Settings for catuping a cassette tape in FCP

Hello, I am trying to capture a cassette tape with FCP 6 using the KonaBox, I have the player set up correctly but I do not know the setting within FCP. Also I do not know whow to set up a 'dummy' video signal so that it will play.
Any help is greatly appreciated, Thanks.

Gee, sorry. My point was, it'd be pretty rare for someone in this forum to be referring to an audio cassette. Most people are trying to capture video tape.
I'm not positive, but I think the Kona is going to require a video signal on it's input even if you only want to capture audio. You could connect a video camera or even a VCR with an off-air signal being displayed.
Once you have that, use the DV-NTSC Easy Setup, open Log & Capture, set Device Control to Non-Controllable Device and use Capture Now button

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I'd like to work with the tools and export options available within FCP7 (FCS3) and quicktime, as opposed to having to purchase some AVI transcoder
As far as I know there are no tools/export options within FCP7 (FCS3) and/or Quicktime to do what you probably want to do (compressed HD AVI export). But if a fully uncompressed 1920x1080 AVI export is ok for you / your client then you can use Export > Quicktime Conversion, set the Format to AVI and change the Options >> Video >> Settings >> Compression type to "None" ... bear in mind that this will produce some pretty big exports file size wise (about 6-7 GB per minute).
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However you proceed I'd strongly recommend you send the client a few test encodes first to have them confirm that they can indeed read / handle your encodes correctly.
Hope it helps
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The reason for using iLife '08 is solely for sharing the movie to dotMac.
(if you know alternatives bypassing iMovie '08 ... be my guest).
Background:
I create my footage with a Sony HDR-HC7.
I capture the footage on my Macs (G5 and MBP) via FCP.
I edit my sequence in FCP using the HDV sequence presets
I output using FCP export to Quicktime. MOV file has HDV properties.
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Q: what is the list of "some"
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Coen

Q: What QT/ Compressor export settings do I need to use in FCP in order to be able to import the MOV file in iLife '08?
Don't have FCP v5/6 but with older FCP/FCE usually use AIC for crossover in MOV file container.
iLife help mentiones that it accepts DV, mp4 and some MOV formats.
Q: what is the list of "some"
I have personally used DV, AIC, MJPEG, MPEG4, H.264 and i believe Photo-JPEG with which another individual indicated he was having problems. As to audio for these files, usually use DV, Linear PCM ("Big Endian" Integer), AAC, or even uncompressed. Avoid Apple Animation and Apple Video compression formats which will import/edit but will not correctly export. However, be advised that there are some caveats. E.g., a "Large or Full" slideshow export from iPhoto places the MPEG4/AAC data in an MOV file container which iMovie '08 will not import. However, if you use the MPEG Streamclip "Save As..." File menu option to save the same data in an MP4 file container. Therefore, would say that some problems here may be associated with iMovie '08 "pre-scanning" of files and possible minor bugs in proper error trapping on compression formats vs file containers.

Need advise on best settings for FCP 7!

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Hi Shane Ross,
Thanks for your help. So, I already synced all of my interviews in FCP 7 (using pluraleyes) before I changed the video to ProRess 422. Can I just go into FCP (in the same project) and compress the video footage, import the new video files and throw it into the timeline? Or will this cause issues? I tried this as a test and it seems to be okay but I just want to check that there aren't any issues that I am not considering.
Also, when I do compress, it seems to take forever (sometimes two hours). Is there any way to make this move along faster?
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Yes. What we're setting up a booth at an upcoming event and have some promo videos we made, as well as the slideshows. The purpose of bringing them all into FCP was so I could put them all together in the timeline and export them as one big movie, which I'd them bring into DVD Studio Pro and set it to loop over and over.
Unless, of course, I could keep all the movies separate and create a "Play" button that plays movie #1, but modify the end jump to go to movie #2. Modify the end jump of movie #2 to go to movie #3, the end jump of movie #3 go to #4 and have the end jump of #4 go back to #1.
Would that work? If so, I can just put everything into Compressor.

What are the correct settings for the Canon 5D mark II in FCP 7 ?

I am shooting full HD at 23s97 fps.. tried making a preset for the Canon but when I import fils FCP always wants to change to appropriate settings for this file type but doesn't tell me what that is...
(latest firmware installed)
Please, can someone provide all the correct settings for me?
And also, why doesn't the camera show up on the desktop/in the menus when attached to the mac? I have ro use EOS utility every time I want to get anything off of the camera... and FCP doesn't see it either. That's just not right - FCP MUST recognise my camera!! : (
Please help - I don't want to start editing until I have the right settings for this footage.
Thanks
Jim

Welcome to the Boards
Not sure what you mean with the following, looks like a word dropped?
I have ro use EOS utility every time I want to get anything off of the camera...
Anyway, some more specs on your system could help point where the issue is. With the new Plug-In by Canon you can Log & Transfer from the Flash Card (not sure how you connected the camera.) Alternatively you could just drag the files in (but make sure to keep all files such as THM in case you use Log and Transfer later.)
Generally it is best to transcode to Pro Res to be able to work with the files in Final Cut. (Log & Transfer should do that, or using Compressor/Mpeg Streamclip.)
It (Final Cut) is probably changing the timeline to match the codec, or depending on your last preset used, just switching things around. In other words if you were editing in DV and had a set up for that, new sequences would default to that and if you try to ad anything else you will get the message.
Take a look at the search over there -> to look for the Canon 5D threads for some more info.
What I would do is just pull one of the clips in to start and look at what the sequence settings are aftr Final Cut changes them for you - they should be fine generally, though you will want to change Codecs to Pro Res.
I like just batch conversion of all my clips from the 5D Markk II and then work from there. (I do not hook up the camera to the computer, just use a card reader.)

Best FCP QT export settings for HD video to Keynote?

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HDV already reduces image sharpness it is. I want to keep the quality/footage sharpness up as high as possible. The selected video size ends up being about 1065 x 569, but that is a size, not a sharpness, one of the things I always found confusing when referring to it as "resolution".
So what settings would you suggest when outputting via FCP?

I found (via a friend who is experienced in Pr & En) that it all comes down to the export/authoring settings.
In Pr, my export settings needed to be adjusted as follows:
Format: MPEG2-DVD
Preset: PAL Progressive Widescreen High Quality
Selected 'DVD' in the Basic Settings section of the
Multiplexer tab (this creates a single mpeg file rather than a m2v file which has a separate video and audio file)
Selected the highest possible quality (5) in the Basic Video Settings section of the Video tab, changed the TV Standard to PAL (to suit Australian TVs) and then
Set the minimum/target/maximum bitrate settings to 8Mbps (when I set it at 9Mbps, the final file had too high a bitrate for DVD)
In the Audio tab, I selected PCM as the audio type.
I also ensured that the Use Maximum Render Quality checkbox was ticked at the bottom of the export settings window.
Then I exported.
Once encoding was complete I opened Encore, started a new project, selected DVD as the authoring mode and PAL as the Television Standard within the Basic settings for the new project. I then imported the final mpeg file as a timeline into Encore, set all the appropriate first play/title button/end play functions as necessary, then I opened the Edit Quality Presets window from the File menu and made the following settings;
Format: MPEG2-DVD
Presets: PAL DV High quality 8Mb CBR 1 Pass
Basic Video Settings - Quality: set to maximum (5)
Basic Video Settings - Field Order: None (Progressive)
Basic Video Settings - Pixel Aspect Ratio: Widescreen 16:9
Basic Video Settings - Bitrate Settings - Bitrate [Mbps]: set to maximum (9)
Basic Audio Settings - Audio Format Settings: Audio Format: PCM
click OK
Then I authored the DVD and was quite pleased with the result. Still not quite to the quality I was hoping for (i.e. the quality of a DVD movie), but still a significant improvement on my initial attempts using default Pr & En settings.
Hope it helps

I have yet to figure out how to input a cassette tape into the new Mac's with only one impute device. the older Mac's had two , one for in and one for listening. Help

adding cassette tapes to Mac. I could do it with my older mac but not with IOS

Look at Amazon:
http://www.amazon.com/Griffin-Technology-iMic-Audio-Device/dp/B000BVV2IC
The iMac is basic, but will work. For an excellent audio quality with a guitar, but more expensive, have a look at the Apogee Jam: Apogee JAM Guitar Input

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These clips will eventually be edited in FCP and I'm guessing that the appropriate settings will match whatever is selected at the export stage.
I'm using the JVC Everio GZ-DH7U HD Hard disk camcorder...I'm not sure if JVC uses the same setting across the board for it's HD cameras or maybe just the Everio cameras are similarly designed??
Thanks to all!!

the output should match the source file, generally speaking. So if you camera is making HD files then using a HD sized coded would suffice.
HDV (IIRC) is 1440x1080. I often find that using the default settings for a particular file type in Streamclip often work quite well.
As a test, take a small file. if it works, great batch process away, if not, tweak it and then try the same small file until you get a desirable result. Rinse and repeat.

Cassette tapes into the G5 for clean up

I would like to clean up some cassette tapes and have them in my itunes library. So I am wondering how to get the tracks into the computer. Then I would use Amadeus ($30) or what you guys recommend to clean them up for better fidelity. So the cassette player has a 2 plug output. How do you input to the G5 dual, get recognition, etc., and then go from there?
Thanks folks for any tips.
There is no garage band on this OS.

Here's one way to do it:
Run a mini-jack (1/8th) cable from the headphone output on your hi-fi or cassette player to the line-in on your iMac.
Go to System Preferences -> Sound and under Input select the Line In
Now you need software to record the Cassette: there many options - including Amadeus but I suggest the Open Source (as in Free) Audacity. You can download it from here:
http://audacity.sourceforge.net/
Then record each album a side at a time. The wave-form editor makes it a cinch to edit the file into tracks. You can also ue it to clean them up. I suggest that you save as Aiff files, which are large, and if you wish you can convert them to mp3 or AAC with iTunes.
Regards
TD

Best settings for archiving?

Hello everyone. I'm new to the Final Cut Studio suite of programs. I work for a church and we record each service as SD DV. The result is usually about 16GB per week. I was using ffmpegX and was able to make a MPEG-4 MOV file where the video was 8 Mb/s and the AAC audio 448 Kb/s and I got it down to 2.63 GB. We'd like to be able to grab clips for future FCP projects. I was curious to see if anyone knows of better settings for this using Compressor. Rendering the compressed MOV clips back in Final Cut takes a long time (I obviously only do a portion, not the entire 1+ hour file) and I was hoping for a better way to do this. I've also been checking out the Pro Res 422 in Final Cut 6 (we're on FC5); would Pro Res be good for archiving SD DV files to smaller sizes, or is it only good for HD?
Thanks in advance!

Ok, makes sense about the Pro Res 422. At least we would benefit from the ability to edit it several formats without rendering until the end. I thought I saw that as one of the features online. Correct me if I'm wrong.
We record to a FireStore, which is a FireWire hard drive that creates .dv files directly from the camera. So, we're not using tapes to begin with. We could, but one tape a week could get expensive. We'd like to store them digitally, but processing time upon edit is not a big deal because we don't edit them very often.
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Thanks!

Cassette tapes to HD...how can I do it????

I am new to the Apple computer and I'm trying to figure out how I can transfer cassette tapes to the HD. I bought a product from ADS Tech called Instant Music. It is supposed to be used with Garage Band. I plugged my cassette deck into the Instant Music and the USB out into the USB on the I-Mac. Then I bring up Garage Band and follow the directions given by ADS Tech. I can hear the music playing in the background but it is very distorted and weak and there is a lot of noise and crackling sounds over the music.

Three things that you should check once you have everything connected up and running :
See what your System Preferences/Sound/Input is set at.
Check what the input settings of Applications/Utilities/Audio MIDI Setup are. Take a note of anything before you change it, that way if it doesn't work you can return any setting to what it was before.
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How to convert cassette tape to macbook pro

hi
i have a 2009 macbook pro and want to convert cassette tape of me giving a lecture to cd so I don't lose it. the cassette is 35 years old and still works well. my mbp does only has a headphone out jack outlet, not anything for input so I can't see how to connect a cassette player.
any info very wanted and welcome - with thanks

Probably has a combo port.
⌥ > System Profiler…
(ie, hold down Option and choose System Profiler… from the  menu) and post what you get for Hardware Overview > Model Identifier. That will tell us exactly what machine you have. Or you can find out the specs for yourself in Mactracker
<mactracker.ca>
You should also check the user guide which came with your machine.
My guess would be that you can connect your tape player with a 3.5 mm analogue jack and switch to input.
As for the rest, if you search the forum you'll find several threads about digitising audio tapes.

Settings for catuping a cassette tape in FCP

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