC hardware and am in the process of refreshing our CPU test suite. I'd like to implement Premiere Pro into our testing, but as a new architecture launch is due in a couple of weeks, I am working on this with some haste. I'm a novice with this tool, so it's my hope that I can get the "a-OK" from experienced users who know whether we're testing with the tool in a reasonable way. This is important because we implement real-world benchmarks for the sake of showing users of such tools how one CPU can compare to another in terms of raw performance. Other tools we benchmark with include 3ds Max, Maya, Handbrake and Lightroom (which I desperately wish supported more than a couple of threads).
That all said, the project I've created is not conventional, as it's more of a worst-case scenario. I recorded about 18 minutes from a new PC game using Fraps, resulting in 35GB worth of source files. These are not "lossless", but are close to it (300~370Mbit/s). I take these files, crop most of them, add in cross dissolves and then encode it to MPEG 2 Blu-ray using almost default settings. In order to stress the CPU better, I enable the "Use Maximum Render Quality" (is that often used in production encodes?) option, and also change to a VBR 2-pass.
Here are some quick results from the benchmarking I did this afternoon:
Intel Core i7-975 (4 core, 8 thread, 3.33GHz) - 46m 40s
Intel Core i7-975 (4 core, 8 thread, 4.00GHz) - 38m 45s
Intel Core i7-980 (6 core, 12 thread, 3.33GHz) - 30m 36s
As seen there, in an equal-clock 4 core vs 6 core battle, we saw the latter encode finish about 50% faster (the scaling is rather amazing). But the question remains - can I feel confident in benchmarking this as a project? Would it ultimately prove useful to you guys?
Thanks much for any help!
PS: As an added question, does Premiere Pro take advantage of SSE4 (or beyond) instructions, and will it support AVX in the future?

Hi Jim:
Thanks for the response!
I don't own a video camera (boy, do I ever feel like a reject, now). Would it be an inaccurate way of doing things if I took the same project I have as mentioned above, export it to AVCHD 1080p/24 and then use that as the source file to encode to MPEG-DVD? It'd still be game footage, but essentially the codec is what really matters (I could be wrong; perhaps the codec would work better with real images).
Sorry if that comes off as a ridiculous question. If that's not a good solution I will see about getting such a source from somewhere.
Thanks a ton!
Edit: Would it be sufficient to use a Blu-ray .m2ts file specced at 1080p/24 AVC MPEG-4 as a source? I assume it's AVCHD given it's 1080p.

Question about import with Lr 5.4 update

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