Render from in and out points in motion 5

I'm trying to render from the in/out points to comressor. I set the markers, go to share > export using compressor settings, choose In/Out points under duration, but it still renders the entire sequence. Am I missing something, or is this broken?

I'd like to add to this problem. I assume it is a similar question. I'm making the move from iMovie HD to FCE. One of the transitions in my test movie brings in unwanted footage (a man in a hi-vi jacket) which I though I had cut out using the 'mark in' button in the viewer pane. How can I get FCE to use only footage I have selected for the final movie for the transitions? Or, do I have to move the 'mark in' edit point further along to avoid this?
Thanks
John

Similar Messages

Setting In and Out Points for Render

Hi everyone!
I was wondering how to tell color to only render from and in and out point, instead of rendering for a whole clip. In FCP I take a ten minute capture, then break it up into sub-clips for each shot, and then edit some of these sub-clips into my video.
When some of these sub-clips require correction in Color the sequence gets sent to color just fine, but when it renders my changes it renders it to the whole clip that the sub-clip came from. This takes too much time because I only need the sub-clip to be rendered, not the whole clip, because that's all I use in my video.
How can I fix this extra rendering? Thanks in advance!

I think that you might find the answer to your question on this link below.
http://docs.info.apple.com/article.html?artnum=306566
Zia

Clips shift in and out points after render (Dissolves messed up too) Urgent

Hello all, I have a frustrating and urgent problem.
I'm working with DV NTSC footage at 23.98 fps, shot 24pA and captured with the advanced pulldown removal from a dvx100.
The problem arises when I am rendering my footage from a color correction, etc, the in and out points of my shots change and the shot seems to shift. The cut points don't change, but the shot shifts position within them, almost as if rendering has caused final cut to use the slip tool on these and move them ever so slightly forward or backward.
This problem is also effecting my dissolves, causing them to start to dissolve then suddenly jerk into another part of the clip and then back to the shot that it is transitioning to.
I have tried outputting a QT movie of my timeline (in order to color correct that instead and avoid a render), but as you may have guessed, this only results in a QT movie with all of the above problems.
It is very similar, if not the same, as the problem described here: http://discussions.apple.com/thread.jspa?messageID=8096178&#8096178
I'm under a deadline and any help would be very much appreciated.
Thanks all,
Nathan

I've had that happen before. Crazy as it sounds, I "solved" it by laying a large video file over the top of the timeline (covering everything) then brought the opacity down to 0%. Go figure but it worked; everything straightened out and rendered fine.
Ghost in the machine for sure.

How to remove all in and out points from extendscript code?

Hi,
I am creating a sequence from a clip from extendscript code to automateToSequence function.
But if there are some in and out points in the clip only the select clip part is converted as a sequence, what is the solution to remove all those in and out points from extendscript code, or to get the full clip to sequence even there are some in and out points.
I am using the function like this; qe.project.getItemAt(i).automateToSequence(seq,0,0,1,1);
Please suggest,
Thanks and Regards,
Anoop NR

Double click the pre-comp or nested comp, open comp settings from the menu or by using the keyboard shortcut Ctrl/Cmnd + k.
Note, changing the length of the comp will not extent the length of footage or layers inside the comp. You have to do that manually and it depends on your footage type.

Problem - Title Cards in Vid Track 2 Skewing In and Out Points in Track 1 ?

Hi,
Vast confusion. I'm working with edits in a timeline, created from video files that are "Avid Meridien Compressed" Quicktime Files. These are files that I exported from Avid. They are 24P files. The timeline has been set to 23.97, and everything in Video Track 1 makes sense, no problems, no render line because the project compression settings have been set to "Avid Meridien Compressed".
Ok, so here's the problem. I am creating title cards with the video generator in FCP, and trying to super them into my edits by placing them into Video Track 2. But the moment I drop a title card into Video Track 2, (over an edit I have made in Video Track 1), there is a SHIFT in the in and out points of the source video in the timeline. For example, let's say an edit in my timeline has a source in of 02:02:30:17 and an out of 02:02:35:17. The moment I try and drop a title card over this edit in Video Track 2, the source video in Track 1 shifts, so it now begins at 02:02:31:29 and ends at 02:02:36:29.
It is as if the title cards refuse to conform to the 23.97 timeline, and are overriding the source video edit decisions in Video Track 1.
Does anyone have any thoughts on why this is occcuring? Does anyone have any suggestions for a remedy? BTW, I have also tried creating title cards in photoshop and dropping them in, but with the same result: it changes the source time code edits by shifting them later into the source video.
Thanks,
Mtbakerstu

Update!
While I was never able to get the Vid Track 2 title cards to stop shifting the edit decisions in Vid Track 1 when using the preset that is in tandem with the actual source video files (Avid Meridien Quicktimes at 23.98), I did find that by changing the Sequence Setting to DV/DVCPRO50 NTSC at 23.98 that I could drop the titles into Vid Track 2 successfully without any skewing of edit decisons. You now have to render the timeline, but a quick test of an MPEG2 export showed that there's no denigration in image quality with using this setting.
So that's the scoop. It seems that there's no pure solution to this issue. Perhaps if there's a way to generate title cards out of Avid that are importable into FCP, that would do the trick, but I haven't taken my research that far.
Thanks for your help!
Stuart

Getting Color to only render between in an out points

When I import into FCP, I generally create slices of my movies between 1 and 5 minutes depending on what is in them. Then I slice them up with multiple in and out points and place them on my time line. This is all good until Color gets in the mix and its very confusing why it does what it does.
It appears that when sending to color and selecting a primary setting and then rendering, it renders the entire length of the clip (5 min in this example) for every single slice created with that mov file. Now before you tell me this makes sense, you'd have to explain why upon rendering it, it chops the entire film off at exactly my in and out points so as to prevent me from doing any further work such as adding a transition or sliding things around using slip edits or anything else.
So to get this straight, it renders the entire 5 minute clip, then chops it off at 5 seconds which was all it had to render to begin with.
So my question you ask? Well, I want to know if there is a way to get Color to chop the clips off before it bothers rendering? As I said, it makes no sense at all what its doing currently.
And my last question, is there a way to get Color to create handles so that if you decided to add a transition later on you could?
Thanks,
glenn

CHOP: "once clips have been color corrected in COLOR, they are no longer associated with the original media in any way"
Right the first time.
There is the "handles" approach that allows a few frames wiggle room.
CHOP "So should I tell the label that it's a 4-step process or too much of a hassle to extend a shot beyond the original edit?"
(This is an after thought: Has a client ever asked you to "dolly back" a little bit more on a clip to include more of the scene in a frame? Just wondering.)
Lets say it takes a bit of planning.
CHOP: "back to a telecine or flame bay...Quality is never cheap $$. "
Also correct. But there are a few of us that have the delusion of working in the "real world"... where are you? Hollywood?
Actually the FCP/COLOR linkage is a bit better than the old tape/daVinci model. Now that was a hassle.
jPo

Can I control the in and out point of a layer with a keyframe?

Hi all, I'm working in a sort of template for a series of mograph videos. Some sort of motion typography work.
The animation is always the same but the only thing that changes is the length of the video (for legibility purposes).
I was wondering if I can control the in and out points of a layer with the keyframes from another layer.
Lets say Layer's A keyframe from slider 1 position in time is the out point (plus/minus an offset would be also great) of layer B.
I've been playing with expressions on a regular basis but I don't really know where and how to write an expression like that or if it's possible.
Thanks in advance

This should probably be moved to the expression forum then.
I'm not sure I understood the details of your project but here's a basis: you can do that with an expression in the layer's time remapping property. So if you want a layer to start playing at the second keyframe on another layer, you can try something like (writing in my browser, watch for mistakes):
//   The "number" of the keyframe (first, second, third, etc)
var index = 2;
//   The layer with the keyframes
var l = {pick-whip the layer with keyframes here};
//   Just a safety, check the layer has at least enough keyframes
if (l.numKeys >= index)
     //   If yes, the new time is the difference between the keyframe's time and the current time
    max(0, l.key(index).time-time);
else
     //   Doesn't matter, let's return 0
    0;

Fcp x 10.0.9 I can't select in and out points while importing media, and scrubber won't work in event browser.

I have two problems, and I have already un installed and reinstalled FCP X, and still have the issues.
1) In the import media window I can no longer select my in and out points to import. Pressing the "I" and "O" keys, I just get the audible error beep.
2) in the event browser I can select the in and out points, but it will no longer scrub through the clip with the cursor.
I do have OSX Mavericks installed, but the issue was prior to the install.
Model Name:          MacBook Pro
Model Identifier:          MacBookPro8,2
Processor Name:          Intel Core i7
Processor Speed:          2.2 GHz
Number of Processors:          1
Total Number of Cores:          4
L2 Cache (per Core):          256 KB
L3 Cache:          6 MB
Memory:          16 GB
Boot ROM Version:          MBP81.0047.B27
SMC Version (system):          1.69f4
Serial Number (system):          C02FV4Q9DF91
Hardware UUID:          E3FD9128-C34D-5DA8-B18A-6AA9B541386E
Sudden Motion Sensor:
State:          Enabled
David Cameron

Tom, perhaps I used the wrong terminology, skimming not scrubbing. In the event browser on the thumbnails of my clips, I recall being able to skim to a point and then select the in and out points. It apparently is solved. I guess the reinstall fixed it. Well like taking your car to a mechanic its not making the clicking sound now.
As far as the import. I think by your response you solved the problem. I can select the in and out point when I import from a camera or my iphone, but I did not realize you could not select the in and out points from a video file already on my hard drive.
I appreciate your responce, and have a great day.
David Cameron.

Removing between and in and out point in the timeline

I don't usually post on forums but this has got me quite perplexed:
How do you remove a chunk of media between and in and out point in the FCPX timeline?
It's can't be as hard as it seems to do this task that you have to do all the time. I have a 2 hour 3 camera shoot and I want to remove quite a few 2, 3 minute chucks all through the show. I can't find any way to easily remove these chunks. I know there's no real in and out point in the FCPX timeline anymore but there HAS to be some way to easily remove all the video and audio between two points !!!
I feel really dumb! The answer can't be to make a compound clip as that sure is a pain just to remove something from the timeline. And to blade each individual track means I have to blade at least 8 or 12 things just to remove it!
I have to be missing something. Thanks for any input.

Thanks Tom.
I'll have between 3 and 6 layers at any point. I've tried command B but the problem with that is it only puts a cut on the primary storyline. It will cut more than that if I select all the layers. By doing that it's like a 5 or 6 step process to delete chunks of media in the timeline. I can't believe there isn't an easier way than that.
But what makes it worse as I have a long piece of audio only media that is for the whole show. Its a connected clip to the primary storyline. when making edits with command B and then deleting what is between the edits this main audio gets deleted from the edit forward. IT's like this audio becomes a connected clip right after the edit when command B is made. it looks connected to the next clip after the command B but it deletes when I delete the chunk between the command B.
This is so silly that I can't easily delete media from the timeline in this way. It's such a simple thing!

In and out point feature not working

I am a teacher at a tech school and I teach Premiere Pro CS5.5 I teach my students how to use the in and out points in the source clip monitor and then to select the button to insert or overwrite that section to the time line. I also teach them how to use the in and out point in the timeline monitor and then to select the button to lift or extract that section from the time line. For some reason this works for most of the students, but not for all. I actually had it happen to my project during a demonstration. Sometimes the action that you wanted on the timeline will not happen. The playhead may slide over like it worked, but the clip is not there or the extraction never happened. I check all the other video tracks to try to see if it is on another track, but it is not. The fact that it works for some students and not others, makes me think that maybe it has to do with the type of video clip they are working with (similar to the mono/stereo/5.1 differences with audio clips). I have to be missing something. Help!

You didn't say Mac or Windows, but my experience on Mac is that some features of Pr 5.5.2 just stop working, and can only be brought back by an app relaunch, a reboot, or by trashing the preferences (Hold option down while launching from the Dock.).
But... some of what you describe could also be caused by not selecting the track selectors in the Timeline panel properly.

Video after In and Out points Changed

After opening up a video in the Viewer and setting In and Out points, and dragging it back to the Browser afterwards:
1. I tried changing the name of the clip that I dragged back to the Browser, though it changed the names of the other clips in the Browser to the same name. Why?
2. How come when you double-click on the new clip and it shows in the Viewer, it shows the In and Out points as well as the video from the original segment around it. Is this the way it is supposed to be? I thought it was supposed to just display the segment of video starting with the In point and ending with the End point.

1. do some reading in the manual. Might try making the clip independent.
2. Yes. I know it may seem weird, but it has some really powerful uses. Double click on a clip in the timeline, it loads in the viewer. You can then change your in and out points in the viewer and they will be reflected in the sequence. (with some limitations). If you want to "isolate" the material between an in and an out, check out "make subclip."
This is very basic fcp stuff. Skim the manuals, explore the menus, you'll figure this stuff out pretty quickly.

Setting in and out points in list view.

I am in list view. I am showing several favorited clips from one video. Say I am playing back the third favorited range and I want to select in and out points for that favorited range. The video is playing and I hit i. I am immediately jumped from the favorited range I have selected to the first favorited clip in the list. When I click back on the clip I was setting the in point for I find that it has set the in point where I wanted. The entrire process then repeats when I try to select the out point. Set out point. Jumps up to first clip. Click back on original clip to get to my out point.
This is very frustrating and makes using favorites and list view a huge waste of time. Can anyone help?

That should not happen. Before anythign else, do these two things.
1- Go into the "Final Cut Pro" menu, "Command", and be sure "Default" is checked. Quit out of FCP X.
2- Open System Preferences (Apple menu), Keyboard, Keyboard Shortcuts. Click the "Restore Defaults" option. The issue here is OS shortcuts will override app shortcuts.
3- Launch FCP X and try again. If that doesn't fix it...
4- Download the free app "Preference Manager" from Digital Rebellion (dot com) and use it to delete the FCP X pref files.
After you've done all of these, report back and let us know what's up.

After update all of my subclips have different in and out points

After updating Premiere Pro CC all of my subclips now have different in- and out points. It´s hundreds of subclips and they have nothing to do with how they´ve been before. The In-Point is always the In-Point from the original Master-Clip, the out-Point seems to be totally random. So I can´t work with them at all. Can I go back to the previous version or can I get my subclips back somehow? THANKS!!

There are no viruses that can affect Apple OS X.
What files do you keep on the Desktop? How many?
Performance tip: Keep the Desktop clutter-free (empty, if possible)
Mac OS X's Desktop is the de facto location for downloaded files, and for many users, in-progress works that will either be organized later or deleted altogether. The desktop can also be gluttonous, however, becoming a catch-all for files that linger indefinitely.
Unfortunately - aside from the effect of disarray it creates - keeping dozens or hundreds of files on the Desktop can significantly degrade performance. Not necessarily because the system is sluggish with regard to rendering the icons on the desktop and storing them in memory persistently (which may be true in some cases), but more likely because keeping an excessive number of items on the Desktop can cause the windowserver process to generate reams of logfiles, which obviously draws resources away from other system tasks. Each of your icons on your desktop is stored as a window in the window server, not as an alias. The more you have stored, the more strain it puts on the window server. Check your desktop for unnecessary icons and clear them out.
Keeping as few items as possible on the Desktop can prove a surprisingly effective performance boon. Even creating a single folder on your Desktop and placing all current and future clutter inside, then logging out and back in can provide an immediately noticeable speed boost, particularly for the Finder.
And it is why Apple invented 'Stacks' for Leopard.
Here is Apple's take on the subject:
http://www.apple.com/pro/tips/immaculate_desktop.html

Batch convert clips cut with razor instead of in and out points. How?

I cut a lot of clips on a big file with the razor instead of marking in and out points and now I want to batch convert. How?
Adobe CS5.5

Hi AK,
AngusKirk wrote:
I cut a lot of clips on a big file with the razor instead of marking in and out points and now I want to batch convert. How?
Adobe CS5.5
You can do that in Premiere Pro CC, but not before. Drag the clips from the Timeline to a bin and then export.
Thanks,
Kevin

Batch Capture Randomly Changes In and Out Points

I'm editing a documentary on Final Cut Pro 5.0.
Using a SONY DSR-11 firewire deck.
I logged sets of clips and then batch captured them. I DIDN'T select add handles in the batch capture tool. Some clips, as they're captured, change their in and out points. Sometimes by two frames early, sometimes by two frames late, and sometimes not at all. Several clips even stopped captured with an out point twenty seconds earlier than what I'd logged. The result is that I have clips with media start and media end points that are not in what I wanted. There seems to be no rhyme or reason whatsoever to this.
Any ideas what's going on?
Many Thanks if you do!
Micah
G4 Mac OS X (10.4.6) Dual 1.25 Processors

Check to see if your tapes have NDF time code.
If you play a tape with NDF TC using Log & Capture, the current time display will defaut to DF until the tape palys forward long enough for the current time field to update. It is posible to log NDF tapes as DF, in which case the timecode values can be incorrectly re-converted if recapturing.
Also, If you initiate a batch capture from the browser, FCP will default to DF, and not be able to update the TC format to NDF duriing the batch. The workaround here has been to cue up NDF tapes with L&C, and start the batch capture while L&C is still open and showing NDF TC.
However, upon upgrading to FCP5 last year, I found that even observing all these precautions and steps, FCP would still shorten the out point of my captured clips on NDF tapes. I was capturing a feature film that came from the UK, and so the starting time on the master was 10 hours instead of 1 hour. When the DF/NDF error occurred and shortened the out point of my 2-hour clip, it did it by several minutes instead of several seconds, because of the starting TC on the tape. In that case, I wound up adding several minutes to my out point and recapturing the end over again.
I haven't experienced this issue lately, but it comes up every now and then.

Render from in and out points in motion 5

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