Best format for export to After Effects

When using a sequence from FCE in After Effects what is the best format to export? A Quicktime movie or a DV stream (or another format)?
WA

If you're on the same computer and will be making no further changes to the sequence, export a QuickTime movie not self-contained. If you need to do further work on the sequence that might replace render files, make it a self-contained QuickTime Movie.

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Best export format for importing into After Effects or even back into Premiere

Please look at this video, work in progress.
http://www.youtube.com/watch?v=49_wbdKALQk
The opening, featuring a ribbon of videos, was created in After Effects, using Digieffects Freeform.
The issue is the poor quality of the videos that are featured in the opening -- compared to the high quality of videos from the original Premiere project., which you can see at the end of the clip.
To create the After Effects project, I exported a series of video clips from Premiere to mp4.
Then I imported them into AfterEffects.
The bottom line, and the purpose of this question, is I am thinking that MP4 was not the best choice for the Adobe Premiere export.
What is the best format to export video from in Premiere Pro CS5 to import into after effects, or to import into any other editing program, incuding importing right back into Adobe Premiere, if that is eever needed.
AVI?
MOV
MP4
And any other settings that will result with the highest qualiity videos for importing.
Thanks

Okay, here's where I stand at this point regarding exporting and/or dynamic linking between AfterEffects and Premiere.
I'm in After Effects. I create a composition I like. So I first tried the old fashioned way. I exported it into a MOV file with the animation preset. Millions of colors. Same frame rate as my Premiere project, which also uses MOV files with no problem.
Howver when I import the MOV file created by After effects, the NEW MOV file section of the premier project plays sluggish. And it also causes the videos that follow to play sluggish. And they are all MOV files at the same frame rate.
The same thing happens when I do a dynamic link between the two projects. A sluggish response starting with the After Effects dynamic link and affecting the MOV video files that follow.
It's a very short After Effects composition. About 3 second slong.
I have a very powerful computer built especially for CS5 and premiere --so that should not be an issue -- recently was in the top ten of the benchmark list.
Up to this point my video files have played perfectly layer upon layer with no problems.
Is there something I am not considering?
Thanks.
Rowby

What is the best video format for importing into After Effects CS5

Please look at this video, work in progress.
http://www.youtube.com/watch?v=49_wbdKALQk
The opening, featuring a ribbon of videos, was created in After Effects, using Digieffects Freeform.
The issue is the poor quality of the videos that are featured in the opening -- compared to the higher quality of videos from the original Premiere project., which you can see at the end of the clip.
To create the After Effects project, I exported a series of video clips from Premiere to mp4.
Then I imported them into AfterEffects.
The bottom line, and the purpose of this question, is I am thinking that MP4 was not the best choice for the Adobe Premiere export.
What is the best format to export video from in Premiere Pro CS5 to import into after effects, or to import into any other editing program, incuding importing right back into Adobe Premiere, if that is eever needed.
AVI?
MOV
MP4
And any other settings that will result with the highest qualiity videos for importing.
Thanks

To follow on with Wade's suggestion...
There are lots of ways to get movies and projects and other things back and forth between After Effects and Premiere Pro. This page outlines them:
"Working with Premiere Pro and After Effects"
If you must render and export a movie out of one application to bring it into another, there is a very basic piece of video workflow advice that you need to keep in mind (which applies to _all_ video software, not just After Effects and Premiere Pro):
If you're creating a movie to be used in the next step of a post-production pipeline, you _never_ want to use a format that does lossy compression. You either use no compression or (preferable) lossless compression. Examples of codecs that provide lossless compression are the Animation codec and PNG codec at the highest quality settings; these can be used in a QuickTime container, for example. Never compress a movie with lossy compression except at the very end of your pipeline, when you're creating the final movie for distribution.
MP4 (MPEG-4) is a lossy codec. The quality loss is acceptable for the last stage in the pipeline, but it's not acceptable for an intermediate file.
It seems that you would benefit from reading this and and working your way through this.

Best laptop for working with after effects

I need a laptop for work with adobe after effects and some others. Anyway I need laptop wich will not cost more than 1400€ and which will have inside intel core i7, 4 GB of memory or more and Nividia graphic card. Somthing more pls dont say the apple is the best beacuse i dont like it very much.
Thanks.

4GB is a rather small amount of RAM for working with After Effects. If you can get a computer with more RAM, I recommend doing so.
For After Effects CS5, the graphics card (GPU) doesn't matter as much as RAM and CPUs, so focus on RAM and CPUs first.
In general, a laptop is not going to give you the same performance as a desktop computer of the same price. If you need a laptop, fine; but don't be surprised when performance isn't as good as you might like.

Best Format for Exporting with Intended Internet Use

I am looking for (in general) the best format to export a file if the main intended use is for it to be shown on the internet (through Vimeo.com more specifically).
I uploaded my first couple of videos and was disappointed with the graininess and slight pixelation of certain sections of the footage. I think it may be the way I exported the file.
The first file I exported as a WMA file and the other file I tried as an MOV file. Not super impressed with either...but then again maybe it is something that I did wrong in the editing process...so many ways to screw this up
Any suggestions would be great! Thanks

My 1st step, if I were doing this, would be to go find the requirements page at Vimeo.com to find out exactly what they want and/or allow

Quality Setting for exporting from After Effects To Final Cut

I've created an animation in After Effects for Final Cut. My Export setting are Quicktime Format Options are RGB, Millions of Colors Pre-Multiplied (Matted)
Although the font images are clear in After Effects I'm getting pixelized font images on the final product. See below
Here's the image before in After Effects before I attempt to render the movie
Quite a difference as you can see. Any suggestions for setting coming out to clear up the problem?

Michelle, are you able to get to the point in the screenshot below? Is ProRes an option there? Does animation or Apple Intermediate Codec show up? Thos might be a couple alternatives if ProRes is unavailable.

Exporting Animated Slides for widescreen - Best format for export?

I need to build a looping video to be played on a bunch of flat-screen TV's mounted to a trade-show booth. I'm guessing I need to build it for wide-screen - 16.9 ratio?
I used iMovie to build a simple video of images panning in and out. When I go to export, I can use the simple option of Share and if I choose their large option it exports as 950x540. That didn't seem right so I used the export to QuickTime and have selected the NTSC 720x480 16:9 Option.
Is this going to give me the best playback after I turn it into a DVD for playback?
Thanks.

When I go to export, I can use the simple option of Share and if I choose their large option it exports as 950x540.
Actually, it should be saying 960x540 which is a 16:9 aspect ratio.
That didn't seem right so I used the export to QuickTime and have selected the NTSC 720x480 16:9 Option.
If you plan to turn it into a standard DVD for playback in a commercial DVD player, then it makes no difference as long as the iMovie project is setting the anamorphic flag correctly. Authoring the DVD will automatically convert the input file to an encode matrix of 720x480 no matter what its current physical dimensions may be. Further the authoring application will also not and set the DVD anamorphic flag to match your iMovie project (as long as the flag is not lost) so the playback device will know how the display the 720x480 data encode on the DVD.
Is this going to give me the best playback after I turn it into a DVD for playback?
Hard to tell. You neglected to mention the size and codec for the source content, or the compression format used in your "Export Using QuickTime" work flow. Passing the data through the work flow at is highest possible data rate and letting the final MPEG-2 compressor do the final scaling at the appropriate data rate (determined by length and your choice of option) probably produces the best results.

Best format for exporting

Hi,
I recorded some video with a Panasonic DMC-LX1 camera which records in .mov format at 30fps, 480x848 (16:9) format.
I imported into imovie in DV widescreen format, as this was the only way i could find of keeping the original format without letterboxing etc.
I now want to export the movie, but I don't know what the best option is - basically I don't want to lose any quality at all. I tried mpeg4 setting resolution and frame rate to "current" and quality to "best". The results were pretty good, but 2.5GB for an 8 minute film.
Just wondered if any iMovie experts could tell me if there's a better way of doing this whole process?
sorry for the long post.....
thanks
17" macbook pro 2.16GHz 2GB RAM 100GB 7200rpm Mac OS X (10.4.7)

You can do a LOT of things in QT pro. Including making up very pretty title screens using something like Paintshop and the musical inserts are quite easy also.
The "problem" with Final Cut is you will have to figure out exactly the codec and dimensions as there is no "New Sequence from footage" command. A few people have asked for it since FC4.0 but it is still not there.
I would save the $$$ and use the QT mask and import to iMovie
or
buy a real video camera I am of the mindset that still cameras are for stills. I would never pit my Sony HD camcorder up against my Canon Rebel XT.

Best format for exporting raw footage to a Windows PC (for editing)

Hi. I have 2 hours of raw MiniDV PAL footage and I want to burn that to DVDs so a friend can edit it on a PC (with Premiere I think).
I already had problems trying to play .mov footage (File>Export>QuickTime Movie...) on a Win PC. Tried installing different players and different codecs, and nothing worked. I cannot believe how Apple QuickTime for Windows doesn't play these files.
Well, which format should I use? (one that Premiere recognizes easily and doesn't need to re-render)
Thanks,
Rodrigo

1) The issue isn't as simple as playing a Mac file with Windows QT. You need a codec that is supported by the Windows NLE.
2) This means the NLE needs to open .mov files AND it can use a codec Windows has that matches your OS X codec.
3) The simplest is "M-JPEG A" because this codec comes as part of Windows.
4) If you load QT with ProRes on the PCc, the PR codec gets added to Windows codec list. So your NLE "should" be able to use it. Your PC may not be fast enough to play it smoothly.
WARNING: I've exported both ProRes and MJPEG directly via a network to a PC. From iMovie 08 and Premiere Pro, both came over as 29.97. From FCP, the files have conflicting frame-rates. QT Player claims they both are 13.3fps. Vegas claims they are 29.97.
Message was edited by: Steve Mullen

Best Format for exporting video to Itunes for Apple TV in Quicktime Pro

Hi- I have a large library of old VHS tapes and soem Video 8 home movies - I want to convert these to H.264 format so I can load them into Itunes and stream to my Apple TV which is hooked up to my 1080 HD 48" TV. Any help guidence here would be greatly appreciated.

You're in the wrong forum.

Exporting from After Effects to Final Cut Pro

Hi
Could anybody tell me the best way to export from After Effects, back in to Final Cut Pro? Do I need to get Automatic Duck for this, if so which one?
Thanks for any help!
Matt

You need to add your composition to the render cue and then export to the same format and codec that you're using in FCP. Automatic Duck is a great tool for getting your FCP or Motion timelines into After Effects but most of the time I simply select a clip in FCP, export it as a reference movie, bring it into AE for processing, then render a file to use as a replacement in FCP.
Search for After Effects Final Cut Workflow and you'll find some more tips including this one. It isn't bad for organization but it misses the point of using the same codec. All my FCP projects are ProRez HQ or ProREZ 444 so that's my choice. Also, if you use the entire shot, which is not a bad idea, then you can use the replace footage option in FCP which is more efficient than the demoed technique of dragging your rendered shot into the timeline and then trimming if needed.
Hope this helps.

What is the best setting for export movie in widescreen format?

Please tell me what is the best setting for exporting movie in Widescreen format?

Like in After effect we use "NTSC D1 Widescreen Square Pixel".,
Carefully examine the codec and pixel dimensions of that output file. That's certainly easy for an experienced VFX person like yourself.
Then carefully look over the presets in FCP to find the same attibutes. You can also use the online help system for FCP and search for "D1"
However, your question remains unanswerable because we don't know how you're getting to the monitor. What are you playing back you AE sequences on that displays them on your LCD? You're assuming we know what you're doing and, I assure you, we do not.
bogiesan

What are the best settings for exporting video in Premiere Pro Cs5.5 in HD MP4 format?

What are the best settings for exporting video in Premiere Pro Cs5.5 in HD MP4 format?
Any help would be greatly appreciated! Thanks

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bmiller0525 wrote:
What are the best settings for exporting video in Premiere Pro Cs5.5 in HD MP4 format?
Any help would be greatly appreciated! Thanks
thats way too vague of a question... best what? quality? size? playback?
best quality then use high bitrate, small size use low bitrate.

Best format to export for iPhone

What's the best format for viewing over the web via an iPhone? The quicktime format that I used for my blog generates an 'Error playing movie' message on my iPhone.

Visualhub is a transcoder with multiple input and output formats with specific setting for iPod,iPod touch. Costs around $19-used to work great but recently everything I convert suffers audio crash than closes out the player. Hopefully they will fix it.
Elgato H.264 hardware transcoder is $99 dollars(USB stick that plugs in to Mac)-speeds up encoding of any file quicktime can handle, settings for apple tv, iphone/touch, ipod,Sony PSP. Worth the cost if you transcode a lot of video for the Touch or own an elgato HD tuner. Files work flawlessly and look great.
Mpeg streamclip-free. Works great, has presets or can customize the output.

Which are the best settings for exporting comps before edditing in Premiere Pro

Hello everyone!
As the title says, which are the best settings for exporting comps from AE to Pr.Pro and then edit them?
Let me explain: I have two comps in AE (intro and outro) and want to export them in Pr.Pro for edditing along with a fottage i shot.
When i render them the size of the files are huge (30 sec= 7GB).
Which is the best method (and settings) i can export the intro and outro to a 'normal' file size and then put them in Pr.Pro without loosing any quality??
[Comp settings: HDTV 1080 29.97 (1920x1080)]
AE and Premiere Pro both CS4

If you're rendering and exporting an intermediate video file to go from After Effects to any other piece of post-production software (such as Premiere Pro), you want to make sure that you're not losing any quality.
Most compression methods, which make movies smaller, also lose some of the image data---i.e., quality. There are a few compression methods that don't lose any image data; these are "lossless" codecs. These lossless codecs do decrease the size of a video file, but they're nowhere near as effective at decreasing size as the lossy codecs are. But file size isn't important when you're doing post-production work. Big files are a fact of life in post-production.
Examples of lossless codecs include the PNG codec and the Animation codec at the highest quality settings, both of which can be used in a QuickTime (.mov) container. I prefer the PNG codec; it's more efficient for photorealistic images, whereas Animation is more efficient for things like cartoons. There are lots of other lossless and nearly lossless codecs. A lot of people that do video editing like the Lagarith codec, but that is something that you'd have to go and get; it's not part of a standard CS5 or QuickTime installation.
See these FAQ entries for information about compression and why file sizes are big for losslessly encoded files:
"FAQ: Why is my output file huge...?"
"FAQ: What is the best format for rendering and exporting from After Effects?"
By the way, keep in mind that you don't always need to render and export an intermediate movie to go from After Effects to Premiere Pro. There are other ways to move data back and forth between these applications, including Dynamic Link. Which is best depends on the specific circumstance. See "Working with Premiere Pro and After Effects".

Best format for export to After Effects

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