1080P 23.98fps to 1080i 29.97fps

I have a project that was shot 4k 23.98fps edited in 1080p 23.98fps. The client needs the final output in 1080i 59.94 quicktime. I take it that 59.94 is the equal to 29.97. Please let me know if I am wrong about that. My main question is, what is the process to take the 1080 23.98 and reconform to 1080 59.94 Quicktime for output. Is this as simple as sending to compressor with a 59.94 frame rate, or is there something more involved.
Thanks in advance for a speedy response to all the people with knowledge.

Not sure I'd use Compressor. It doesn't have the ability to actually insert pulldown (which is what you're want to do) and instead attempts to create new frames. That's great for slo-mos but not for this. Of course, if that's the only tool you have, hey, you gotta work with it.
If you have access to a recent version of After Effects, it should do a much better job at introducing 3:2 pulldown so that your footage runs at 29.97.
Not entirely sure about the conversion to 59.94 though (as I've never had to go that route myself with a digital file), hopefully this post will serve to bump this thread so you can get specific advice for that.

Similar Messages

Footage recording requirements for a 1080i 29.97fps final movie

hello everyone!
I am sure you will know better than me as this is a basic question...but need to confirm with more experienced editors...OK, so I need to deliver for a broadcaster a 1080i movie and they specify that "the field rate for both standard and high definition is 59.94 fields per second. The frame rate for high def is 29.97 frames per second".
so, 2 questions:
1) I know that this will be shot with a Sony Handycam HD AX-2000, and that shoots HD(not sure if 1080p or also 1080i?), but should I specify them they need to shot at 1080i and a certain frame rate? or is ok if they shot at 1080p? can i easily import progressive footage into an interlace sequence in final cut7?
2) "high definition is 59.94 fields per second": this has nothing to do with fps, correct? even if they shot at 60fps I can always export a QT 1080i at 29.97fps...I don't have to ask them speficically to shot at 59.94?
hope you can answer me these questions!! thanks everybody!

>o i just set up a 1080X1920 in fcp7 and by default is telling me it's a 1080i (HDTV), is this normal and should i ignore it?
No, you need to make sure that you have a field dominance set. That is what determines interlacing. 1080 is an interlaced format by default, but it can be 1080i but progressive. Sorry, confusing, but that's how it's labelled.
>Iread in other forums that fcp7 just calls it"interlaced" even if it is not when you import progressive footage as frame size 1920X1080....i just want to confirm that it will actually not be interlaced at all....as tehy want me to use a plugin called digital rebellion to convert my progressive to interlaced...
Correct. And that plugin is to be used IF you already exported a progressive file. If your sequence was progressive. You don't need it if your sequence is Interlaced, and has field dominance.
>Also, I shoudl set up the se for progressive as the "field dominance" as NONE, correct?
NO!! That makes it progressive.

23.98fps Clip in 29.97fps Sequence in Soundtrack Pro Lesson?

I am using the Apple Pro Training Series "Sound Editing in FCS".
The media I am using from the accompanying DVD is DV/DVCPRO-NTSC, 2.9MB/Sec and with a frame rate of 23.98fps.
The sequences have a frame rate of 29.97fps.
Can anyone explain exactly what the media is and why there is this apparent mis-match?
It plays and sounds OK.

Some video cameras can shoot at 23.976 frames per second to simulate a 24 fps film look.
The DV/DVCPro (tape) recording standard can only record 29.97 frames per second. To accommodate this, the recorder adds a 3:2 pull-down to the 23.976 to make (force) it to 29.97. Depending on the recorder, this 3:2 pull-down can be removed with software to re-create the original 23.976 clip as created by the camera.
So, your clip uses the DV/DVCPro compression codec but could be 23.976 or 29.97 fps. Open the clip in QuickTime, hit Cmnd-I and see what the file really is.

Given a choice: what should I mix 1080p with -- 720p or 1080i?

I have a three-camera shoot coming up with two 1080p cameras.
The third camera can be either 720p or 1080i.
There's no way we can upgrade the third camera to 1080p.
I'm being asked to give a recommendation on 720p or 1080i.
So which format (720p or 1080i) mixes better with 1080p?
Which one will output better to a DVD?
I'll be cutting in FCPX.
Cheers.

Thanks Al. Wow - it's been so long since I've recorded a DVD video, that I had forgotten about the SD restriction.
Setting aside the DVD issue, what would you reccomend would look better online when streamed in HD?
1080p material mixed in with 1080i or 780p?
Cheers.

1080p 25fps exported to 1080p 23.98fps uncompressed Quicktime that stutters every second

I am authoring a blu-ray and the QuickTime file of the feature is 25fps. I didn't think it would be a big deal and just set Premiere to export the 25fps timeline to a 1080p uncompressed QuickTime at 23.98 but the picture hiccups every second like clockwork.
Can anyone tell me how to get around the frame skip hiccup when converting a PAL 25FPS HD file to a 23.98? Thanks in advance!

is retiming an option?
in the 90's when I was doing commerical dvd authoring in Australia (PAL) our masters were often from NTSC telecine transfers.
We re-interpreted the video as 25 from 24 and then speed and pitch shifted the audio.
It's a pretty common method. For example the NTSC DVD release of "The Thomas Crown Affair" (Brosnon version) obviously used 25fps audio retimed down to 24fps for the titles and then a different audio file at 24fps for the feature because the loop music in the title matches the opening credit music and you can hear it drop pitch when you go from the menu to the feature.
If that isn't an option then you're pretty much going to have to put up with the stutter since you're dropping 1 in 25 frames on the floor.

Do I need to pre-convert 1080i files to 1080p in Compressor before editing in a FCP X Timeline?

I'm working on a project that's shot in 1080p, 23.97fps. A friend gave me some footage to add that was shot in 1080i, 29.97fps, on a Canon Vixia. FCP X will accept both, of course, as an event, and will even accept both in the same timeline, but what will happen if I try to edit or export them? Should I convert the 1080i to 1080p, 24fps. Final output only needs to be in 24fps. Thanks for any help!!! I can't seem to find a straight answer on this.

Difficult question to answer - if you convert it first, you'll be recompressing it - so you'll lose quality that way. I guess the best idea would be to de-interlace and save uncompressed.
I'd be inclined to let FCP X take care of it but why not try a small section using both methods? If you can't see any difference in the result, I wouldn't worry.
Andy

Recommended Workflow for eventual 1080p and 1080i output?

We have a show shooting on HVX-200's (at 720p60, 23.98), and also some HDV footage.
We are editing with FCP 6.0.2 on MacPros, with San Server, and Blackmagic Decklink HD Extreme cards.
We must deliver to two networks:
1) 1080p 23.98
2) 1080i 29.97
(both on HDCam tape)
Shooting/editing hasn't yet begun.
What is our best workflow?
--Should we edit on a 23.98 or 29.97 timebase (I presume we'll need two final sequences for layoff, one at 23.98 and one at 29.97, since one is DF and the other is NDF)?
--To layoff the 1080 masters, should we create 1080 sequences and render; or can the Decklink card upconvert upon edit-to-tape? [I've already tested converting the footage to 1080 with Media Manager, and the computer can barely handle playing it]
--When mixing HD and HDV footage in a timeline, what's the solution for minimal rendering and normal-looking frame-rates?
--Will we need a Tri-Sync generator to Edit-To-Tape at 23.98 via the Decklink card? Or any other hardware we should start acquiring?
--Other issues we should expect?
Any suggestions would be GREATLY appreciated from those who have been through this before.
Many thanks!

I have tons of experience with this workflow...and I blog about most of it. Here is a post that will enlighten you on a few things:
Little Frog in High Def
Read more of the Sept and Oct archives for more tidbits. The Kona 3 card was a HUGE factor in this. Without it, with your Decklink, you won't be able to do what I did. You'll have to cross convert before you output.
Hire a consultant. Talk to people at post facilities that do this all the time.
Shane

Satellite P200 1EE - can this output to 1080p via HDMI?

HI
My first post on this forum.
I recently bought this notebook and have connected it to my LCD TV at home. However, I can't seem to get 1080p via HDMI only 1080i (my TV is capable of accepting 1080p through HDMI). Anyone know if this is possible? (I have updated the latest display drivers from Toshiba).
Also whilst watching movies, I am noticing a lot of grain/noise on the notebook screen. Is this normal or is it a defect? I was watching Transformers HD DVD last night and could see loads of noise not only during dark scenes but generally throughout the film.
Any help will be much appreciated.
Thanks in advance.
Shak.

Hi Shak.
It helps that you've ensured your LCD tv supports 1080p. For this resolution you have to check in your graphic card driver catalyst a needed option. Open that control center and look for dvi settings and uncheck the "reduce dvi frequenzy on high resolution displays" option. 1080p should work now.
For the grainy/noisy thing with the Transformers HD-DVD. I don't think it is a defect or something like that. Just put in another movie and see if the picture quality is better or not. Quality differs from movie to movie.
Check it out and give me a quick answer if it worked.
Regards,
Joey

PAL 1080p - 30i/s (France)

Bonjur,
J'ai actuellement une camera sport Drift Ghost HD et je fais mes montages avec Premiere Elements 11.
Je filme toujours en 1080p et 30i/s.
Par contre, j'essaie éperdument, dans les paramétrages manuel d'un nouveau projet, de trouver comment faire pour choisir "AVCHD - PAL - 1080p - 30i/s".
Dans le PAL, il ne propose que 1080p-50i/s ou 1080i-25i/s......
Avez-vous une astuce à me communiquer pour paramétrer mon nouveau projet en 1080p-30i/s et si possible en 5.1?
Merci
Hello,
I currently have a camera sports Drift ghost HD and I do my editing with Premiere Elements 11.
I still shoots in 1080p and 30i/s.
I'm trying desperately in the manuel settings of a new project, to find how to choose "AVCHD - PAL - 1080p - 30i/s".
in the PAL, it only offers 1080p-50i/s and 1080i-25i/s.......
Do you have a tip to set up my new project 1080p-30i/s and if possible in audio 5.1?
Thank you

infobm
Do not let "AVCHD" and "DSLR" heades get in the way of your project preset decisions.
If you are recording 1080p30 (1920 x 1080 @ 30 progressive frames per second), then you want to set manually the project preset
NTSC
DSLR
1080p
DSLR 1080p30
Before you exit the new project dialog, be sure to have a check mark next to "Force Selected Project Setting on This Project". Then go back to the Premiere Elements Expert workspace to import your media into the project.
Premiere Elements 11 takes over the role of setting up the project preset based on the properties of the first video drag to the Timeline. Sometimes it does it OK, sometimes not. When not, then do the manual setting of the project preset as decribed over.
http://www.atr935.blogspot.com/2013/04/pe11-accuracy-of-automatic-project.html
There is no DSLR 1080p30 5.1 channel project preset, but you can create one for yourself.
http://www.atr935.blogspot.com/2013/07/pe11-exporting-1080p25-or-1080p30-file.html
There is only one project preset per project. So if you have source media with mixed properties than priorities need to be established in my project preset choice. Also, the export settings can be different from the project preset (subject to further discussion).
Please review and do not hesitate to ask if you need clarification on anything written.
Thank you.
ATR

Inverse Telecine on the Capture

Does anyone know if it is possible to remove pulldown on the capture? I have 1080i 29.97fps sources (HDCAMSR and D5) with film content and would like to capture directly to Apple Pro Res 422 (HQ) at 1080p 23.98fps. To save time (and money) we don't want to go through any external conversion boxes like a UFC to do inverse telecine. Is there any way in FCP to remove the 3:2 cadence and bring the video back down to 23.98 in real time on the capture? I know we can do a post-IVT with tools like cinema tools, but we're trying to avoid that extra step. Thanks in advance for any input.

No, there isn't. Take the extra step and go through Cinema Tools to convert. It really doesn't take that much more time.

What's the proper workflow to combine multiple video types and turn them into one high quality DVD?

I'm trying to combine 1080i (29.97fps), 1080p (29.97fps), and 720p (24fps) video files into a single Premiere Pro project, and end up with a high quality DVD.
There are a few problems I can't solve:
1. There seems to be interlacing and clarity issues any time I export it to DVD dimensions (720x480), and on some TVs I'll get a bouncing motion on the 720p footage (slideshow). Yet everything seems to look perfect when I export it something like an HD MOV file.
2. If I use Final Cut X to make the DVD, I'll get audio popping and decent image quality. Yet if I use Encore, I'll get horrible interlacing, but good audio.
I don't have any training in video workflow let alone how to properly diagnose and solve problems that arise. So I need someone to lay out the proper workflow and settings from start to finish to get these three different types of footage to look great on a DVD using Premiere/Encore.
I've attached sample images showing the types of footage I'm using and the kind of problems I'm running into for reference.

By far the best way to get the quality of encoding is to use Compressor and not DVDSP. You can set Compressor up to do the AC3 (which DVDSP can't do). Alternatively, use a better encoder than Compressor, such as BitVice or MegaPEG.X... but remember that these do not do AC3 encoding.
Keep the encoded assets all in a single folder on your mac, then drag that folder into the DVDSP 'Assets' tab. This will import them all and keep them in the folder, which is a neater way of doing things. Select all of the clips within the folder (or simply select the folder itself) and drag them on to the track - they will go on in alphabetic or numeric order (whichever you have used as your names). If using numbers, remember to use '01', '02', etc otherwise clip ten, eleven, twelve and so on will follow clip one... clip two will come after clip 19.
Drop them all on a single track. You can then point a menu button at the track and all of the clips will play one after the other. If you want black in between then you will be better adding this in a NLE such as Final Cut, then exporting the entire sequence of clips as a single file. Alternatively, create a black .pict file the correct dimensions for the video format you are using and manually add it in between each clip on the timeline. Or, create a series of black .pict files and name them 011, 021, 031 and so on. Place them in your folder of clips with the MPEGs named 01, 02 and so on. When you select all and drop it onto your timeline within DVDSP a black clip will go in between each piece of footage (sequence will be 01, 011, 02, 021, 03, 031 ). This is probably the quickest way to do it. You can reuse the same black .pict files for every project like this and as long as you follow the same naming convention it will always work.
Like anything you want to automate, the first couple of times take longer to set up. After that it is a lot easier.

Reduced DVD image size with HD to SD footage in Encore

Using CS5, when I encode an SD sequence from Premiere to Encore, all works well. When I downconvert an HD project through AME it looks fine and shows full screen in Encore, but when I burn a DVD and play it, I get a reduced size image in the center of the screen.
I'm shooting 1080 24p with a Panasonic HPX170 camcorder. I create Microsoft AVI files using On Location.
I use a Matrox MXO2 Mini with Max display unit, so I'm using these Premiere project settings:
Matrox HD
1990x1080
[email protected]
I'm exporting the Premiere timeline using the recommended settings in the Jeff Bellune CS4 tutorial for converting Premiere HD footage to SD for DVD burning
FORMAT: MPEG2-DVD
PRESET NTSC 23.976p Widescreen High Quality
VBR 2 PASS
Maximum Render Quality
Min bit rate 2.8
Target bit rate 7
Max bit rate 8
GOP SETTINGS M frames 3 N frames12
Audio 48 kh PCM 16 bits
Multiplexer NONE
When I render files and build a project with Encore, the timeline and menu image appears full screen in the Encore monitor.
When I burn the project to DVD, it displays properly in letterbox on a standard def tv.
But, when I play the DVD on an HDTV, I get a great looking picture in proper aspect ratio, but it displays at about 3/4 size in the center of the screen with black surrounding it. I can change the display setting on the HDTV to 'Zoom" and fill the screen with the picture without distortion.
I have the same issue creating footage at 1080i 60 fps and 1080p 30 fps and building projects with appropriate settings in Premiere and Encore.
I'm wondering if I'm missing a setting in AME or Encore. I thought I'd followed Jeff Bellune's excellent instructions on HD to SD settings in AME to the letter.
I'd like to create DVDs that will play full screen on HDTVs and in letterbox on standard def TVs without viewers having to change the settings on their HDTVs.
FYI, I'm shooting in HD, partially to get really clean keys during the edit, using the Ultra keyer in Premiere. This works great.
Thanks for any assistance.

Jeff,
I went back and checked all the PAR settings and looked at the monitors in 100% mode. Didn’t solve the problem, but here’s what I found.
I’m using an avi film clip shot at 1080 24p on the Panasonic HPX170P.
In CS5 Premiere, I checked the interpret footage setting on the clip.
It read: Pixel Aspect Ratio: DVCPROHD(1.5)
I right clicked the timeline to see its properties and saw: PAR 1.5.
When I checked the monitor at 100% it zoomed in to a close-up of the middle of the image, compared to a full-screen image in “fit.”
In AME, I used the settings from your Scaling HD to SD using CS4 tutorial and the 1080 24p option.
When I changed the monitor view to 100% and switched back and forth between SOURCE and OUTPUT views, the SOURCE view was tightly zoomed into the center of the frame, and the OUTPUT view was slightly zoomed in, only losing a bit of the sides of the frame. Unchecking "Aspect Ratio Correction" squeezed both source and output monitor images horizontally. I rechecked "Aspect Ratio Correction."
I imported the encoded clip into Encore and checked its PAR.
The PAR was set to “SQUARE 1.0”
The 100% view in the monitor was just slightly zoomed in from the “fit” view.
I tried changing the PAR on the clip in the project window to “Conform to:SD NTSC WIDESCREEN 1.2121.”
This did not change the 100% monitor view.
I saved the project and burned a DVD, but saw no change in the menu or clip size. Still small image centered.
Next I changed the PAR on the clip in the Encore project window to: “Conform to Anamorphic 1.333.”
This shrank the 100% view to show a letterbox view of the clip, showing the entire clip image.
I saved the project and burned a DVD. On the DVD, the menu appeared unchanged, still small and centered. The clip played in full 4:3 aspect ratio, not distorted, with the edges side cropped.
Any other PAR settings I missed I should access and change?
Any additional things for me to try?

AME CC MPEG-2 DVD Encode Problems

Having an issue with MPEG-2 DVD exports using CBR instead of VBR. I've always used CBR before with no problems at all. Now, when I export with CBR (actual bitrate doesn't matter), I get this weird pulsing artifacting in the video. It doesn't do it in VBR, but I'm not altogether happy with how crossfades turn out with VBR (lots of blocking).
I'm using the latest versions of Premiere CC and AME CC. The source video files I'm converting are Quicktime ProRes 422LT files at 1920x1080 23.97. I'm on an iMac running Mavericks - 3.5ghz i7 32gb RAM with NVIDIA GTS 780M with 4gb video RAM.
Any ideas or help would be very much appreciated. Thanks.
-Edwin

I'm getting something similar with HD MPEG-2 encodes in PPCC and AMECC. I've got a couple of broadcast outlets that specify 29.97fps 20mbps CBR MPEG-2, one in 1080p and one in 1080i. Any time I encode in CBR, I get that weird kind of pulsing. I've tried it with automatic GOP placement on and off, doesn't seem to make a difference. The only way I've found to fix it is to (with the stations' blessing) encode as VBR MPEG-2.

I need help with export settings

Hi everyone,
I need help outputting an HD file for presenting a video to a client. I have tried exporting to HD .mov (H.264 codec) and PE keeps crashing (error compiling movie). From what I’ve read here, it’s due to the gargantuan file QT creates and HD space (even though I think I have enough HD available).
So, I need a recommendation from you on what kind of file to output which will allow me to present the movie to the client in HD. This file is solely for the presentation, I have already published for web (FLV) and YouTube (direct share from PE) and they both worked fine.
Here are my project specs:
Timeline:           4:26
Format:               1920 X 1080 HD
Timebase:          29.97 frames per second
OS:                        Windows XP SP3
Processor:          Intel Core 2 Duo @ 2.66GHz
RAM:                    4GB
Project Drive:   250GB disk with 152GB free space internal dedicated project drive (separate from OS)
Thanks in advance for your help,
Jose

Hi Steve, Neale,
I wanted to follow-up on this post. I came into the office today to run a few tests so I can make sure that I have the correct settings on my camera and PE project for the next time around. Here are few observations I was wondering if you can comment on:
My Sony camera cannot shoot HDV. The only format it supports is AVCHD, so I'm stuck converting.
I tried to convert the footage I have to HDV with the software I have (AVS Video Converter and Koyote Soft HD Converter) and neither of the two have an "HDV" conversion setting. I see AVI, MPEG, MOV and many different settings in each (AVI: Hd Video 1080p: H.264AVC, 29.97fps, 4200kbps, Audio MP3, 256 kbps or MPEG: HD Video 1080p - MPEG2, 15000 kbps, 1920X1080, 29.97fps, etc). What should I be looking for?
I searched for "best file format" in the forum and found various postings from both of you referring to converting to DV-AVI within PE; especially if you have AVCHD footage (which I have). So, I followed directions and converted a file for testing. Then, I created a new project using HDV 1080i 30 settings and imported the converted file. I still get a red line on the timeline. Any thoughts on what I'm doing wrong?
I also converted the MOV files (shot in HDV 60i with the pro camera) to DV-AVI. I also get a red line on the timeline...
The DV-AVI converted footage (both cases) doesn't appear to be HD. It looks jagged on the preview window. Is it HD?
The DV-AVI converted footage is almost double the file size as the MTS (AVCHAD) file (138mb vs. 60mb). Isn't that going to make PE run slower?
Thanks in advance for your help. I just wanna make sure I do my homework now so I set everything up correctly on the next project.
Jose
P.S. I almost forgot! Here's the link to the live video on YouTube: http://www.youtube.com/watch?v=fEkqPmefJV0
Message was edited by: josejb70 - Added YouTube link

How do i stream my iMac screen to a device that accepts component video only

I have a new iMac (2015) and I want to send my screen from my mac to a video switcher called a NewTek Tricaster 40. It only accepts component or composite video input. I want to send my iMac's screen to it in real time so I can incorporate it into my live video productions. I have attempted to use several HDMI to component converters and none have worked. I am using the Kanex Pro HDMI to Component Converter to convert the HDMI out from two HD camcorders to component and sending that into my Tricaster 40. It is seeing the signal just fine and giving me solid HD video. So I attempted to use the same Kanex Pro for the iMac. First I used apple's lightning to HDMI cable then plugged that HDMI into another Kanex Pro HDMI to component converter. No dice. I tried all the component video settings: 1080p 30PsF, 1080 24PsF, 1080i, 720p, 720/30p, 720/24p. None worked
Kanex Pro HDMI to Component Converter with Audio for PS4, Xbox One, Full HD 1080p (HDRGBRL)
https://www.google.com/shopping/product/13562420314864684603?q=Kanex+Pro+HDMI+to +Component+Converter+with+Audio+for+PS4,+Xbox+One,+Full+HD+1080p+(HDRGBRL)&espv= 2&biw=1461&bih=724&bav=on.2,or.r_cp.&bvm=bv.89947451,d.cGU&ion=1&tch=1&ech=1&psi =lcMhVcDPEpC4ogTBl4LABg.1428276117592.5&prds=paur:ClkAsKraX2IpeY7X336NKCAZO5gXZC fr9CYkefRrD0Ad_Xy607mRERaZVy-e31nis3rQppz_OgnNmy5ApOtsfxdiNa9ObBt6XIj0T_QHJnHgQS RKEgr403gF3BIZAFPVH73q3thgw88E5DYtSJ2ucji5lQO4ow&sa=X&ei=nMMhVfSkCIftoATK24GYCA& ved=0COEDEPMCMAA
Next I purchased an apple lightning to DVI adaptor. Then I plugged the DVI into this Lindy DVI to component converter. It also failed at all resolutions. None worked for SD resolutions either.
LINDY DVI-D to VGA/RGB/Component Video Converter (32562)
http://www.amazon.com/gp/offer-listing/B0012E210A/ref=olp_tab_new?ie=UTF8&condit ion=new
After hunting for a solution someone suggested that HDCP protection might be my problem. Apparently in an effort to keep people form pirating movies Microsoft and apple use HDCP to keep people form making this conversion? I'm nor sure how this works I just know that I am leagaly allowed to incorporate brief news clips into my news comentary on my youtub channel so long as I cite them and add to them substantially. I do both. So is HDCP my issue? If so what is the work around?
Sewell Direct 1x2 HDMI Splitter, v1.4, 4k by 2k support
http://www.amazon.com/gp/r.html?C=R9X3UEVFUTLF&K=AAASFVVZHH4WQ&R=3S6NDP88QPROY&T =C&U=http%3A%2F%2Fwww.amazon.com%2Fdp%2F…
NewTek has a program called IVGA that will allow me to share my screen over my local network but the frame rate is horribly choppy and is not useful for capturing video clips form youtube or game play.
Bottom line how do I stream high quality (720 /24p minimum) video from my iMac to a device that only accepts component video in.

I did end up using an apple thunderbolt to DVI.
Next a DVI to HDMI.
Component Video + Digital Coaxial and Digital Optical Audio to HDMI® Converter
http:/http://www.monoprice.com/Product?c_id=101&cp_id=10114&cs_id=1011406&p_id=5 971&seq=1&format=2
After that I used an HDMI to component.
Kanex Pro HDMI to Component Converter with Audio for PS4, Xbox One, Full HD 1080p (HDRGBRL)
https://www.google.com/shopping/product/13562420314864684603?q=Kanex+Pro+HDMI+to +Component+Converter+with+Audio+for+PS4,+Xbox+One,+Full+HD+1080p+(HDRGBRL)&espv = 2&biw=1461&bih=724&bav=on.2,or.r_cp.&bvm=bv.89947451,d.cGU&ion=1&tch=1&ech=1&ps i =lcMhVcDPEpC4ogTBl4LABg.1428276117592.5&prds=paur:ClkAsKraX2IpeY7X336NKCAZO5gXZ C fr9CYkefRrD0Ad_Xy607mRERaZVy-e31nis3rQppz_OgnNmy5ApOtsfxdiNa9ObBt6XIj0T_QHJnHgQ S RKEgr403gF3BIZAFPVH73q3thgw88E5DYtSJ2ucji5lQO4ow&sa=X&ei=nMMhVfSkCIftoATK24GYCA & ved=0COEDEPMCMAA
On my iMac:
I had to go into my device settings > Display
then I set the "Optimize for:" to "CAT-6066"
after that I selected the "Scaled" option right underneath
then i selected 1080i because the Kanex Pro is designed to convert 1080i into component
I was then able to get my NewTek Tricaster 40 to recognize that component signal from the Kanex Pro and add it to my production as 1080i or as 1080p/30. The frame rate looks great and the video quality is very smooth and in real time.

1080P 23.98fps to 1080i 29.97fps

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