Best settings for exporting crisp video/graphic from iMovie to YouTube?

Hi, I am working on a video for a client and after viewing on YouTube they had some issues with the type not looking "crisp," and I'm not sure how to fix it, not sure if it's a YouTube thing or something I am doing wrong.
I am working in iMovie 6/HD on OS 10.4.11. I do my "type slides" in Photoshop and import them into the iMovie as photos (JPGs). I know some text/titles can be done in iMovie but there is very little control I have over what goes where, so by making my type slides in Photoshop I have more creative control to do what I want. I have done tests and it doesn't seem to matter what resolution the Photoshop files are when they're imported, the results are always the same.
If anyone has a better suggestion for doing the type slides I'd gladly welcome them, but I think what I really need to know is the following:
What are the best expert settings to export my iMovie file as, so that when I upload to YouTube, the quality stays fairly crisp? Or does YouTube's compression just negate anything I can do on my end?
I have googled and found settings recs on other sites and other boards and tried a bunch of them and my results aren't any better than my original effort.
From another post on this board I discovered I could play with the Filters setting when exporting, and I have set that to Sharpen and also used the Brightness filter to lighten the video (it was a little dark). I uploaded to YouTube and I think it is a little better, but would still love the info if anyone has a guaranteed rec for correct settings for YouTube video from iMovie HD/6.

Hello Brian,
Have you tried de-interlacing before exporting?
Sometimes, when I'm in a rush, I would expand the Canvas/Viewer (viewed at 100%), pick the clearest frame, and do a screen capture.
For example, with the captured image (in Photoshop), I have a marquee preset at 640x480 (NTSC). I created an action to crop, resize to 720x480, then set the Pixel Aspect Ratio to NTSC.
Gary

Similar Messages

  • Best Settings to Export HD Video Slideshow from iPhoto '09 for YouTube

    Trying unsuccessfully thru trial & error to find the correct settings: in "Custom Export" I select "Movie to MPEG-4" as req'd for YouTube, then click "Options" and select MP4 (NOT the ISMA version) for File Format, then I select one of the two HD Image Sizes, then I'm completely lost with regards to Video Format, Data Rate, Frame Rate, etc. Any advice for creating the highest quality YouTube-compatible results?

    Try this link...
    http://www.google.com/support/youtube/bin/answer.py?hl=en&answer=132460
    or this one...
    https://cms.youtube.com/cyc/YouTubeContent_Feed_Specification_FormattingRequirements.html
    Patrick

  • Whats the best settings for exporting a three camera youtube video on a mac book pro

    I need help figureing out Whats the best settings for exporting a three camera youtube video on a mac book pro. I use 15 or 30 fps and aI cant figurwe it out [please help

    chucknoris501
    What version of Premiere Elements are you using on Mac?
    Export your Timeline content to a .mp4 file, using export settings which have been customized under the Advanced Button/Video Tab of the export's preset.
    See Publish+Share/Computer/AVCHD and .mp4 category. The exported file is then uploaded to YouTube at the YouTube web site.
    If you post the properties of your source video and project settings, I will suggest the settings for the Timeline content export to file saved to the computer
    hard drive for upload to YouTube at the YouTube web site.
    ATR

  • What are the best settings for exporting video in Premiere Pro Cs5.5 in HD MP4 format?

    What are the best settings for exporting video in Premiere Pro Cs5.5 in HD MP4 format?
    Any help would be greatly appreciated! Thanks

    function(){return A.apply(null,[this].concat($A(arguments)))}
    bmiller0525 wrote:
    What are the best settings for exporting video in Premiere Pro Cs5.5 in HD MP4 format?
    Any help would be greatly appreciated! Thanks
    thats way too vague of a question... best what?  quality? size? playback?
    best quality then use high bitrate, small size use low bitrate.

  • Best Settings for Exporting DVD Footage in a Movie File

    Hello,
    I've been trying to find the best settings for exporting DVD footage into a movie file from Adobe Premiere CS6.
    I recently have been using my Magnavox DVD recorder for recording VHS tapes that I made long ago for shows and various other things, and no matter what, my footage doesn't come out as it needs to be.
    Here's an example of what I did recently with my own settings:
    http://www.youtube.com/watch?v=qFV4sT7rHGs
    I'm not expecting HD footage, I know these are tapes, but I'm playing the raw footage on my Xbox 360, and it looks better than this. I had to directly use the VOB files on the DVD for this, as trying to rip the files into an AVI or any other format with a DVD ripper didn't do anything, in fact it degraded the quality and made the audio not play in Premiere.
    So what would be some good settings for exporting a sequence with DVD footage that is from a VHS into a movie file, preferably one that wouldn't degrade the quality?
    Thanks!

    First, read Why not edit mpeg http://tangentsoft.net/video/mpeg/edit.html to get a general idea of why a VOB makes a very poor source file (which is a renamed MPG, with some other stuff like menu screens)
    Also, Read Bill Hunt on editing a VOB/MPG file http://forums.adobe.com/thread/464549
    Once you have a DVD compliant VOB on your timeline, and understanding that a standalone DVD recorder sometimes plays fast-n-loose with "compliance" per the DVD specification, about all you can do is export to standard or widescreen DV AVI and accept the fact that re-encoding an already compressed file is just not going to give great results

  • Which are the best settings for exporting comps before edditing in Premiere Pro

    Hello everyone!
    As the title says, which are the best settings for exporting comps from AE to Pr.Pro and then edit them?
    Let  me explain: I have two comps in AE (intro and outro) and want to export  them in Pr.Pro for edditing along with a fottage i shot.
    When i render them the size of the files are huge (30 sec= 7GB).
    Which  is the best method (and settings) i can export the intro and outro to a 'normal' file  size and then put them in Pr.Pro without loosing any quality??
    [Comp settings: HDTV 1080 29.97 (1920x1080)]
    AE and Premiere Pro both CS4

    If you're rendering and exporting an intermediate video file to go from After Effects to any other piece of post-production software (such as Premiere Pro), you want to make sure that you're not losing any quality.
    Most compression methods, which make movies smaller, also lose some of the image data---i.e., quality. There are a few compression methods that don't lose any image data; these are "lossless" codecs. These lossless codecs do decrease the size of a video file, but they're nowhere near as effective at decreasing size as the lossy codecs are. But file size isn't important when you're doing post-production work. Big files are a fact of life in post-production.
    Examples of lossless codecs include the PNG codec and the Animation codec at the highest quality settings, both of which can be used in a QuickTime (.mov) container. I prefer the PNG codec; it's more efficient for photorealistic images, whereas Animation is more efficient for things like cartoons. There are lots of other lossless and nearly lossless codecs. A lot of people that do video editing like the Lagarith codec, but that is something that you'd have to go and get; it's not part of a standard CS5 or QuickTime installation.
    See these FAQ entries for information about compression and why file sizes are big for losslessly encoded files:
    "FAQ: Why is my output file huge...?"
    "FAQ: What is the best format for rendering and exporting from After Effects?"
    By the way, keep in mind that you don't always need to render and export an intermediate movie to go from After Effects to Premiere Pro. There are other ways to move data back and forth between these applications, including Dynamic Link. Which is best depends on the specific circumstance. See "Working with Premiere Pro and After Effects".

  • With Premiere elements 11, when Publish/Share (saving) a finished video, selecting H.264  .mov file type, what are the recommended Codec and Aspect settings for a crisp video and a small file size?

    With Premiere Elements 11, when Publish/Share (saving) a finished video, selecting H.264  .mov file type, what are the recommended Aspect and Codec settings , for a crisp video with a small file size?

    Gary Krouse
    We will customize a very detailed reply, but
    (a) What are the properties of your source media?
    (b) What did you or the program set as the project preset to match the properties of the source media?
    (c) What specific requirements do you have for this H.264.mov export file?
    File size can be a compromise between bitrate, file size, and quality.
    Thanks.
    ATR

  • How do i export a video made in imovie to youtube in the best quality possible?

    how do i export a video made in imovie to youtube in the best quality possible?

    You can only export in the same resolution that you imported.
    That is if you shot in 720p you cannot export in 1080p.
    Share > YouTube and select the highest resolution available.
    Z.

  • Best settings for exporting from AE

    Hi,
    I am wondering what the best settings to export to from AE for editing in Premiere CS5.5. Previously I would digitize from tape and would export lossless .avi from AE but now I am using XDCAM EX 1080 50i sequence presets on Premiere and I wonder if I should amend the settings from AE or just keep them as lossless?
    As always thanks in advance!

    Keep it lossless.

  • Best settings for Green Screen Video with Canon Mark iii

    HI
    What are the ideal camera settings for Green screen video.
    Iso?
    aperature?
    Depth of field settings (best to have the green screen a bit out of focus?)
    Any other camera settings would be helpful.
    Thanks
    Rowby

    Hi Rowby!
    Thanks so much for writing in about green screen shooting with the EOS 5D Mark III camera.  Green screen shooting can come down to some crucial elements and how well you handle the camera and the lighting.  
    Arguably the most important thing is to have excellent lighting on the screen.  Without this, the keys used to replace the green screen will not be accurate.  So hopefully you have a good set of lights you will be using to actually light the physical screen. 
    With regards to ISO, shoot as low as possible.  We suggest that you stick in the ISO 200-400 range where possible.  With good, high key, proper lighting on the screen this shouldn't be an issue. 
    Aperture should actually be in the higher end of the range, you would want to stick to apertures around f/8 and above.  Again, with adequate lighting this shouldn't be out of reach.  This is so the green screen is more in focus, versus having it out of focus, which would not yield successful results. 
    Use an appropriate lens to the subject, for example if you are doing wide shots- use only the focal length needed for the shoot and no wider.  For head shots, close ups- use a lens that will get you close. 
    Following these suggestions should give you some pretty good results.  Remember, if this is your first attempt don't be discouraged, green screen shooting can be difficult to accomplish. 
    We wish you the best of luck in your endeavor!
    Did this answer your question? Please click the Accept as Solution button so that others may find the answer as well.

  • Best sequence settings for editing HD video material from Nikon D3S

    Hello there,
    My quesstion is, what are the best settings in FCP for editing material from the Nikon D3S?
    At this point I had a sequence (automatically generated from FCP) with settings
    Frame Size: 1440X1080 Aspect Ratio (1440X1080) (16:9)
    Pixel Aspect Ratio: HD 1440 X 1080
    Field Dominance Upper (Odd)
    Editing Timebase: 25
    QuickTime Video Settings
    Compressor: HDV 1080i50
    Now, when I place a video clip form the D3S into the timeline, in the preview screen it does not fill the frame. I have to grab the corners and pull it to fill the gaps.
    I opened the same video clip in QT to check on the inspector and this is what is telling me:
    Apple OpenDML JPEG, 1280 X 720
    FPS: 24
    Normal size: 1280X 720
    Current size: 1280 X 720 (Actual)
    What do I need to do, so that the sequence settings are very similar to my AVI files? Or to make the same? I assume that if I pull the corners to fill the frame, I am loosing quality? Is that the case?
    Since I need to deliver this today I will continue working on the sequence as with the former settings, but I am wondering that if I have to change the settings, will this affect my already edited material? Do I then need to start a new sequence from scratch?
    Sorry, I guess too many questions, but they all lead to the same thing
    Thanks a lot!
    Emil

    I have a D3s. I'm using FCP7, it's been awhile since I used version 5 so all I can do is let you know my workflow with ver.7 If you convert to ProRes 422 1080x720 24fps, it works very well, change the audio from 44 to 48kHz and set the frame rate to 24 instead of 23.98
    Here's what I do.
    1. Copy the CF card to the HD of the computer
    2. Open Compressor, in these next steps we'll make a custom Droplet.
    a. In the Settings tab, select Formats > Quick Time > Apple ProRes 422
    b. Drag this to "Drag Settings & Destinations Here" and click it
    c. In the Inspector, select Encoder
    d. Select Video Enabled, then hit Settings. Frame rate 24 > OK
    e. Select Audio Enabled, then hit Settings. Choose 48 kHz
    f. Save As. Name it. It will be in > Settings tab > Custom
    g. Click your new Cutom setting
    h. File > Create Droplet
    i. select your new custom setting
    j. save it to the desktop, leave destination as source.
    3. open the Droplet,
    4. drag all you D3s clips in, change destination to a new folder
    Now you have all your original .DVI and the converted ProRes clips
    5. Open FCP, select Final Cut Pro > Audio/Video Settings
    6. in the Sequence Setting tab select Apple ProRes 422 1280x720 48kHz
    7. Clip Duplicate and give it a new name
    8. change the Editing Timebase to 24 > OK
    9. select the summary tab click Create Easy Setup
    10. name it, give it a description > Create
    11. the next time your open FCP use this Easy Setup
    12. your D3s clip should not need rendered now.
    13. When your done editing use Send to Compressor
    14. Vimeo will accept a wide varity of formats
    15. I use Quicktime H.264 with settings set to best
    16. For Blu-ray I use Export to QT Movie and use Sony DVD Architect to author the BD at 35 mbps, but that's another story.

  • What settings for exporting 1080p videos for Youtube recorded from FRAPS?

    Hello,
    I've tried a custom setting of mine which took an hour or so to render but came out blurry:
    Video:
    H264
    1920 x 1080
    Bitrate: 15
    VBR, 1 PASS
    29.97 FPS
    PAL
    And audio is just on default with 160 bitrate.
    The quality from FRAPS is perfect but as said before when inported in Premiere and then rendered its outputted blurry and jumpy.
    Any ideas?
    Thanks.
    EDIT: Just for reference I followed this tutorial: http://www.youtube.com/watch?v=FL9JULY8IkU

    Output file info:
    General
    Complete name                            : C:\Users\Charlie\Documents\Adobe\Premiere Pro\5.5\TF2.mp4
    Format                                   : MPEG-4
    Format profile                           : Base Media / Version 2
    Codec ID                                 : mp42
    File size                                : 1.91 GiB
    Duration                                 : 15mn 3s
    Overall bit rate mode                    : Variable
    Overall bit rate                         : 18.2 Mbps
    Encoded date                             : UTC 2012-08-31 01:10:24
    Tagged date                              : UTC 2012-08-31 01:10:24
    ©TIM                                     : 00:00:00:00
    ©TSC                                     : 50
    ©TSZ                                     : 1
    Video
    ID                                       : 1
    Format                                   : AVC
    Format/Info                              : Advanced Video Codec
    Format profile                           : [email protected]
    Format settings, CABAC                   : Yes
    Format settings, ReFrames                : 3 frames
    Codec ID                                 : avc1
    Codec ID/Info                            : Advanced Video Coding
    Duration                                 : 15mn 3s
    Bit rate                                 : 18.0 Mbps
    Width                                    : 1 920 pixels
    Height                                   : 1 080 pixels
    Display aspect ratio                     : 16:9
    Frame rate mode                          : Constant
    Frame rate                               : 50.000 fps
    Standard                                 : PAL
    Color space                              : YUV
    Chroma subsampling                       : 4:2:0
    Bit depth                                : 8 bits
    Scan type                                : Progressive
    Bits/(Pixel*Frame)                       : 0.173
    Stream size                              : 1.89 GiB (99%)
    Language                                 : English
    Encoded date                             : UTC 2012-08-31 01:10:24
    Tagged date                              : UTC 2012-08-31 01:10:24
    Color primaries                          : BT.709
    Transfer characteristics                 : BT.709
    Matrix coefficients                      : BT.709
    Audio
    ID                                       : 2
    Format                                   : AAC
    Format/Info                              : Advanced Audio Codec
    Format profile                           : LC
    Codec ID                                 : 40
    Duration                                 : 15mn 3s
    Source duration                          : 15mn 4s
    Bit rate mode                            : Variable
    Bit rate                                 : 192 Kbps
    Maximum bit rate                         : 292 Kbps
    Channel(s)                               : 2 channels
    Channel positions                        : Front: L R
    Sampling rate                            : 48.0 KHz
    Compression mode                         : Lossy
    Stream size                              : 20.4 MiB (1%)
    Source stream size                       : 20.4 MiB (1%)
    Language                                 : English
    Encoded date                             : UTC 2012-08-31 01:10:24
    Tagged date                              : UTC 2012-08-31 01:10:24
    Part of the source file info(FRAPS makes serveral files):
    General
    Complete name                            : E:\Fraps Vids\TF2MvM\hl2 2012-08-26 16-14-55-35.avi
    Format                                   : AVI
    Format/Info                              : Audio Video Interleave
    File size                                : 3.95 GiB
    Duration                                 : 1mn 53s
    Overall bit rate                         : 298 Mbps
    Video
    ID                                       : 0
    Format                                   : Fraps
    Codec ID                                 : FPS1
    Duration                                 : 1mn 53s
    Bit rate                                 : 280 Mbps
    Width                                    : 1 920 pixels
    Height                                   : 1 080 pixels
    Display aspect ratio                     : 16:9
    Frame rate                               : 50.000 fps
    Color space                              : YUV
    Bit depth                                : 8 bits
    Bits/(Pixel*Frame)                       : 2.698
    Stream size                              : 3.71 GiB (94%)
    Audio
    ID                                       : 1
    Format                                   : PCM
    Format settings, Endianness              : Little
    Format settings, Sign                    : Signed
    Codec ID                                 : 00001000-0000-0100-8000-00AA00389B71
    Duration                                 : 1mn 53s
    Bit rate mode                            : Constant
    Bit rate                                 : 18.4 Mbps
    Channel(s)                               : 6 channels
    Channel positions                        : Front: L C R, Back: L R, LFE
    Sampling rate                            : 192 KHz
    Bit depth                                : 16 bits
    Stream size                              : 250 MiB (6%)
    Interleave, duration                     : 999 ms (49.94 video frames)
    Sequence settings:
    General
    Editing mode: AVCHD 1080p square pixel
    Timebase: 29.97fps
    Video Settings
    Frame size: 1920h 1080v (1.0000)
    Frame rate: 29.97 frames/second
    Pixel Aspect Ratio: Square Pixels (1.0)
    Fields: No Fields (Progressive Scan)
    Audio Settings
    Sample rate: 48000 samples/second
    Default Sequence
    Total video tracks: 3
    Master track type: Stereo
    Mono tracks: 0
    Stereo tracks: 3
    5.1 tracks: 3
    Submix mono tracks: 0
    Submix stereo tracks: 0
    Submix 5.1 tracks: 0
    Thanks for your help.

  • Best settings for exporting and dropping a MOV file into iDVD7?

    I have a movie (originally shot in HD), made in iMovieHD6, and that I'd like to export and drop into iDVD7. *What settings would the brain trust recommend?* I cannot seem to get iDVD to render a good version through direct export from iMovie. (As a side, I wonder if it is because I started this process by bringing AVCHD files from my camera into iMovie8 and "going backwards" to iMovieHD6.)

    I have used Pro-res from Final Cut Pro into iDVD and it works.
    *This is from iDVD help menu:*
    Video and image formats that work with iDVD
    You can use these movie and graphic formats in iDVD:

    Most video or image files supported by QuickTime (see the list of unsupported QuickTime formats below)

    16:9 widescreen formats

    AAC, MP3, and AIFF audio files

    Any format from iMovie: DV, high-definition video (HDV), MPEG-2 SD, MPEG-2 SD, MPEG-4 SD, MPEG-4 HD, and AVCHD
    High definition video is converted to work with the format of your project. iDVD supports using 16:9 widescreen video; therefore, when your DVD plays on a DVD player that supports widescreen format, the footage appears in its original aspect ratio.
    The following video and image formats are not supported in iDVD:

    Copyrighted or protected videos.

    Movies saved in thousands of colors using the “none” compression setting in iMovie.

    48-bit color images (16 bits per color). To use source files in one of these formats in iDVD, save them in a supported format.

    Aurora uncompressed files. For best results, export Aurora clips as DV-format video before importing them into iDVD.

    QuickTime VR, MPEG-1 or MPEG-2, Flash, streaming or encrypted movies, or QuickTime spanned movies. You can’t add MPEG-1 or MPEG-2 files to an iDVD project because they don’t contain standard video tracks.

    QuickTime Fast Start movies. (Fast Start movies are intended for Internet playback.) When saving a QuickTime movie for use with iDVD, click the Options button in the QuickTime Export dialog and make sure that the “Prepare for Internet Streaming” checkbox is not selected.

  • Settings for Exporting DVD Video to Web Pages

    I have some short family dvd's that I want to export to some web pages.
    What's the best method to :
    1 extract the dvd content
    2 create media for web viewing
    BTW: I think I'd rather use MP4 with h.264 (rather than .flv) for this set of media
    Q :
    1 - what are the best apps for extracting from dvd and then encoding the MP4
    (handbrake - quicktime - squeeze etc?) mac is preferred - or pc is ok too
    2 - for the 'average' dsl/cable connection what are the best (safest) video frame sizes and bitrate settings ... I was thinking something like:
    480x320 and bitrate xxxx?
    or can I go as big as
    640x480 and bitrate xxxx?
    Thanks in advance for the help....

    Do a Google search for DVD Ripper.
    Nancy O.
    Alt-Web Design & Publishing
    Web | Graphics | Print | Media  Specialists
    http://alt-web.com/
    http://twitter.com/altweb

  • 4K footage to DVD: what are the best settings for exporting in Premiere Pro CC v7.2.2?

    Hello everyone!
    I am editing a big bunch of short 4K clips (XAVC in MP4) which will then go onto DVDs. The idea is to get as many of those clips on a DVD as possible. Using Premiere Pro 7.2.2 on Windows 8.
    What I would like to know is whether I'm actually using the best possible settings for this case, because the video exported to MPEG2-DVD doesn't look that good. Or maybe it needs to be exported to a different format and rather converted to DVD format after?
    The sequence setting are the following:
    RED Cinema
    Frame rate: 29,97 fps
    3840x2160 (16:9)
    Square pixels
    The export settings I've been using:
    MPEG2-DVD
    Aspect  ratio: 16:9
    TV Format: PAL
    Field order: progressive
    Frame rate: 25
    Video quality: 100
    Bitrate: VBR
    1, I've tried different bitrates, also setting minimum at 9, but this blows up the file size too much (as i mentioned, the idea is to get at many clips as possible on a DVD)
    GOP: M - 3, N - 15 (haven't touched those)
    Multiplexer: none (should i put DVD?)
    I'm using maximum render quality
    Have I given all the information?
    Any help will be appreciated!@

    As Ann has advised do not expect too much, you are going down a lot in quality.
    Why are you also going from NTSC to a PAL output?
    Premiere will drop frames to get from 29.97 to  25.
    PAL DVD players read NTSC discs fine as long as they are region 0
    Why are you trying to produce a DVD anyway?
    A Bluray would be far better quality.
    Also a minimum 9 is way wrong, c9.6 is the max in the spec and hence avoided as your system is trying to push the spec limits to close.
    I used to use 6 - 7.5 - 8.8 in my VBR and they looked fine, now I am all HD.

Maybe you are looking for

  • How to write a SQL query in Java

    Hi, I'm writing a program that pulls all data from the database with a simple "SELECT * FROM [TABLE NAME]. The problem is that I don't know how to set it up properly. My code will only connect to the database but not execute the query. Please help. {

  • Infopath form taking long time to load sql data

    In infopath form having with multple views. In one of the view SQL Data will be loaded on selection of dropdown to repeating table.  If it is lessthan 1000 items its working, if it is morethan 1500 items form will hanging for 15-20 mins.  Form is dev

  • Unrepairable Disc after 10.4.8 update

    After using software update to install the current combined 10.4.8, I am now unable to start my mac due to a kernal panic that happens at startup. I used disc utilitis to check and repair my disc, I find that the illigeal name, unable to repair 1 vol

  • Other parser in CF7

    Hi We have a problem integrating another product wich uses the parser in CF. With CF6.1 it works, and there are the jvm args: -Djavax.xml.parsers.SAXParserFactory=com.macromedia.crimson.jaxp.SAXParserFactoryImpl -Djavax.xml.parsers.DocumentBuilderFac

  • Which camera

    i am start a photo biz  i like to shoot a lot of nature and scenic stuff   would like to know whats a good starter camera. have considered the kodak easy share z980. also would like to know about a starter slr