Question about size adjuster

I have a question about the size adjuster located at the bottom right of iPhoto (the one that says "view at largest/smallest photo size" if you hover your mouse arrow over the two blue buttons). Is there a way to permanently adjust the photo once it's been resized by use of this option? I currently just highlight the entire photo and crop it, but it seems like there should be a magic button that changes the photo to the resized appearance. Does this make sense? Thanks

You would have to do the sliding in the Edit window and when you've got it where you want select the entire window with the cursor and click on the crop button. That will crop that portion of the photo into a separate file. It can, depending on how small that area is in relation to the original image, end up as a very small image file that would not be suitable for high resolution printing. That's because you'll be cutting out only those pixels that make up that portion of the image. Printed to the same relative size as it was in the original file it will print up OK. But if you want to print it as a 4x6 or whatever, it probably will appear pixelated.

Similar Messages

Question about size of ints in Xcode

Hello. I have a a few quick questions about declaring and defining variables and about their size and so forth. The book I'm reading at the moment, "Learn C on the Mac", says the following in reference to the difference between declaring and defining a variable:
A variable declaration is any statement that specifies a variables name and type. The line *int myInt;* certainly does that. A variable definition is a declaration that causes memory to be allocated for the variable. Since the previous statement does cause memory to be allocated for myInt, it does qualify as a definition.
I always thought a definition of a variable was a statement that assigned a value to a variable. If a basic declaration like "int myInt;" does allocate memory for the variable and therefore is a definition, can anyone give me an example of a declaration that does not allocate memory for the variable and therefore is not a definition?
The book goes on, a page or so late, to say this:
Since myInt was declared to be of type int, and since Xcode is currently set to use 4-byte ints, 4 bytes of memory were reserved for myInt. Since we haven't placed a value in those 4 bytes yet, they could contain any value at all. Some compilers place a value of 0 in a newly allocated variable, but others do not. The key is not to depend on a variable being preset to some specific value. If you want a variable to contain a specific value, assign the value to the variable yourself.
First, I know that an int can be different sizes (either 4 bytes or 8 bytes, I think), but what does this depend on? I thought it depended on the compiler, but the above quote makes it sound like it depends on the IDE, Xcode. Which is it?
Second, it said that Xcode is currently set to use 4-byte ints. Does this mean that there is a setting that the user can change to make ints a different size (like 8 bytes), or does it mean that the creators of Xcode currently have it set to use 4-byte ints?
Third, for the part about some compilers giving a newly allocated variable a value of 0, does this apply to Xcode or any of its compilers? I assume not, but I wanted to check.
Thanks for all the help, and have a great weekend!

Tron55555 wrote:
I always thought a definition of a variable was a statement that assigned a value to a variable. If a basic declaration like "int myInt;" does allocate memory for the variable and therefore is a definition, can anyone give me an example of a declaration that does not allocate memory for the variable and therefore is not a definition?
I always like to think of a "declaration" to be something that makes no changes to the actual code, but just provides visibility so that compilation and/or linking will succeed. The "definition" allocates space.
You can declare a function to establish it in the namespace for the compiler to find but the linker needs an actual definition somewhere to link against. With a variable, you could also declare a variable as "extern int myvar;". The actual definition "int myvar;" would be somewhere else.
According to that book, both "extern int myvar;" and "int myvar;" are declarations, but only the latter is a definition. That is a valid way to look at it. Both statements 'delcare' something to the compiler, but on the second one 'define's some actual data.
First, I know that an int can be different sizes (either 4 bytes or 8 bytes, I think), but what does this depend on? I thought it depended on the compiler, but the above quote makes it sound like it depends on the IDE, Xcode. Which is it?
An "int" is supposed to be a processor's "native" size and the most efficient data type to use. A compiler may or may not be able to change that, depending on the target and the compiler. If a compiler supports that option and Xcode supports that compiler and that option, then Xcode can control it, via the compiler.
Second, it said that Xcode is currently set to use 4-byte ints. Does this mean that there is a setting that the user can change to make ints a different size (like 8 bytes), or does it mean that the creators of Xcode currently have it set to use 4-byte ints?
I think that "setting" is just not specifying any option to explicitly set the size. You can use "-m32" or "-m64" to control this, but I wouldn't recommend it. Let Xcode handle those low-level details.
Third, for the part about some compilers giving a newly allocated variable a value of 0, does this apply to Xcode or any of its compilers? I assume not, but I wanted to check.
I don't know for sure. Why would you ask? Are you thinking of including 45 lines of macro declarations 3 levels deep to initialize values based on whether or not a particular compiler/target supports automatic initialization? Xcode current supports GCC 3.3, GCC 4.0, GCC 4.2, LLVM GCC, CLang, and Intel's compiler for building PPC, i386, and x86_64 code in both debug and release, with a large number of optimization options. It doesn't matter what compiler you use or what it's behavior is - initialize your variables in C.

Question about size and quality...

Hey guys, i just finished editing a video that's only 7 minutes long but is 1.5 Gigs, which is huge. And the quality of the video isn't that great. Im new to FCE and i'm still trying to figure out how this all works, can anyone help? Is there a way to get maximum quality while keeping the size on the down low???
Thnx

the quality depends on the settings you use. Quicktime conversion gives you a lot of options, like if you select movie to quicktime movie (I think) you'll get lots of options, e.g. broadband high makes a pretty small video, but still pretty high quality as well. to get even more options, you can click the options button and move around the slider for quality and adjust the framerate etc.
It probably seems confusing, but some formats aren't just "better" than others, it all depends on what your going to use the clips for.

Important conceptual question about Application Module, Maximum Pool Size

Hello everyone,
We have a critical question about the Application Module default settings (taking the DB connections from a DataSource)
I know that on the Web it is generally suggested that each request must end with either a commit or rollback when executing PL/SQL blocks "directly" on the DB without the framework BC/ViewObject/Entity service intervention.
Now, for some reasons, we started to develop our applications with thinking that each Web Session would reference exactly one DB session (opened by any instance taken from the AM pool) for the whole duration of the session, so that the changes made by each Web session to its DB session would never interfere with the changes made by "other" Web Sessions to "other" DB sessions .
In other words, because of that convincement we often implemented sort of "transactions" that open and close (with either commit or rollback) each DB session not in/after a single HTTP request, but during many HTTP Requests.
As a concrete example think of this scenario:
1. the user presses the "Insert" button. An HTTP request is fired. The action listener is executed and ends up with inserting rows in a table via a PL SQL block (not via the ViewObjects API).
2. no commit or rollback after the above PL/SQL block is done yet.
3. finally the user presses a "Commit" or "Rollback" button, firing the call to the appropriate AM methos.
Those three requests consist of what I called "transaction".
From the documentation it's clear that there is no guarantee that the couple AM istance + DB session is the same during all the requests.
This means that, during step 2, it's possible that another user might reference the same "pending" AM/DbSession for his needs and "steal" somehow the work done via PL/SQL after step 1. (This happens because sessions taken by the pool are always rolled back by default.)
Now my question is:
Suppose we set the "Maximum Pool Size" parameter to very a great number (always inferior to the maximum number of concurrent users):
Is there any guarantee that all the requests will be isolated in that case?
I hope the problem is clear.
Let me know if you want more details.

Thanks for the answers.
If I am right, from all your answers about resource avaiability, this means that even supposing the framework is able to always give us the same AM instance back from the AM pool (by following the session-affinity criterias), there is, however, no "connection affinity" with the connections from the DataSource. This means that the "same AM instance" might take the "a new DB connection", if necessary, from the connection pool of the DataSource. If that happens, that could give us the same problems as taking "a new AM instance" (that is, not following session-affinity) from the beginning, since each time an a new connection is taken (either via a new AM instance or via the same AM instance plus a new DB connection), the corresponding DB session is rolle back by default, clearing all the pending transactions we might have performed before with direct PL/SQL calls bypassing the AM services during the life cycle of our application, so that the new HTTP request will have a clean DB session to start to work with.

Question about Domain file size...

I have a dot Mac account, and my iDisk capacity is 1 Gb.
As I regularly back-up my Domain file from my G5 iMac to a FW external drive that sits on my desk, I have just noticed that the file size is now just over 1 Gb.
Can someone please explain to me why I still have almost 700Mb left on my iDisk, yet my Domain file size is over 1 Gb?? Obviously, there must be 'internal' files that aren't copied to the iDisk.
Thanks,
Rachel.

Wow, that's quite a discrepancy. 1gb Domain vs. 300mb site? Well suffice it to say that the Domain file contains all the information that is needed to generate your site. But it makes me curious too why you have such a large discrepancy. Do you have a lot of video on your site?
My site is only about 50-60mb and my Domain is roughly the same size. When I first started using iWeb, I used to poke around inside the Domain file quite a bit more than I do now. You can open up your Domain file by Control-clicking it and selecting "Show Package Contents." At one point early on when I was blithely dragging and dropping stuff into iWeb and publishing just for experimentation, I noticed that even after I deleted images or EVEN WHOLE PAGES, that sometimes the Domain file would still contain images and quicktime movies left over from the deleted pages. I didn't know what was going on and actually tried to delete the "old" items from the Domain file, but I ended up with a non-functional Domain file...lots of error messages saying it was missing this and that. So I started over completely with a new Domain file. I also noticed at the time that my Domain file was several megabytes larger than my site.
Since then, I have been very careful only to drag items to iWeb that will actually be used. The Domain-to-site size ratio has stayed pretty much 1:1. So I chalked up my earlier experience as a fluke. I don't know. Maybe there is an inconsistency somewhere. In fact, do a search here on "Domain file optimizing" or "Domain file bloat" and you may be able to find my questions about the issue. I never did get any responses, though.

3 questions about texture sizes

Hi there all,
I have 3 questions about texture sizes. First off, after
doing a search in this forum, I found out how to find the maxium
texture size my hardware can handle. However, this is only
currently tells me what the texture size I should use for my
computer. So basically, what my first question is, I wanted to know
what would be the average texture size for PC's. Why I ask this is
because arfter doing the command that finds my maxium texture size
that my computer can handle, it says that I can handle up to
2048x2048, but this doesn't help if lets say the standard hardware
texture size is 1024x1024.
My second question is, when you speak in maxium hardware
texture size terms, is this for per object, per scene that is
loaded into memory, or for the entire game?
... and my last question is, does hardware texture size also
include basic shaders as well (meaning with no textures)? If not is
there a limit on that as well?

1. If you know what maximum texturesize the endusers
graficcard can handle, you can build a switch to different *.w3d
files with that are saved with different texturesizes. you can see
how the hardware variates:
http://nuttybar.drama.uga.edu/pipermail/dir3d-l/2005-September/009554.html
but don't forget that the macs are limited at the moment to a
maximum texturesize of 512x512. If the textures are bigger then the
maximum texturesize they are scaled down to it. In your example a
texture that is 2048x2048 would be scaled down to 1048x1048 if this
is the maximum texturesize of the endusers machine.
2. The maximum texturesize is per Texture. But the Textures
are stored uncompressed in the VRAM of the graficcard. There is no
way to check how much RAM is left and i am not sure what happens if
you put a lot of data in it.
3. A shader only layers textures like photoshop and renderes
them depending on the settings of the shader. The maximum hardware
texture size only limits the size of the texture, if you use no
textures in the shader (setting all texturelayers to void) the
model will be only rendered depending on the values that are given
by "ambient", "emissive", "diffuse", "specular"
Just want to add here that textures should be in this sizes:
1x1, 2x2, 4x4, 8x8, 16x16, 32x32, 64x64, 128x128, 256x256,
512x512, 1024x1024, 2048x2048, 4096x4096 ...
but can be also be combined like this:
32x1024 or 512x256 and so on. this is just good to know.
If textures do not fit into this grid of pixel values, the
texture will be scaled up or down to the next size that is closest
to it.
if you type this code into the message window and execute
every line, you can check the resulting texturesize.
global pImage
pImage=image(100, 1000, 24)
member("world").newtexture("image", #fromimageobject, pImage)
put member("world").texture("image").width
-- 128
put member("world").texture("image").height
-- 1024
This will happen to all textures if they enter the
graficcard.

HT204088 i have questions about my account im being billed by I-Tunes since Januaray 2014 and i have cancelled all my appssince the begining of the year 2014 i have only one app open and i havent played it yet i need the billing to stop and an adjustment

I have a question about my bill, im being billed on a steady basis and im not using my aaps on my itune account
on 2-10-14 $10.68
0n 2-9-14 $10.68 & $5.34
on 2-4-14 $10.54
on 2-2-14 $14.18 & $12.80
1-30-14 $10.54
1-27-14 $5.19
and so on but im not using n
my i-tunes or playing games

We are fellow users here on these user-to-user forums, you're not talking to iTunes Support nor Apple.
What do you mean 'cancelled all my apps' ?
Have you got any auto-renewing subscriptions ? There are instructions on this page for managing and stopping them : http://support.apple.com/kb/HT4098
Or does anybody else have access to your account and/or devices and may have made those purchases ? If nobody else has, and if they aren't auto-renewing subscriptions that you hadn't stopped, then you can try contacting iTunes Support : http://www.apple.com/support/itunes/contact/

Few questions about cs6

Hi
i have few questions about cs6
is there a way to let the ruler and straighten like cs5 ? i gave a look to my friend cs6 and cs6 ruler and straighten leave transparent image around the corner
and is there a way to set for each adjustament layer a size ? for example i like a big curve window but for example have a smaller level windows
thanks
cheers

mantralightroom wrote:
nope
The feature is there, where Christoph described it, though I would have liked it if they'd left an option for the Ruler Tool button to allow people to add "and crop" as well. But Adobe have confirmed they moved it out of there on purpose, presumably because new users would expect to crop their image using the Crop Tool, not the Ruler Tool.
mantralightroom wrote:
i would like to know if i can store the size of each dialog window
You MUST be talking about the Properties panel, where adjustment layer info is shown, because the dialogs you get when you do things like Image - Adjust - Levels or Image - Adjust - Curves is not resizeable in any way I can see. At least not on a PC.
No, there's no special option that allows dialog sizes to be saved separately. It's just one panel, and the size of the panel itself defines the size of the contents up to each of their max sizes.
-Noel

A question about some of the features

I have Vista so therefore am unable to use the trial version of photoshop elements. Before I go ahead and purchase the software, I had a few questions about its features.
I'll mainly be using photoshop to create digital scrapbooks. I know that photoshop comes equipped with themes and images, but I would like to know if I can use my own backgrounds and images. If I am able to use my own backgrounds, can they tile?
Another thing I would like to know is if I can create my own projects with custom dimensions.
Lastly, I'll be using photoshop to sprite. Is elements well suited for spriting? More specifically, does it have a color selection/replacement tool?

I use PSE for digital scrapbooking. Instead of using the "built in"
creations and albums, just create your own PSD files with layers of
whatever images/embellishments/background papers you want. You can
specify whatever size of creation you want when you create your PSD file
(you only have the choice of certain sizes when you use the built in
stuff).
Not sure about what you mean about making your backgrounds tile, but I
think it is possible. You can take a "background" paper, do a selection,
and then define a pattern and fill it. Or, if you mean layer your
background papers - yes you can do that too. (Here is my online
scrapbook pages, all of which were done in PSE 4 or 5:
http://www.scrappersguide.com/forums/gallery/showgallery.php?cat=500&ppuser=413)
You can select by color (using the magic wand tool) and you can replace
color, but it may not work exactly as you expect. (I also don't know
what spriting is.) But, many people just use a hue/saturation adjustment
layer to change colors.
-Trish

Some questions about Muse

First of all, I would like to say that I am very impressed with how well Muse works and how easy it was to create a website that satisfies me. Before I started a daily updated website I thought I would encounter many problems I will not be able to solve. I have only had a few minor issues which I would like to share with you.
The most problems I have with a horizontal layouts (http://www.leftlane.pl/sty14/dig-t-r-3-cylindrowy-silnik-nissana-o-wadze-40-kg-i-mocy-400- km.html). Marking and copying of a text is possible only on the last (top) layer of a document. The same situation is with widgets or anything connected with rollover state - it does not work. In the above example it would be perfect to use a composition/tooltip widget on the first page. Unfortunately, you cannot even move the cursor into it.
It would be helpful to have an option of rolling a mouse to an anchor (like in here http://www.play.pl/super-smartfony/lg-nexus-5.html and here http://www.thepetedesign.com/demos/onepage_scroll_demo.html). I mean any action of a mouse wheel would make a move to another anchor/screen. It would make navigation of my site very easy.
Is it possible to create a widget with a function next anchor/previous anchor? Currently, in the menu every button must be connected to a different anchor for the menu to be functional.
A question about Adobe Muse. Is it possible to create panels in different columns? It would make it easier to go through all the sophisticated program functions.
The hits from Facebook have sometimes very long links, eg.
(http://www.leftlane.pl/sty14/mclaren-p1-nowy-krol-nurburgring.html?fb_action_ids=143235557 3667782&fb_action_types=og.likes&fb_source=aggregation&fb_aggregation_id=288381481237582). If such a link is activated, the anchors in the menu do not work on any page. I mean the backlight of an active state, which helps the user to find out where on page they currently are. The problem also occurs when in the name of a html file polish fonts exist. And sometimes the dots does not work without any reason, mostly in the main page, sometimes in the cooperation page either (http://www.leftlane.pl/wspolpraca/). In the first case (on main page), I do not know why. I have checked if they did not drop into a state button by accident, moved them among the layers, numbered them from scratch and it did not help. In the cooperation page, the first anchor does not work if it is in Y axle set at 0. If I move it right direction- everything is ok.
The text frame with background fill does not change text color in overlay state (http://www.leftlane.pl/sty14/nowe-mini-krolestwo-silnikow-3-cylindrowych.html). I mean a source button at the beginning of every text. I would like a dark text and a light layer in a rollover, but the text after export and moving cursor into it does not change color for some reason.
I was not sure whether to keep everything (whole website) in one Muse file (but I may be mistaken?). I have decided to divide it into months. Everyone is in a different Muse file. If something goes wrong, I will not have any trouble with an upload of a whole site, which is going to get bigger and bigger.
The problem is that every file has two master pages. Everything works well up to the moment when I realize how many times I have to make changes in upper menu when I need to add something there. I have already 5 files, every with 2 masters. Is there any way to solve this problem? Maybe something to do with Business Catalyst, where I could connect a menu to every subpage independently, deleting it from Muse file? Doing so I would be able to edit it everywhere from one place. It would make my work much easier, but I have no idea jendak how to do it.
The comments Disqus do not load, especially at horizontal layouts (http://www.leftlane.pl/sty14/2014-infiniti-q50-eau-rouge-concept.html). I have exchanged some mails and screenshots with Disqus help. I have sent them a screenshot where the comments are not loaded, because they almost never load. They have replied that it works at their place even with attached screenshot. I have a hard time to discuss it, because it does not work with me and with my friends either. Maybe you could fix it? I would not like to end up with awful facebook comments ;). The problem is with Firefox on PC and Mac. Chrome, Safari and Opera work ok.
YouTube movie level layouts do not work well with IE11 and Safari 7 (http://www.leftlane.pl/sty14/wypadki-drogowe--004.html). The background should roll left, but in the above mentioned browsers it jumps up. Moreover the scrolling with menu dots is not fluent on Firefox, but I guess it is due to Firefox issues? The same layout but in vertical version rolls fluently in Firefox (http://www.leftlane.pl/sty14/polskie-wypadki--005.html).
Now, viewing the website on new smartphones and tablets. I know it is not a mobile/tablet layout, but I tried to make it possible to be used on mobile hardware with HD (1280) display. I mean most of all horizontal layouts (http://www.leftlane.pl/sty14/2015-hyundai-genesis.html), where If we want to roll left, we need to roll down. Is there a way to make it possible to move the finger the direction in which the layout goes?
On Android phones (Nexus 4, Android 4.4.2, Chrome 32) the fade away background effect does not work, although I have spent a lot of time over it (http://www.leftlane.pl/lut14/koniec-produkcji-elektrycznego-renault-fluence-ze!.html). It is ok on PC, but on the phone it does not look good. A whole picture moves from a lower layer instead of an edge which spoils everything.
This layout does not look good on Android (http://www.leftlane.pl/sty14/nowe-mini-krolestwo-silnikow-3-cylindrowych.html#a07). The background does not fill the whole width of a page. There are also problems with a photo gallery, where full screen pictures should fill more of a screen.
Is it possible to make an option of scroll effects/motions for a fullscreen slideshow widget thumbnails (http://www.leftlane.pl/sty14/2014-chevrolet-ss%2c-rodzinny-sedan-z-415-konnym-v8.html#a06)? It would help me with designing layouts. Currently, it can go from a bottom of a page at x1 speed or emerge (like in this layout) by changing opacity. Something more will be needed, I suppose.
Sometimes the pictures from gallery (http://www.leftlane.pl/sty14/2014-chevrolet-ss%2c-rodzinny-sedan-z-415-konnym-v8.html#a06 download very slowly. The website is hosted at Business Catalyst. I cannot state when exactly it happens, most of the time it works ok.
I really like layouts like this (http://www.leftlane.pl/sty14/2014-chevrolet-ss%2c-rodzinny-sedan-z-415-konnym-v8.html#a03). On the top is a description and a main text, and the picture is a filled object with a hold set at the bottom edge. That is why there is a nice effect of a filling a whole screen- nevertheless the resolution that is set. It works perfect on PC, but on Android the picture goes beyond the screen. You can do something about it?
In horizontal layouts (http://www.leftlane.pl/sty14/dig-t-r-3-cylindrowy-silnik-nissana-o-wadze-40-kg-i-mocy-400- km.html) holding of a filling object does not work. Everything is always held to upper edge of a screen regardless the settings. Possibility of holding the picture to the bottom edge or center would make my work much easier.
According to UE regulations we have to inform about the cookies. I do not know how to do it in Muse. I mean, when the message shows up one time and is accepted, there would be no need to show it again and again during another visit on the website. Is there any way to do it? Is there any widget for it maybe?
The YouTube widget sometimes changes size just like that. It is so when the miniature of the movie does not load, and the widget is set to stroke (in our case 4 pixels, rounded to 1 pixel). As I remember ( in case of a load error) it extends for 8 pixels wide.
Last but not least - we use the cheapest hosting plan in Business Catalyst. The monthly bandwidth is enough, although we have a lot of pictures and we worried about it at first. Yet we are running out of the disk storage very quickly. We have used more than a half of a 1 GB after a month. We do not want to change BC for a different one, because we like the way it is connected with Muse. But we do not want to buy the most expensive package - but only this one has more disk space. We do not need any other of these functions and it would devastate our budget. Do we have any other option?
I’m using Adobe Muse 7.2 on OS X 10.9.1.
and I'm sending Muse file to <[email protected]>

Unfortunatley, there is no way to get a code view in Muse. I know quite a few people requested it in the previous forum, but not really sure where that ended up. Also, you may not want to bring the html into DW unless you only have 1 or 2 small changes 2 make. Two reasons. First, it isnt backwards compatible, so if you are planning on updating that site in Muse, you will need to make those changes in DW everytime you update. Second, by all accounts the HTML that Muse puts out is not pretty or easy to work with. Unlike you, I am code averse, but there was a lenghty discussion on the previous forum on this topic. I know they were striving to make it better with every release, just not sure where it is at this point.
Dont think I am reading that second question right, but there was a ton of info on that old site. You may want to take a look there, people posted a ton of great unique solutions, so it worth a look.
Here is the link to the old forums- http://support.muse.adobe.com/muse

Questions about Indexing and Using an Indexing POA

Although I have only about 50 users, at least 15 of them have in excess of 100,000 messages in their accounts and the POA (version 7.0.2) is regularly slowing to a crawl. (I just know that plans for revolution are fomenting!) I have embarked on a campaign to reduce these accounts by archiving everything off to get mail accounts down to 3000 or fewer pieces. I have achieved user buy-in, but have worked on only a few users so far.
In another closely related thread, it was suggested to me that the PO speed issues relate to broken indexes. And I suspect that given so many messages, the indexes were never getting fully rebuilt with the default QF POA settings. I am trying to fix that situation in addition to reducing mail account sizes. So, I have set up a second POA on another server and dedicated it to the indexing task. The /qfinterval is set for 1 hour, other /qf switches at default. The POA-QF does no mail delivery, but it does do nightly user upkeep.
The POA-QF seems to be steadily working away and making progress at reducing the number of unindexed messages. However, I have questions about what I am seeing and what more I can do:
1. Is the progress I am seeing real progress? For example I have a user with over 100,000 messages to be indexed and every time I check the logs, the count drops by about 500 messages per hourly QF cycle. I assume that if I just let it keep running, it will eventually get caught up and fixed. Not only with this user, but with all the others as well. Will my patience (and theirs) be rewarded? Are there any gotchas I need to prepare for?
2. One user has recently had virtually all of her messages successfully moved to archive. I can see them in the Archive, and do not see them in the online account. However, now over a week later, QF still shows >130,000 items still left to index for that user. The POA-QF is making slow, steady progress reducing that number, but why is this user's QF count still so high? Does it just need more time, or is there something amiss for this user?
3. I may want to rebuild indexes for single users from scratch. I have seen the TID 3105742 which tells how to do this: Essentially you turn off mail delivery functions, and make some other switch changes to dedicate the POA to indexing for just a single user, and then you let the POA rebuild the indexes. The implication of that scenario is that the POA is now enjoying exclusive access to the user's databases.
If I want to use my secondary POA-QF to rebuild a user's index from scratch, does the main POA have to be offline and the user out of GWise? That is, Does the QF process require exclusive access in order to rebuild indexes from scratch?
Thanks for any thoughts or suggestions.
Peter Smick

pgsmick wrote:
> 1. Is the progress I am seeing real progress? For example I have a user with
> over 100,000 messages to be indexed and every time I check the logs, the count
> drops by about 500 messages per hourly QF cycle. I assume that if I just let
> it keep running, it will eventually get caught up and fixed. Not only with
> this user, but with all the others as well. Will my patience (and theirs) be
> rewarded? Are there any gotchas I need to prepare for?
Set this switch for this indexing POA - /qflevel=999 - this will index
everything in one run. It will take a long time, but with no qflevel switch you
are indeed only indexing 500 messages at a time, and if the user has that much
mail, it might never really catch up.
>
> 2. One user has recently had virtually all of her messages successfully moved
> to archive. I can see them in the Archive, and do not see them in the online
> account. However, now over a week later, QF still shows >130,000 items still
> left to index for that user. The POA-QF is making slow, steady progress
> reducing that number, but why is this user's QF count still so high? Does it
> just need more time, or is there something amiss for this user?
>
This is odd, because really the index count should drop to nothing, but with the
above switch this might get resolved as well.
> 3. I may want to rebuild indexes for single users from scratch. I have seen
> the TID 3105742 which tells how to do this: Essentially you turn off mail
> delivery functions, and make some other switch changes to dedicate the POA to
> indexing for just a single user, and then you let the POA rebuild the indexes.
> The implication of that scenario is that the POA is now enjoying exclusive
> access to the user's databases.
Not really - the POA is not enjoying exclusive access to the user's database,
the indexer is just avoiding an attempt to index anything else.
> If I want to use my secondary POA-QF to rebuild a user's index from scratch,
> does the main POA have to be offline and the user out of GWise? That is, Does
> the QF process require exclusive access in order to rebuild indexes from
> scratch?
No - QF never requires exclusive access. That said, you may find that an
extremely vigorous QF can cause slowdowns for the user.
Danita
Novell Knowledge Partner
Moving GroupWise to Linux?
http://www.caledonia.net/gwmove.html

I have question about hooking up an external hdd to a time capsule and still have my printer hooked up as well. Anyone got any tips for me, how to do it and what brand of harddrive that will work best for me 1 or 2 TB

i have question about hooking up an external hdd to a time capsule and still have my printer hooked up as well. Anyone got any tips for me, how to do it and what brand of harddrive that will work best for me 1 or 2 TB

You just need a powered hub.. if you already use one then fine.
Plug in just about any external hard disk will work fine. Format has to be readable by the TC.. ie fat32.. or much better HFS+.. plug it into a Mac to prepare the drive.
Pick whatever size suits.. nowadays 2TB are most economical.
WD, Seagate have goobled up all the minor players.. so pick one.
Whatever suits your budget and asthetics.
NOTE.. The USB on the TC is fine for printers.. IMHO it is the wrong way to go with USB disks.. use the internal disk of the TC.. USB is less than half the native speed plugged into a Mac.. TC to USB is slow.. far slower than internal drive.. or using external drive as external.

Questions about editing with io HD or Kona 3 cards

My production company is switching from Avid to Final Cut Pro. I have a few editing system questions (not ingesting and outputting, just questions about systems for the actual editors - we will have mac pros with either kona 3 or io HD for ingest and outputs)
1) Our editors work from home so they most likely will be using MacBook Pros - Intel Core 2 Duo 2.6GHz 4GB computers with eSata drives to work on uncompressed HD, will they be able to work more quickly in FCP if they are using the new Mac Pro 8-Core (2 Quad-Core 2.8GHz Intel Xeon) or will the mac book pro's be able to hold their own with editing hour long documentaries, uncompressed HD
2) Will having an AJA Kona 3 (if we get the editors mac pros) or io HD (for the mac book pros) connected be a significant help to the editor's and their process, will it speed up their work, will it allow them to edit sequences without having to render clips of different formats? Or will they be just as well off without editing with the io HD?
I'm just trying to get a better understanding of the necessity of the AJA hardware in terms of working with the editors to help them do what they have to do with projects that have been shot on many formats- DVCPro tapes, Aiptek cameras that create QTs and P2 footage.
Thanks

1. with the IoHD, laptops become OK working with ProRes and simply eSata setups. Without the Io, they can't view externally on a video monitor (a must in my book). It will not speed up rendering a ton, nor will it save renders of mixed formats. The idea is to get all source footage to ProRes with the Io, and then the Io also lifts the CPU from having to convert ProRes to something you can monitor externally on a video monitor, and record back to any tape format you want... all in real time.
2. Kona 3's on Towers would run circles around render times on a Laptop... no matter what the codec, but the Kona does not really speed renders up. That's a function of the CPU and just how fast is it. (lots of CPU's at faster speeds will speed up render times).
I'd recommend you capture to ProRes with Io's or the Kona 3 and don't work in uncompressed HD. You gain nothing doing it quality wise at all. And you only use up a ton of disk space (6 times the size in fact) capturing and working in uncompressed HD, which from your post, you're not shooting anyway. The lovely thing about ProRes is that it's visually lossless, efficient, and speeds up the editing process. Mixing formats can be done, but it's better to go to ProRes for all source footage, and edit that way.
With either the Kona or the Io, you then can output to uncompressed HD tape... that's what they do for you no matter what codec you've edited in. ProRes is designed to be the codec of choice for all HD projects when you're shooting different formats especially... Get them all singing the same tune in your editing stations, and you'll be a much happier camper. Only reason to buy laptops is portability... otherwise you're much better off with towers and the Kona 3 speed wise.
Jerry
Message was edited by: Jerry Hofmann

Question about Kurts comments discussing the seperation of AIA & CDP - Test Lab Guide: Deploying an AD CS Two-Tier PKI Hierarchy - Kurt L Hudson MSFT

Question about the sentence in bold. What is the meaning behind this comment?
How would you separate the role of the AIA and CDP from a CA subordinate server? I can see where I add a CES and CEP server which has those as well, but I don't completely understand his comment. Because in this second step, (http://technet.microsoft.com/en-us/library/tlg-key-based-renewal.aspx)
he shows how to implement CES and CEP.
This is from the guide located at: http://technet.microsoft.com/library/hh831348.aspx
Step 3: Configure APP1 to distribute certificates and CRLs
In the extensions of the root CA, it was stated that the CRL from the root CA would be available via http://www.contoso.com/pki. Currently, there is not a PKI virtual directory on APP1, so one must be created.
In a production environment, you would typically separate the issuing CA role from the role of hosting the AIA and CDP.
However, this lab combines both in order to reduce the number of resources needed to complete the lab.
Thanks,
James

My concern is, they have a 2-3k base of xp systems, over this year they are migrating them to Windows 7. During this time they will also be upgrading hardware for the existing windows 7 machines. The turnover of certificates are going to be high, which
from what I've read here, it worries me.
http://blogs.technet.com/b/askds/archive/2009/06/24/implementing-an-ocsp-responder-part-i-introducing-ocsp.aspx
The application then can go to those locations to download the CRL. There are, however, some potential issues with this scenario. CRLs over time can get rather large
depending on the number of certificates issued and revoked. If CRLs grow to a large size, and many clients have to download CRLs, this can have a negative impact on network performance. More importantly, by
default Windows clients will timeout after 15 seconds while trying to download a CRL. Additionally,
CRLs have information about every currently valid certificate that has been revoked, which is an excessive amount of data given the fact that an application may only need the revocation status for a few certificates. So,
aside from downloading the CRL, the application or the OS has to parse the CRL and find a match for the serial number of the certificate that has been revoked.
With the above limitations, which mostly revolve around scalability, it is clear that there are some drawbacks to using CRLs. Hence, the introduction of Online Certificate
Status Protocol (OCSP). OCSP reduces the overhead associated with CRLs. There are server/client components to OCSP: The OCSP responder, which is the server component, and the OCSP Client. The OCSP Responder accepts status
requests from OCSP Clients. When the OCSP Responder receives the request from the client it then needs to determine the status of the certificate using the serial number presented by the client. First the OCSP Responder determines if it has any cached responses
for the same request. If it does, it can then send that response to the client. If there is no cached response, the OCSP Responder then checks to see if it has the CRL issued by the CA cached locally on the OCSP. If it does, it can check the revocation status
locally, and send a response to the client stating whether the certificate is valid or revoked. The response is signed by the OCSP Signing Certificate that is selected during installation. If the OCSP does not have the CRL cached locally, the OCSP Responder
can retrieve the CRL from the CDP locations listed in the certificate. The OCSP Responder then can parse the CRL to determine the revocation status, and send the appropriate response to the client.

A Question about RAW and Previews

I have just recently starting shooting in RAW (mostly for the post production editing abilities - I am an avid amateur photographer bent on learning as much as I can). I set my camera to capture in RAW + L. I don't know why I feel like I want it to capture both the RAW and JPEG file, and thus leads me to my first question: Is it necessary to have the camera capture both the RAW and Large JPEG? I am assuming the answer to be no, as I am sure if after importing the RAW file into Aperture, you could always export a JPEG if you wanted one? So no need to fill up your internal memory (if using managed masters) with the extra JPEG? Is this thinking correct?
Next, if you do import RAW-only files and then want to export certain images, do you have a choice to export the original RAW image? It seems that it only allows you to export a JPEG Original Size. To answer my own question, perhaps you have to export the Master in order to export the full RAW file when exporting? If you want to export a JPEG, you have to export not the Master, but a version of the Master? Is this correct?
Lastly, I wanted to ask a question about Previews. I have my preferences set so that previews have the highest quality with no limits to size. What is the significance of setting it this way? I just assumed that if I wanted to share an image at the highest quality without exporting it, this was the way to go. Is there any validity to this? The reason I ask is that I don't want to have all of these high quality previews taking up internal disk space if I really don't need to. Is there a way to change the preview size once previews are created? Meaning, if you have it set to generate low quality previews, can you change it dynamically to high and vice versa?
I know this is a lot in one post. Thanks for tackling it.
Mac

You can change the quality of the Previews in the Preferences -> Previews tab.
You can regenerate Previews with the Delete and Update Previews under the Images menu.
Regards
TD

Question about size adjuster

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