Working with grey images

Hey guys, got a new question for you. I'm working with grey images from an old newspaper in the 40's in photoshop, originally the format was working gray - dot gain 20%. My question is since this is a gray image with no cmyk to be found, what would you suggest would be the ideal format so that when these images are sent to the printer they will come out looking good? Thanks in advance guys.
Jason

What I'm doing for JPEGs:
72 ppi at current size
144 ppi at half size
215 ppi at 1/3 size
288 ppi at 1/4 size
and even lower if I can get the images that small, but these are intended for a small brochure so I figure they will be okay at around 1 inch wide per placed image in indesign.

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simonjacobson wrote:
Drag clip over target, green plus sign appears.........clip appears at front of video, no menu option appears,
OK that sounds correct. Just to clarify, when the sign appears, as you release the mouse button (or whatever you are using), no menu pops up but the clip immediately positions itself:
at the front of the target clip, OR
at the very beginning of your project
Not sure where I'm heading here, just trying to get the complete picture.
I di it once, but not again, do i need to double click/right click or something?
No, there is no double-click or right-click involved at all. Just drag and drop, then select from the pop-up menu. You should be able to repeat this with no issues. I've also tested dropping video onto a still picture - the cutaway works on that as well.
Something is definitely not working correctly - strange! Quit iMovie, then try deleting the preference file as I described in my last post. Quitting and relaunching iMovie might even fix it. Also, try restarting your Mac - that sometimes helps.
John

Crash While Working With an Image Sequence

So I am working with an image sequence in my timeline and every time I touch that clip (either to render it or move it) Premiere crashes.
I am working on an iMac with 32 GB of Ram with OS X 10.10.3 installed. I recently upgraded from Premiere Pro CS6 to CC and since
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Process:               Adobe Premiere Pro CC 2014 [839]
Path:                  /Applications/Adobe Premiere Pro CC 2014/Adobe Premiere Pro CC 2014.app/Contents/MacOS/Adobe Premiere Pro CC 2014
Identifier:            com.adobe.AdobePremierePro
Version:               8.2.0 (8.2.0)
Code Type:             X86-64 (Native)
Parent Process:        ??? [1]
Responsible:           Adobe Premiere Pro CC 2014 [839]
User ID:               501
Date/Time:             2015-04-18 16:36:11.311 -0700
OS Version:            Mac OS X 10.10.3 (14D136)
Report Version:        11
Anonymous UUID:        06821F38-EC27-D4F0-775A-7CB2D2257EE6
Time Awake Since Boot: 3900 seconds
Crashed Thread:        24 Dispatch queue: opencl_runtime
Exception Type:        EXC_BAD_ACCESS (SIGSEGV)
Exception Codes:       KERN_INVALID_ADDRESS at 0x0000000000000008

It seems to happen when I am not using any tools. When I have a photo open for any purpose.
It occurs with no input. I fix it by zooming back to where I was.
I am not working with a tablet. I am not working with a mouse.
I will need to look up these preferences. I did not know they existed.
Thanks.
Duane

When working with aRGB images, what changes must be made when printing?

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Thanks Michel.
I knew about the "more options" dialog box and use it regularly to set
ICC profiles for my Canon Pro9500 Mark II printer, ensuring also that
"Photoshop Elements manages colors". I could have asked the question
better perhaps: "When working with aRGB images, how can I set both an
ICC printer profile for a specific paper and ensure that printer uses
the aRGB color space?". As far as I can tell, you can set an aRGB
profile (either in Photoshop or at the level of the printer), but you
can't use both the aRGB profile and an ICC paper profile at the same
time. I am assuming that you can't set an ICC profile for the paper in
Photoshop Elements and at the same time use the printer's aRGB driver.
Is that right?
Craig.

Elements 10 canvas not working with tiff images; works fine with jpegs. What to do?

Elements 10 canvas not working with tiff images; works fine with jpegs. What to do? It does not allow me to add a colored canvas, only a blank canvas.

Perhaps some of the tiffs are already layers.
In other words, since jpegs don't support layers, they all ways open with one locked background layer, but the tiff format does
support layers so the tiffs don't have to have a locked background layer and can already be a regular layer that supports transparency.
For the tiffs you could add a new color fill layer below and use the color you want the enlarged canvas to be.
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Does it make sense to work on RAW images if no lens profile exist for the used specific lens?
I see clear differences between RAW and JPG image in means of distortion.
How did you work with RAW images?

There are many advantages to using RAW, so yes it makes sense to work on RAW images even if no profile exists for the lens.
I see clear differences between RAW and JPG image in means of distortion.
How did you work with RAW images?
You can create your own lens profiles. Or you can manually adjust each image. Or you can set up presets for different focal lengths. There's a lot of ways to go.

Working with Jpeg image

Hello,
I am currently working with a jpeg image in illustrator. I would like to first make the part of the image which is white transparent. When I move this image into the quark file which has a grey background in that particular area I would like for it to show. Secondly, I would like to change the color of a particular part of the image. The image is of a logo and it is hard to use the pen tool on this image. Please help! Thanks
KC

What you are describing would be most easily completed in Photoshop. Illustrator, being a vector-based illustration tool, is not really the correct tool for editing raster images. If you need to use Illustrator because you don't have access to Photoshop, do some research on masking. Masking would probably be the best way to complete what you are wanting to accomplish.

How to Work With Still Images in Premiere Elements 10

I am struggling with the still images in my Titles for my video project, and would really appreciate some help. I have done a lot of googling on this and searched this forum, but can't seem to find the answer I need, maybe not searching the right questions or just "not getting it". Not even PE Adobe tips or Adobe TV cover this, although it seems important to know. I am not clear how PE10 will handle the resolution of an imported still image or graphic art from Photoshop. Perhaps this topic will also help others as well.
I am working on a video project for my job, editing an old training video. Created new Title graphics in Photoshop, inserted the Title images and integrated with video clips, then exported the video segments as MPEG files. I burned the whole video to DVD.
When the final DVD plays on a computer or TV screen, the photo images in the titles are fuzzy even though they were clear 300 dpi images. (I know dpi doesn't matter in video). The title text is also a bit fuzzy and the title text that has animation applied to it is even more fuzzy. Yet the old MPEG video clips look fine - it's just my title graphics and text that look bad (embarrasing).
So I need to know how to improve the quality of the still images/graphics for a video??
Project settings:
- Hard Disk, Standard 48kHz
- Editing Mode: DV NTSC
- Frame: 720 x 480 (0.9091)
- Frame rate: 29.97fps
- with "Optimize Stills" box checked
Using these settings because I am working with MPEG files from an old training video CD.
File Export: MPEG, NTSC DVD Standard
I export the video clips as MPEGS because they will be burned to a CD or DVD for distribution to our staff offices.
Work Details:
In Photoshop, I created still image graphics for each Title sized at 720 x480 with high resolution photos and company logo (300 dpi), and save them as a bitmap to import into PE10. In the Timeline, I insert the still image in "Video 1" track, then in Video 2 track create a Title over it for text (some animated, some still). Sometimes I stack 2 or three titles with text in separate video tracks over one still title image. Yes, there is a red line across the top in the Timeline because I didn't render the still images.
Questions:
• What is the best resolution for images imported into PE10 from Photoshop?
• Should I be creating title graphics/images at 720 x 480 or a larger ratio like 1920 x 1080 so it will display better when seen on a computer or TV?
• Do I need to render each title image in the timeline so that it will eventually display better in the MPEG?
• Is it better to create a title and then insert the still image into the title so they are integrated, rather than layered on separate video tracks?
I would greatly appreciate any assistance.

When the final DVD plays on a computer or TV screen, the photo images in the titles are fuzzy even though they were clear 300 dpi images. (I know dpi doesn't matter in video). The title text is also a bit fuzzy and the title text that has animation applied to it is even more fuzzy. Yet the old MPEG video clips look fine - it's just my title graphics and text that look bad (embarrasing).
Remember that DVD-Video was designed for CRT TV sets, and was a major step up from VHS tape. However, when viewed on an HD computer monitor, or HD TV *, it is still ONLY 720 x 480, with is about 1/4 of the resolution as 1920 x 1080, which is about what we are used to seeing on those display devices. That is but only 25% of the quality. It can never look as good as HD material.
Good luck, and if I missed something, please point that out to me.
Hunt
* With the advent of BD players, and up-rezzing DVD players, things HAVE improved, when viewing a DVD-Video on an HD TV. The newer players have up-rezzing chips, that do a very good job of "improving" the viewed material's quality. However, even with those amazing chips, DVD-Video will NEVER be as good as a full-HD source. Also, computers do not have those up-rezzing chips, so when one views a DVD-Video on a high-rez computer monitor, it will still look pretty bad. There ARE a couple of new DVD software players, that improve the quality of DVD-Video played on a high-rez computer monitor, and a few look fairly promising. I speculate that we will see some more development in the DVD-Video area, especially as BD is not proving to be the big seller, that many promised. Even 3D is not helping BD realize its promise.

Illustrator Image Trace doesn't work with large images

Illustrator's Image Trace doesn't seem to work at all with large images. The attached image shows the following:
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B) Converting the raster with default "Black and White Logo" settings. Results in 242 paths and 4792 anchors.
C) Adding a massive amount of white space and then converting the raster with default "Black and White Logo" settings. Results in 407 paths and 1620 anchors.
For whatever reason Illustrator can't seem to handle large images. This test shows it's not an issue with the image being too complex since all I've done is add white space and the file was saved without compression so there should be no noise.
This type of glitch started with CS6 with the new Image Trace tool. Is there a fix for this? Maybe setting Image Trace into legacy mode?

Moving to Illustrator forum.

Best way to work with large image sequences

Hello,
Im relatively new to Adobe CS4. I am learning to create detailed animations with another software that produces thousands of still images. (I normally save them as .png, 720 x 480, 29.97 fps) I spent the money to buy CS4 becuase I was told this was what I needed to turn those images into video, add titles, captions, credits, etc. So far, I've been useing PremierPro to import the image sequences and add titles. But when I export the sequences, the quality is crap. I've tried all combinations of exporting formats, but even when I try to go for the greatest quality, my files are 100 MB large, and the quality is still crap (nice smooth lines are jagged, and details are blurry and pixilated, even with the titles I added). Can someone tell me how I should be working with these still image sequences so that I can retain the best quality while keeping the file size large. These videos are just played on local computer systems, not over a network or on DVDs. I dont know if I should be bringing the shorter clip sequences into AfterEffects and somehow exporting those. I just dont know. But nothing is working for me. Help!
Nikki

Hello!,
The output frame size has so far been the same as my rendering size (720 x 480), but I's just trying to get the best quality, if I need to render larger I can. Delivery has so far just been video, no audio, although when I get better at this I will record narrations of the animations and put that in. Playback is intended only for computers. Every once in a while, it is requested in a format that will be played over our network, but I wanted to worry about that later.
The preset I chose for the sequence was the DV-NTSC Standard 32kHz
The project/sequence settings are:
General
     Editing Mode: DV NTSC
     Timebase: 29.97 fps
Video
     Frame size: 720, 480 4:3
     Pixel Aspect Ratio: D1/DV NTSC (0.9091)
     Display Format: 30 fps Non-Drop-Frame Timecode
Audio
     doesnt matter
Video Previews
     Preview File Format: NTSC DV
     Codec: DV NTSC
     Maximum Bit Depth
Hope that was the information you requested.
Nikki

Working with large images

i need to work with very large images (3000x3000 pixels) and they take a lot of memory (50MB). thing is that they don't use a lot of colors but they are loaded in memory with 24bit color model.
it is jpeg image and it is decoded to buffered image with standard jpeg decoder. i want to use buffered iamge because it is very simple to work with, however, i need to find a way to reduce memory consumption.
is it possible to somehow use different color model to reduce color count to 256, which is enough for me. i am clueless about imaging and i simple haven't got a time to get into it. i need some hints about this. i just want to know is it poosible (and how) to reduce size of BufferedImage in memory by decreasing it's number of colors.
i was thinking about using gif encoder, but it works with images, not bufferedimages and conversion takes lot of time and is not a solution.
thanx!
dario

You can create a byte indexed BufferedImage. This uses just 1 byte per pixel.
Use
public BufferedImage(int width,
int height,
int imageType,
IndexColorModel cm)
with
imageType == BufferedImage.TYPE_BYTE_BINARY
and create a color palette with
new IndexColorModel()

Working with large images in Motion 3

Hi, I'm trying to work with a large image that I am zooming in and out of and moving to different parts of it as a 3d layer, but Motion won't let it import at its full resolution. I don't mind working with a lower resolution as I animate stuff, but for the final output, it shouldn't matter if I'm using a larger image than 2896 pixels. That limit is bogus! I understand I can't expect to get speedy results, but to limit it entirely is ridiculous.
Am I missing something here? It seems there are a couple options. 1, use the vector version and uncheck the fixed resolution box, but that takes forever to render. 2, I can cut up the map into like 10 different squares that are under the limit, which is time consuming and ridiculous because if I make an edit to the original file, I'm going to have to re-cut it all out again.
Any tips people? I know I'm not the only one out there trying to do this kind of stuff in Motion! I'm really trying to do this all in Motion because it should be capable, but maybe I'm gonna have to go back into AfterEffects.

Am I missing something here? It seems there are a couple options. 1, use the vector version and uncheck the fixed resolution box, but that takes forever to render. 2, I can cut up the map into like 10 different squares that are under the limit, which is time consuming and ridiculous because if I make an edit to the original file, I'm going to have to re-cut it all out again.
Vector art? Really? Missed that in your OP. Forget the vectors; rasterize it in Illustrator to a TIFF at 3k pixels.
But you'll need to carefully evaluate your need for zooming in seamlessly. I think most of us get around the limits of our tools that butt up against our imaginations by artfully using delicate transitions from one resolution to the next.
Not knowing exactly what you're trying to do and what your screen presentation is expected to look like makes it difficult to suggest workarounds you would accept.
bogiesan

Working with Still Images in a Video

Let's say I'd like to use a RAW still Image from my 40D Canon, which is 3888 x 2592, a 3:2 aspect ratio. I'm inserting it into a HD video, 720p, at a 16:9 ratio (1.0). I'd like to keep it large initially so I can pan or zoom in or out as desired. What's my workflow?: If I "Scale to Frame" it fits top to bottom but not laterally. If I show it in the monitor at 100%, it's much too large (but good for panning etc). How do you folks handle this, to work with the Ken Burns effects, keeping the frame aspect ratio correct, and keeping image quality good?
kdoc

That helps to a great extent: thanks Bill and everyone. A few thoughts and questions in follow up. I don't see under preferences anything about Scale to Frame Size (where is it in PrP/CS5?), but it does seem to come in by default not scaled. By right clicking the clip on the timeline on a PC I get the option to check or uncheck that possibility.
I also don't see Effects/Motion/Scale: where is that?
If I want to show my entire photo, as I originally worked it in Photoshop, I guess I need to then check Scale to Frame Size. And of course it doesn't fill the 16:9 aspect ratio laterally, even in landscape orientation, certainly not in portrait orientation. Do you leave it as is, with black margins, and/or do you crop to 16:9 in Photoshop before bringing it in the PrP to eliminate the black margins? (Bill has addressed this in his previous post). I'm gathering that if you don't want any black to show, a 3:2 DSLR Image within on a High Def (say 1280x720) video requires cropping. Do you folks crop in PS when resizing--you can't batch that. I see that Bill sometimes puts a new background behind, to eliminate the black margins.
Where in PS do you set pixel aspect ratio: I can't find it, though I only looked in PSx64, and not in PS x32? Actually I don't think one needs to answer this in PrP CS5: the image seems to come into PrP with the correct aspect ratio--for my Canon 40D RAW images it comes in at 3888x2592 (1.0) if I'm editing for a 1280x720 HD DSLR. I can convert my image to a PSD file in PS as Bill suggests (TIFF will work too).
I'm thinking that the new CS5 with Mercury Playback and 64 bits may handle these larger RAW images fine--but time will tell.
I don't quite get what Scale to Frame Size does (it seems to keep the height at full frame, and the frame aspect ratio constrained). or (in the dropdown) Fit vs. 50% or 100% does? Is it changing the actual image dimensions or just those which show up on screen? For example, I made an image in PS exactly 1280 x720 and brought it into a PrP video project which was also 1280x720, but the image overlapped at 100%. It fit the frame perfectly at "Fit" (from the dropdown).???
Remember that in PS, you can handle both portrait and landscape images for resizing with File--Automate--Fit Image. Just use the largest of the two pixel dimensions for both height and width. Or use Image Processor.
Thanks all
kdoc

Working with still images in FCP X

Is there a easy way to work with pictures in FCP X? Yes, I know it's built for editing video, but I use to rack up hundreds of pictures in FCP 7 to create DVD and CD-ROM slideshows for my job and it worked great. I could overlay custom titles and graphics that I built in Motion and had great success. However, X takes forever to process images and is so slow. Any advice??

Is there a easy way to work with pictures in FCP X? Yes, I know it's built for editing video, but I use to rack up hundreds of pictures in FCP 7 to create DVD and CD-ROM slideshows for my job and it worked great. I could overlay custom titles and graphics that I built in Motion and had great success. However, X takes forever to process images and is so slow. Any advice??

Working with RAW-Image-Sequences: keyframing parameters of the camera-raw editor

Hey guys,
is it, somehow, possible, to set keyframes for the parameters of the camera-raw editor, when I work with a raw-image-sequence?
I would like to keyframe the white balance and exposure for a timelapse shot in raw-images.
Maybe there's a trick with expressions?
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Best,
Paul

ok, thank you!
That is what i was thinking, but know i know it for sure...
Cheers,
Paul

Working with grey images

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