Still image settings

When I try to change the settings of multiple photos in the new version of imovie it will not allow it. I don't use final cut for my slideshow motion movies for this reason. no the new imovie has that glitch. theoretically i should be able to do this, I can't even get below 00:15 for a single photo.

the slide jumps from 0:15 directly to 0:03 without
being able to incrementally choose the value. So of
course i have to type it in which is buggy.
Aha! I didn't understand the problem.
Yes, there is a workaround which will let you do what you want. (I'm assuming, by the way, that your Ken Burns imports do NOT include a zoom.)
The trick is to make a single clip that's the duration you want, then use its Ken Burns settings to make other clips with the same duration. Essentially, you use the clip as a template to make others.
So how do you make a template clip for 0:05 when you can't set the Ken Burns duration to 0:05? Here's how: Make a clip longer than you need, then split it at 0:05, creating two clips. After creating the long KB clip, select it, then press the right arrowkey 5 times. Hit Command-T, which splits the clip.
Now select the (new) clip that's 0:05. Show Photo Settings. Note the new KB duration is 0:05. Now select a Photo in the iPhoto list. Note it inherits that 0:05 duration. Drag it to the timeline.
You can create as many "template clips" as you need. To make it handy, you can store them in a template project. Open the template project too as you work on a real project. To apply a template clip to the upcoming photo imports, activate the template project, click on a template clip, then re-activate the current project. The template's Ken Burns settings will be applied to the next import(s).
If you already have clips the duration you want in iMovie 5 projects, they can be your templates. Copy and Paste them into a new iMovie 6 template project.
BTW, the duration textbox in iMovie 5 is buggy too, but with slightly different bugs. Perhaps it will work for what you need. The duration slider has smaller increments, which may be all you need.
Karl

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    http://library.creativecow.net/articles/rossshane/fcpfaq.php
    http://library.creativecow.net/articles/rossshane/fcpfaq2.php
    http://library.creativecow.net/articles/rossshane/fcpfaq3.php
    Most of them...I keep adding.
    one of the most popular is number 8:
    Shane's Stock Answer #8: External Monitor Viewing
    If you are working with DV, this is simple. First connect your computer to a camera or deck via firewire, Then connect the camera/deck to your TV/Monitor via RCA or S-Video.
    Then start up your camera and tv, then open fcp.
    Go to the View Menu, choose > External video > all frames
    VIEW>Video playback should be Apple firewire NTSC (If you are using an NTSC set)
    VIEW>Audio playback should be Audio follows Video
    Techinially, this should send synched video to your TV
    If for some reason you can't view your timeline on your external monitor, there are a few things to try:
    1) Make sure that the camera/deck is connected and powered on BEFORE you open FCP.
    2) In the Final Cut Pro menu select AUDIO/VIDEO Preferences and make sure your signal is being sent out thru Firewire DV.
    3) Go to the menu and select VIEW>EXTERNAL>ALL FRAMES.
    4) Click in the % box above the image and select FIT TO WINDOW.
    5) Go to VIEW->refresh A/V devices
    6) Make sure the Log & Capture window is closed
    If you want it to play in both the canvas and the external monitor you need to go to the FINAL CUT PRO menu and select AUDIO/VIDIO settings and make sure MIRROR ON DESKTOP is selected under the PLAYBACK OUTPUT section.
    If you are working with HDV footage, FCP 6 allows you to view this via firewire, but ONLY as downconverted DV. It won't look the best, but you can see it. To do this,
    If you need to view any format other than DV at full resolution, then you need to look into capture cards. Several standard definition and high definition models are available from www.aja.com and www.decklink.com. With these options you'll need a proper monitor to view full broadcast colors, but all models allow for realtime standard definition downconvert, allowing you to view HD on an SD monitor.
    The Matrox MXO is another option that is output only, but allows you to view your footage on an Apple Cinema Display at full broadcast quality.
    Shane

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