Set Bit Depth to 1 bit in PS CS2 V9
I need to create documents for a scanning system. The recognition software requires the templates be Black & White, 150 dpi, at 1 bit depth. Can one set the bit depth to 1 bit in PS CS2 v9? The original document was created in MS Word, printed to Acrobat Professional 9 and converted to a TIF by AcroPro as well as acquired directly from the flat bed scanner at 150dpi in black & white mode.
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Implicit in Mr. Barnett's post is that "bitmap" in Photoshop means 1 bit per channel, with only one channel. That's what you are looking for.
Similar Messages
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How to set bit rate of audio and video
I want to set the bit rate of audio and video (48,96.128 kbps) at the time of live streaming . i m not using the flash media live encoder because i have to make it as web applicaton. can any one tell me how to set bit rate.
When you're using Flash Player to capture and encode video, your only control is Camera.setQuality():
http://help.adobe.com/en_US/AS3LCR/Flash_10.0/flash/media/Camera.html#setQuality()
Jody -
Good Evening to all,
can anybody explains me how SET BIT bitpos OF byte_string [TO val] get works.
I concluded that it will set the bit of position (bitpos) of string (byte_string).
buti am nt getting how it works ?
can anybody briefly explains me how this get works and how this program works?
DATA hex TYPE x LENGTH 1.
DO 8 TIMES.
CLEAR hex.
SET BIT sy-index OF hex. "how it works
WRITE hex.
ENDDO.
output is: 80 40 20 10 08 04 02 01Through each loop iteration, the variable hex is cleared, so contains binary value 00000000.
First time through the loop. sy-index is 1, and so bit 1 is set, so you have binary value 00000001. Which is hex 01.
Next time through the loop, sy-index is 2, and so bit 2 is set, so you have binary value 00000010. Which is hex 02.
Next time through the loop, sy-index is 3, and so bit 3 is set, so you have binary value 00000100. Which is hex 04.
and so on.
matt -
Now if there be a code like this:
Code:
DATA : FRANKFURT (4) TYPE X ,
WA TYPE SPFLI .
etc.
Code:
CASE WA-CITYFROM.
WHEN FRANKFURT .
SET BIT SY-TABIX OF FRANKFURT .
ENDCASE .
etc.
who can explain the following statement for me in above example?
SET BIT <n> OF <f> [TO <b>] .got it
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I have a bunch of bytes of data I want to build in a byte array.
I looked at BitSet but I dont' think does what I want.
I'd like to be able to specify a start byte/bit, end byte/bit, along with the data I want to add.
Ex.
I'd like to be able to set the first 4 bits of the first byte or
specify stariting at byte 2, for the next 24 bits write this integer.
I know I could do a bunch of fanagling with and/ors,etc. but I was wondering if there is another way.
ThanksA few weeks ago, I was playing around with something similar after reading this ACM article (http://queue.acm.org/detail.cfm?id=1563874).
To illustrate his point, the author created a bit-based record format used to hold U.S. Census data. Each record held information on one person. So, the first bit was the sex, the next 7 bits was the person's age, the next 32 bits was the person's income, etc. For fun, I created a Java program which could read and write these records. It was tricky doing this, but I got it to work.
One thing to remember that bothered me was that Java doesn't support the concept of "unsigned" like C does. So, when you read all your bytes into a byte array, you must deal with the fact that if the "left-most" bit of the byte is 1, the byte integer value will be negative. And you'll have to know a lot about bit shifting and AND. I looked into BitSet as well, but it didn't help me either. -
Where do you set bits per sample from 16 to 24 bits in 5.1.
When making a 5.1 and compressor I seem to have a problem setting the bits per sample. It seems to be locked in at 16 bits I would like to set it to 24. Cannot seem to find where to set it up.
HI James, just a thought, I think you'll be abe to specify this in the Copressor.app V4.1 Inspector with that batch sub-item selected.
Try this.
in Compressor.app V4.1 UI "Current" select the subitem that you want to deal with.
Open the inspector (+4, command+4)
select the AUDIO tab in the inspector (right hand side upp screen)
Scroll down to: Audio Properties and there might be something there that has "Sample Size" or similar.
See if that works.
Post your reults for others to see.
Warwick
Hong Kong -
How to use SET BIT and GET BIT in ABAP Programming
Hi,
Our team is currently working for an Upgrade project which is using a tool automatically upgrades when we supplly the code. fine, But now the requirement is , we need to write different test cases for the available key words in ABAP. Now we r looking for the usage of " BIT ", keyword. so , kindly provide any program or code using this key word.
Please find the description Provided and give some relative ABAP code to satisfy the given description.
The data object byte_string must be byte-type. The statement reads the bit at the bit position BITPOS of the variable byte_string and assigns its value to the variable val. A default mode can be specified if required *
Thanks & Regards,
P.N.Kumar.What on earth are you testing? That ABAP still works? I think SAP might have run that through rigourous testing themselves.
If you want sample code, why not read the ABAP help, and work some out for yourself?
matt -
How to set color depth to Bitmap image with Java advance Imaging
i have to convert image one format ot bmp format and also set the color depth as 1 bit , 4 bit , 8 bit, 16 bit, 32 bit of image.
has any one done this before. please help me out .Take a look at the example code here: http://forum.java.sun.com/thread.jsp?forum=20&thread=560573&tstart=0&trange=15
I took an image that was 24 bits/pixel (I guess) and converted it to an indexed color model (8 bits/pixel).
Is that what you mean? (It's also easy to convert to 16 or 15 bits/pixel: use TYPE_USHORT_565_RGB or
TYPE_USHORT_555_RGB.) -
Set Pixel depth / density?
Is there a way to set the pixel depth/density in Illustrator to match the actual depth of my monitor? I'd really like the "actual size" view to be actual size, but I understand that AI makes an assumption that my monitor is 71 (ish) dpi when in fact I'm at 90 (or so). If this can't be done in an in-program setting (I've looked and can't seem to find one), is there a plugin or script available? A registry hack?
Check out Jongware's script here. I don't know if it will work in your version of AI, but worth a try. Hold a ruler up to your screen to get a real-world measure; Illustrator assumes 72 ppi. As Mike says, no way to be exact.
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DAC set tasks depth manually change number
I have an execution plan with only two tasks and both have depth of 0. One is SDE and the other is SIL. The problem is even thought SDE is set to ExtractFact, and the SIL is set to LoadFact, but when the plan runs, both are run in parallel. Or the Sil runs first then the SDE, which is not correct.
How to set one tasks depth to 1 and the other to 2, or set parameter to run them sequentially.
Looked in the Doc and nothing specific.
ThanksAs mentioned, the DAC will run the tasks based on dependencies. So if the SDE loads a Staging table that is the source for the SIL..then the DAC will order the SDE before that SIL. However, the DAC also does everything in parallel..which means that its not required to run ALL SDEs before ANY SILs. You can have a SIL run before a SDE (or PLP run at the same time as a SIL)...etc..as long as there is no dependencies. This is why even if a certain task fails, the DAC still continues to run non-dependent tasks before it finally FAILS the load. As long as your targets/sources and Foreign Keys are defined, the DAC will assemble based on dependencies and run all non-dependent tasks in parallel.
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Audio bit depth settings?
Hi Everyone,
I have used AME for video, but now I have audio files that have to go through it. I am taking a audio format and making a preset for it to become a .mp3. I can see that I can only set the kbps. The kHz sampling rate of 44.1 is fine, but I need to set bit depth to either 16 or 24. I have looked everywhere and can't find a setting for bit depth for just audio. Am I missing a setting?
I get the feeling that AME was made for video, but not for pure audio...is that the case? When I have used it for video I had a ton of options, but for video very few.
Thanks so much!
LaurieYour (constructive) comments are accepted here but if you are trying to get Apple's ear about feature requests, use the feedback link http://www.apple.com/feedback/itunes.html
One comment, the Import options are ALSO for converting between formats within iTunes so, while you cannot convert TO a 24 bit WAV, you can convert FROM a song encoded in 24 bit to a more iPod friendly format. -
I set Bit Depth to be 12 for my Linescan camera. It's OK when I view the image frame in MAX, but it is shown in 16 bit when I view it in Matlab. Is there any way that I can save it into 12 bit image data instead of 16 bit? The version of MAX is 4.5.
ThanksYou can not address anything smaller than a byte in your computer memory. So your 12 bit will be converted to 16 bit.
Besides which, my opinion is that Express VIs Carthage must be destroyed deleted
(Sorry no Labview "brag list" so far) -
The company I work for recently took over tech support for a SCADA PC that has Lookout 6.1. Our customer is a small town's Utilities department.
A new pumphouse communicates back to the Public Utilities SCADA PC using radio ethernet. We've found that when setting command bits (Ack alarms, Reset alarms, disable/enable alarms, manual/auto mode change) the radio transmission introduces a delay factor. However, when clicking a pushbutton object to set a bit, Lookout resets the bit almost immediately and long before the remote pumphouse PLC receives the command.
I've looked at and tried the .snapdelay option, set the pushbuttons to latch their outputs, and examined the Lookout.ini settings but have not achieved the desired result. I want to set a bit high with a pushbutton, and leave it high until (optonally) logic in the PLC resets it back to zero. The opposite action would also be desireable, set and stick 0 from a 1 state. In this way, the action would be like a true toggle.
I want Lookout to just get out of the way and not manipulate the output at all: accept the set bit and leave it alone completely. I checked the sample applications, NI website knowledge base and discussion groups, but nothing comes close to explaining how to set and leave a bit in Lookout. Flip-flop objects, one-shot objects and the .snapdelay feature are not suitable to this purpose. Why does Lookout not contain a simple toggle capability?
Can anyone please advise me of a method that will provide what I need?
pb-edmThank you for the suggestion.
The radio delay I'm working with is about 2 to 5 seconds, sometimes a little longer.
I was at the customer's site earlier this week and tried several things. Almost nothing worked. I noticed a while ago that a SnapDelay of 0 does NOT disable it on any of the pushbutton objects I created in the app.
I did see in the Lookout Readme Notes file that the unwanted snapback behavior when using remote connections has been a "feature" since version 6.0. The readme contains several possible workarounds, none of which work (as mentioned in my original post).
A set of configurations I found in another application worked for half the objects I newly created, and did not work for the other half -- about 15 objects in total, all pushbuttons. In the pushbutton object properties, I set connections for .enable, .resetvalue and .value to the remote PLC address. When the pushbutton object is clicked, the desired value is forced continuously until a change of state is registered in the PLC. But like I said, it only works about half the time.
Obviously this IS a bug. I'm hoping Lookout pulls up its socks and issues a patch. We don't have ours/our customer's time to waste on something that is accomplished without a second thought in other products.
-pb-edm -
Hi,
I have simple problem i have varchar2 string for example something like this 01000001000011000000000000000000
this string represent 32 bit float number 8.75 in IEEE.
What i need ?
Simple thing and I am not able solve this for long time
I have to create its string binary representation
the result can be in (4 byte) blob ... and how can set the particular bit value.
here is se fragment of code
str='01000001000011000000000000000000';
while i<31 loop
bit:=substr(str,i+1,1);
if (bit='1')then
/* here i need code to set bit to 1 on position i*/
else
/* here i need code to set bit to 1 on position i*/
end if;
i:=i+1;
end loop;
return BL;I forgot thanks for suggestion ivan
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Import 16 bit tiff files in premiere pro cs5 ?
When i try to import a 16 bit tiff sequence I get an error message "The video bit depth of this file is unsupported.".
I could not find how to set bit depth in project, however I understand from the help files that 16 bit workflow is supported.
What I am doing wrong?Hi again Salazaroo....
Thanx for your answer...
I am working in a project shot with RedOne and the output will be 35mm and DCP.... we´ll made the prints with Cinevator system as well... same as yours...
What I did is open the Pr project in After effects and from there export the R3d as DPX to work in the compositings... I am trying different ways to do this... change the R3D settings to RedLog and RedSpace before to export as DPX OverRange, or PDLog985 and RedSpace before to export as DPX Standard (as Mark Christiansen says in THIS SITE) ...
Once I do it, I import the DPX to start the composition... so I change the Cineon Settings to OverRange or Standard (depending of the settings at export) and apply the Cineon Converter LogToLin... but then everything looks too overbright to work... I am working with the DPX and .psd and tiffs together so it is like crazy to match everything together...
I tried to export as PDLog985, RedSpace and OverRange Cineon Settings (instead of Standard) and it looks much better... I check the picture looking at the Info panel and everything is Ok, or close the 'Iris simulator' and detail appear in the image, ...but when I check different elements coming from matte painters and 3d artist, whites clip at 1... how can i match everything together in the same space color to work and then apply the Cineon Converter LintoLog before export???
This is the first time I work with DPX and I am reading a lot about it, but I could´t find a step by step explanation... and it is like there are many ways to deal with it... some people says to use a general Working Space, some people says don´t (See this Article) ...
Thank you man.... I really appreciate your help....
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