Titles for 1920 x 1080 pal

Hi could someone tell me how to set up project settings for 1920 x 1080 project, I cant seem to find those settings besides the HDV 1080i 50 set up, is that the right setup for HD 1080i?
thanks in advance
Stop corruption in Africa

What setting does your FCP project use?
You can take the HDTV preset and change the frame rate, match the field dominance etc. It will show up in the project properties as "Custom".
Another way to quickly make a setup is to import a short clip of your footage: File > Place Background Movie. It will take on the properties of the clip. Then, LiveType > Settings > Remember Settings.

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X200s: No support for 1920 x 1080

Hi,
I bought an 24" TFT with 1920 x 1080 resolution.
I connected it with an VGA-cable to my Ultrabase (docking-station).
The Problem now is, that I can Choose the resolution in the Intel Graphics Properties as well as in the Windows (Vista Business 32 bit) properties, but the Monitor show "Out Of Range"!
1600 x 1050 is working, but that not the native resolution of the monitor.
I already installed the newest Inter driver and did the latest BIOS-Update today, but the same problem.
What to do?
THX
bos

Hi bos,
Welcome the the Lenovo forum
I agree with sveintore that digital video is preferable for the high resolution you're trying to run. As sveintore said, you could use a USB-> DVI adapter, or if you have an X200 UltraBase, a DisplayPort->DVI-D cable.
I also agree with lead_org, I think your X200s's analog video output is capable of driving the 1920x1080 resolution, but maybe the signalling between your video card and your monitor is not working optimally and you will have to manually specify the vertical refresh frequency (and possibly other timing parameters as well). You may be able to do this using the Intel graphics driver controls. Or you could try PowerStrip. But either way, you are likely to see display artifacts when driving such a high resolution with an analog signal.
Good luck!
-Frank
Message Edited by fmyhr on 2009-07-03 08:39 AM
Results of Your Ideal Business-Class Laptop survey, concluded 2009-07-29.
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No option on HP Envy 15 (UK version) for 1920 X 1080 screen res. Why not?

I've been a customer for quite some time and my last HP laptop has served me for the last 6 years. I'm very impressed by HP's latest efforts with the HP Envy 15; a modern looking laptop with the most powerful CPU available. However, they pair this with a 1366 X 768 resolution - currently the only option available in the UK. As a developer, this is unusable for me as there simply isn't enough screen real-estate.
Questions:
1) Is the Doctor Dre edition going to available in the UK (with a 1920 X 1080 screen res)?
2) Will their be an option on screen size in the UK?
PS: I'd buy the laptop today - no joke - if I could get the HP Envy 15 with a 1920 X 1080 screen res (I'd love to receive a call from HP :-)

Same here. When I asked the question on the Contact HP page, I got no response.
Why do we get the cut down screen, when you can't even buy it with that screen in the US?
Message Edited by jdunkerley on 11-03-2009 02:36 AM

Sony 46 inch t Bravia 1920 X 1080 1080P

I am trying to find the settings for 1920 X 1080. I was told that it exists. I have gone to system settings for displays and the desired resolution is not there.

By what interface are the mini and TV connected? How is the TV identified within Dipslays preferences? What resolutions are offered as choices?
Need more information than you have provided in order to help.

AVCHD / 60p / 1920 x 1080

Greetings,
I am using a Canon R42 Camcorder.
(1) What is the advantage to recording in AVCHD, 60p, 1920 x 1080 for Vimeo, YouTube, etc? Any advantage at all? Under what circumstances would you record at those settings? I am going to assume if the final intent is to burn to Blue Ray but am not sure.
(2) When starting Premier Pro one can select either 'DV' or 'HDV'. I assume that latter is for 1920 x 1080 output?
(3) I am using the Trial Version of Premier Pro and am confused as to what benifits are gained by this being tied into CC?
As always, thank you very much.
Ron

To add just a little bit to Jeff's well worded response...
There are a few "cloud" features in the Creative Cloud. If you consider the 20GB storage, and the web based Behance and Prosite features. But no, they really should not have used "Cloud" because it has caused them more trouble than it is worth, I think.
But as you have heard, the processing is on your computer. In fact, I really wish I could set up two or more computers locally to process video, but Premiere Pro does not support render farms. Not yet.
On the subject of video...
I like shooting 60p but there are disadvantages. Let's take my camera for example. I shoot with the Panasonic DMC-GH3.
When I shoot at 60p I can't use the Extended Teleconverter. That is a feature that causes the camera to just use the 1920X1080 pixels in the center of the sensor when shooting video. What that means is that instead of using the entire sensor and then scaling it down to fit the 1080p standard, the camera just shoots with the pixels it needs. So everything looks 2.6 times closer. I was shooting boats on the water today and I used it for the first time. I was shooting things almost full frame that I could barely see with my naked eye. Pretty cool. But I had to shoot 30p or 24p to do that.
Let's talk about quality of the video, based in part on compression. If I shoot 60 frames per second and store it at 50Mb/s then the compression is twice what it is when I shoot 30p and store it at 50Mb/s. I get even higher quality by compressing it less when I shoot 24p at 50Mb/s. Make sense, right? When I bought the camera I thought I would be shooting 24p all-intra, which while it is easy on the PC, has to store a lot more information because every frame has all of the information instead of some of them just storing the changes from the key frame. So storing it at 72Mb/s is still compressing it more than standard 24p at 50Mb/s.
Now, I have to say I don't really see the difference, but I haven't stressed the quality of the image in my editing workflow either. Not yet anyway. If I was going to use a Digital Intermediate, I would stick to the method that compresses my video the least.
Keep in mind that there are a lot of people who swear that 24p is more "film like" due to the motion blur and movement. I find it hard to disagree with them. I want to, but it appears that 24p is less "real" and makes it easier to suspend disbelief. People can get lost in the story. When people see 30fps or 60fps they complain that it is too real. They are used to seeing their TV news that way, not their movies. They can't see fantasy at the same quality and motion attributes as they see their news. Not yet anyway. Gamers who play at even higher frame rates may eventually take over the world, but apparently "The Hobbit" at 48fps annoyed a LOT of purists.

Setting in Project Properties for PAL 1920 x 1080

Hi there,
I have been using LiveType in Std Def without problem.
Now I have switched to HD, my FCE4 is editing in PAL 1920 x 1080.
What setting is FILE > Project Properties shall I set in LiveType because I see the canvas has gone too big & not managable !!
HELP HELP HELP
Thanks

Nick Holmes wrote:
Pick any of the 1080 presets -it doesn't matter which, although you might have to adjust the frame rate to suit.
Another way to automatically adjust the properties is to simply drop in a small piece of video in the required format via the Place Background Movie command in the File menu. Save the setting and then delete the video.
I see the canvas has gone too big & not managable !!
Click the percentage button at the bottom left of the Viewer. Set it to "Fit to Screen".
Thanks Nick.
But how do fix the size of all the various windows.
After I adjust until all the 4 windows are to my liking, I work on it.
But when I close Live Type and I fired up Live Type on the next time, all the 4 windows go haywire in size again. How do I fixed (and save) the size of the 4 windows once & for all ?
Thanks

How to make the templates in PAL to 1920 x 1080 ?

Hi there,
I did FILE > OPEN TEMPLATE.
When I was doing projects in Std Def, I select PAL, and there were a lot of templates available in PAL.
But now doing projects in HD, these templates in PAL are too small to superimpose onto the HD videos (in 1920 x 1080).
How to make these templates in 1920 x 1080 ?
Thank you

Ian R. Brown wrote:
I think you are making a big issue of something very simple as it took me less than a minute to test it out.
Make your template or whatever in LT and then select File>Render Movie and make sure that the "Render Background" box is ticked.
Put resulting file in FCE and stretch it as I described earlier.
That's it!
If you don't want your text stretching, you can leave it off the LT movie and add it from FCE's Text functions . . . . . or you could make just the text in LT and add it on a track above the template in FCE.
You need to do some quick experiments (tests) to see how it works for you.
Incidentally, are these third party templates?
If so, you should contact the supplier to see if they have included some HD versions somewhere.
Thanks Ian,
The reason I am asking is bcos I cannot experiment with it as I am not at home. I don't have a Mac with me.
I was hoping that FCE can import as ipr so that I do not have to render each time I make changes.
These templates are extension packs from 12 inch. Dont think they have HD version
Cheers

How to export 1920 X 1080 for wide screen viewing on DVD?

I want to export 1920 X 1080 video so I can make a DVD and watch on a widescreen TV without stretching. What settings do I use? Tried several. Not working. I'm on a deadline and got to get this done right. Thanks for any help. Just looking for the export settings.

If you are just making it for yourself, check to see if your DVD player supports any of the various HD on DVD(Divx, etc) technologies and go from there. If you are looking for a more universal solution to HD on DVDs, there is not one.

Tips for Exporting 1920 X 1080 HD for use in iDVD?

I have a Canon HF20 and noticed that exporting from iMovie '08 using Share >Media Browser or Share > Export Movie limits you to 960 X 540. I used iDVD to create a DVD of the 960 X 540 movies and had good results, but I am wondering if the 960 X 540 ratio is truly HD? And would going to the 1920 X 1080 via Export Using Quicktime make a significant difference? I would like to try using Export Using Quicktime and then using iDVD to burn an HD DVD, but I am wondering if someone can tell me what the settings within the Options should be in terms of the following:
Compression Type
Frame Rate
Compressor Quality
Encoding
Data Rate
And then Under Export Size Settings
Dimensions
Preserve Aspect Ratio
Deinterlace Source Video
And any other settings that are going to help me achieve the best results for exporting 1920 X 1080 and burning to DVD via iDVD?

Hi
*Movie editors*
• iMovie HD 6, iM'08 & 09 - might work to do the editing
I prefere when reaching for pro-quality FinalCut but observ that Express only
handles 25/50 and 29.97/60 fps.
So if You are thinking 1920 x 1080 24 fps - ONLY as far as I know option is
FinalCut Studio Pro. Which can do this !
*DVD burning programs*
• NO version of iDVD can handle HD yet - up till iDVD 09
*Options are*
• DVD Studio pro in FinalCut Studio Pro bundle (me guessing - but feeling safe)
• Roxio Toast™ 10 Pro incl Blue-Ray component - Can do this
Yours Bengt W

What is the best image size to import to Elements 7 for use in HD 1920 x 1080 video being output to BluRay?

Steve's book (love it!) suggests something like 1000 x 750 which seems too small for HD. It would seem that 1920 x 1080 would not require any scaling or adjustment for use in a HD wide screen BluRay project.

The 1000x750 size is based on SD Project and Assets. In your case, you'd want 1920x1080, if that is your output Frame Size. If you will need to pan on any images that are fully zoomed out, you should calculate the amout of pan that you need, and then resize to that, keeping the Frame Sizes as close as you can to your Project.
Good luck,
Hunt

Audio out of synch in CS6 for iPhone 1920 x 1080?

When I play a clip, even before adding it to a sequence, the audio finishes before the video finishes, and the synch is way out of line by several seconds at the end of the 46 second clip.
FiLMiC Pro was used to record it.
In VLC, it plays perfectly, but strangely shows the frame rate as 23.365755.
Codec is H.264 - MPEG-4 AVC (part 10) (avc1)
1920 x 1080
Audio is MPEG AAC Audio (mp4a) - sample rate 48000hz
I've tried creating a sequence from the clip (by drag/dropping) and the sequence that Prmiere creates says a frame rate of 24p.
What can I do to resolve this, I need to use these tesitimonials and can't really re-shoot them.
Thanks!

...strangely shows the frame rate as 23.365755.
Is the video variable frame rate?
You can use one of these utilities to find out:
GSpot
http://www.headbands.com/gspot/
MediaInfo
http://mediainfo.sourceforge.net/en
If it is variable frame rate media, Premiere doesn't like it.

Quicktime Export 1920 x 1080

Hi
Using CS5 Master Collection.
I am giving my finished output to someone who is doing color correction for me. The source is 1920 x 1080, (1.9), 29.97 fps Progressive.
They want a quicktime format. Not an AVI.
I am looking at the Export Settings for QuickTime and I only see 720 x 480, in various flavors.
Certainly there must be a way in premiere to export to Quicktime 1920 x 1080????
I assume there are plenty of threads here, but thought I'd start from scratch and get some recommended "best practices" for this issue.
Thanks
Rowby

Good day to you all.
I'm having real problems exporting to Quicktime but I'm in the UK and obviously the format is PAL rather than NTSC, but I'm not sure if that affects the QuickTime settings.
I'm using PPro CS5 and I have downloaded the AVID codecs, mentioned above, and I can see them in the Video Codec menu.
My source file is:
Format: .avi
Frame rate: 25
Duration: 5m 30s
Size: 720 x 576 (1.4587)
Audio: 48000Hz - 16 bit - stereo
I want to output this to play on iPads, Macs, etc. in the UK. Which setting should I be using as I have gone around in ever decreasing circles and keep getting the "Error compiling movie", "Unable to create or open output file" dialogue.
Many thanks in advance.
Gerry

Hd 1920 by 1080

i got footage shot on a canon HD and the properties is H.264 Decoder, 1920 x 1080, Millions 16-bit Integer (Little Endian), Stereo (L R), 48.000 kHz with 29 fps
i exported that footage using mpegstreamclip to change it to apple pro res 422 and change frame rate to 25 fps and maintaining the size and adding 16 to 9 in the setting.
what is worrying me that this footage after editing will be aired on a usual tv-Pal 720 by 576.
what is the best way to put it so i don't have to find it cropped at the end.

Check with the network to see if they want letterboxed or anamorphic footage. In addition what format are you delivering on? File or physical media?
Without more details I suggest you drag one of your converted clips onto the timeline and select YES to update the sequence settings. Edit. Export that using Current Settings. Create a new sequence with your delivery settings (720x576) and drop the exported QT movie onto this sequence. When you drop it in pick NO to retain the settings you plugged in. If you do it this way you will have an HD version for archival and the SD version to send to the network.
As for going from 30 to 25 frames, I don't have good advice for that. I got some PAL in recently and went through Motion's Optical Flow to get it to 30 fps. Looks great, but it took forever.

Correct PPro CS3 Project Settings for Neoscene/Cineform 1080 60i .avi files?

I am looking for clarification on the correct Premiere CS3 project settings for AVCHD 1080 60i NTSC files converted with Neo Scene with the "maintain source frame format" option.
Should the PPro project settings for "Field" be upper or lower field first?
On a Cineform discussion board I was told all interlaced HD footage is upper field first.
However, I have found that a PPro project setting of upper field first results in much more sluggish playback than lower field first.
So seems there is additional processing needed with the upper field first project setting and this suggests to me that lower field first is the proper setting.
Any thoughts from NeoScene/Cineform users out there?
Thanks!
The project settings I have been using are:
Editing Mode: Desktop
Timebase: 29.97
Frame size: 1920 x 1080
Pixel Aspect Ratio: Square Pixels (1.0)
Fields: Lower Field First
Audio: 48000

...is not so good - bad colours. In Microsoft DV Avi-DV Pal compression. D1/DV PAL Wide is pixelate. I have click the de-interlace so it is not because of that. I have no problem to use encore it the file i send is compressed in those settings i mention before. I have no problems in compressing the file with those settings at all, like i have when i want to transfor the video in avi uncompressed.
Oaaa...i am going crazy here. I have had so many problems with this and if i end up working this documentary and not beeing able to export it i go mad!...this if i do not go there before because of this problems...

PE12 Letterboxing Youtube 1440 x 1080 PAL HD Upload

Hi, I have just upgraded to PE12 and am having difficulty getting my uploads how I want them. Source files are 1440 x 1080 PAL video and I uploaded to Youtube using the 1440 x 1080 PAL setting. These are being letterboxed which with PE10 they were not.
http://youtu.be/zrOiTbgw7Yc
(I know the video quality in this case is hopeless but that doesn't matter, I want to find the right way to do it so I get full use of the Youtube player for visitors to my channel.)
Cheers
Andrew

Andrew
Thanks for the reply.
If you are telling me that the rendered 1440 x 1080 HD anamorphic 16:9 plays back in the OK (aspect ratio and otherwise) in the Edit area monitor but has display problems in what you are seeing at YouTube after the Timeline upload using Premiere Elements YouTube feature, then this is not a Premiere Elements issue. This is a YouTube player issue which is out of the realm of Premiere Elements.
Your source is 1440 x 1080 4:3 before its 16:9 flag is recognized by the YouTube player and the YouTube player responds to the 16:9 by stretching the 1440 x 1080 4:3 to 1920 x 1080 16:9. The problem that some players can have with recognition of the 16:9 flag is known. Based on your results using the YouTube 1920 x 1080 preset, this seems to be a viable explanation for the problem that you presented.
There are two additional ways that we might prove that to the both of us
1. Export your Timeline content to a file saved to the computer hard drive as 1440 x 1080 HD anamorphic 16:9 and then upload that to YouTube at the YouTube web site. Did you have YouTube display issues?
(I will try this later today.)
2. Is this a "it worked before but not now" or "it never worked before" issue for you?
If it worked before, how many times?
(I do not recall the last time I used the Premiere Elements YouTube feature to upload 1440 x 1080 HD anamorphic 16:9 Timeline. I will do that later today.)
3. Just in case note....when you are looking at your 1440 x 1080 HD anamorphic 16:9 Timeline content in the Edit area monitor, the space there is one for the stretched version 1920 x 1080 16:9, not 1440 x 1080. The Edit area monitor is a player controlled by the project in contrast to the YouTube player and video conversion which is controlled by YouTube.
Then we can rejoin this thread to compare results.
Thanks.
ATR

Titles for 1920 x 1080 pal

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