Will Premiere Pro CC support Cinema DNG files?

That would be nice, but my guess is that if support was built in, Adobe would have made mention of it as a new feature.
Given that Blackmagic is releasing a $1000 DC camera that records CinemaDNG to SD cards, it sure would be nice if PP cold work with them natively. People, please keep filing that feature request.
https://www.adobe.com/cfusion/mmform/index.cfm?name=wishform

Similar Messages

Support for DNG files from Odyssey7Q.

Just upgraded my Odyssey7Q to capture 4K RAW from the FS700. Importing the DNGs into Premiere yields an extremely purple image. The DNGs import fine in After Effects.
Any chance to get this addressed in a Premiere update?

Hi Dave,
I did start the thread over on DVXUser - good to see you're working with Convergent Design on supporting their DNG files :) The odyssey 7Q is an excellent bit of kit and seems to be taking the world by storm!
Are you able to say if support for this will be in the next release and roughly when we might expect to see that?
I'm guessing we're about due for another release? Maybe for NAB time????
Cheers,
Paul.

Will Premiere Pro CC work OK with Nvidia GeForce GTX 765M?

Will Premiere Pro CC work OK with Nvidia GeForce GTX 765M?

This laptop I am on right vnow has a n nVidai GTX 765M and it works beautifully on Premiere CS6, CC and CC 2014. You do have to add it to the Adobe file "cuda_supported_cards.txt file or simp[ly delete it. I hope you know that you have to be plugged in to the AC line to successfully what to edit with a laptop. Also you can improve the GPU performance if you reset the memory clock on the GPU to 1500 MHz from the default 1000 MHz. It is because nVidia.slows down the clock to conserve battery. If you register on the site you can see my results on our Premiere Pro BenchMark (PPBM) site.

Can I use Adobe Premiere Pro to convert Camcorder MOD files to MPEG?

Can I use Adobe Premiere Pro to convert Camcorder MOD files to MPEG files?

If you are on CC2014 probably not. It does not get interpreted correctly.
Premiere and previous versions does not support MOD files.
Best is to convert to avi
converio_095.htm
The first link John posted contains confusing and incorrect information.

Does Premiere Pro CS5 support Smart Rendering

Please can anyone tell me if Premiere Pro CS5 supports smart rendering for H264/AVCHD or is it still required to by the Mainconcept plugin.

Bill,
Usually when one participates in a beta program, like I did with PerfectDisk 11, one has to sign a NDA, which prohibits people from talking about the intricacies, features or capabilities of the program untill the NDA is lifted. Adobe has the same approach, so the old adagio still holds:
Those who know don't tell, those who tell don't know.
The one exception on beta programs that I'm aware off is Pixelan SpiceMaster, where I at least did not need to sign a NDA, but even then I will definitely consult Michael before I will utter anything on a forum. RedGiant, Synthetic Aperture, Minnetonka, and similar companies all require NDA's, so those participating in a beta program will have to keep their mouth shut till the NDA is lifted.
I understand the interest, jeez, I would like to know all the ins and outs as well and see benchmark results on the impact of MPE, but I think we better not behave as pre-school youngsters that want a candy. Wait a couple of weeks and everything will become abundantly clear. I mean CS5 is not expected to ship before mid May, so what is the rush now?
Just my 0.02

Premiere Pro creating impossibly huge project files

I am confused as to why Premiere Pro CS6 is creating projects files that are so enormous they either crash my computer while saving them, or when I try to open them again after closing them, they simply will not open because they are too big. I have NEVER seen Premiere Pro CS5 create a project file that was, for example, 1.75GB in size. Now, I can't even edit a two minute video without eventually losing everything because the file size becomes unmanageable.
I thought it might be an issue with Magic Bullet Looks 2.0, as I noticed the file would grow enormously every time I added an effect to a clip. Not sure. Anyone else having this problem, with or without Looks or other otherwise 100% compatible plug-ins?

I too am having the exact same problem, but the only effect I've been using is cross fade (both the transition effect and jut dragging the opacity down. I think it might be the drag on effect now that I'm hearing everyone else's issues. At first I had thought it might be a nesting issue (the main thing I've been using PrPro CS6 for is cutting together animatics with ref footage, so a lot of individual images laid over eachother) but that did really make sense. The odd thing I've noticed, thoug, is that it seems to be increasing by a factor of two once it really starts getting gigantic (which I can tell because I version constantly). Isn't that a bit... I don't know, odd? I mean if this is infact the case. The size where they really start to seem unwieldly is at about 250mb. I'm trying to open that file now, remove a whole bunch of the crossfades, and see if it has an effect on the file size.
I have been nearly patient enough yet to wait for the 500m files to even re open.
Tell me, for you guys, does the load project bar always stutter at the same place, like, right below the "Pr" in "Load Project"?

Will Logic Pro 10 support plug-in selection by type rather than manufacturer ?

Will Logic Pro 10 support plug-in selection by type rather than manufacturer ?

Any comment would be just guessing or wishing, because there is no Logic Pro 10.

Why does Adobe Premiere Pro modify original footage/asset files (e.g. mov)? (CS6)

Background:
A colleague had given me a large 33Gb .mov for use in a project, I put this file on a backup drive.
I made an identical copy of this 33Gb .mov file and placed it in a folder that I'd use to work on a Premiere Pro Project.
I ran Adobe Premiere Pro CS6 and dragged in the 33Gb .mov file into the Sequence (imported it)
Premiere Pro CS6 started conforming the file.
After it had finished, I noticed that it's Modified Date was just now i.e different to the Modified Date on the original copy of the file on the backup drive (see step 1)
I ran a BeyondCompare check between the .mov file on the backup drive (see step 1) and the one that the Premiere Pro project was using (step 2, 3) and Beyond Compare reported they were different.
I had initially thought it was unrelated file corruption of some kind, but I have checked this several times and got the same outcome, so it's definitely Premiere Pro deliberately modifying the file.
So I am puzzled: these are supposed to be the same file.
Why would there be a need for Adobe Premiere Pro to modify the footage?
What does it do to the file?
Would it not be better to create a separate file if necessary?
I can accept this if that's how it works and it's good to know that it was Premiere Pro deliberately modifying the files and not corruption (so my hardware ought to be healthy). But it makes more sense to me if Premiere Pro made separate modified copies for its own use. Modifying the file as it does hinders my process for checking the integrity of backups; if the original asset footage files were the same as earlier copies then it would be easy to know that the backups are OK.
Thoughts?

Definitive Answer (I believe): It's all about this setting, "Write XMP ID To Files On Import" - which confirms that Adobe Premiere Pro is deliberately modifying the .mov file: http://helpx.adobe.com/premiere-pro/using/preferences.html#WSE3BD4A43-7022-4fe6-97F5-95313 935347B
These posts give some background as to why having this setting enabled would be beneficial: one benefit being to be able to skip conforming files by matching the conformed file with the original using the embedded XMP tag :-
http://helpx.adobe.com/premiere-pro/using/preferences.html#WSE3BD4A43-7022-4fe6-97F5-95313 935347B
http://www.dvinfo.net/forum/adobe-creative-suite/498627-why-premiere-modifying-video-files .html
https://forums.creativecow.net/thread/205/876064
(Found using Google search term "adobe premiere pro date modified")

Will premiere pro run on this device?

Will premiere pro run on this device:
Acer ICONIA W700-6602 - Tablet with Bluetooth keyboard - Core i5 3317U / 1.7 GHz - Windows 8 64-bit - - 64 GB SSD - 11.6" touchscreen CineCrystal wide 1920 x 1080 / Full HD - Intel HD Graphic YYT1-10981572 | Model#: NT.L0QAA.009

Anyone have experience running premiere/after effects on a tablet?. I saw someone run premiere pro and ae on a
Lenovo ThinkPad X220 Tablet on youtube Lenovo ThinkPad X220 Tablet (Adobe Premiere, After Effects, ComicRack) - YouTube. The reason I want to use a tablet is I'm tired of having to retrieve my clips from a camera if I can setup my TL while I'm still on site with the new technology.

How can I import cinema dng files in Premiere Pro CC?

Hi,
I wanna use Blackmagic Cinema DNG 4k RAW files for my productions in Premiere. As specified by Adobe that schould be no problem.
When I import the dng-folder or a list of *.dng files they are displayed in assets view as single photos. How can I create a video track from these "photo batches" in the sequence window?
Much thanks in advance for any help !!!
Cheers Peer

Good Peer, glad that solves the import problem for you. I suspect the next version of Premiere CC might not have its import path split with two different results as such.
Back in CS6 I was importing all media through the Project bin. Then with the first Premiere CC, compressed dng from the bmpcc became supported (I think your 4K just became supported recently). So, with the new CC, I kept importing all files through the project bin, and that resulted in hours of import time, and the same hours of re-conforming the same files every time I re-opened the project. And, the same hours of time direct linking into Speedgrade (by the way I love Resolve also).
Then, months later, I heard of importing through the Media Browser and all that time melted away into instantaneous import and quick direct link to Speedgrade.
If you have any projects with dng sequence files imported through the Project bin, I do not remember the exact procedure, it is simple though, just 'make offline' and almost certain it is 'replace footage' to properly Media Browser imported video.

Does Final Cut Pro X support RAW Cinema DNG files?

I'm looking at a pro/broadcast project that I'll be shooting in RAW Cinema DNG. Does Final Cut Pro X support this format? I can shoot in ProRes, but I don't want to for this particular project.

http://help.apple.com/finalcutpro/cameras/en/index.html

Adobe Premiere Pro CC Support for Importing / Exporting H.265 (HEVC) 4K Video

Hi there,
Does any know about how to export 4K content direct from premiere pro in the new H.265 HEVC codec in 4K resolution, or do you know of any third party software for Mac that can do this?
I am having a problem finding a solution and frankly am surprised that this isn't already included in Premiere Pro CC. Thanks for the help!
I ask because I am exporting VERY large 4K files (they are 1-2 hour long Nature Relaxation videos) and so naturally being able to export at the new H.265 would be a blessing!
Thanks for the help!
Dave

I'm having the exact same problem with my machine!!! I was so excited to run across your post / thread, just because I've dealt with this since December as well.
MBPr (Retina, 15-inch, Early 2013)
Processor 2.7 GHz Intel Core i7
Memory 16 GB 1600 MHz DDR3
Graphics Intel HD Graphics 4000 / NVIDIA GeForce GT 650M
Apple replaced the logic board in my machine in December after determining a bad GPU. Same exact screens and problems, glitches.. Sometimes getting kicked out of my account. When I log back in, it's just a matter of a few minutes before it locks up.
First I was thinking it was the CUDA driver.. Uninstalled it.. Still have the issues.. Apple pushed me to split my SSD and install a clean OS X install, new user.. reinstall apps.. Still have the same issues..
Went around this with Apple in February/March.. Was killing me with deadlines. Now, I'm back working on several large projects and for the past few weeks, the crashes and machine freeze ups are killing me. Got fed up and I'm back trying to seek help through Apple Executive Relations. I've spent countless hours trying to diagnose, working with support, visiting the local Apple store..
The kicker is that we have three of these exact machines in my team at work, all using the same Adobe CC apps/Premiere Pro.. Mine is the only one that is doing this. I will have graphic glitches when the machine wakes from sleep. I also have the screen changing color profiles -- you can see it shift (I have my machine color calibrated) from the default to the custom profile.
I would be happy to post a bunch of photos of the same graphic issues.. I have no solution at this point. Adobe, can you help us? I still believe it is a GPU issue and not software related.

Help with Premiere Pro freezing after importing MPEG files

I have
had some files sent for me to edit which are MPEG I believe. They will import, but
as soon as I try and do anything with it, the whole thing freezes for several minutes! It is unworkable. I have tried waitin
g for the audio file to conform. I have tried rendering the work area. None of this helps. If it does play, it lasts for a few seco
nds with sound playing at what appears to be twice the speed! I normally wortk with DV files and these are fine. By the way, the files I am struggling with do play in media player/real player etc. I cant believe that premiere would not support this format. Even Movie Maker just about manages it! When it does freeze, it really freezes! As in it wont even let me shut down without literally ripping out the power cable!! Please help with simple English if possible, and sorry if I havent given you specifics that you would need. But I honmestly dont know as these were just files sent to me on a memory stick. It was filming from a camcorder, but not sure what type. The thumbnail says MPEG and the properties just says movie file. It is about 2GB for an hour I think. Thanks for any help. My version is Premier Pro 1.5

Genuinely sorry that I dont know all the technical things that people need
to know. I always try to find out when I am asked specifically and told how
to find them. I did look at the link, but that just seemed to be a lot of
stuff about posting ettiquette, nothing about MPEGS. Perhaps I got the link
wrong. All a bit hard for me as I have a visual imp[airment. Thanks again

Support for DNG files?

Will aperture ever support the Adobe generated DNG file format?

No offense and I enjoyed your comments.
Thanks
CCD or CMOS sensitivity to light is non-linear. One
step of processing a DNG is to determine whether to
linearize (i.e. decode) this specific CCD/CMOS
sensitivity to a standard value. Aperture does not
support linearize and I explain why I believe this is
so below.
There are two very different versions of DNG. The
non-linearize one is little more than a wrapper,
which is why Aperture can read these DNG's as the RAW
is embedded. Now you state rightly that DNG
converters must do more than put a wrapper on, and
that is true ... but not for this type of DNG.
The other (linearize) is an interpreted RAW within a
standardized format (wrapper). Blackpoint
compensation (subraction), scaling etc. are also
manipulable variable. Aperture cannot read linear DNG
even if the RAW is supported.
Aperture RAW support is lacking and their support of
DNG is based on non-linear.
Well, then, how do SilkyPix, Lightzone and RAW Developer manage to open non-linear DNG from cameras they don't support and interpret them very well? That's what I want CoreImage to do.
Aperture need
to be vastly better at adding RAW support or telling
us their roadmap, or providing camera manufacturers
the API or ... but something!!!
100% agreed. However, since it is part of the OS we depend on OS updates which are way too slow to follow on the camera market. Moreover, I presume the release manager has other priorities in scheduling OS X updates than those pesky photographers with their marginal second cameras. I think that's a big part of the problem. The release of a RAW update for just the EOS 400 and D80 were due to too much market pressure. It also shows Apple priorities: it is not the pro or consumer status of a camera that will decide ts priority, but only its amrket share. Sorry, but that's a mistake because professional photographers tend to have different cameras and some far less prominent than the Nikon and Canon DSLRs. This is a major win for LR IMHO.
I agree with you that this is close to useless and
the situation is untenable for professionals. Oh, my
next camera is determined by Apple? Humm.
Yes, I really wonder what they are thinking.
Why would Aperture do this? Well, I believe it is
because of their very strict definitions of
"Non-Destructive" workflow. Ans so frankly I don't
see them using DNG more fully because of their
definition. This is how I believe it plays out ...
Sorry to repeat mysel, but if they could do what SilkyPix, Raw Developer and LightZone do, it would be fine.
So although you disagreed with my prior email points
as "untrue" I hope I've clarified. A linear DNG has
been decoded by something, and that something is
proprietary and therefore the resulting DNG data
content is proprietary.
I hope to have similarly clarified what I mean by DNG support
Since RAW is already manipulated data (contrary to
some belief, it is not exactly what light fell on
what pixel but has been demosaiced at the very
least), it makes the most sense to me to have the
camera manufacturer perform the convert to DNG in
camera. That way, my negative is my one, objective
source and I can select my camera on that basis and
make my adjustments on the same basis.
I agree entirely. I think it is futile to hope for major camera manufacturers to initiate a move to DNG because their marketing department probably feel (wrongly) that it comoditize their cameras. So, it is the software industry that has to impose a standard, and DNG is the closest thing we have. And a standard for RAW is needed. In that respect, I find that Apple does the worst job in the photo-related software industry.
This does not prevent me from apeciating the other qualities of Aperture, but, he entire idea being based on RAW files, not supporting them in the first place seems stupid to me.
Cheers.

Premiere Pro CS4 ERROR import VOB file

Today my Premiere Pro CS4 had Error about importing VOB file but yesterday it's can import smoothly.
please help me fix the problem.
*ERROR Picture*
thanks
ps. i just done updated CS4 to the latest this morning but the ERROR still show.

Harm,
I also wonder if the OP's version might not have reverted to the "trial" version, with the update. Because the VOB is an MPEG, that would not be supported.
If this has happened, you will need to Deactivate, uninstall, run Adobe Clean Script CS4 several times, re-booting between each, and then re-installing and Activating. Then immediately do the full updating. To test whether you now have the "trail" version, just Import an MPEG file, and see if you get a File Format/CODEC error message.
Good luck,
Hunt
PS for some background on VOB's, this ARTICLE might be useful.

Will Premiere Pro CC support Cinema DNG files?

Similar Messages

Maybe you are looking for