*** Sequence settings for Canon 5DmkII video

I'm trying to edit video footage from the new Canon 5D mkII and I don't know the sequence settings. The playback is really stuttery and jittery so I'm wondering if there's a plug-in or something that I need. Does anyone know?
Thanks in advance!

That shoots h.264 I believe, which is a delivery codec, not an editing codec.
Convert it to an easy set up for FCP, ie pro res, DVCProHD or something in the easy set ups using QT Pro

Similar Messages

Import/Export Settings for Canon T4i Video

Hey folks,
I'm new to Premiere and loving it, but I'm wondering what the best sequence settings, as well as export settings, will be for video captured from my Canon Rebel T4i camera.
I prefer to shoot either in 1080p with 24 fps, or 720p at 60 fps––what settings within premiere should I use when setting up my project, and what are some good export options for Youtube/Vimeo?
thanks!

FAQ: How do I choose the right sequence settings?
FAQ: How do I export a movie for YouTube, Vimeo, iPad, iPhone, or Apple TV?

Sequence settings for Sony HandyCam video

I'm working with video shot on a Sony Handycam HDR-CX550. I had no problem importing it into iMovie and then to FCP, however I can't figure out what sequence settings I should use. It appears to be 16x9, but shows up as 4x3 in my FCP bin. Also, the sequence settings I've tried all require rendering every time I make an edit, which obviously becomes a huge pain.
Thanks in advance for any suggestions.

My understanding is that IMovie works with DV streams (files with a .dv extension). You need to convert these to DV quicktimes (with a .mov extensions). Use Compressor (which comes with fcp) to do this. There is an apple preset for this format.

FCP sequence settings for Sony HandyCam video

I'm working with video shot on a Sony Handycam HDR-CX550. I had no problem importing it into iMovie and then to FCP, however I can't figure out what sequence settings I should use. It appears to be 16x9, but shows up as 4x3 in my FCP bin. Also, the sequence settings I've tried all require rendering every time I make an edit, which obviously becomes a huge pain.
Thanks in advance for any suggestions.

I have FCP 6. Should I put this question in the Final Cut Studio forum?

Develop defaults - My settings for Canon 5DmkII

These are the default develop values I use on my Canon 5DmkII. (After many hours testing on 100+ images)
Comments and advice welcome...
Landscape, ISO 100-200, 24-105 Lens
CameraProfile = "Adobe Standard",
Clarity = 20,
ColorNoiseReduction = 15,
ColorNoiseReductionDetail = 80,
Contrast = 25,
EnableCalibration = true,
EnableDetail = true,
EnableLensCorrections = true,
LensProfileChromaticAberrationScale = 100,
LensProfileDigest = "0387279C5E7139287596C051056DCFAF",
LensProfileDistortionScale = 0,
LensProfileEnable = 1,
LensProfileFilename = "Canon EOS-1Ds Mark III (Canon EF 24-105mm f4 L IS USM) - RAW.lcp",
LensProfileName = "Adobe (Canon EF 24-105mm f/4 L IS USM)",
LensProfileVignettingScale = 100,
LuminanceNoiseReductionContrast = 50,
LuminanceNoiseReductionDetail = 70,
LuminanceSmoothing = 10,
ProcessVersion = "5.7",
Saturation = 5,
SharpenDetail = 80,
SharpenEdgeMasking = 25,
SharpenRadius = 0.8,
Sharpness = 40,
Vibrance = 20
Landscape, ISO 400-800, 24-105 Lens
CameraProfile = "Adobe Standard",
Clarity = 20,
ColorNoiseReduction = 20,
ColorNoiseReductionDetail = 60,
EnableCalibration = true,
EnableDetail = true,
EnableLensCorrections = true,
LensProfileChromaticAberrationScale = 100,
LensProfileDigest = "0387279C5E7139287596C051056DCFAF",
LensProfileDistortionScale = 0,
LensProfileEnable = 1,
LensProfileFilename = "Canon EOS-1Ds Mark III (Canon EF 24-105mm f4 L IS USM) - RAW.lcp",
LensProfileName = "Adobe (Canon EF 24-105mm f/4 L IS USM)",
LensProfileVignettingScale = 100,
LuminanceNoiseReductionContrast = 25,
LuminanceNoiseReductionDetail = 65,
LuminanceSmoothing = 15,
ProcessVersion = "5.7",
Saturation = 10,
SharpenDetail = 40,
SharpenEdgeMasking = 35,
SharpenRadius = 1.0,
Sharpness = 40,
Vibrance = 20,
Portrait, ISO 100-200, 24-105 Lens
CameraProfile = "Adobe Standard",
Clarity = 10,
ColorNoiseReduction = 20,
ColorNoiseReductionDetail = 60,
EnableCalibration = true,
EnableDetail = true,
EnableLensCorrections = true,
LensProfileChromaticAberrationScale = 100,
LensProfileDigest = "0387279C5E7139287596C051056DCFAF",
LensProfileDistortionScale = 0,
LensProfileEnable = 1,
LensProfileFilename = "Canon EOS-1Ds Mark III (Canon EF 24-105mm f4 L IS USM) - RAW.lcp",
LensProfileName = "Adobe (Canon EF 24-105mm f/4 L IS USM)",
LensProfileVignettingScale = 100,
LuminanceNoiseReductionContrast = 25,
LuminanceNoiseReductionDetail = 60,
LuminanceSmoothing = 15,
ProcessVersion = "5.7",
Saturation = 5,
SharpenDetail = 40,
SharpenEdgeMasking = 30,
SharpenRadius = 1.4,
Sharpness = 35,
Vibrance = 20,
Etc.
Interested on other peoples ideas, settings, etc...
Mike
Note: I use Rob Cole's 'Collection Preseter' and a load of smart collections to apply these settings... I have a load more dev presets, including adjustments for extra sharpening when certain focal lengths or apertures are used, etc.

That shoots h.264 I believe, which is a delivery codec, not an editing codec.
Convert it to an easy set up for FCP, ie pro res, DVCProHD or something in the easy set ups using QT Pro

Best sequence settings for editing HD video material from Nikon D3S

Hello there,
My quesstion is, what are the best settings in FCP for editing material from the Nikon D3S?
At this point I had a sequence (automatically generated from FCP) with settings
Frame Size: 1440X1080 Aspect Ratio (1440X1080) (16:9)
Pixel Aspect Ratio: HD 1440 X 1080
Field Dominance Upper (Odd)
Editing Timebase: 25
QuickTime Video Settings
Compressor: HDV 1080i50
Now, when I place a video clip form the D3S into the timeline, in the preview screen it does not fill the frame. I have to grab the corners and pull it to fill the gaps.
I opened the same video clip in QT to check on the inspector and this is what is telling me:
Apple OpenDML JPEG, 1280 X 720
FPS: 24
Normal size: 1280X 720
Current size: 1280 X 720 (Actual)
What do I need to do, so that the sequence settings are very similar to my AVI files? Or to make the same? I assume that if I pull the corners to fill the frame, I am loosing quality? Is that the case?
Since I need to deliver this today I will continue working on the sequence as with the former settings, but I am wondering that if I have to change the settings, will this affect my already edited material? Do I then need to start a new sequence from scratch?
Sorry, I guess too many questions, but they all lead to the same thing
Thanks a lot!
Emil

I have a D3s. I'm using FCP7, it's been awhile since I used version 5 so all I can do is let you know my workflow with ver.7 If you convert to ProRes 422 1080x720 24fps, it works very well, change the audio from 44 to 48kHz and set the frame rate to 24 instead of 23.98
Here's what I do.
1. Copy the CF card to the HD of the computer
2. Open Compressor, in these next steps we'll make a custom Droplet.
a. In the Settings tab, select Formats > Quick Time > Apple ProRes 422
b. Drag this to "Drag Settings & Destinations Here" and click it
c. In the Inspector, select Encoder
d. Select Video Enabled, then hit Settings. Frame rate 24 > OK
e. Select Audio Enabled, then hit Settings. Choose 48 kHz
f. Save As. Name it. It will be in > Settings tab > Custom
g. Click your new Cutom setting
h. File > Create Droplet
i. select your new custom setting
j. save it to the desktop, leave destination as source.
3. open the Droplet,
4. drag all you D3s clips in, change destination to a new folder
Now you have all your original .DVI and the converted ProRes clips
5. Open FCP, select Final Cut Pro > Audio/Video Settings
6. in the Sequence Setting tab select Apple ProRes 422 1280x720 48kHz
7. Clip Duplicate and give it a new name
8. change the Editing Timebase to 24 > OK
9. select the summary tab click Create Easy Setup
10. name it, give it a description > Create
11. the next time your open FCP use this Easy Setup
12. your D3s clip should not need rendered now.
13. When your done editing use Send to Compressor
14. Vimeo will accept a wide varity of formats
15. I use Quicktime H.264 with settings set to best
16. For Blu-ray I use Export to QT Movie and use Sony DVD Architect to author the BD at 35 mbps, but that's another story.

Sequence Settings for Canon 1Dc 4K Footage

Has anyone tried editing the log file in Premiere? I have not found a preset for this file type. Any suggestions as to the sequence settings?

Hi Kevin
I would think so too, right?
I did send in a bunch of system crash reports when it happened from my account (email address removed), perhaps you can pull those?
The crashing was very erratic and happened while placing clips on a sequence, and also while attempting to press File>export. The settings I was exporting were the following:
4096 x 3112
24fps
80 mbps VBR
profile: high
level: 5.1
That was with CC. I also tried it in CS6 and was able to create a finished sequence, but both times I tried exporting the times were very slow and the eventually the Mac Pro was locked up and had to be manually restarted.
Help!
Dave
(web address removed)
Edited by Kevin Monahan. Personal info removed.

New Sequence Settings for iPhone 4 Video?

Hey everyone! I looked through the CS4 forum and didn't find an answer to this question, so thought I would post it here.
I am using Premiere Pro CS4. I have taken HD video using my iPhone 4 (1280x720, 29 fps, data rate 11011kbps, etc). I want to splice together a series of these short videos, but am unsure of how to keep the HD picture quality when I export to a new *.avi file. Each time I export to an avi my resolution and picture quality drop considerably. Does anyone have a suggestion on how to keep the 720p quality? I am sure my problem is the wrong video preset (I've tried HDV 720p30 and HDV 1080p30 without luck). Any suggestions here would be appreciated!

Now, if you will wish to create DVD-Video, then you might wish to consider maybe two different Exports. One for other playback, and then look at down-rezzing for SD/DVD-Video playback. This ARTICLE should give you some tips on HD to SD.
Good luck,
Hunt

Which sequence settings for Canon Rebel T2i ?

Hi everyone!
I need immediate help. A friend of mine did a rough cut of a project (in Windows Movie Maker) shot with a Canon Rebel T2i.
He gave me the file (in .wmv), so that I could do a little color correction and sound editing in Adobe Premiere Pro CS 4.
I am not sure which settings I have to choose when creating a new project.
I guess the settings that I chose were wrong, because when I played the video, there was something like a blue flash covering half of the frame every second.
What should I do?
Here is a picture:

Hi there
You should re-post this in the Premiere Pro forum. This forum is for Adobe Captivate discussion.
Click the link below, then on the page that appears, click the drop-down selector and choose Premiere.
Click here
Cheers... Rick

Sequence settings for combining HD videos, SD videos, and stills to DVD?

Hi,
After reading through the forum, I am still not sure whether I should be using the "lowest common denominator" sequence (DV NTSC preset to match the avi footage), the "highest quality" sequence (DSLR 720p preset to match the mov footage), or the sequence which best matches my desired final output (i.e. DV NTSC for DVD output) for a project consisting of HD 720p mov, SD 480i avi, and jpeg source files.
Obviously, a newbie like me should be using Windows Live Movie Maker or even PE9 rather than PP CS5 but I hate not having a timeline (among other things missing in WLMM) and I'd like to make use of the 8GB of RAM with my Windows 7 64bit system when editing the HD footage.
Thanks in advance for your feedback and any other suggestions you may have.

So there shouldn't be an issue if I use source video clips with lower audio sample rates for a sequence with a 48kHz sample rate...
There should be no real issue, as PrPro is very good at handling most common Bit-depths and Sample-rates. Just allow the program to go completely through the Conforming process. Depending on one's computer and the Duration (plus CODEC's, etc.), this should not take very long - just be patient.
Good luck,
Hunt
PS - I agree completely with Harm's comment on up-rezzing SD to HD, however there are a few programs, like Red Giant's Instant HD, that do a pretty good job. If your final output is SD, then definitely go with Harm's suggestions and down-rez (Effect>Motion>Scale) for the HD material.
PPS - for inclusion of stills, I Scale my images in PS to match my Project's/Sequence's Frame Size, though I have it from a very good source (Todd), that PrPro CS5 has improved the Scaling algorithms over previous versions.

Proper sequence settings for importing Canon Rebel T2i footage

Greetings, all. I searched the forum and didn't find this question answered elsewhere, so I thought I'd ask.
I'm using Adobe Premiere Pro CS4, version 4.2.1, and I'm trying to find the ideal sequence settings for the Canon Rebel T2i, which records in MPEG-4 AVC/H.264, with adjustable frame rate. I am running on Apple Mac OSX 10.8.2.
I've been editing with this footage for over a year now, and it's always been a struggle because I have to render all footage before I can even play it in Premiere. When first imported, the render bar above the timeline is yellow.
I'd like to see if I'm doing this incorrectly; to know if I have a simple sequence setting that's incorrect. What sequence settings should I use for my imported footage to start out green and not require a lengty render for video that isn't even edited yet?
Thank you,
-Matt

>When first imported, the render bar above the timeline is yellow
I think this is written for CS5, but the concept should be the same
http://blogs.adobe.com/premiereprotraining/2011/02/red-yellow-and-green-render-bars.html

Which project settings for project for Canon Powershot Video Editing?

Which project settings for project for Canon Powershot Video Editing?
I want to edit video taken with a Canon Powershot SD 550 taken in NTSC 640 x 480. When I start a new project, which project settings should I be using? Also when exporting the project to view on a computer should I stick with the AVI or will MPEG or another universal format give me better end quality?

Hunt,
This user has two thread topics here that are identical to ones at the forum which I frequent. Early on I downloaded video from the Canon Powershot that he says he is using for the basis of my comments. So, I have put that video through gspot myself. Since the user is going between the two forums (mostly here), I did not want anything lost in the back and forth. The goal is to help attainment of the goal. That is why I am including comments at both locations:
At The Other Forum
Project Settings Thread
http://www.elementsvillage.com/forums/showthread.php?t=52299
Rotation Thread
http://www.elementsvillage.com/forums/showthread.php?t=52298
The user has gotten back to me on the video rotation issue, thanking me, but telling me that another workflow was identified...and, as I note, generously shared with both sites. I am in the process of personally checking out what he said worked for him in that regard. However, the user has not gotten back to me on the topic of project settings.
So to expedite matters, when you get a chance, could you please check out my comments in that thread? I would be interested in your perspective on the matter and what I wrote.
Thanks.
ATR

Best settings for Green Screen Video with Canon Mark iii

HI
What are the ideal camera settings for Green screen video.
Iso?
aperature?
Depth of field settings (best to have the green screen a bit out of focus?)
Any other camera settings would be helpful.
Thanks
Rowby

Hi Rowby!
Thanks so much for writing in about green screen shooting with the EOS 5D Mark III camera. Green screen shooting can come down to some crucial elements and how well you handle the camera and the lighting.
Arguably the most important thing is to have excellent lighting on the screen. Without this, the keys used to replace the green screen will not be accurate. So hopefully you have a good set of lights you will be using to actually light the physical screen.
With regards to ISO, shoot as low as possible. We suggest that you stick in the ISO 200-400 range where possible. With good, high key, proper lighting on the screen this shouldn't be an issue.
Aperture should actually be in the higher end of the range, you would want to stick to apertures around f/8 and above. Again, with adequate lighting this shouldn't be out of reach. This is so the green screen is more in focus, versus having it out of focus, which would not yield successful results.
Use an appropriate lens to the subject, for example if you are doing wide shots- use only the focal length needed for the shoot and no wider. For head shots, close ups- use a lens that will get you close.
Following these suggestions should give you some pretty good results. Remember, if this is your first attempt don't be discouraged, green screen shooting can be difficult to accomplish.
We wish you the best of luck in your endeavor!
Did this answer your question? Please click the Accept as Solution button so that others may find the answer as well.

FCP 7 crashes when choosing "yes" to changing of sequence settings for Flip

I've been doing quite a bit of work with the Flip HD video camera recently. I grew tired of rendering everything, so decided it was time to finally upgrade from FCP 5 to FCP 7.
However, FCP 7 crashes every time I try to lay down video files from the Flip camera onto a timeline.
Upon laying the files down onto the timeline, I am prompted with the message asking if I want to change the sequence settings to match the video. I click yes and immediately get "General Error" and FCP crashes.
I tried trashing the preferences. same result.
I tried updating FCP 7 to FCP 7.0.1. same result.
I even tried updating fixes for iMovie as if that would have anything to do with it. same result.
I'm currently rendering it out the same way I had been in FCP 5.
Any advice or ideas?

AVC is h.264, which is not a work-able editing format, it's a delivery format (and a consumer video camera acquisition format suitable for holiday videos going straight to YouTube), that's why you've been having to render all the time in FCP 5.
Now you're in FCP 7 and it's asking if you want to change the sequence settings to match the video, but there is no sequence setting to match AVC/h.264 so it's freaking your computer out. Still, it shouldn't crash, but that's the problem i believe.
You need to correct your work-flow by transcoding your media into something usable like ProRes, or you can choose not to change your sequence settings, and render the timeline as you have been doing in the past.

What are the best export settings for a HD video in Premier Pro CS4?

Hi!
   I've been having so much trouble with this issue and it's something that continually frustrates my boss. I have a HD video the settings for it are
FPS 23.98
1920 x 1080, then a few lines down it says 1408 x 792
16 bit,
2 channels
48000 Hz
   What should the settings be when I make a new sequence?
             When I look at it in the window in Premiere Pro I have to contantly 'shrink' the image to fit the window, is that something I should be doing or does it indicate the sequence settings are incorrect?
But more importantly what should the export settings be? I exported a 4 minute long video and the size was 1 GB, I know that's too big.
I need to export it without loosing any quality and export another one that meets the Youtube and Vimeo limits on size.
Vimeo is 500 MB per week, sometimes I upload 4 videos per week. I think Youtube you can only upload 500 MB at a time.
I need to get smaller sizes with loosing the least amount of quality possible AND the best export settings for quality, so I guess I have 3 separate questions-
What are the best sequence settings for HD video?
What are the best export settings for HD without loosing any quality?
What are the best export settings for the size to come out around 500 MB with loosing the least amount of quality possible?
Thank You!
http://forums.adobe.com/thread/713070
On the above thread I used the 5th anwer, and it's going to take about 7 hours to export a 4 minute video :/

It Stands for "Coder Decoder."
Your format is like a container for your video file. Certain containers can hold certain codecs and not others. Other containers can hold other codecs. Sometimes different containers can hold the same codecs.
This might be a bad analogy but I'll give it a try.
A coffe cup (container) can hold pretty much any liquid you drink, where a red solo cup (container) won't hold scolding water. So, the coffe cup would be your container of choice most likely because it has the most options for liquids (codecs). But, you might want a red solo cup for just a single crappy beer at a party (a moderate quality streaming video on the web). In that case, you don't need all the optoins of another container.
In Premiere Pro CC H.264 is a Container and the Codec in one option. This has been streamlined for web distrobution of video to be played in browsers without things like Flash or special players.
Were as if you choose the QuickTime Container there are over 40 codec optoins (at least on my machine with additinal ones installed) but you may run into an issue where your browser doesn't support QuickTime playback.
I would say that your container is for compatability with players and your codec is taken into consideration when looking at the quality of the compression.
Yesteraday I wrote a blog entery on Exporting from Premiere Pro and found that the MPEG-4 codec inside of the QuickTime container gave me much richer colors than the H.264 container/codec option.
I posted the link before but here it is:
http://goo.gl/8GZq4i

*** Sequence settings for Canon 5DmkII video

Similar Messages

Maybe you are looking for