15 frame or 1/2 second cross dissolve

I want to cut the duration of my cross dissolves from 30 frames to 15 frames. I highlight the length of the cross dissolve video transition and make the change, but after I leave the duration box it reverts back to 30 frames or one second.
Is there anyway to edit the duration of the cross dissolve?
Thanks.

Are you up early or late Down Under?
Probably up later!!
Glad to help.
Al

Similar Messages

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  • Problem with cross dissolve...Dropped frames.

    when i add cross dissolve it dose't work, it says one or more frames were dropped  during playback.

    and have you tried rendering it?  Figuring out exactly what's gonna render is not particularly intuitive, so post back if things don't make sense.

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    Sorry for reposting this issue but I am still have problems.  In fact, it is extremely frustrating and I don't know why.
    I am using FCP X 10.0.8 and when I try to add cross dissolves to some still frames it will not allow me. 
    I get the following error msg.
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    Thanking you,
    Mitaka27
    Tokyo

    This is what I see but it doesn't quite make sense to me.  One, I don't know why there should be two AUDIO01 files showing.  The still frame which I am trying to add the crossover to is FRTOTSUKA.  It will allow me to add to the end but not to the start.  The same is happening with a couple of other frames.  If I add one to the start it won't allow me to add it to the end. 
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  • Premiere Pro CS3 Issue- Cross Dissolve Transition creates random frame insert

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    Th3On3Fr33man

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    For some more info on Handles, these might be useful:
    In the days of A-B Roll editing, or with film, Handles were an easy concept to grasp. With current NLE's, it's more abstract.
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  • Transitions -- Cross Dissolve: FLASH FRAME

    When I insert a Cross Dissolve, 15-20% of the time there is one frame black at the end, ruining the transition. (Black flash frame).
    Tried deleting transition, reapplying - no luck.
    How can I be rid of this?

    This is a total shot into the blue, so please be patient...
    Have you looked at what all those clips that exhibit this problem may have in common? Perhaps all of them have an odd number of frames? If so, you may be onto a way to work around the problem.
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  • Premiere Pro CS 5.5 can't do a simple cross dissolve with MPE enabled?

    When adding cross dissolves to a project that I'm working on, I've come across an odd problem. I say odd because this should be dirt simple, but Adobe seems to have messed this up. Please advise on any solution or work around, or perhaps simply see if you can recreate the issue so we can get Adobe to fix this.
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    Help?
    -Ted

    I too am experiencing this issue.  AVCHD footage, GPU Acceleration, trying to apply a cross dissolve, and instead it randomly seems to see it as a simple cut.  The Cross Dissolve is simply ignored... Adjusting the footage length, removing the CDissolve, re-rendering, etc. have no effect.  For whatever reason, in that specific location on the timeline, a cross dissolve with GPU acceleration is impossible.  Yet, in other sections of the timeline, it is just fine.
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    -Jason

  • Secret for using Cross Dissolve transitions

    Based on my limited experience, the most useful transition is the cross dissolve. It is pretty much the only one I use since it is doesn't draw attention to itself and bears repeated deployment for smooth scene changes. But it has a problem: If you simply make a clip split and put the transition in, it won't work. And it appears even high level people at Apple technical support don't understand what is going on. Based on the apparently incorrect background information they gave me, I have always been extremely careful about making the split precisely where the scene changes and then chopping off a small number of frames in order to make the transition work. But recently I discovered that cross dissolve transitions will always work (regardless of whether the frames on both sides of the cut are similar or even identical) if you delete precisely one frame, and it can be from either side of the split. When you do that the edges of the clip go from squared (right angles) to rounded. The cross dissolve transitions will never work between two clips that have squared edges. They will always work when the edges are rounded. And all it takes to get the edges to be rounded is the deletion one frame. The edges get rounded and cross dissolve transitions work and if you remove more than one frame, and/or do if from both sides of the split. The point is that it will work with as little as one frame. But if you don't sacrifice at least one frame, cross dissolve transitions will never work.
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    When one splits clips, don't split close to what will be the beginning or the end of a shot.That's why you should always start the camera BEFORE the action begins and run AFTER the action ends. It only needs to be a 1/2 second to 1 second. Now before you add a cut or a transition you will automatically trim the end and the beginning of the two clips.
    I start with a two-hour clip that includes hundreds of scenes, some ending abruptly, some not. If scene one suddenly ends and scene two begins, the natural place to make the cut is where the scene changes. If it happens that there is stuff immediately on each side of the cut that is of value, you would might prefer not to lose even one frame. Usually on one of the two sides the loss of one frame is not so bad. And if you sacrifice that frame you have almost everything you want. But it turns out that the situation is better than that. Since you can also add frames (I now realize), you can end without losing any frames at all. Of course, if you happen to be in a situation where there is plenty of useless stuff on both sides of a cut, the problem the solution is trying to solve does not come up. But I wouldn't change my filming habits just to avoid this problem of adding cross dissolves, since once you know what to handle it, it's not much of a problem. As to whether it is good practice to aim to have extra footage on both sides of a shot, sure. That seems like a good rule of thumb to me. But there are many situations where you don't have that opportunity. Say you were filming John Kennedy in Dallas or life among the Taliban or your kid falling off a horse. Life may not give you the chance to put useless footage at the end or beginning of your shot. In my case, I have hours of amateur home movies that stop at all sorts of odd places. I can't go back and reshoot it.
    I suspect Apple simply expected you to do this. This will inherently eliminate what may be a tiny bug that you overcome by trimming 1 frame.
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    Message was edited by: Paul Bullen

  • Cross Dissolve, Dip to Color not working

    Hello. I am having trouble applying Cross Dissolve and Dip to Color to the transition between to separate clips. It works fine when I am transitioning between two clips originating from the same raw captured file (e.g. between two pieces I cut out of Raw 1), but I am unable to apply the transition to two clips from separate raw files (e.g. between a piece of Raw 1 and a piece of Raw 2).
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    Enough handles?
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    a full 1 second crossfade reaches 15 frames into each clip. So, if you want to change a cut to a crossfade, there has to be at least 15 additional frames of each clip.
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  • Problem with Cross Dissolve

    I have a couple of clips I want to add the default Cross Dissolve between. The first clip is 04;04 sec., and the other clip is 04;12 sec. When I add the dissolve between them, it only comes in at a duration 00;01; while, when I add the same dissolve to the beginning or end of a clip, it has a duration of 01;00 (which is what I want between the clips.)
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  • Cross dissolve

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  • Cross Dissolve problem

    Hi,
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    Obviously I want it just going smoothly from one clip to another.
    Seems to me like a basic setting to any video editing software, but I cannot seem to fix this.
    Thanx for your responses.
    Best regards,
    Ronald

    Using some freeware, I have also some info about my original video file format. Maybe that helps to determine what settings I should put in Premiere. And looking back now at my video, I guess I described my problem wrongly. Looking closer at the transition, it's not really like previous clip has not fully disappeared, it does fully disappear, but ends with a few frames of still image, like the next clip starts with a few frames of still image....
    Algemeen
    ID                                       : 0 (0x0)
    Complete name                            : D:\Videomontage projecten\Import Sony HDR-CX130\20120804124910.MTS
    Format                                   : BDAV
    Format/Info                              : Blu-ray Video
    File size                                : 46,6 MiB
    Duration                                 : 14s 846ms
    Overall bit rate mode                    : Variabel
    Overall bit rate                         : 26,3 Mbps
    Maximum Overall bit rate                 : 28,0 Mbps
    Video
    ID                                       : 4113 (0x1011)
    Menu ID                                  : 1 (0x1)
    Format                                   : AVC
    Format/Info                              : Advanced Video Codec
    Format profile                           : [email protected]
    Format settings, CABAC                   : Ja
    Format settings, ReFrames                : 2 frames
    Format settings, GOP                     : M=1, N=12
    Codec ID                                 : 27
    Duration                                 : 14s 880ms
    Bit rate mode                            : Variabel
    Bit rate                                 : 25,0 Mbps
    Maximum bit rate                         : 26,0 Mbps
    Width                                    : 1 920 pixels
    Height                                   : 1 080 pixels
    Display aspect ratio                     : 16:9
    Frame rate                               : 50,000 fps
    Color space                              : YUV
    Chroma subsampling                       : 4:2:0
    Bit depth                                : 8 bits
    Scan type                                : Progressief
    Bits/(Pixel*Frame)                       : 0.241
    Stream size                              : 44,4 MiB (95%)
    Audio
    ID                                       : 4352 (0x1100)
    Menu ID                                  : 1 (0x1)
    Format                                   : AC-3
    Format/Info                              : Audio Coding 3
    Mode extension                           : CM (complete main)
    Format settings, Endianness              : Big
    Codec ID                                 : 129
    Duration                                 : 14s 880ms
    Bit rate mode                            : Constant
    Bit rate                                 : 256 Kbps
    Channel(s)                               : 2 kanalen
    Channel positions                        : Front: L R
    Sampling rate                            : 48,0 KHz
    Bit depth                                : 16 bits
    Stream size                              : 465 KiB (1%)
    Tekst
    ID                                       : 4608 (0x1200)
    Menu ID                                  : 1 (0x1)
    Format                                   : PGS
    Codec ID                                 : 144
    Duration                                 : 14s 335ms

  • -trouble with Cross Dissolve

    Hi
    wondering if some one can help , i put a cross dissolve between two clips and can not get it to work, if i put any other tranistaion they all work fine.
    why
    Thanks

    What happens when you try to add a dissolve?
    And are you sure it isn't a HANDLE issue?
    #1 Transitions "Insufficient Content"
    Shane's Stock Answer #1:
    You need to make sure that your clips have enough media (called 'handles') at the beginning of the incoming clip and at the end of the outgoing clip for the transition. For example, if you have a 1 second (30 frame) dissolve, your in and out point need to be at least 15 frames from the edge of the clip.
    What you are running into is that you are marking an out point at the end of a clip then adding a cross dissolve, say 20 frames in duration. Since the dissolve is centered on the cut, it will start 10 frames before the cut, and try to go 10 frames AFTER the cut...which it can't do.
    What you need to do is plan how long your dissolve will be and back-time your cut so that it works.
    a full 1 second crossfade reaches 15 frames into each clip. So, if you want to change a cut to a crossfade, there has to be at least 15 additional frames of each clip.
    Say you're trying to crossfade from one clip into the very first frame of a second clip. FCP cannot 'create' 15 more frames of the second clip to do a crossfade. If they're not there, you're out of luck.
    FCP has to extend the end of your first clip by 1/2 of your transition length, and the beginning of your second clip by 1/2 of your transition length, so those frames need to be in your system. The nature of a crossfade is mixing two clips together.
    Shane

  • Reverse Speed clip with Cross Dissolve Causing jumpy video

    Hi,
    I have encounter a strange promblem when add Cross Dissolve Between 2 clip that the speed of them is changed.
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    during the transition the playback is jerky (evan in the export), my field order of the sequence/Footage is Lower Filed (DV PAL 4:3).
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    i have checked with diffrent footage and stii i have the problem .
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    System spec:
    Asus x58  P6-Delux
    i7-950
    12GB RAM(1600Mhz)
    1 System drive 500GB
    1 TB (RENDER+Project)
    2X1TB Raid 0 (For Footage)
    Nvidia GTX 570
    OS win 7 64 bit (Professional)
    PrPro CS5 (5.0.3)
    Media Encoder 5.0.1.0
    NO Extended Desktop (1 Display)
    Project Setting : DV PAL (4:3  1.097PAR) 48Khz Lower Field First
    Footage :20 Min DV PAL 4:3 1.097PAR 48khz  Lower Field First
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  • Any suggestions for 3rd party plugins for Cross Dissolve, Film Dissolve & Dip to Black

    I am using Cross Dissolve, Film Dissolve & Dip to Black on a premiere project (CS5.5 on Mac).
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    I am looking for transitions that look professional like the ones seen in film trailers.
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    Thanks in advance. - renized

    Thanks Shooternz & Steven.
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    Footage is 4K RED (4096 x 2048) @ 24 fps, Audio 48000 Hz, 24 bit.
    Timeline has R3D footage and a few DPX sequences rendered at 4K from After Effects (see below for After aEffects export settings)
    Project Settings: MPF GPU Acceleration
    Video Display: Timecode
    Audio Display: Audio Samples
    Sequence Settings: RED R3D 4K 16x9 24 preset.
    Video Settings:
    Frame Size: 409h x 2048
    Frame Rate: 24 fps
    Pixel Aspect Ratio: Square pixels (1.0)
    Fields: no fields
    Audio Settings:
    Sample Rate: 48000 samples/second
    Export Settings:
    Format: MPEG2-DVD
    Preset: NTSC Progressive Widescreen High Quality
    Video:
    Codec: MainConcept MPEG Video
    QualityL 5
    TV Standard: Automatic based on source
    Frame rate: Automatic based on source
    Field:order: Automatic based on source
    Pixel Aspect ration: Automatic based on source
    Render at Max Depth (unchecked) - since render was failing when I checked this.
    Bitrate settings:
    Bitrate Encoding: VBR 2 pass
    Mim BTR: 7
    Target BTR: 7.5
    Max BTR: 8
    M Frames: 3
    N Frames: 12
    Use Maximum render quality (unchecked) again becuse render failed when checked.
    Audio:
    Format: Dolby Digital
    Codec: Dolby Digital
    Frequency: 48khz
    Birtate: 448 kbps
    After Effects Settings to render DPX sequence:
    Output Module:
    Format: DPX/Cineon Sequence, Channels :
    RGB, Depth: Trillions of colors
    Color: PRemultiplied (matted)
    Format Options: Cineon Settings
    Units: 16-bpc(o-32768)
    File Format: DPX)
    Please let me know if I missed any inofrmation.
    Thanks for taking time to look into this.
    renized

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