Adding multiple clips to a track

I read the manual and I know it`s possible to add more than one clip to a single track. I never done it before. I just want to add 3 clips one after the other.
I`d like to know if this works well, if there isn`t any known issues. Is this compatible with any dvd player? Is it really fluid from one clip to another?
Thanks.

It's a totally seamless move from clip to clip, just as if you have placed them in the final cut timeline and play through each one after the other. The way you have them edited might present a visual shock, of course, but the playback will be fine having them in one track.
In fact, I'd recommend it over having three tracks. You have got more flexibility over how you arrange playback (play one, play all, etc) and it is a simpler job to author one track instead of three.

Similar Messages

ITunes 9.2 stops adding multiple artwork in multiple selection mode. Help?

Hi everybody,
Since 2003 I've been using iTunes and adding multiple artwork in several tracks at once.
Lets say: I added 10 tracks of a CD to iTunes library, then selected all of them and then right click to choose "Get Info > Multiple Item Information". Then I just dragged and dropped as many artwork pieces as I wanted onto the artwork window, one by one. Clicked OK and voilá.
Now it will only accept one artwork. Following the procedure I used to do, now it will only take the last artwork I place onto the artwork window.
Now the only way to get multiple artwork in a CD is adding all the artwork (lets say the 20 pages of the booklet) one by one in "each track" separately!, which is a pain in the neck.
So now I have to add artwork one by one to each track one at a time.
Is there a NEW way to add multiple artwork on multiple tracks at once in iTunes 9.2?
Screen shot: http://grab.by/51UT
Thank you for your help.

Hi- you might've already figured this out on your own, but:
A) add the first artwork picture (what you want for your cover artwork) using "Get Info > Multiple Item Information" - and close the Multiple Item Information window
B) with the multiple tracks still selected, drag your additional artwork picture items into the artwork panel in the lower left corner of the iTunes window (this is the artwork panel titled "selected item").
C) your additional artwork will be added to all of the selected items. You can click through the artworks using the left/right arrows above the artwork panel.
Obviously you can also use this same method to add that same additional artwork to any other tracks, from other albums, etc. simply by selecting them as well.
Side note, the easiest way to select all tracks from a single album: select the starting track, then use ctrl-shift and select the ending track- all tracks between those two will be selected.
Aaaaaand you're done! Hope this helps!

Selecting multiple clips sealed off by other clips

Hi,
Im trying to figure out a way to select multiple clips in a track which is sealed off on all sides by other clips, so I can't just click and drag.
I want to select the middle clips, without Ctrl+Click on all of the necessary ones.

Click and Drag Lasso does the same thing without having to Select a Tool.
Locking and unlocking is 2 or 3 clicks. About 2 seconds. You save one click from not having to select a special tool to do this.
How fast do you want to be able to do this and what will you do with the time you save?

How Do You Apply Process Effects To Multiple Clips In A Multi-Track?

A multi-track sequence brought over from Premiere, I have over a dozen clips from a funeral service video that need noise reduction.
But, because it's a process effect, I can only work on one clip at a time. Furthermore, I may need to apply several passes of the NR effect to eliminate the noise without sounding weird.
How then do I apply that effect (and its parameters) to the rest of the clips in the sequence?
In Premiere, you can copy and paste effects (and their parameters) from one clip to another. There is no such thing in Audition that I can see.

Hi, Alex.
It seems you want to do some broadband de-noise processing. While one can do a noisefloor sampling from one clip and apply it to others (great for when you have multiple takes from the same setup), it may be best to noise sample each individually if the mic has moved position enough to cause the tonal characteristics to change.
An example would be if on-screen talent is walking in an outdoor location. In one part of the location, a particular section of the clip has a lot of BG traffic noise. Another recording has a fountain in the BG - while it still may have some of the traffic in it, the predominant BG noisefloor is "strong fountain/weak traffic", so like others have mentioned, it makes more sense to make a new BG sampling to match the characteristics of this clip.
All that being said, here is how you BATCH PROCESS / broadband de-noise a bunch of clips, it's a 4-tiered / 21-step process when starting from scratch.
                              NOTE: there is a manual cheat after the Batch Processing lesson - skip to that if you wish
(WARNING - this type of processing is most successful if the file has been EQ'd or gain boosted (if needed) before processing. This is also true for the noisefloor sample. It should be taken from the pre-adjusted clip so that it all matches level)
1) find / open a source clip that best represents the BG noisefloor you wish to sample as your broadband source for processing,
then in the WAVEFORM editor window press alt-shift-C to save this selection as a new file - give it a unique name that represents its function
     a. ideally, this selection will be more than 5000 samples
     b. should be free of non-BG noise sounds (Dx, footsteps, mouth sounds, it should sound like a very short ambiance loop)
2) with your new sample saved and your source clip still open in the UI:
     a. load your noise print file
     b. adjust the Noise Reduction and Reduce by sliders (I suggest you start with a noise reduction value of 100% with a reduce value of 3 to 6 dB)
     c. under Advanced Settings, set Spectral to 0%, Smoothing to 20, Precision to 7, and Transition width to 2dB - these settings
         are like painting not with a wide brush but with a thinner brush, which means less cancellation of frequencies you want to keep and less artifacting
     d. toggle on/off the Output Noise Only function to see just what you are subtracting in your process - a great way to make adjustments until your
         noisefloor-only sound is free of Dx and other Production sounds
     e. optional advanced step - in the process UI Frequency window, you can draw a curve to select the frequency ranges that will be processed - this is another
         way of "thinning the brush" so that you are NOT processing where it's not needed in the broadband range - i.e. hiss from a low-quality mic,
         open the FA window [alt-Z] to see realtime Freq. Analysis on playback of your clip with the processing;
         adjust your settings and the curve in the window to counter the frequency range of the noisefloor - this process is like alchemy, wicked awesome
     f. once you're happy with your settings, click the Save Effects Preset button (down-arrow on hard-drive) next to the Presets pulldown button.
               do NOT apply your process yet - that's the next step
3) now, you're going to create the Favorite that the Batch Process will use to process your clips
     a. select Favorites / Start Recording Favorite (every user function of the software is now being recorded into a macro)
     b. in the Noise Reduction UI, click the Load Noise Print button and select your saved file
     c. now, select your preset from the pulldown menu
     d. click the Select Entire File button below the UI Freq. window
     e. click Apply
     f. click Favorites / Stop Recording Favorite
4) now, under EDIT, select Batch Process
     a. select your new Favorite from the pulldown tab
     b. drag and drop the files into the Batch window or load them from the Load button in the upper left of the Batch window
     c. click the Export Settings button in the bottom left
     d. set any pre/postfix labeling additions (this works a lot like Adobe Bridge's Batch Rename tool - amending the original filename to differentiate
     e. set a NEW save location to isolate the files
     f. set the format / type / bitrate (best to keep the original format or a higher quality); when finished, click OK
     g. in the lower right corner, click the RUN button and watch the magic right before your eyes
[HERE IS THE CHEAT]
Now that you're learned the magic of batch processing (FYI a new favorite can contain / execute multiple existing effect processes), here is what I recently did in a doc with interview footage - guys in front of a green screen with a less than perfect sound environment.
1) in Multitrack mode, double-click your clip to process
2) in Waveform mode, select the noisefloor area to sample and type shift-P
3) type ctrl-shift-P to open the UI - adjust your De-noise settings for ALL of your processing
4) type ctrl-A to select the entire file
5) click Apply; type ctrl-shift-S to save this processed file (I add "_PROC") as an alternate to the original which still exists should you want to go back to it easily - the ALT file will be in the multitrack timeline
6) type G (de-select I/O area) then type F12 key - returns to Multitrack mode
7) double-click your next clip to process and repeat steps 3-7 until finished (you won't need to tweak the settings in 3 after the initial step 3)
In 3-5 minutes, you're Done!
I discovered another layer of coolness within Audition regarding CLIP Effects Racks where one can setup a stack of effects, save as a User Preset, and apply them to either an individual clip, a set of clips, or to a track. This is great when you want to apply, for example, a Parametric EQ for filtering an outdoor location or boosting a lav mic's High Freq. Shelf for addition sibilance PLUS a Tube-modeled Compressor to handle dynamics...you spend a lot of time tweaking the settings "just right", and now you want to apply to more than one clip on a track.
In a short film I'm working on, I use this technique to apply EQ and Room Ambiance (reverb) to camera perspective changes on a single track of ADR for off-camera Dx. I place the Dx in a track. Splice on the camera edits to make unique clips, select the Audio Perspective preset I made for each camera angle, and Voila!
Have fun!
-CS

Inserting multiple clips stacked on different tracks

Hi All,
I know this has to have come up before, and my memory has the tingle that I thought I'd done this in the past, but I really can't seem to remember or find it now.
Basicly, Inserting multiple clips from project window into the timeline and stacking on different tracks (vertically) instead of Head to tail.

Ok so gonna end up answering my own question , after some playing around I found this way of doing it.
Select all files you want to insert
right click and select create multicam
sync via start unless you want to try and audio sync them (I use plural eyes 3)
create sequence from multicam
Ctrl double click the multicam
This gives you a sequence with all files on seperate tracks, if I don't really want/need a multicam for that particular project I cut and past into a new sequence then use plural to sync vid audio, otherwise i just sync in the multicam and im ready to go.
Although this works, there really should be an easier way, a shift + Ctrl while dropping on the timeline ... feature request !
ps. I read someone state that this was not a regularly needed funciton in premier .. I really dont know what work they are doing but i need this every single day !

How can I stop sound track from being divided when adding clips to other tracks in PrE12?

The situation:
I have a project with several minutes of video clips on the timeline (expert view) in "Video 1/Audio 1." There is also music on the sound track (below the empty "Narration" track).
Any time I make an edit to the Video 1 track, PRE cuts the Sound Track. (Note that this is not the Audio 1 track, it's the sound track which is two tracks away.) If I insert a clip, the Sound Track is cut and left with a gap. Same if I do a FreezeFrame insert. This is bad enough (make ten insertions, have the Sound Track chopped into ten separate pieces), but it gets worse: when I try to slide the Sound Track pieces back together, the Video 1 clips will be moved around.
This appears to be a major bug but I'm hoping there is a simple way to deal with it.
Here's what the Manual (p.71) has to say about it (not much).
"When you insert a clip into the Expert view timeline, adjacent clips on all tracks shift to accommodate the new clip. By shifting all clips together, the audio and video of the existing clips remain in sync."
* The question here is, adjacent to what? The Sound Track is a continuous music clip of many minutes; it is alone on the Track, and there is nothing on the track above it (Narration track). So it's not adjacent to anything, and yet it is being chopped up.
The Manual continues:
"Sometimes, you don’t want all clips to shift with each insertion. For example, when you add background music that superimposes the entire movie, you don’t want clips to shift."
*They got that right, but they don't say anything about how to prevent it.
This next makes no sense at all:
"To shift specific clips togather, press the Alt key as you insert. At a time, you can shift specific clips simultaneously on a maximum of two tracks. These include the track receiving the insertion and the track containing the linked audio or video (if any). The affected tracks shift together, remaining aligned. The clips on other tracks are unaffected."
*There is no mention of how to specify what clips would be shifted, or not.
I'm not dealing with linked clips. And they tell me how to shift clips (sort of) but nothing about how to stop clips from being cut up and shifted. This all makes it very hard to create a coordinated product.
Any suggestions or solutions will be much appreciated.

Thanks, ATR,
I wll try this--but I still am unclear on how to do what the Manual says is possible: select clips on another track that WILL be moved, if I so desire, so as to remain synched to the main Video track.
UPDATE:
In the case of inserting Freeze Frame, I just tried both Ctrl method and Alt method, and neither worked.
1. Put Video on Vid1 track
2. Put Music on Sound Track
3. Ran a few seconds of Vid
4. Stopped Vid, selected Freeze Frame
5. Held down Ctrl key while clicking "Insert in Movie" also tried with holding down Alt key.
Result: a 3 second still was inserted int the Vid1 track. A corresponding gap was created in the Sound Track.
6. Slid the final part of the Sound Track to the left along the timeline to re-connect it to the next segment created by the above process.
Result: the video following the final Freeze Frame was pushed to the right end of Video1 track.
7. Slid the Sound Track all the way to the left.
Result: the entire Video 1 Track contents were pushed to the right and divided in pieces.
I documented each step with screen shots which I can send if you want them and if I can figure out how to do it.
UPDATE #2
In the case of inserting a video clip to the Timeline, I just tried both Ctrl method and Alt method, and neither worked.
1. Locate video in Project Assets
2a. R click video in Project Assets (pull-down menu appears), hold down Ctrl, click Insert to Timeline.
Result: Vid clip is inserted on Video 1 track, Sound Track is separated with a corresponding gap.
2b. R click video in Project Assets (pull-down menu appears), push Alt
Result: pull-down menu disappears as soon as Alt is pushed down.
I can stil drag the Vid clip but it's one more manual step...I love shortcuts!!

Manipulating Multiple Audio Clips Within One Track

Hello I need help with 2 issues!
Problem 1: I recorded in Audacity converted it and brought them into Soundbooth CS5. It turns out to be 208 clips that I now have on one track. When I edit/shorten one track (lets say clip 8) I have to individually select all other tracks to move them forward because there's space between clip 8 and 9 thru 200. How do I select track 9 thru 200 (highlight them all) without having to individually select all clips within the track?
Your help will grately shorten my editing time.
Problem 2: I have several clips that have 2 audio tracks by mistake. How do I split up the audio and keep the portion I want?
Thanks in advance.

Select "Share" in the File menu, then QT export, expert setting, save as AIFF. (Optionally export just the selected clips)

Adobe Premiere CC Crashes When Selecting Multiple Clips

This project was already derailed by multicam, now that I've got my assembly edit ready to go, I've discovered a new show-stopper: Premiere Pro CC crashes when I select multiple clips on the timeline. I can't select more than 3 clips at a time, or the entire program comes crashing to it's knees. Anyone else experiencing something like this? Can anyone else reproduce this behavior?
Here's a video of the experience:
http://youtu.be/DPOUinOSzDE
Any word on an update?
ASUS G75VX
Windows 7 Pro, 64-bit
GTX 670MX, 3GB GDDR5
16GB RAM

Progress. I've been able to isolate the problem. On my timeline I have some "regular" clips and some "merged" clips. Regular clips are from either source: a Canon 7D (MP4 / MOV) or a Canon VIXIA HF G20 (AVCHD). The Merged clips are only from the Canon 7D only (for video) and an audio recorder (MP3 at 320kbps). The 7D footage is 1080/24p. The VIXIA also shoots in 24p.
Since "Merge Clips" sync on audio is not working for me, I've employed my former CS6 workflow:
1. Sync all of the video and audio clips through PluralEyes 3 resulting in a preliminary sequence, "Clips_to_be_merged_sequence".
2. I work my way through each of the clips, adjusting the audio track(s) for variances in drift between the on camera sound and the audio recorder. I do this enabling "Audio Time Units", rather than video frames, so I can get extremely acurate.
3. When I have a timeline full of nicely syncronized audio/video pairs, I merge clips, one painstaking clip at a time (of course I set up a keyboard shortcut for this). For the merge, I "sync on In points".
4. The merged clip is added to my project panel.
5. Now, when it comes time to choose my sound bite selects, I load the merged clip into the Source panel and mark my Ins and Outs.
6. Time to create a subclip, of course with the new SOFT handles. (I'VE BEEN WANTING SOFT HANDLES FOR A LONG TIME!!!)
7. The subclip appears to be properly created and placed into the Project panel. It even shows the correct duration (i.e. 14 seconds)
8. When I drag that subclip onto the timeline it drags the entire length of the parent clip, without in or out points (not just the 14 second subclip).
9. I undo and decide to go back through the original clips again; mark ins and outs and simply drop to the timeline (either Insert or Overwrite).
So in the end, I'm using sections of the Merged clip, but I'm not using Subclips of the Merged clips (because that doesn't work).
Now, what's happening, though I didn't know it when I recorded the video above, is that Premiere is crashing any time I select both "regular" footage and "merged" footage.
So, two bugs here:
1. Can't use Subclips that are derived from Merged clips in ANY timeline. Once dragged to the timeline it expands to the full duration of the original clip.
2. Can't select both "regular" and "merged" clips at the same time on the timeline.
JStrawn (staff) was kind enough to offer to take a look at some small sample files. But my interview clips are very long, and I'm concerned that if I export them, to make them shorter, they may not actually exibit the problems I'm having on the original clips.
Anyone else using this type of "Merge Clip" workflow that could reproduce either the subclip-from-merged-clip bug or the mixed-selection crash given the steps above?

How to move multiple clips with transitions?

Im still transitioning from FCP7 to FCP 10.1.2 and can't believe I have missed the lesson that explains how to move multiple clips with transitions.
Up till now I have tried several work arounds including deleting all the transitions then using the (P) Position tool to move the clips from the primary track to some track above it then re adding all the transitions. This is a function I do on a daily basis. Am I missing something? Please help!
Thank you

With some further investigation, the transitions have nothing to do with my problem. In my case there was a tiny “Black gap slug” within the group that was preventing me from being able set it on top of another group of clips or gap someplace. But even with the gap removed… I can move the clips on top of another group but the transitions stay behind on the primary (Magnetic)
In the screen shot you can see what happens when I move a group out of the primary (magnetic) timeline onto a gap. All the transitions get left behind.
Ive notices that Cutting and pasting will only paste the sequence some other place on the primary (magnetic) timeline for me.
An example of why I would want to put a cropped/ resized group on top of another group is to do picture in picture effects or if I wanted to create a background behind a set of adjusted clips.

How to change Opacity Blending on multiple clips...??

First the problem:
Whenever I open a Premiere v6.5 project, CS4 does a "conversion."
Maddeningly, during this process, it changes the Opacity\Blending Mode of every single clip in the project to "Color" instead of leaving it at "Normal."
Since I am working with Stereo (3D) footage with a different camera on V2 & V1, I always have at least two, and often many more, video tracks (for titles, etc).
This means I have to go through every single clip on every single video track and reset it to Normal before I can proceed with the project! This can be upwards of 500 clips.
PITA!!
1) Does anyone have any idea why this is happening & how to prevent it?
or,
2) Is there a way to change this setting in all the clips at the same time?
Whenever I select multiple clips, no Effect Settings (or whatever Shift 5 is called) appear. Only there for single clips.
TIA,:-)

Do one clip, copy (rightclick) the clip, select all the others and paste attributes.

How do you select/move multiple clips from one timeline to another?

Has to do with combining multiple edls from Avid - required due to an issue with duplicate reel names in the original Arri footage. I can move them one at a time, but it is very tedious. Is there a way to select multiple clips and move them together?

Actually discovered the magic of the shift key.
IRCP Beauty doesn't recognize multiple timelines in a session, so first you have to at least get the footage on multiple tracks in the same timeline. Shift + drag on the track will allow you to move it to another timeline. Also Shift + drag on the center of the first clip in a sequence will slide the entire sequence down - which is how timelines end up getthing offset all the time. Also, if there are multiple tracks in a timeline and some are locked and some aren't, Shift + drag on a clip will slide ALL UNLOCKED tracks in the timeline.
Finally, Shift + click on either in or out marker moves both points up or down the timeline.

How do I select multiple clips in a timeline in the reverse direction, e.g. middle to front?

I know how to click "a" and select clips in the timeline looking forward, but how do we select multiple clips from a middle point to the front of the timeline? I don't want to be lassoing -- is there some other way?

Hi denniscallan,
Please check the track selection tool. Refer to the link below for more information about the tools section.
http://help.adobe.com/en_US/premierepro/cs/using/WSd79b3ca3b623cac957c49aa9127401b0642-7ff f.html
Regards,
Vinay

Selecting and Dragging multiple clips - CS6 Sniper mode

With the introduction of ability to select Edit Points, now it's inconvenient to drag multiple selected clips or add clips to selection because in some cases - depending on timeline zoom state and/or clip duration. The edit points are altered instead of the clips, that behaviour drives me nuts. It leads to a necessity to do one of the following actions before selecting and/or dragging multiple clips with comfort:
sniper mode - put the cursor over a place in the selection where the cursor will not indicate Edit Point trimming mode.
to avoid loosing selection when using sniper mode - Group the clips after adding every clip to selection and/or after a dragging operation
dynamically change zoom state so that you will not have to use sniper mode
use copy/cut/paste - may involve a necessity to do additional pre-pasting steps
IMHO, this behaviour should be rethinked.
How fast it was in CS5.5 and older versions:
Please, Premiere Pro Programming Team, especially Tim Gogolin, Steve Hoeg, Peter Lee, Gerry Miller, James Mork, Vivek Neelamegam, Axel Schildan, Jerry Scoggins, Sven Skwirblies, Tod Snook, Jesse Zibble, rethink the behaviour of selecting and dragging clips. Start giving links to beta-versions to other editors too, not only to editors like Philip Bloom.
Selecting edit points is sometimes helpful and sometimes distracting.
To get the best of two worlds (CS6 edit points vs. CS5.5 and older) - a switch could be added to Keyboard Shortcuts list, like the "hidden" Add Clip Marker shortcut.
Let's name it "Application > Sequence > Select Edit Points".
When Shift- or Shift+Alt- key is pressed and some Clip is selected, clicking on an edit point of another clip should add a clip to selection in the same way as previous versions of Premiere Pro did:
To drag clips in legacy sniper-free mode only a switch can help. Let's name it "Application > Sequence > Select Edit Points when Multiple Clips are Selected".
To add comfort to the editing process - selecting/dragging multiple clips - additional switches cannot be avoided. Additionally you may add an option to the Preferences > Trim:
Allow Selection tool to choose Roll and Ripple trims without modifier key
Allow Selection tool to select Edit Points while multiple Clips are selected
Feature Request/Bug Report Form
******BUG******
Concise problem statement:Inconveniences when selecting and dragging multiple clips
Steps to reproduce bug:
1.Create a Selection of multiple clips with Shift+Click
2.Try to drag the clips
Results:With the introduction of ability to select Edit Points, in some cases (depends on timeline zoom state and/or clip duration) now it's inconvenient to select and drag multiple selected clips because the edit points are selected instead of the clips
Expected results:Clips should be selected/dragged like in CS5.5 and older
Link: https://www.adobe.com/cfusion/mmform/index.cfm?name=wishform

With all due respect Kevin, nobody at Adobe has the right to change a program SO drastically. I am also a mouse person, and am MUCH faster using the mouse, vs the keyboard.
When people have invested YEARS into a program like Adobe, they get used to things, how things work, the feel of a program. I really don't see how you all can just change it on a whim. IF you are going to do this, BOTH methods should still work. You cannot just stop the way people are used to editing. You can't just decide to change a program so drastically, that it doesn't feel like a program we have grown to love over many long years. If Adobe on a whole is changing things, just because a few people in your company voice opinions like I've quoted below, it's not the way to go. Adobe should be really putting feelers out there, and seeing how people are really using the program. Things should be getting easier, more powerful, sure that's natural, but you can't just decide to remove things that mouse users do every day. :-(
Upgrading a program, and changing it to this degree, are two different things in my book. I have not yet upgraded, but it is very scary - the things I'm seeing. For one, way way too many bugs. The amount of bugs on so many boards being reported are just beyond comprehension.
And a final note, I for one, am very glad Steven is posting these videos ( I'd like to hear him go through steps though - just watching the video with no audio of what he is doing is not so great, however after watching some of his posts, he's knows what he's doing, and has a good head to think with )
I mostly read posts, but I thought I would voice my opinion, if none of us speak up, nothing will get changed. I'm really hoping that Adobe implements some change in the next revision .5 or whatever it will be called. Reading posts like this one are really depressing. Did you watch Steven's video on a simple task as moving multiple clips around on a timeline ? Doing this with a mouse just isn't going to work for many, removing simple tasks by way of using a mouse would stop me from upgrading.
Please address this in upcoming updates.
Dave.
Kevin Monahan wrote:
I went to NLE school in Hollywood in the 90's. Their mantra was, "never touch the mouse." I rather like the fact that I need to touch the mouse much less in CS6, but this is my personal opinion and the way I was trained.

Adding video only to a track

Hi,
I wonder how I can do this in PPRO:
I have a main video track with audio underneath.
I want to add a clip to a track above, but only the video part of it.
Is there a smart way of doing it without adding both vieo and audio and then delete the audio before you position your clip?
Thanks.
/Ulf

Thanks - I'll give it a go
/Ulf

Crashing after adding audio clips

So I have had to rebuild my 50 minute vacation movie 3 times now due to the files become corrupt after adding audio clips. The audio clips are legit and not just downloaded from a random site. Happens with different songs not just particular ones.

Here is a good tutorial for how audio works. In your case, you want to drag and drop the music track on top of one of your video clips at the frame where you want the music to begin.
http://www.apple.com/findouthow/movies/imovie08.html#audioclips

Adding multiple clips to a track

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