Aspect ratio from AE to FCP

Hey guys
Im trying to find out how i can import a quicktime file from FCP in AE for color correction then render it back out to the same frame size and ratio. at the moment when i open it back up in FCP its not the same.
the file from FCP is
720x576
25fps
DV-PAL
Pixel aspect PAL-CCIR 601
any suggestions?
Cheers
Tom

Just import your footage into AE then drag the footage into the New Composition icon at the bottom of the Project panel. It's the third icon from the left. Kind of looks like a little frame of film.
This will create a new composition that is exactly the same specifications as your original render from FCP. Make sure that the footage is properly interpreted for Interlacing issues, and if it is interlaced make sure that have the proper interlacing setup in the output module. Depending on your codec you may also want to turn on Match Legacy Gamma in the project settings.
You shouldn't have to worry about any other settings.

Similar Messages

  • Working with aspect ratio from fcp to dvd sp

    I am trying to cut video for use in a dvdsp menu. I have converted video to m2v using compressor. Video looks fine when importing to dvdsp. I try to edit same file in fcp. Everything works except when I export. After I edit m2v in fcp I am unable to make a successful export to dvdsp. I am able to import and add it to menu but the video looses its aspect ratio and is stretched.

    Very true!
    But there are more cows on the loose here.
    For example, the QuickTime Player Pro ( with its MPEG-2 Playout Component) will always report a square- pixel size of a .m2v file. But this is just reflecting the window size that QT decided to scale the 720x480 (or 720x576) to, because the inability for a computer screen to display non-square pixels.
    So it can say that an MPEG-2 file is 640x480 when it is in fact 720x480. Even worse it can tell you 720x404 or 720x540, while none of them are even technically possible to use in MPEG-2.
    It is true also that BitVice (1.8x and 2.x) allows you to encode all MPEG-2 legal picture sizes up to and including 720x576, a.k.a MP@ML ( or just SD). However, only a very few of them are legal for DVD, for example, NTSC:
    720x480
    704x480
    352x480
    352x240
    and PAL
    720x576
    704x576
    352x576
    352x288
    Roger Andersson / Innobits AB, makers of BitVice MPEG-2 Encoder
    As per Apple Discussions Terms of Service:
    "I may receive some form of compensation, financial or otherwise, from my recommendation or link."

  • Aspect Ratio From Final Cut

    I shot some footage and improted it to Final Cut, it looks fine, but when I export to compressor, it does not preserve the aspect ratio. I tried the geomotry settings, no dice. What am I doing wrong?

    SSGT. BARNES wrote:
    Here are the details. I am exporting from Final Cut in Final Cut Studio 2. I then hit export/Using Compressor. When it is in Compressor, the aspect ratio is tall and thin. What do you think I am doing wrong?
    Nothing, actually.
    If, as I suspect, you're working with anamorphic material (either 16:9 SD/DV, or an outright anamorphic codec, like HDV or DVCProHD), using the Export Using Compressor function will not correct for geometry in Compressor's Preview window. But it is a display issue, not a functional error (the information passed from FCP to Compressor is always correct, in my experience).
    But what are you outputting to? And I mean what codec (DV?) or encoding type (MPEG-2 for DVD?).

  • How do I change a pixel aspect ratio from HD 1920x1080 frame rate 25 to NTSC 640x480 frame rate 29.97

    I upload files to a tv channel, but for them to air, they need to have a NTSC 640x480 pixel aspect ratio with a frame rate of 29.97. I currently have a .mov file HD 1920x180 frame rate 25. I deleted the original unedited files so all I have is the .mov file. I need to make my file NTSC 640x408 frame rate 29.97
    Thanks please answer ASAP

    If you aren't entirely happy with the image quality you get from this in FCP. consider buying Compressor ($49). Down-converting from HD to SD often introduces artifacts. Compressor has a resize filter that does a good job of minimizing those artifacts.
    Russ

  • Bad Aspect Ratio from Compressor with DVCPROHD clips.

    I created a 30 minutes long sequence in FCP using DVCPRO HD 720p24. I exported the sequence as a QuickTime movie using current settings... the QuickTime export looks perfect and playback displays the proper aspect ratio. I then sent this file to Compressor 3 with standard presets for AppleTV and iPod Video (large and small).
    They all turned out with an incorrect (elongated, not squished) aspect ratio. All three exports. The source file looks fine but it is the main suspect as all conversions yielded the same result. Any suggestion on what can be wrong with the exported file or with the compressor 3.0 settings? Before installing Compressor 3, I did exported the file using QuickTime Pro and it turned out with the correct aspect ratio. Clips properties show correct display dimensions.
    Thanks!

    I believe this is an (annoying) issue with QuickTime's Conform aperture property. For some reason, the Final Cut Studio apps do not write to this property. QuickTime Pro does, which is why those exports are the correct display ratio.
    For DVCProHD material, opening your Compressor (or FCP or Motion) created movie in QT Pro and setting that property to Clean snaps the display of the movie in QT to 1248x702 (accounting for - and cropping - the overscan and blanking areas), while setting it to Production should give you the 1280x720 frame you desire.

  • Ignore aspect ratio from Olympus master

    Hello,
    I have a problem with Aperture in combination with the pictures from my camera. I got an Olympus PL-3 shooting raws in 4032 * 3024 (4:3).
    Now some time ago it seems that I accidentaly switched the aspect ratio in the settings of the camera from 4:3 to 3:2.
    A book about the camera says that the camera always saves the 4:3 data in the raw but sizes the JPG to 3:2. As I import the pictures into Aperture and switch through them Aperture always has to load the picture for about 7 seconds until the ratio is correct. But then still the cropped version is shown though Aperture should ignore the crop. Is there any possibility I can get the 4:3 format?
    Because on my camera as I switch through the pictures on it I can see the WHOLE raw file and not the cropped version. I found no setting in aperture to do so.
    May anyone help me?
    Greetings,
    Andreas

    Hi Andreas.  I'm not following this part:
    AndiMu wrote:
    But then still the cropped version is shown though Aperture should ignore the crop.
    Aperture is decoding and converting the RAW file (this is what takes the 7 seconds on your machine), but even then the Image you see is in 3:2 (not 4:3) and is cropped (not uncropped)?  Is this in Browser, the Viewer, or both?
    The camera manual is correct.  The RAW file should be the full-size 4:3 dataset.  You may find it useful to tell Aperture to ignore the JPG file that the camera provides along with the RAW file.  Set this at "Aperture➞Preferences➞Import➞Post Import Processing".  Unless you work under strict professional deadlines, I suggest keeping this set to "Standard Previews".
    (Added)
    Also, make sure that you have no Adjustment Presets applied on import.  And you should -- it seems -- make sure your camera is set back to 4:3.
    Message was edited by: Kirby Krieger

  • Convert aspect ratio (from 1440p to 1080p)

    Hi All,
    I'm using the trial of Premiere CC (considering making the jump from FCPX). The getting started guides on adobe's site are great but i'm having problems trying to find an answer for this question:
    I shot some footage in 1440p (by mistake), i've edited it into a sequence that I want, colour graded it and put music to it. How do I crop it so that it becomes 1080p. I've used the crop effect but when I go to export it to h.264 it still exports it as 1440p but with black bars.
    Can anyone help? I would be eternally grateful
    Chris

    1440 has a aspect ratio of 1.33. This should also be in your sequence settings.
    1440 can be easily exported to 1080 with aspect ratio of 1.0.
    You can also drop 1440 footage directly in a 1080 sequence, it will automatically fit the screen.

  • Aspect ratio importing DV into FCP X

    Can someone explain how DV format works (I think I understand this) and how importing DV into FCP X works (I definitely don't understand).
    I have some old PAL DV files which I want to compress using Compressor, with the aim of later importing them into FCP X. I can compress them in one of two ways: compressing to 720x576 with the standard PAL aspect ratio, so they appear (eg. in QuickTime Player) as 768x576. Let's call this 'Old Style'. Or, I can compress them so they have square pixels, and genuinely are at 768x576. ('Square pixels').
    Both display using QTP7 as 768x576, but Square Pixels is compressed slightly so there is more of the picture visible at left and right of the screen. Objects in the image are therefore thinner left-to-right than in Old Style.
    Now, if I import them into FCP X, in the event browser Square Pixels still displays as 768x576 and looks just as it does in QTP. But Old Style is now wider than 768x576 and has the extra bit of picture that Square Pixels displays. So they're both displaying the same image, but Square Pixels has it compressed to fit into 768x576, whereas Old Style has it wider, and consequently people are fatter left-to-right.
    When I import these events into a project, things change again. Old Style appears exactly as it does in the event browser (ie. about 786x576, with the whole image displayed). Square Pixels stretches the image north-south, and this means that part of the top and bottom of the image are chopped off.
    What is going on? Is there a website which can explain this clearly? Which is the better format for me to compress my video into?
    Cheers,
    Martin S Taylor
    FCP X 10.1.2
    Compressor 4.1.2

    I don't understand your question?
    DV footage on DV or mini-DV tapes is  already digitised  .  .  .  .  hence the name DV or Digital Video.
    If you have a DV camera or deck you can plug it into your Mac via FireWire and import the footage straight into FCP X.

  • Settings for making 16:9 aspect ratio from 4:3 source material

    Hello,
    I am trying to make a 16:9 short video from 4:3 source material but there's something wrong with the settings. The video is just stretching out to fit a 16:9 size, it isn't chopping off the top and bottom of the 4:3 size.
    Here is the settings I currently have on the sequence and footage. I have the sequence set to anamorphic, in the motion tab I have the scale at 133 and under distort I have the aspect ratio set to 33.33. I've done this before with these settings and it came out fine.
    I know the quality is reduced in doing this but I'm just uploading a small version to the web so the quality is fine for what I'm doing.
    Thanks in advance.
    Pete

    Reset your Motion settings and try again. Maybe take the clip out of the sequence, then put it back in. Undo and redo motion settings, sequence settings, and clip anamorphic settings.
    tim

  • Stills: Pixel Aspect Ratio from File is Wrong

    The photo montage I'm working on is D1/DV NTSC Widescreen 16:9 (1.2121). I shoot the pix with my SONY Z5U and the raw stills are all 1440x810 72 dpi, square pixels. To conform them to my PPro project, I change their dimensions to 720x480 and I change the Pixel Aspect Ratio to D1/DV NTSC Widescreen (1.2). But when I import these stills into PPro they all appear squeezed and their aspect ratio comes up as D1/DV NTSC (09091), so I have to manually change it to D1/DV NTSC Widescreen. How can I get these stills to automatically be seen at Widescreen?

    Well, the original pix are 1440x810. If I were to change just the height to 480 and Constrain Proportions, the new dimensions would be 853x480 (thereby maintaining the aspect ratio). And this IS square pixels. So changing the dimensions to 640x480 would just thin out the image.

  • Compressor stretching Aspect Ratio from 16:9 to 4:3

    I have just recently gotten an Canon HG10 HD Camera. I have been using Roxio Toast 9 to convert the AVCHD files into HDV files. In Final Cut Pro the files look GREAT in a 16:9 ratio, but when I bring the movie into Compressor AND DVD Studio Pro, the aspect ratio is stretched Vertically to a 4:3 ratio. Please help me figure out how to keep the aspect ratio correct!

    I tried that and I got the same result. I really need to figure this out.

  • Trying to get Anarmorphic footage in 16 X 9 Aspect ratio from PAL footage

    Hi, I am currently doing some tests - having bought a new camera, the HVX-201 AE. I was trying to get a 16 X 9 Aspect Ratio on my finished test footage. I shot using DV Tape, using several options, the squeeze, letterbox and normal. I then captured using DV PAL Anamorphic..
    On the timeline, it looks fine, with grey on top and below, with no black letterboxes, except for the section with letterbox format on. However, when I export to Quicktime, using the DV PAL 48hz Anamorphic codec, it keeps being saved as a quicktime file with 720 X 576 resolution. Is there any way for it to be 16 X 9? Do I have to use another codec or will it always be in a 5:4 aspect ratio no matter what I do?
    Or is it that when a TV which can play in 16 X 9 detects it, then it shows up as a 16 X 9 picture?
    Thanks for the help. I'm really confused.
    Cheers.

    That's what anamorphic means, it's a 16:9 image stored in a 4:3 frame. You maintain that throughout the post process and any dvd creation in order to utilise the maximum resolution available in sd. When you author the dvd it flags the footage as anamorphic, telling any dvd player you play it in to output it appropriately according to the way it's set up. If your dvd player is not set up properly for the monitor it's connected to it won't work correctly and you'll either see a vertically stretched image with no letterbox (4:3 monitor with dvd player set for a 16:9 monitor) or you'll see a vertically squashed image with narrow letterbox (16:9 monitor with dvd player set to 4:3. In this case you can get the correct aspect ratio if you set your tv to one of the 'zoom' settings; normally the next option after 4:3 as you cycle through the options, but you are then throwing away roughly 25% of the available resolution and the image will be a bit softer.)
    In DVDSP you can set the simulator to mimic various set-ups in order to check how the disc will behave before you burn.
    If you just want to create QTs then Nick Holmes advice is the way to go.

  • Changing aspect ratio from 4:3 to 16:9

    I import with Firewire and Canopus ADVC100 from a Digital-TV-Recorder.
    The imported footage comes up in FCPX Events in 4:3 - but should be 16:9 - as it was boradcasted. Is there a way to change this?
    I'm new with the program - before i did the same thing in iMovie-Hd, and there it worked fine. Comes up there in 16:9 in the program when choosing Widescreen setting, however i see the files in the media folder as 4:3, so also these files, when putting them into FCPX stay as they are of course.
    Thanks a lot for helping a beginner.....

    Click on your clip in the Event Manager and then go to the Inspector, in the Info tab. You should have a "Anamorphic Override" option. Set it to "Widescreen".

  • Changing aspect ratio from 16.9 FHA to 16.9 letterbox

    I am editing a 4x3 project and I need to use some 16.9 clips. The 16.9 clip is FHA. Is there any way I can squeeze it to 16.9 letterbox and save it as a 4x3 clip ? I'm using the latest version of iMovie 09.

    If you want to see the complete image (with black bars top and bottom) nest the 16:9 image into a 4:3 sequence.
    If you want to see just a part of the image in your 4:3 sequence, there are a few different ways to do it, but essentially the scenario is that you will be scaling up the image (somewhere around 132% works well.)
    If it's the same portion of the image that you want throughout the sequence, the quickest thing to do is nest your 16:9 cut into a 4:3 sequence, right click (ctrl+click) on the clip and select open in viewer, then go to the motion tab and scale the clip up to 132%
    Josh

  • Changing the Aspect Ratio from  Widescreen (16.9)  to  iphone (3:2)

    Hi, I am new to IMOVIE and Macs in general , but needed to create screencasts for work. That means I take a screenshot video of a website, using Screenflick, and I import that into IMovie. I have successfully done this and exported the edited final versions to Quickfile and thought I was finished. Here is the punch: I have made these in 16:9 and have tried to put them in 3:2, but so far no success. When I do this, although the iphone shows it's in 3:2, there is no visual difference between the old 16:9 and the new 3:2.
    What am I doing wrong?
    Thanks for all your advice!!!
    Cheers, Randy

    I'm not sure why you want 3:2 when the iPhone tech specs say the screen is 640x480 which is 4:3.
    Are you trying to crop you 16:9 content down to 3:2 (or 4:3)?
    If so, perhaps you should look at something like MPEG Streamclip ( http://www.squared5.com/svideo/mpeg-streamclip-mac.html )

Maybe you are looking for

  • Random Numbers in JSSE - Please Help

    I am pulling what little hair I have out trying to figure out this problem, please help if you can - How can I programmatically retrieve at runtime the client and server nonces used to negotiate a SSL socket in JSSE? Regards, Bart

  • Controlling my stereo with my Ipad

    I have just purchased an Ipad (16 GB, no 3G) and would like to use it to control the music at home. I have a NAS server to hold all my music, my photos etc. and an airport express (borrowed), but my laptop is rather old/slow, so would rather not go t

  • What are the function modules used in CRM_ORDER_STATUS

    Hi, what are the function modules used in CRM_ORDER_STATUS(BADI) IN THIS METHOD AFTER_CHANGE...

  • 2 alv grids in 1 screen with 2 different header

    Hi All, I have a requirement where in I need to display 2 alv grids in 1 screen and each has its own set of header information. If anybody has come across such a requirement then pls send the code. I can do this using BLOCKED list alv but I want to d

  • MTS files not playing back in Elements 10

    My .MTS file is juddering in Elements 10. I've rendered and adjusted the frame rate to 50, but the video is still juddering and out of synch with the audio. Any tips?