When exporting to iPhone

What's the difference between "iPhone" and "iPhone (cellular)" in the export list of QuickTime Pro?
Is "iPhone" only recommended if the movie is being played via Wi-Fi (as opposed to Edge, which has a smaller bandwidth)? Or is that setting for loading the video on the iPhone directly via iTunes?
Basically, if I want to add videos to my website that people can view on their iPhone/iPod Touch, should I pick "iPhone (cellular)" or will they play just fine if I pick "iPhone".
Having two options is kinda confusing...

New feature in QuickTime is Export to Web and it is still in "baby" step mode.
Nice to have QuickTime writing the page code and creating the reference movie but a little more understanding by the page authors is required.
Take a look at the data rate differences between the "cellular" and "iPhone" settings. 900kbit/sec versus 56kbit/second rate.
Same dimensions (I suppose because I've done no tests) so the 56 kbps so that version would download very fast and look very ugly.
If you don't need it (and we all probably don't) just remove the check mark before choosing Export. But, since it will be such a tiny file, no real harm using it (unless you get comments that your video looked very ugly when viewed "cellularly".

Similar Messages

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    oh well.

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    Has anyone dealt with this issue or aware of a db/audio compatibility problem between STP and FCP or an export problem with FCP in this situation? Please let me know if anyone has any information or solutions. Thank you.

    My export out of STP is 6 tracks - including a submix and a master - but I don't even use those (I'm not a seasoned user on STP - I basically exported them by mistake). I end up deleting 4 tracks (the submix and blank master) and keeping the stereo channel that I directly recorded.
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  • Video becomes soft and watermark blurry when exporting to iphone

    Hi guys, having a bit of an issue. I have some video i saved as apple either pro res 422 HQ or apple pro res 4x4. When i try going from that, to a .mp4 h.264 format (either in quicktime or compressor using the apple devices preset, at 700 kb) the video gets soft, and the watermark gets choppy when ever something is moving behind it. I've noticed going straight from source material things look fine. I know going from source is always going to be better, but i didn't think the difference was going to be so catastrophic. Anyone have some tips?

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    Take a look at the data rate differences between the "cellular" and "iPhone" settings. 900kbit/sec versus 56kbit/second rate.
    Same dimensions (I suppose because I've done no tests) so the 56 kbps so that version would download very fast and look very ugly.
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  • OSX Lion and exporting for iPhone

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    ccroo wrote:
    The aspect ratio of the iphone screen is 480 x 320, but that size is not an option when exporting for iPhone using Compressor. You have to use a custom setting.
    Why is this the case?
    You have to understand that the Apple-provided presets are good launching points, not end-all, be-all settings.
    And iPhones do support material encoded as 640 pixels wide so the preset for VGA (up to 640x480) works fine for most people. I personally rarely use anything smaller than the VGA setting for Apple Devices as I find that's the perfect middle ground for iPods, iPhones and AppleTV.
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  • Exporting for iphone

    I want to export material from FCP to compressor for use on iphone.
    The aspect ratio of the iphone screen is 480 x 320, but that size is not an option when exporting for iPhone using Compressor. You have to use a custom setting.
    Why is this the case?
    Compressor offers 320 x 240 and 640 x 480. Both of these are fine for an older ipod, but not for the wider screen of an ipod touch or iphone.
    Do they want us to letterbox a 3:2 image on iPhones and iPod Touch?
    Thanks for any help
    R

    ccroo wrote:
    The aspect ratio of the iphone screen is 480 x 320, but that size is not an option when exporting for iPhone using Compressor. You have to use a custom setting.
    Why is this the case?
    You have to understand that the Apple-provided presets are good launching points, not end-all, be-all settings.
    And iPhones do support material encoded as 640 pixels wide so the preset for VGA (up to 640x480) works fine for most people. I personally rarely use anything smaller than the VGA setting for Apple Devices as I find that's the perfect middle ground for iPods, iPhones and AppleTV.
    If you (understandably) need to limit your file and frame sizes, adjusting the device setting in Compressor to iPhone (Local/WiFi) does the trick - fitting your movie into a 480 pixel-wide frame size and capping the video data rate at 1000 Kbps.
    Letterboxing - as in hard mattes - is not needed when encoding for Apple Devices. In fact, if you have letterboxing in your source media, use the Geometry pane to crop out the Letterbox Area of Source. That will provide you with a better quality encode and the preset will know to adjust your output frame size, so you need not worry about distorting your movie.

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    How can you keep the highest iphone 4s Video quality the same when exporting it from iMovie.

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  • When exporting out of lightroom the color of my picture channges significantly

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    Date: Thu, 12 Dec 2013 00:56:36 -0800
    From: [email protected]
    To: [email protected]
    Subject: when exporting out of lightroom the color of my picture channges significantly
        Re: when exporting out of lightroom the color of my picture channges significantly
        created by shmuglak in Photoshop Lightroom - View the full discussion
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         Please note that the Adobe Forums do not accept email attachments. If you want to embed a screen image in your message please visit the thread in the forum to embed the image at http://forums.adobe.com/message/5923235#5923235
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  • Mixed fonts when exporting ePub file from InDesign

    I am an ePubs newbie and have been watching some of the training videos on Lynda.com and  tried creating my first ePub document today.
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  • What is the best compressor setting to use ... when exporting a 720p timeline from FCP for a project that will only be played back in a standard def monitor?

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