X1C calibrated color profile

Hi!
I am looking for a calibrated color profile for the X1 Carbon. (Display: LEN40A2)
The profile provided by lenovo (TPMB72_1.icm) has a too high gamma setting and white is clearly shifted to blue.
See the notebookcheck.net review for details.
Cheers,
--leo
Solved!
Go to Solution.

See the 4th post here: http://forum.notebookreview.com/thinkpad-edge-x1-x100e-x120e-sl-l/691923-x1-carbon-color-settings.ht... Works well for me :-) .

Similar Messages

Help calibrating color profile for two monitors??

I have two cinema display monitors (one new, the other 1 year old), and I can't get them to share a color profile. Through SysPrefs I can calibrate them individually, but the results look completely different. The older monitor appears "pinker" overall, esp. in the light tones. When I finish calibrating, the last dialogue box asks to if I want to share the color profile, but I can't see the new profile in the other monitor's Display Profile list.
Any help is greatly appreciated!
Mac Pro Mac OS X (10.4.7)

Barron,
You have to load the profile you want to share into the approriate folder >Library>ColorSync>Profiles>Displays
Then you have to double click the profile, it will open ColorSync.
Then Go to Devices, Then colapse Displays, Click on your Cinema Display and you will see a little arrow, looks like a play button. Click the button and it will bring up a menu allowing you to load a profile, then you can load your shared profile.
Why this is how you have to do it, I will never know, seems awfully PC like.

Quick Color Profile Switching? Applescript or Widget Available?

This question could really be on some other forums ...
We edit a lot of pictures professionally on our iMac, but we also use it for real life. Our calibrated color profile is not as "pretty" as the regular iMac color profile, but jumping into system preferences every time to switch the profile back and forth gets annoying.
Is there a widget or a script that we could download that will quickly switch our color profile one or two clicks?
Thanks!

Have you tried just not switching? Your eyes do adjust to a particular profile after a while and it looks fine. I know what you mean--when I have another mac with those bright bluish whites next to my profiled mac, mine looks dull and dingy, but after a whle without looking at a different profile you don't see that anymore.
(there's a utility called gamma toggle that lets you switch gamma settings from the menubar, but I don't know of a fast profile switcher offhand)

About color profiles

Hi Friends i am Murali From india.
i have one dout friends
i make on File From Photoshop.
using color profile : sRGB IEc
i need to output for CMYK. so i am convert to CMYK
that CMYK Image Is added Darkenss. so the quality is not
well.
that images ICC Profile for CMYK : US Coated 2
i need same result as well as RGB to CMYK
so pls help me dear brothers. how to solve the problem.
SelvaMurali
PrePress
Krause Violet CTP (Photopolymer)
Colenta Processor
Herliquin RIP
Adobe Creative Suite CS2

You wrote
function(){return A.apply(null,[this].concat($A(arguments)))}
function(){return A.apply(null,[this].concat($A(arguments)))}But now all pictures in Lightroom are not so colourful as they were before.
This is probably the effect of your now calibrated monitor vs. the uncalibrated one.
Often uncalibrated monitors show highly over-saturated colors. It looks very rich and flashy and people are wowed.
But these over-saturated colors cannot be printed and do not reflect the true state of the image data.
When your monitor is calibrated properly it will display the colors as they should be.
When you chose sRGB all the colors - particularly the reds and greens - will appear more saturated. That is the effect of this color space that is much smaller than Adobe RGB or Pro Photo RGB.
LR will automatically find and select your calibrated color profile if it is saved in the right place / folder.
And you can't change that. There is no provision for a different color space in LR.
WW
PS: As Pete and other posters have said already: Set the white point of your monitor to 6500 - that is the accepted standard. Don't choose sRGB to make your photos look good. Rather work with a calibrated monitor and then edit your photos in LR to your liking. You seem to think that your photos are a given and you have to adjust your monitor to make them look good - that's not how it's done.
WW

One again about color profiles and lightroom

I have wide gamut monitor (nec pa271w) and I tried to calibrate it. After calibration it created new color profile and make it default in windows color managment. But now all pictures in Lightroom are not so colourful as they were before. If I choose srgb(default profile for windows) the colors become as they were before calibration but in this case I see srgb color space and not full color that my monitor can produce. I read articles about calibration but didn't find how to solve the problem with lightroom.

You wrote
function(){return A.apply(null,[this].concat($A(arguments)))}
function(){return A.apply(null,[this].concat($A(arguments)))}But now all pictures in Lightroom are not so colourful as they were before.
This is probably the effect of your now calibrated monitor vs. the uncalibrated one.
Often uncalibrated monitors show highly over-saturated colors. It looks very rich and flashy and people are wowed.
But these over-saturated colors cannot be printed and do not reflect the true state of the image data.
When your monitor is calibrated properly it will display the colors as they should be.
When you chose sRGB all the colors - particularly the reds and greens - will appear more saturated. That is the effect of this color space that is much smaller than Adobe RGB or Pro Photo RGB.
LR will automatically find and select your calibrated color profile if it is saved in the right place / folder.
And you can't change that. There is no provision for a different color space in LR.
WW
PS: As Pete and other posters have said already: Set the white point of your monitor to 6500 - that is the accepted standard. Don't choose sRGB to make your photos look good. Rather work with a calibrated monitor and then edit your photos in LR to your liking. You seem to think that your photos are a given and you have to adjust your monitor to make them look good - that's not how it's done.
WW

Monitor Color Profile Changes after FUS

My monitor color profile changes after fast switching users, and then I cannot change it back in the prefs for display-color. Attempting to choose (restore) my chosen calibrated color profile does not work.
The only solution is restarting. Loging out and back in does not fix it, only a restart.
What could be causing this?
TiBook 867 1GBram 10.4.6 Mac OS X (10.4.6)

Does this page contain anything useful?
(16209)

Apply Color Profile to footage

I've generated a calibrated color profile using the X-Rite ColorChecker Passport in my shots.
How can I apply an ICC color profile to my video clips?

You can't. ICC color profiles are device profiles, more specifically, used to maintain color consistency between Input, Display and Output devices.

Login Window Color Profile Problem

I just upgraded my Mac Pro from 10.4.11 to 10.5.8 and finally to 10.6. I downloaded the 10.6.4 Combo update and all was fine. When I ran the next round of updates, which included the “Snow Leopard Graphics Update,” my calibrated display color profile was switched to the standard “VGA Display” color profile. That in itself wasn’t a big deal as I readily switched it back (on all 3 user accounts) but, the Login window now uses the standard “VGA Display” color profile and it looks terrible. I have a NEC MultiSync P1150 19” VGA CRT. The video card is the nVidia 7300GT that came with the Mac. This monitor was one I originally spec’d for a friend of mine back in the late 1990’s (MFG date is 1997) and the color is so good yet that I see no reason to replace it. The monitor is not the issue here.
My question; Is there a .conf file for the login window that I can edit so it selects my calibrated color profile instead? I’ve read the articles http://support.apple.com/kb/DL1083 and http://support.apple.com/kb/HT4286 and it doesn’t appear that I even need this update.
I imaged my hard drive after each OS upgrade so I have a day old image to revert to 10.5.8 if needed and then run the updates again (this time skipping the graphic update) but, I would rather not have to spend the several hours to revert and upgrade again.
I have some experience with command line editing in Unix/Linux. I just need to know the correct file(s) to edit. Also, do I have to enable the Root user to do this? I seem to remember reading somewhere that the Root user by default is not enabled in Mac OSX.
TIA…..Paul

So, I went ahead and restored from my 10.5.8 image. I upgraded to 10.6 and the login screen matches my user color profile. After the upgrade to 10.6, OSX changed the default color profile to “VGA Display” instead of the “VGA Display Calibrated” profile I had created back in 10.4.11. This uncalibrated color profile looked fine at this point so I left it at that setting. It actually looked a little better that my older calibrated profile. So, no real problem here.
BTW the older calibrated profile was created using OSX calibration tools in 10.4.x. I’m going to calibrate again in 10.6.4 and see what it looks like. This monitor has excellent color. Game play is super and film photography editing on it has always reproduced very nice matching images.
I then updated from 10.6 to 10.6.4 with no additional updates applied. The problem with the “Color Profile Challenged Login Screen” happened after the 10.6.4 Combo Update. The “VGA Display” profile had somehow been altered. I switched to Apple RGB and that matched the pre-10.6.4 VGA Display profile.
Apparently I wasn’t paying close enough attention during the first install. I can deduce at this point that the graphics update wasn’t the problem as I had previously reported. I did set each user color profile to Apple RGB but the login window stays at altered VGA Display. I don’t feel like experimenting with previous combo updates to identify which one is the culprit. I had a few nights to work this out and now I want to get back to using my Mac for other things. I’m going to go ahead and run the rest of the other updates including the graphics update.
I hope I can get an answer here to see if there is a conf file I can edit to set the login window to use a color profile of my choice. It’s a minor but glaring annoyance that a slightly Monk’ish person like me would like to remedy.
Otherwise, the system runs fine (even with only 1GB RAM) and my CS1 suite appears to have full functionality.
TAIA…..Paul

Color profiling and calibration in MacBook Pro

I work a lot in Photoshop with sRGB color space. Should I have this color profile set for my Mac display then (or which setting is recommended)?
Does the calibration in Mac replace an external calibration device functionality such as using e.g. Spyder4Pro?

I work a lot in Photoshop with sRGB color space. Should I have this color profile set for my Mac display then (or which setting is recommended)?
Does the calibration in Mac replace an external calibration device functionality such as using e.g. Spyder4Pro?

Display Calibration Creates Color Profile Problems.

I haven't received any response out of the MBP Display forum and I thought you guys might have better insight anyway because you are dealing with color calibration more often. Here it is:
I used colorsync utility to calibrate my monitor, hoping it would at least get the colors more accurate than they are with the "Color LCD" profile. The Color LCD profile has a bad yellow tinge to it. I went through the process 4 times so I would be able to choose the best profile out of the 4. (Now I can't delete the extra profiles but I guess that is a different topic...) The color accuracy and the gray-tone is MUCH better BUT I have a slight (understatement) saturation problem.
My problem is after using Color Sync, ALL of my REDS are oversaturated and blown out. There is a problem with the blues and greens as well but it isn't as bad. Of course, they look fine in non color managed applications (ie FireFox) but everything else makes my photos look horrible. Even the RAW files straight out of the camera look blown out.
I had, at first edited these files on a PC so they always looked fine but now that I have switched to Mac I have noticed how oversaturated they are in all of its color managed applications. (Safari, preview, and even the desktop.) I thought perhaps that I had just pumped up the contrast and saturation too high on the PC and the color profile was now creating a problem because the color was set for an un-profiled file. BUT after viewing the unaltered .NEF's straight out of my camera, they too are oversaturated.
Now, I have some wallpapers I had downloaded from the web that look the same as before. It is just MY OWN photographs that are oversaturated. Obviously I have chosen the wrong color profile or something is wrong with my workflow. The wallpaper that looks the same doesn't have a profile assigned it when I view-info. It just labels the color space as RGB. All my photos that have problems, have a color profile assigned. I am using sRGB as recommended. There are a few still using Adobe RGB (which is what my camera defaults to) and they have the same oversaturation problem.
Aperture is set to export with an sRGB profile and CS2 uses sRGB as well.
Any advice? What monitor and color management profile's are you guys using?
I can't tell what is right anymore. What should I edit my photos to look good in? The only MONITOR profile that doesn't blow them out is Adobe/Apple RGB, Color LCD, and a few of the other default installed profiles.
I've got a bad case of color vertigo!

sorry uberfoto, did not get what MBP meant at first.
what Jan says about color calibration tool is right....and start again from the RAW.....
i am photographer in the advertisement, reportage, portraits and landscape.
my problem was to get the thinks printed as I saw them on the screen.
here what I have to say on that (part of another discussion):
".... Sorry, but no AppleTFT Display comes close to a hardware calibrated display. Maybe they are semi-professional. I do not say this to insult Apple, ore somebody else, but i say this to sway out the illusion of , " if I just spend more money on the calibration tool and software, I´ll have better prints". It´s just not possible, because the display cant show what is there. A Apple CRT Studio Display is far better in this. I you want to have a flat-screen TFT Display to bring good results, you have to choose one that is able to be hardware calibrated and has a higher lookup table (EIZO, LaCie, QuatoGrafics......)
I use use one professional EIZO CG21" and one semi-prof. EIZO FlexScanL985EX(21") and the diffrence is important between the two.
But i need only one to be Print Proof ready.
Before i was always afraid when i gave the picture file to my client, because of what my pictures look like once it is printed. Now the outcome is right or differs only very little from what I saw on the screen. my calibration tool is EYE ONE. "..
BUT your main problem is how it looks in the web.
my thoughts and suggestion on this:
1. most people see the web on PC Display. those use a gamma of 2.2
(apple = 1.8) so pictures appear more blue with more contrast. this setting is made to hide the low ability of the system and display to show colors as they are and give and give crispy impression. So you will have to consider this when you prepare the pictures for the web. therefor the standard calibration of your MBP is best for your needs. ( for printing the Display has to be set on 5.600 kelvin ,that would be to warm 4 the wwweb).
2.
a) In the beginning I use Aperture 1.5 (or Lightroom) to select and prepare the pictures as I like them.
b) then I export them in 8 bit/300 dpi in the size they will be used as PSD or TIFF.
c) I will then open them in Photoshop (color-settings=web /internet) make the cleaning and so on.( 4 the web I always increase the saturation because sRGB and JPG will throw away lots of colors).
d) AND NOW "save for the web ". This is definitely the best tool to prepare pictures for the web. on the right upper part of the window there is a flash-open menu where you may choose to see the colors like in windows or macintosh system.
and on the lower right of the application-window there is a roll-down menu where you may preview the results in different browsers of your choice.
It is here where you can produce amazing high Q pictures 4 the web under 100 kb.
Hope this may help.
good luck,
larry
G5 dual 2.3/4,5 gigRam/ATI 9600 128MB-PB G4 12" Mac OS X (10.4.2) EIZO CG 21"+EIZO L985ex 21"
G5 dual 2.3/4,5 gigRam/ATI 9600 128MB-PB G4 12" Mac OS X (10.4.2) EIZO CG 21"+EIZO L985ex 21"
G5 dual 2.3/4,5 gigRam/ATI 9600 128MB-PB G4 12" Mac OS X (10.4.2) EIZO CG 21"+EIZO L985ex 21"

Printer adds blue, how do I fix this? color profile? calibration?

I have an HP 3210 printer and iphoto 06.
When I make a copy of a picture with the printer in stand alone mode, the copy is almost an exact.
When I scan the photo into iphoto and print it, the printer seems to add blue.
How do I fix this?
Can I create a custom solor profile or something to get it right?

Patrick:
First, you did check your ink cartridges to make sure you're not out in any of them? Duh. Make sure your monitor is calibrated. I use sRGB as the profile and adjust the brightness to make up for the aging monitor. Setting the gamma at 2.2 will help with just darkness.
Do you have iPhoto's Advanced preferences set to Embed Color Profile? Not sure what would cause too much blue but in the Advanced printer settings under the Copies and Pages menu there are a couple of sections that you can use to adjust the print settings; Color Option and ColorSync. Create a new setting under the Presets menu and save those settings before each trial so that once you get what you want it will be easy to just select that preset and print.
Do you Twango?
TIP: For insurance against the iPhoto database corruption that many users have experienced I recommend making a backup copy of the Library6.iPhoto database file and keep it current. If problems crop up where iPhoto suddenly can't see any photos or thinks there are no photos in the library, replacing the working Library6.iPhoto file with the backup will often get the library back. By keeping it current I mean backup after each import and/or any serious editing or work on books, slideshows, calendars, cards, etc. That insures that if a problem pops up and you do need to replace the database file, you'll retain all those efforts. It doesn't take long to make the backup and it's good insurance.
I've written an Automator workflow application (requires Tiger), iPhoto dB File Backup, that will copy the selected Library6.iPhoto file from your iPhoto Library folder to the Pictures folder, replacing any previous version of it. It's compatible with iPhoto 08 libraries. iPhoto does not have to be closed to run the application, just idle. You can download it at Toad's Cellar. Be sure to read the Read Me pdf file.

My screen went high-contrast. color profiles and calibration didn't help. It looks fine before I log in though!

My screen went high-contrast. color profiles and calibration didn't work well -
HOWEVER-
It looks fine right before I log in!
Is there a way to repair the color profiles or whatev?
I Installed Photoshop Elements and Premiere Elements a couple weeks ago that's when I think it began

I found it! "Enhanced Contrast" was set in the "Universal Access" control panel
Thanks, whoever posted that!

Macbook Pro Color Profile and Calibration for Photo processing.

Hello Friends,
May be it has already discussed in many forums but somehow I got confused about different solutions of the questions and due to this asking once again here.
I am using Macbook pro of 2012 and there exist many color profiles in the Display settings.
I am a photographer who uses Photoshop for the editing as well as Canon Software.
To get the most accurate Monitor Calibration Should I use default "color LCD" profile ?
I am not using any External Calibration tool. I have manually calibrate the screen but somehow I am not 100% confident on that.
In that case should I go for default "color LCD" for my photo processing. I found some light yellow cast/warm color on that profile but I am not sure..
Any help/suggestion will be much appreciated.
I am using:- MacBook Pro + OS X Mountain Lion 10.8.5
Warm Regards,
Ari...

Which model MacBook Pro? [EDIT] my bad, didn't see it in your original post
You mentioned that there is no error message when you try to change the profile; something is probably being reported to console though. Open Console.app (in /Applications/Utilities/) and see if anything is reported to it while you're experiencing these problems. If so, please post it here and I'll take a look at it.
Are you using the default profile that came with the machine or did you create your own by using the Calibration Assistant?
You might try opening Color Sync Utility (in /Applications/Utilities/) and verify or repair (if necessary) your color profiles.
Hope this helps....
Dual 2.7GHz PowerPC G5 w/ 2.5 GB RAM; 17" MacBook Pro w/ 2 GB RAM - Mac OS X (10.4.6)

Color profile after calibration

I use AdobeRGB1998 color profile for monitor and Photoshop.
When I have calibrate monitor I must use new color profile?
Have I think right?
Thanks!

Use the AdobeRGB1998 profile for your images ( never use your monitor profile ) but make sure the monitor profile is in the MonitorRGB section in your colour settings (scroll up the rgb workspace)

LR /Epson 3880 Color Profile / Monitor Calibration / Printer Calibration etc - X-Rite Color Munki

Looking for opinions on the X-rite product colormunki or spyder etc. to calibrate my monitors with the Epson 3880. My preview screen for printing in LR 5.7.1 looks VERY grainy (at times) and often the printer does not produce accurate color renditions of the monitor screen. Do folks have an opinion on this or a path they followed to produce the best prints having post processed in both Lightroom and Photoshop?

Excellent. Thank you. I did not realize that you were working with two sets of profiles, one for the monitor to ensure correct color/brightness etc that best duplicates what you will receive from the printer, and a second color profile that adjusts the printers interpretation of the print colors for the type of medium (paper, e.g., gloss, hot press, etc) that you are using to produce the product. This now makes sense to me. Therefore, if I am using the correct color management profile in the color management section of the LR print module, e.g. let's say an Epson Hot press paper, if my printed product does not render the colors in the same manner as I viewed them on the monitor, my next step would be to calibrate my monitors using a X-rite device or Spyder etc.
Going back to the X-rite Colormunki verses for example a spyder of x-rite i1Display Pro, I assume that the colormunki is able to create a profile for both a monitor as well as the paper you are using. The Colormunki is twice the price of the i1Display Pro. (I guess it scans the paper). Unless you are using a non-standard paper from a manufacturer that HAS NOT created a profile which you can download, you do not need a Colormunki and the i1Display Pro (or Spyder) to calibrate the monitor is all that is necessary.
Finally, your point about ensuring you do not "double" manage the color profile in the software (LR or PS) and the printer driver software is very helpful. The Epson 3880 printer driver allows you to turn off the color management by the printer but you also can set an input profile, printer profile, and a host of other settings etc depending on your production objective. You were correct in that, in some cases,I was double managing the color, hence, my product was much more accurate when I choose one or the other.
Thanks again for being so clear and taking the time to respond in detail. Much appreciated.

X1C calibrated color profile

Similar Messages

Maybe you are looking for