Relinking Smooth-Cam files??

I created a number of Smooth-Cam clips on a project.
Then forgot to transfer the results to my portable hard drive.
I can access the suite I worked on (a very remote location).  I'm wondering; it looks like the smooth cam clips are working from the original media (except where I created a shorter clip with a new name).  It looks like the SmoothCam plugin creates an additional .mov.mtdf file.
Opening the project file now I find most of the SmoothCam clips are now saying they are 'unanalyzed'.  Has FCP created a new media clip and stored it somewhere?  Or are those .mov.mtdf files somehow being used by FCP when displaying the annalyzed SmoothCam clip?  And if so, they are now unlinked somehow?
What I'm looking for is a way to reconnect the supposedly already analyzed clips on the timeline to whatever file was originally created by SmoothCam.
I'm on the road with a slightly cranky laptop, and this film was all done (with a fair bit of SmoothCam) on a brand new tower with all the bells and whistles.  And needs to be finished up as quickly as possible (without that bells and whistles tower).
Any suggestions would be most appreciated.
Ben

Start re-analyzing. Relinking of temporary files is always an iffy proposition. It becomes doubly so when you are working on a different computer.
x

Similar Messages

  • Relinking Red Camera Files

    Hi all
    We are trying to media manage a project where the footage is from a RED Camera, (transcoded quick time to PRO RES) but is reading the Time of Day TC. We want to media manage and reconnect to original red files. FCP is opening the log and capture instead of log and transfer window, is there a way around that?

    You cannot Media Manage only the footage used in the cut and then reconnect to the master full length files. FCP cannot do that. For FCP to reconnect to the full res files it needs to have the clips full sized, as it read the beginning and end TC numbers, and the file name and duration. If none of those match, it can't reconnect.
    But...re-IMPORTING at full resolution...that should be possible. I have done this with P2. Media Manage the files, then connect the drive with the master footage, open L&T just to point FCP to the media, but only if the original location changed. If it is the same all you need to do is choose BATCH CAPTURE, and this will open the LOG AND CAPTURE interface...yes. But then it should import ONLY what you have marked in and out.
    But again, I have done this with P2, not RED...so take my advice with a grain of salt. I have zero RED experience.
    Shane

  • Missing Smooth Cam Render Files?

    I was editing my project on a Mac Book Pro, and it now has a charging problem that I will need to take it in to be fixed. So what I did is transfer my project to my Mac Pro. I had some files that I applied the smooth cam filter to, and the analysis was complete before moving my project.
    When I went to render those files (on the mac pro) it started to re-analyze the clip. I would really not like to go through this process again. As it takes so long. Any ideas?

    The analysis/render file did not get moved over. At this point you'll need to do the process again.
    One way to keep the process under control is cut the clip into just the segment you need smoothcam. Otherwise, the process will want to look at the whole clip, not just the segment you are using.
    x

  • Smooth Cam not exporting properly in FCP 7.03 - please help

    Hello
    I have a 30 minute video edit. A small number of clips have the smooth cam filter applied with default settings. When I export the finished project to a number of varied settings - pro res, pro res LT, apple tv, iphone etc... All the smooth cam clips are jittery and juddering -  and are not working for some reason.
    I have done a bit of research and apparently it's a bug in FCP 7.03 with interlaced footage (progressive works fine, apparently). All the source footage was transcoded to pro res.
    Someone said that putting the clips in motion and smoothing them out in optical flow would work and people had results. However I have no clue how to do this..
    Can someone please help me - I need to render a finished project today..
    Thanks in advance
    Nick

    Apparently it's a bug with Smoothcam's handling of interlaced footage in FCP 7.0.3 ... there's a post over on the Creative COW website detailing using Motion instead as Finnur mentions above.  Here's my own quick summary of that for those that aren't used to it :
    In FCP select the clip instance and choose FIle > Send To > Motion Project (or right click and choose Send To > Motion Project) and save the Exported clip to your scratch disk 
    The exported clip will open in Motion. Click the clip to select it and then from the toolbar at the top of the main window choose ➀ Add Behavior > Motion Tracking > Stabilize
    Next choose ➁ HUD (heads up display), and in that window ➂ set Method : Smooth, Borders : Zoom, and select Adjust : Position & Scale, and click the Movement : Analyze button
    When the Analysis is complete, choose Motion menu > Quit, and press "Save" when prompted. 
    When you return to FCP the smoothed Motion project (.motn) should be sitting in the sequence in place of the original clip ... it'll probably need rendering .
    Personally, I'd be inclined to just try adding the Shift Fields filter (Effects > Video Filters > Video > Shift Fields) to the jittery Smoothcam shot in FCP first, and see if that works, before jumping through the Motion hoops.
    Hope it helps
    Andy

  • Relink 100 of files at once?

    Is there anyway to relink a directory and actaully let Premier search for my footage? Right now I am manually puting my cut together of hunderds of files.
    if this doesnt exsist can we get this in a future update of cs5 as it is really odd this has not been implemented before, especially in a day and age when studios are apart and mostly online.

    Thats what I have done they came from a windows machine to my mac so i just used find to attach the files, defnitly needs a simple add directory feature to search in, problem solved. the odd thing is After effects kind of does that once you relink a single file and the same files are in that folder it relinks all of them, how ever it does not search sub directories.
    so I am frustrated as I the work was all over the place, I cleaned the working director and placed all the footage into neat folders easy to find and understand, only to find that Premier did not like this idea one bit.

  • Motion Stabilize vs Shake Smooth Cam

    Hello all,
    I am a Final Cut Express user that is looking to take some camera jitter out of a few clips I've taken. I know that FCE has and image stabilizer filter but for the life of me I can not seem to get good results by using it. This may or may not be operator error but in my defense I have done some research on using it. I also have access to Motion as well as Shake and in my research I've discovered that these apps also have tools for image stabilization.
    I've also discovered iStabilize which is much more consumer based (probably a good thing based on my sklills) but it would require purchasing it and it mostly likely will not provide the results of Motion or Shake (if I can figure out how to use them).
    To remove the video camera shake, which app will most likely produce better results and what additional considerations should be noted?
    Keep in mind that I have a decent background with FCE but virtually no background in Shake or Motion. I have however reviewed the manuals and watched a few demos. I've also launched both apps and have taken a stab at both (again with limited results). In motion I was able to apply the Stabilizer behavior and actually export the clip but I'm pretty confident I'm not utilizing it to the fullest as my clip is still very shaky. In Shake I was able to start a new script and add the Smooth Cam node but I could not figure out how to export the clip. Can I export as a quicktime file so I can easily put it back into my FCE project?
    So I guess my main questions are:
    Which app will remove camera shake better?
    How do I actually do it?
    Before I switched to Mac I used a very basic app for image stabilization. It was not a pro app but it was easy to use and produced decent results. I liked the fact that it had a split screen view where I can compare the clip before and after. From my poking around in Motion and Shake I can't seem to find a similar view.
    Any help or advice is greatly appreciated!
    ps. Here is an example of the videos I make. Its non-professional but I do like my projects to look decent. If I can learn a little about Motion or Shake and successfully have a good workflow for removing camera shake I will be thrilled. Thanks!
    http://www.splitboard.com/vids/somewhere.mov
    Message was edited by: bcrider

    hi,
    I'm not a big Shaker user but i believe you have to apply an Output node in order to render stuff out. However Specialcase is correct since Motion and Shake use the same technologies the results should be pretty similar. Motion is obviously easier to use. Just play around with the settings you'll get there. Motion doesnt have the split pane view, but you can just toggle the filter on and off to compare.
    Had a look at your film, and it looks very nice, the images are really stunning, well shot. Does that have camera stabilization in it. Looks pretty good. But did you know that the music track is only coming out of one channel?
    Keep at it
    regards
    adam

  • Motion Stabilizer vs Shake Smooth Cam

    Hello all,
    I am a Final Cut Express user that is looking to take some camera jitter out of a few clips I've taken. I know that FCE has and image stabilizer filter but for the life of me I can not seem to get good results by using it. This may or may not be operator error but in my defense I have done some research on using it. I also have access to Motion as well as Shake and in my research I've discovered that these apps also have tools for image stabilization.
    I've also discovered iStabilize which is much more consumer based (probably a good thing based on my sklills) but it would require purchasing it and it mostly likely will not provide the results of Motion or Shake (if I can figure out how to use them).
    To remove the video camera shake, which app will most likely produce better results and what additional considerations should be noted?
    Keep in mind that I have a decent background with FCE but virtually no background in Shake or Motion. I have however reviewed the manuals and watched a few demos. I've also launched both apps and have taken a stab at both (again with limited results). In motion I was able to apply the Stabilizer behavior and actually export the clip but I'm pretty confident I'm not utilizing it to the fullest as my clip is still very shaky. In Shake I was able to start a new script and add the Smooth Cam node but I could not figure out how to export the clip. Can I export as a quicktime file so I can easily put it back into my FCE project?
    So I guess my main questions are:
    Which app will remove camera shake better?
    How do I actually do it?
    Before I switched to Mac I used a very basic app for image stabilization. It was not a pro app but it was easy to use and produced decent results. I liked the fact that it had a split screen view where I can compare the clip before and after. From my poking around in Motion and Shake I can't seem to find a similar view.
    Any help or advice is greatly appreciated!
    ps. Here is an example of the videos I make. Its non-professional but I do like my projects to look decent. If I can learn a little about Motion or Shake and successfully have a good workflow for removing camera shake I will be thrilled. Thanks!
    http://www.splitboard.com/vids/somewhere.mov
    Message was edited by: bcrider

    YOU DA MAN captain mench!
    That was just the type of thing I was looking for. It really helped bring the pre-existing knowledge I've gathered from my readings and 1st attempt into scope. I've now got the motivation and confidence to get back into shake and try it again. Thanks!
    In regards to the camera and video. Thanks and glad you liked it. I shot it with the Canon HV10. The video I posted wasn't so much an example of the camera jitter as much as it was just an example of what I do. Thanks for the advice either way. I'm looking forward to doing more color correction in my projects too. Up until now I've settled for less. As I learn the apps I'm more interested in making the absolute best I can. I'm sure I don't have to tell you it's a work in progress.
    Thanks again. I'll be back if I need more help.
    ps. Does color correcting the clip first have any effect on how well Shake and SmoothCam will remove jitter? Also, when I send from FCP to Shake does it remove the interlacing? I noticed that SmoothCam only works with de-interlaced footy. Thoughts?

  • HELP: Smooth Cam wont work!!!

    Hello,
    I have been having some trouble applying the Smooth Cam Effect to clips in FCP 6. When a clip is active and I go to turn on the smooth cam effect in the video effects folder nothing happens. Smoothcam has no effect when it is applied. Replaying the clip with the effect on it does absolutely nothing different from the original. This is not a problem with exporting. This is a problem of just applying the effect to a clip. It doesnt even analyze the clip it should be applied to.......
    I have used this effect on other footage and have seen the difference it can make. However, with the clips I am currently working with I see no difference. All of the footage I am trying to apply this effect to is very jittery with a lot of fast camera motion. Footage that I thought would be perfect for the Smoothcam effect. Has anyone else experienced trouble with the smoothcam? Is there something I am doing wrong here?
    Any help would be greatly appreciated.

    It is possible that the clip's media you are having troubles with was previously analyzed.
    Control click the clip/s in question and in the popdown menu choose reveal in finder.
    If next to the original media you find a file with blank icon and extension .mtdf delete/trash that and apply smoothcam again.
    Remember that when applying the filter the entire media file to which your clip in the timeline refers to will be analyzed.
    If you want a specific portion (an edited clip) of the media to be affected by SCam then set IN and OUT and export that as QT movie self-contained (no loss of quality involved) then re-import that and apply SCam.
    L.

  • Is it wise to keep the Nikon camera files "DSC's"  after downloading them and converting to DNG files via Adobe converter for lightroom use. In other words do the DNG files have all the raw data I would ever need in processing or should I save the camera'

    Is it wise to keep the Nikon camera files "DSC's"  after downloading them and converting to DNG files via Adobe converter for lightroom use. In other words do the DNG files have all the raw data I would ever need in processing or should I save the camera's DSC files?

    DNG files do not contain some metadata supplied by the camera, which can be used by the manufacturer's software. Thus, if you don't keep the original Raw photo, you will lose this information.
    If your 1000% sure you're never going to use the manufacturer's software, then this isn't a problem. But who can be sure what software you will be using 10 years from now?

  • Unable to relink to identical file in different location

    I have a library I created over a year ago. The library is stored on an external hd and the media is stored on the external as well, although it's referenced via sym links (not stored in the library itself). I also have all the media backed up on a server.
    What I'd like to do is relink all of the media from the external drive to the files on our server. What I did, was copy the library from the external HD to the computer, eject the external drive so it can't link to any of the media. Then open the copied library (on mac) in Final Cut Pro X and go in to relink files. Here is where the issue comes into play:
    I can relink all the files except 2100 clips from a Canon 5D Mark III. Even if I grab the exact same file that was on the external HD and copy it to the server, it will no longer relink. After digging around and adding a clip from the server to the library, I've found out that there is now timecode on the exact same clip. It's almost like when I originally added the video clip a year and a half ago, FCPX didn't recognize SMPTE and so the timecode started at 00:00:00. Now it does and it thinks the clips are completely different. I'm in search for another workaround, but at the moment, the only way I know of is to open a clip in Quicktime 7 and manually go in and delete the timecode, save the file and then it will link. With 2100 clips, this becomes problematic.
    I'm using the latest version of Yosemite and FCPX
    Any suggestions on the best way to solve it?

    Yes, ASO has the concept of 'tablespaces'. There are four (default, temp, log and metadata) but you probably just want to move the 'default' and 'temp' tablespaces to your SAN location. Temp will look really small (i.e. empty) until you run a restructure or aggregation and then it'll explode to the size of the default tablespace so it's important not to miss.
    See the section on 'Managing Storage for ASO Databases' here http://docs.oracle.com/cd/E17236_01/epm.1112/esb_dbag/asysadmn.html, or the 'alter tablespace' MaxL command here http://docs.oracle.com/cd/E17236_01/epm.1112/esb_tech_ref/maxl_alttabl.html.
    EDIT: Actually, looking at the documentation, I see that you can't move the metadata or log tablespaces. But you're probably only going to care about 'default' and 'temp' anyway.

  • I can not relink my project files.

    Hello,
    I have been researching this topic for over an hour and now I'm deciding to post in here. I disconnected my external hard drive on accident without turning off my computer first. Now I'm seeing what you see below. My first and urgent priority is that I relink my project files. After that, I'm going to need to relink all of my files in the library as I have lost every single one of them. Thousands of shots from a documentary to be exact. I have tried file/ relink, but FCP X is not locating my files this way. Can somebody please help me figure this one out. Thank you very much.
    Trey

    but FCP X is not locating my files this way
    FCP will not locate the files for you if they've become unlinked. You have to point the application at the file it's looking for.

  • Question about camera file generator

    Dear all,
    I was trying to set up my camera with the frame grabber using camera file generator. My camera is a linescan camera, which is 1024x1 pixels.
    My question is, in the camera file generator, I can choose to display maximum number of rows which could be any number I key in, for example, I can choose to display 1024x256 or 1024x800.So since my camera has only one line of pixels, where are all the other rows come from?How does it work?
    Thanks a lot!

    Hi
    When you create your icd file, the height value, will be the maximum number of lines you can accumulate.
    So when you will use your camera with MAX or LabVIEW, you can specify an image height within 1 and this value.
    I suggest to set this value pretty high (10000 lines for instance) so that you are free to request a big image in your application.
    Regards

  • Custom batch rename files with Aperture 3 in the following format: IMG_0023.cr2 to Smith_YYMMDD_0023.cr2?  I cannot find a way to structure the date in Aperture as such, as well as extract only the camera file

    Please advise how to custom batch rename files with Aperture 3 in the following format: IMG_0023.cr2 to Smith_120816_0023.cr2?  I cannot find a way to structure the date in Aperture as such (YYMMDD), as well as extract only the camera file (0023, for example).  Adobe Bridge CS5 can do this, but NONE of the Adobe software is retina optimized, and is terrible to look at.

    In Aperture you are limited to renaming files by the entries in the File Naming preset window.
    At what point are you looking to rename, import or export? It might be possible to do what you are looking to do external to Aperture either via a script or other software.
    regards

  • Should I modify the camera file to change the greyscale resolution of my Photonfocus camera from 8 to 12 bits?

    I have some difficulties to use my Photonfocus camera with 12 bits greyscale resolution.
    I have a Photonfocus camera MV-D1024E-160-CL-12, a NI PCIe-1429 frame grabber, PFRemote 2.0 and Measurement & Automation Explorer 4.2.1.3001.
    If I work with 8 bits greyscale resolution (PFRemote -> Data Output: Resolution : 8 bit) and look at the image with MAX (Système -> Périphériques et interfaces -> NI-IMAQ Devices -> img0: NI PCIe-1429 -> Channel 0: PhotonFocus MV-D1024-160 (file in attachment), everything is working.
    Now I'd like to work with 12 bits and I don't know exactly what I have to change? I've tried to change only the resolution in PFRemote (PFRemote -> Data Output: Resolution : 12 bit) but then the image in MAX remains a 8 bit resolution. Then I've tried also to modify the camera file (file in attachment). I've put the "BitDepth" and the "BitsPerComponent" at 12 instead of 8 and the "BinaryThreshold" to (0,4095). But when trying to grab an image in MAX, an error occured: "Error 0xBFF600FE Le nombre de bits par pixel requis est invalide".
    Should I really modify the camera file in order to grab 12 bits images? Or what should I do?
    Thank you
    Mélanie
    Attachments:
    PhotonFocus MV-D1024-160.txt ‏5 KB

    Hi toto26,
    Thank you very much for the information. I did exactly the same thing as you suggested for 8-bit, and I were able to change the resolution (number of pixels), exposure time, frame rate without any problem. I understand that I need to coordinate the MAX icd file and the settings of PFRemote.
    When I tried to switch to 12-bit, I found that I need the camera file (.icd) for 12-bit. I tried the attached icd in the previous discussion (Photonfocus MV-D1024E-160-CL-12 12-bit 1429 X4 only.zip 2 KB). There was an IMAX Error: Error 0xBFF6002C, FIFO overflow caused acquisition to halt. Then I think maybe this camera file is not good for me because I have a PCIe-1427, instead of a PCIe-1429. 
    So, I downloaded the camera file generator (from the same link you suggested) to create my own camera file. When I run the generator, the first window popped out was for camera setting, and there was no Photonfocus in the choice for the Manufacturer. Is it true that I cannot create camera files for Photonfocus camera, or I simply don't know how to use the generator?
    Thanks again for the help and I look forward to more advices.
    Regards,
    Hasi

  • Native camera file size does not correspond to 8x10 or 11x14 prints, help

    Hi All,
    If you could possibly provide me with some light room help.  I'm shooting with a Nikon D2H, and the files that are output from this camera are natively sized at 1632 x 2464.  So if I wanted to order an 8x10 print from my site, the photo would have to crop, same with 11x14, and so on. Those are standard sizes, and i would like the ability to purchase those size prints with out cropping photo.  Is there a way in light room to manipulate the original file before export, so that they could be ordered as 11x14 or 8x10 with out having to crop?
    Really appreciate any help,
    Joe

    The aspect ratio is different on the camera files (2x3 aspect ratio) and the print sizes you listed. As noted, the way to get 8x10 or 11x14 prints of the entire image is to have different size borders around the image (wider borders on the long side than the short side). Here is a bit of info about aspect ratio that I use to help describe the situation: http://johncornicello.com/articles/aspectratio.html

Maybe you are looking for

  • Which phone to buy xperia E3 or M2 or Moto G2

    Hi .....i was a owner of xperia L.i lost that mobile.now i am planning to buy a phone either E3 dual or M2 dual or moto G2.please suggestion the good one.money not matters in this range. also please let me know if any other new model yet to release i

  • BH-903 turns mono instead of stereo

    Hi, I have been using Bh-903 with e71 and earlier with E61i and was very satisfied with it. However since last week it has turned mono I can only hear audio from right ear and left has gone silent. I have tried reseting the headset but problem remain

  • Cisco Security Manager IOPS for Storage (VM Deployent)

    Hi, I've been asked by a client about the Cisco Security Manager requirement to have 1TB of storage for events and another for archiving. They wish to know the IOPS requirement for this storage. Please could anyone assist in this ? Many thanks, Mark 

  • Set selection range in Inbox of Interaction Center Winclient

    Hi Gurus, Does anybody know how to change the set selection range (dates) of the Planned Activities in the Inbox nail of the Interaction Center Win Client. Thanks. Message was edited by:         TPT TPT

  • Calculator for addition using module pool

    Hai all,    I going to create a calculator for addition using module pool .    i have set a screen 9001 and i placed a box and inside that i    placed 9 push buttons with the naming of 1,2,...9 as same as the normal calulator   then i have a "PLUS" p