Source Sequence to Timeline Editing Bugs?

Hi. I'm new to PP and I've run into a couple of issues when editing from a sequence loaded into the source viewer. (i.e KEM roll style editing) I'm using 7.0.1
First problem - with the timeline set to Insert or Overwrite sequences as nests everything works fine (although i don't really see the purpose of working this way). Mostly you would want to "Insert or Overwrite as individual clips", but when i overwrite a clip the timeline ignores my in and out points which effectively means you can't do a three point edit. There's another strange bug that when you Insert the playhead jumps way off screen instead of staying at the end of the inserted clip.
Second problem - "Replace with clip from Source Monitor" and "Replace with clip from Source Monitor, Match Frame" only replaces with the nested clip, is there no way to replace with the original clip? BTW, would be great if you could map a keyboard shortcut for this command as well?

Thanks Jim.
Some more info...
Premiere Pro CC 7.0.1
Mac OSX 10.7.5 - Macbook Pro
Tried many kinds of footage, ProRes Quicktimes, H.264 Quicktimes etc
It's very consistent behaviour, happens every time.

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Crashes with source sequences in timeline

Hey Guys,
I use the new feature of making my selects from a sequence as a source timeline.
However I get crashes about 40% of the time when I close one of the sequences tabs.
Also I get this message.
then:
Anyone experience this?
I am running:
Premiere pro v8.1 on an iMAC running OS X 10.9.5
let me know,
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- J

Anyone???

How to edit source sequence from 'multicam mode' sequence (not bearing multicam icon)?

I'm 'multicam editing' what i believe I setup as a regular sequence, then enabled (i believe by nesting) as opposed to a textbook multicam sequence setup with multicam icon where you setup a 'source' then a 'target' prior to starting. my 'multicam' sequence that works like a charm does not bear the multicam icon. Is there a difference between the two or are they essentially the same?
I was able to switch cameras on the fly like a charm so i 'multicam' edited an entire show when I realized I had 1 minor audio-to-picture beat-mismatch to correct in the source.
I read that to fix this, press Ctrl+Shift+F where you want to open the source sequence in the Timeline panel (and this did open expanded tracks as expected near that designated point in the timeline) so i made the quick edit and saved changes. But now playing back my multicam sequence (that does not have a multicam icon), I'm not sure what i must do to see those changes so i can continue/finish my show edit? it isn't automatically doing this as i would expect.
i'm forced to wonder what's going on, what 'source' I actually edited, and how or if it is connected to my multicam sequence if at all. my icons seem reversed to me i.e. the sequence with expanded independent a/v tracks bears the 'multicam' icon whereas the sequence I actually did the multicam switching on the fly does not bear the 'multicam icon' or the audio-picture realignment edit I made in the expanded tracks.
if these two are related, why do edits in the expanded sequence not reflect in the collapsed. is there any other way to reveal/expand the multicam sequence? so confused.
Message was edited by: Tanya Lee
Message was edited by: Tanya Lee

I'm 'multicam editing' what i believe I setup as a regular sequence, then enabled (i believe by nesting) as opposed to a textbook multicam sequence setup with multicam icon where you setup a 'source' then a 'target' prior to starting. my 'multicam' sequence that works like a charm does not bear the multicam icon. Is there a difference between the two or are they essentially the same?
I was able to switch cameras on the fly like a charm so i 'multicam' edited an entire show when I realized I had 1 minor audio-to-picture beat-mismatch to correct in the source.
I read that to fix this, press Ctrl+Shift+F where you want to open the source sequence in the Timeline panel (and this did open expanded tracks as expected near that designated point in the timeline) so i made the quick edit and saved changes. But now playing back my multicam sequence (that does not have a multicam icon), I'm not sure what i must do to see those changes so i can continue/finish my show edit? it isn't automatically doing this as i would expect.
i'm forced to wonder what's going on, what 'source' I actually edited, and how or if it is connected to my multicam sequence if at all. my icons seem reversed to me i.e. the sequence with expanded independent a/v tracks bears the 'multicam' icon whereas the sequence I actually did the multicam switching on the fly does not bear the 'multicam icon' or the audio-picture realignment edit I made in the expanded tracks.
if these two are related, why do edits in the expanded sequence not reflect in the collapsed. is there any other way to reveal/expand the multicam sequence? so confused.
Message was edited by: Tanya Lee
Message was edited by: Tanya Lee

Delayed playback after editing audio in a Multi-cam Source Sequence

I have a Multi-cam Source Sequence (MSS). It contains 3-cameras, only two of their audio tracks, plus two more audio tracks from separate audio recorders. This MSS is, of course, embedded into my main timeline, where I've performed my cuts between cameras. Playback has been beautiful and smooth until I mixed the audio levels between the various audio tracks in the MSS. Now, back on my main program timeline, playback starts approximately 3 to 4 seconds after hitting the spacebar or L key.
Some mixing was performed on the new Audio Clip Mixer. Most mixing was done manually by adding and manipulating keyframes directly on the timeline. I have Minimum Time Interval Thinning set to 400 ms, so that I don't get a million useless keyframes on my audio tracks when using either Audio Mixer. For what it's worth, here's a screenshot of a portion of my MSS mix (approximately 1 minute, 30 seconds). It is typical of the rest of the MSS timeline (approximately 40 minutes; though I've only mixed the audio for a roughly 10 minute segment so far).
Footage is from two Canon VIXIA HF G20 (AVCHD) cameras and a GoPro (MP4). Again, playback was beautiful before messing with the audio mix in the MSS. I've checked the Media Cache, Disk Cache, etc and it's got plenty of space left (around 30 GB).
Playback literally feels like it's 1998 all over again and I'm working in Premiere 5.1!
Could these, relatively few, audio keyframes really be slowing me down so dramatically? If so, can I do something to make it run faster? If this is not the cause, what else might I be missing?
=== System Specs ===
i7-3630qm (Laptop)
NVIDIA GTX 670mx - 3GB GDDR5
16GB RAM

My multicam sequences are usually created by Red Giant's PluralEyes. (I would LOVE to create them with Premiere's new Audio Sync feature, but so far that only works about 0% of the time). So the footage is synced with PluralEyes 3.2.1. A timeline is exported from PluralEyes and then imported into a project. Once in Premiere the sequence is only a "regular" sequence. I know of no way to convert a regular sequence to a new sequence (that would be a cool feature; right-click on a regular sequence and choose "Convert to Multicam Source Sequence"). I create a new Multicam Source Sequence (MSS) using any two video clips. I choose In-point for the sync. The MSS is created and opened. I select all on the timeline and delete. I now have a blank MSS. I select all from the PluralEyes generated "regular" sequence; copy; paste into the blank MSS. Now my MSS is ready to use.
Are you saying that audio is ALWAYS "Adaptive" when created as I've outlined above? How can it be changed? What should it be?
If I remember correctly, Premiere CC has been setting up these Multicam Source Sequences with four channels, instead of stereo. I thought it was weird (I don't recall this happening in CS6). So I looked into the manual and hacked my way around to reducing the channels to stereo. Through track assignment, etc (I can't remember where) I was able to get all but one of the tracks to playback. Ultimately that track was unimportant, so I ended up deleting it rather than continuing to fight Premiere to make the track playback audibly.
I'll look into the link you provided above. Meanwhile, did anything I say here spark any further ideas? Things to try?

Multi-Camera Source Sequence Audio from 1 Speaker instead of both??? HELP PLEASE!!!

So I have been at this for awhile now. Am I missing something?
I simply take my 2 .MOV's and 1 .WAV and I create a mulit-camera source sequence. Except when I play it from my time line and it appears in my program pane it only plays the .WAV from one speaker...
If I break it apart and load the .wav from the timeline into the source pane using keyboard shortcut "F" then it plays through both speakers..?
Attached is a screen shot of the broken down Mulit-Camera Source Sequence by clip.
Please help me, thank you!
Multi-Cam sequence ONLY PLAYS AUDIO FROM LEFT CHANNEL, Adobe Premiere Pro CC.Multicam Editing in Premiere CC IssuePremier Pro Multicam Not Working.creating multi-camera source sequence w/ externally recorded audio

I just tried that, although it still plays out one speaker when I play it in the timeline, either out or in the nest. It appears that the timeline has an audio setting that is off perhaps? Or a bug? I have attached many images to check out... Thank you advance!

Multi-camera Source sequence problems

I'm an absolute beginner and have made a mistake not including all the videos used in a job at the beginning of the ’Create Multi-Camers Source Sequence’ proces. I manually pulled some videos to the sequence after having opened the incomplete sequence in the timeline. I now cannot make an multi camera cutting process. Is there a way that I can include the new extra videos so Premier knows 'that it is there' and can be included in multi camera cutting. I hope my question is understandable and would lige a hint - so I do not loose two days of nudging clips i a one hour 15 minutes long film.

You can see a good tutorial on the entire process here - http://tv.adobe.com/watch/learn-premiere-pro-cc/multicamera-workflows-with-premiere-pro/
The help page also gives step by step - Adobe Premiere Pro Help | Multi-camera editing workflow. I was talking about step 4. Create a multi-camera target sequence.

Why is premiere creating one really big clip instead of many smaller ones when I am trying to create multicam source sequences

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I am doing that process now to only have PP make one really big clip instead of a bunch of little ones. Help!

And the other thing I think of is that you opened up the multicamera sequence as a New Sequence From Clip, instead of Open in Timeline.
That would give you one long flat sequence, but 198 panels if you opened it in your multicamera monitor

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Record using 2 identical Panasonic HMC 150p onto SDHC chips set at PH 720/30p.
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It seems like I have finally broken the code on getting the Multi-cam audio synch to work consistantly!
All of our 2 camera shoots have starting points that are not the same on the two clips.
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To get to the bottom line, PP in using the Create Multi-Cam.... is controled by the order in which clips are selected.
Apparently if a folder is selected then the selection is alphabetic which is proper sometimes. I have found that
THE FIRST CLIP SELECTED MUST BE THE ONE WHICH STARTS EARLIEST!
Nowhere in my review of all the info on the use of the Multi-Cam... did I find any reference to that factor. That has certainly been a source of much frustration.
Once the proper order of selection is made then the system works nicely as expected.

Unable to see video & audio tracks as shown in "Create a sequence or timeline and add audio"

hi,
I'm on the https://helpx.adobe.com/creative-cloud/learn/start/premiere.html page trying to work through the Create a sequence or timeline and add audio tutorial
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does anyone know how to fix this problem?
thanks
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I am able to hear the audio.
Message was edited by: spottedsilvertabby

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Synchronize from audio option not available in 'Create mutli-camera source sequence' command?

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Im not sure how to express myself but I will give it a try.
I have a sequence with an edited movie and I have taken that sequence and put it in another timeline to get it as one clip because I am making a short trailer out of it.
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You can see a good tutorial on the entire process here - http://tv.adobe.com/watch/learn-premiere-pro-cc/multicamera-workflows-with-premiere-pro/
The help page also gives step by step - Adobe Premiere Pro Help | Multi-camera editing workflow. I was talking about step 4. Create a multi-camera target sequence.

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Consolidation of Oracle Database 10g Express Edition "Bugs"
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Source Sequence to Timeline Editing Bugs?

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