Re: specs for project settings and final delivery of animations for HD broadcast

Hi all,
i just finished reading the studio techniques book by mark christiansen and i have i few doubts, maybe someone working on similar proyects can help me out, i hope so!!
i live in a PAL country and i mostly design and animate infographics in AE with shape layers, illustrator files and psd files. i may work in a proyect for HD tv broadcast and some issues and insecurities had crawled in. i would like to describe wich will be my guess as to the workflow:
1- setting up the project in AE:
obviously the color working space should be consistent between aplications. Linearize is important but i don´t fully grasp the concept.
2) my master composition:
here, the choice of frame rate should be 25/50 depending on..? is just a choice if you work with live footage from hd cameras? applies to animations,graphics?
And last question, which would be the preferred delivery file format and encoding? i know the choices are wide but if you have a setting that´s working for you and your clients then i´ll be helpful.
Also. if you have an article you can recommend where there is a clear explanation it´d be appreciatted, it seems (for me) the deeper you digg the more confused i become.
Thanks in advance!!

You must check with the broadcaster. They either publicly publish their requirements or they are listed in a contract. There's no one size fits all here. The best option for broadcast work is to render a lossless or nearly lossless copy of your work as a DI (digital intermediate) and then compress the project to the exact broadcaster specifications using Adobe Media Encoder or another app specifically designed for compressing video for delivery. The only time you ever look like an amateur is when you don't ask for the specifications. I regularly deliver the same footage do different distributors in 6 different formats.

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Re: specs for project settings and final delivery of animations for HD broadcast

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