Best settings to Export from FCP to iWeb?

In the past I have exported from FCP to a QT that I import into iMovie and then export from iMovie to iWeb...
is there a simpler way to get video to iWeb?
I prefer not to edit in iMovie, so what FCP settings are best for iWeb? I'll ask this on the FCP board as well.
Thanks

In the past I have exported from FCP to a QT that I import into iMovie and then export from iMovie to iWeb...
is there a simpler way to get video to iWeb?
I prefer not to edit in iMovie, so what FCP settings are best for iWeb? I'll ask this on the FCP board as well.
Thanks

Similar Messages

  • Best way to export from FCP for website

    I've been reading around about this and am not getting a clear idea of what to do...
    I have some short sequences in FCP (longest is 2 minutes) that I want to post individually on my new website (that I'm just learning about).
    I want to export them in a way that is a small file but that looks and sounds good, and also that can be played by most or all computers.
    So I guess that is two questions: settings for export from FCP, and how to control how it will be viewed.
    Thanks so much, anyone with ideas or experience!

    We don't know what format you are dealing with, ratio etc.
    However, some short answers for you.
    For best quality at a considerable small file size the choice is, yet again, H.264 (Require QT7 or higher. For universal compatibility you may need flash conversion).
    FCP main menu>File>Export>QT Conversion>Options> the higher the bit rate the better the quality but the bigger becomes the file size. Size : i.e 320x240 if 4:3; 480x270 if 16x9). Choose AAC (Not PCM) as sound format (192 target bit rate).

  • Best way/settings to export from FCP to DVDSP

    Hey - I have a program I need to export from FCP to DVDSP.
    It is approx. 1hr 15min long.
    What would be the best settings to use to maximize quality?
    I also want to include chapter markers for importing into DVDSP - is it better to create these in FCP or Compressor???
    This is a very important showreel and quality is a major factor...
    I am using: FCP 5.1.4 DVDSP 4.1.2 Compressor 2.3
    Thanks for all your help in advance!
    PowerPC G5   Mac OS X (10.4.9)  

    Hi:
    << What would be the best settings to use to maximize quality?>>
    You didn't mention your movie codec. Assuming you are using DV, if your FCP projects has graphic elements and heavy filters like Color Corrections, etc. you must get the best quality exporting directly from FCP through Compressor.
    If your movie is basiclally DV video with no graphics, you probably will get same quality and shorter encoding times exporting as QuickTime movie, self settings (self contained is my favorite flavor!) and using this file in Compressor.
    In Compressor use the DVD: Best Quality 90 min preset as starting point taking the MPEG2 and the Dolby 2 (AC3) presets. You most probably will get the best audio level changing the followings parameters in the standard AC3 preset:
    - Dialog Normalization: -31
    - Compression preset: None
    Using uncompressed (AIFF/PCM) audio in DVD-Rs is a major cause of playback problems and/or building errors because the high bitrate, and takes a lot of your disc space.
    If you encode inside DVDSP (using the Quicktime movie file directly in DVDSP) you'll get AIFF audio. DVDSP doesn't encode your audio to AC3.
    <<This is a very important showreel and quality is a major factor...>>
    To save encoding testing times, take a short part/s of your movie and make some encoding test. Select some parts of your footage with fast movements in the image and/or heavy transitions to check the final result.
    <<I also want to include chapter markers for importing into DVDSP - is it better to create these in FCP or Compressor??? >>
    Allways create your chapter markers in FCP or Compressor. That way you can set the exact frame where to locate it and DVDSP will preserve that position. If you add a Chapter Marker in DVDSP it will be moved to the nearest GOP boundary, not in the exact frame you decided. Check this tutorial about Chapters and Compression Markers .
    Don't forget to post your FCP movie codec/settings.
    <<StirFry..>>
    I think that a bitrate of 7.9 Mbps with uncompressed audio (DVDSP doesn't encode audio to Dolby 2) is too high and can cause some encoding/playback errors in some DVD players. Someone else can post his mind about this ! ;D
    Hope that helps !
      Alberto

  • Best settings for export from FCE to Web

    I'm trying to get a 20-minute project (audio and video) exported from FCE to iWeb in reasonably high quality. I've consulted the manual, and have tried various compression settings and consulted some online tutorials, to no avail - more often than not, if it "publishes" to iWeb, the resulting file looks like it will take the better part of forever to buffer. Any recommendations?

    Well, not sure about what you mean “in reasonably high quality”...?
    What export-settings did you use...? size and codec...?
    A twenty minutes project for the web in reasonably quality...?
    Did you start with your project in FCE with the best and highest uncompressed resolution ?
    Did you export (compress) from this resolution once to your desired web format ?
    Doing file compression properly, I guess, one needs years of experience...
    There are far to many variables one has to consider...
    t’s rather an art-form than exact science...
    Anyway...
    If you like, here are one of my settings:
    Compression H.264 / Frame Rate Current / Key Frame Automatic / Quality Medium /
    Data Rate Automatic (higher rate - higher file size) / Encoding Best Quality /
    Size 480 x 270 (16:9) / Sound AAC Stereo 44.1 kHz (Mono and lower Rate reduces size).
    Regards
    Nolan

  • Best settings for exporting from AE

    Hi,
    I am wondering what the best settings to export to from AE for editing in Premiere CS5.5. Previously I would digitize from tape and would export lossless .avi from AE but now I am using XDCAM EX 1080 50i sequence presets on Premiere and I wonder if I should amend the settings from AE or just keep them as lossless?
    As always thanks in advance!

    Keep it lossless.

  • Confused between best/high-res export from FCP

    Oh the pain of making stuff up as you go along!!  I need to say that since what I am about to ask may sound incredibly amature, but then again, that's what I am.
    I use FCP6, and usually send my timeline straight to Compressor and choosing "DVD:Best Quality 90 minutes."  Now being the amature I am, I just went for the option with the "Best" in it.  My videos look great, but now I am getting a question from a client asking if their dvd will be in High Res?  This made me carefully inspect my settings in FCP which are as follows:
    Frame Size: 1920 x 1080 (HDTV 1080i (16:9))
    Pixel Aspect Ratio: Square
    Field Dom: Upper (Odd)
    Editing Timebase: 29.97
    QuickTime Video Settings
    Compressor: Apple ProRes 422 (HQ)
    Video Processing
    Reder 10-bit material in high precision YUV
    Motion filtering Quality: Best
    So I want to make sure that I am providing High Res.  I realize that HD is not DVD and therefore my DVD's are SD. But I want to make sure that I am giving the best under my program'(s) ability.  So I've search the chat rooms and have found that some people say to export timelines via QuickTime as with Current settings and that will provide the best.  However, I have heard also that I should use Compressor for this.  The problem is that I realy, truly don't know which settings to choose from if I go with Compressor based on my Timeline's settings. 
    Finally, the really stupid part of my question(s); Is High Res considered HD, or just the highest possible with SD, or simply Blue-Ray?
    And there you have it.  Thank you so much in advance.
    Crayton

    Hey Shane, thank you for your response.
    I have some follow up questions for you;
    1. Do you recommend exporting my timeline as a QuickTime and then simply sending that to authoring, or QT then to Compressor or Compressor only?
    2.  My authoring software is DVDSP.  Under the preferences, I always and obviously have it check for SD. Should I change it to HD?  This is a weird question I know since there is no HD for DVD, but it confuses me further since why does this option exist in DVDSP? If I did use this option, would it make my DVD un-watchable? (if that is even a word
    3. Finaly question and soon to be an issue that I am going to be faced with.  I have been filming for a client for a year now and I've filmed it all in HD. They now want me to begin to prepare the videos to be broadcast on TV.  The station they have been working with has told them to tell their "video guy" (me I guess) to make sure that the end result or output be in HD.  I have to put together 28min and 30 sec segments each week once the show begins.  Again, I've filmed, captured and edited in HD, but how do I get them their segments?  And should I also export them as QuickTime Self Contained?  If I did the QT, doesn't that simply take your timeline files and make them into one viewable file but not compressing them thereby leaving it in the HD format it was edited in?
    Crap sorry, I decieved you.......I made it look like there was only 3 questions...........sorry:)
    Thanks again man,
    Crayton
    ps forgive my spelling and grammar

  • Best way to export from FCP X to iDVD?

    I believe this question must have been dealt with a number of times already but since I could not find a clear answer with a reasonable amount of searching I post my question here.
    I have Apple ProRes 422 footage (HD 1920 x 1080) in FCP X out of which I would like to make a DVD in iDVD. What is the best way of transferring the content to iDVD so as to preserve the quality as good as possible?
    As I understand it, two conversions need to take place until the material can end up on a DVD disk:
    1) The format needs to be changed from ProRes to MPEG-2
    2) The resolution needs to be reduced from 1920 x 1080 to 720 x 576
    And I believe there are at least the following ways to achieve this:
    a) Export the material as-is (ProRes 1920 x 1080) from FCP and let iDVD do the conversion to MPEG-2 720 x 576
    b) Export the material with lowered resolution (720 x 576) from FCP but let iDVD do the conversion to MPEG-2
    c) Export the material as-is to Compressor and let Compressor do the conversion to MPEG-2 720 x 576, which is then imported to iDVD
    Now, what is the best method to perform these transformations from a quality perspective (don't care that much about processing time)?
    I guess it would be good to not reencode the material more than once. Option a) would seem to achieve this but how good is the quality of the reencoding that iDVD does? Option c) could also achieve this and possibly with a better quality than a). However, I'm unsure whether iDVD really would use the material "as-is" without further conversion or whether iDVD anyway would do some sort of reencoding even if the material was imported in a DVD compliant format. And with option b) I'm unsure how much quality I lose if the rescaling and reencoding is done in separate processes.
    Thanks for the advice!

    Either a) or b) is fine.
    However, c) will not work with iDVD, which wants a muxed file. The Compressor presets were designed ith DVD Studio Pro in mind.
    I would let iDVD do the encoding and the resizing. In other words, give it a 1080 resolution Pro Res file with square pixel shape and it will do all the necessary math to preserve the wide screen aspect ratio (changing the pixel shape) and should produce very good looking image quality if you use the Professional quality setting.
    Good luck.
    Russ

  • Best way to Export from FCP HD 4.5 to Logic Pro

    I have a wonderful musician who will be fixing my sound. I asked him how he would like my documentary project.
    He said, " 24 bit 44.1 would be fine. If you want to do it at 48 or if it is already at 48 then send as is. Just give me what you have with the audio in aiff format. The Quicktime video preferably scene by scene.
    Since I don't know anything about Logic I thought I would ask you.
    Thanks Renee

    Ask him if he can take an OMF.

  • Best way to export from iMovie 09 to iMovie HD

    Due to a) image quality issues, and b) no export to tape feature, I need to stick with iMovie HD for all my editing needs.
    However, I do want to use those nifty map and photo animations in my iMovie HD project. What are the best settings for exporting from iMovie '09 to a format that works in iMovie HD and is 1080i? Since I'm working with HD files, I don't really care about size.
    Thanks!

    Thanks shawk, however, the DV stream is not in HD. It exports in 720x480 I think.
    I've had some time to test out the AIC more. I can't find a difference between the 1080i and 1080p (even though it converts down to 1080i for the final). There doesn't appear to be a noticeable loss in quality and it seems to work perfectly with iMovie HD. Maybe I answered my own question? haha.

  • Export settings for sequence from FCP to Avid PC

    Hi,
    Please can someone give me the best export settings/codecs to use if I need to export a FCP sequence with clips shot on XDCam EX1, 1920x1080i, 35 mbs at the least quality loss possible so that it can be imported into an Avid on PC for titling, effects and other bits added? My on-line editor is on Avid PC.
    Many thanks
    Belinda

    Hee....missed that final sentence somehow.
    So...offlining imported footage on FCP that you will online in Avid? What is there to online? You imported at full resolution. Must be color correction.
    OK then...you edit in FCP from imported XDCAM EX footage...and you intend to go to Avid for the final color correct and titling. Did you plan for this? Test this? because I am pretty sure that the QT files that were created when you imported with the transfer tool won't work on a PC. Unless you tested and they did. But it appears that they don't as you are asking how to get them there.
    Did you not ask this question when you started this show? That is ALWAYS something you do. If you plan on doing a certain workflow, you have to make sure that the workflow in question will work. Offline and online from tape is fairly simple, as you can recapture from the tape...timecode being the big thing there. But this is IMPORTED footage. Full clips, and I don't see how you can import only what is used in a sequence.
    This issue, coupled with FCP to Avid...and Avid on a PC no less. Well. Find a codec you can export from FCP that the Avid can read (this will require testing), then MEDIA MANAGE the footage to that codec. Hmm....but then how will the Avid read the FCP project file to reconnect to the footage?
    Nope...I stand by my original answer. Output to XDCAM disk and recapture, or to HDCAM or HDCAM SR tape and recapture.
    Shane

  • Exporting from FCP to DVD

    Hey
    Just wondering if I can get some advise. I need to export my project from final cut pro to DVD but just wondering what the best way to do this would be to get the best quality DVD. (This is for a company to take out to potential clients to sell what the company does - so it needs to look good!)
    My project is no longer than 5 mins
    1920 x 1080 - 1080i (16:9)
    Field Dominance: None
    frame rate 25
    I have Final Cut Studio latest version.
    I'm trying out a few options at the moment using compressor - best quality - so we'll see what these look like, but I'm not sure what all the settings should be set at.
    Any advise on what you think will be best would be great.
    Thanks

    Wouldn't use Quicktime conversion - no need. Just export from FCP as Quicktime Movie at current settings.
    In my experience, changing the field dominance from interlaced to progressive can cause stuttering particularly in motion graphics - this might not be an issue if you're laying to tape for broadcast but when you convert back to interlaced for SD DVD it can look very ugly.
    In any case, at the very least, you need to be using a Kona card or IOHD to do this type of conversion properly - and really, if you want progressive you should shoot progressive.
    Message was edited by: Dynamicworm
    Message was edited by: Dynamicworm

  • What should I use to export from FCP to DVDSP?

    I'm sorry if this question is too basic, but I've searched past discussions and read the manual, and can't seem to find the answer. I am trying to put a nearly hour-long movie I made onto a DVD, in order to have hundreds of duplicates made. I'm using DVD SP, and I had been exporting my movie from FCP to a Quicktime movie file, then importing the Quicktime file into DVD SP. Then recently I came across something online that said you should actually be exporting from FCP to Compressor, then to DVD SP. I've never used Compressor before, so I have no idea what to do, or if I even should be doing it. The video was fine when I exported to Quicktime, but I of course want to have the best video quality possible.. so if there's a way to keep the video at the highest quality possible (higher than when using Quicktime), please let me know (and if it could be explained as simple as possible, I would appreciate that).

    Hi Ryan,
    I'm relatively new to this too but you're on the right track. I would export to Compressor.
    There are various settings i.e. mpeg2 fast encode, high quality 60min, 120min, widescreen, 4:3 etc and all dependant upon what you want your end result to be.
    You'll need to choose your format - I suggest mpeg2 - 60min High Quality Encode > your destination for both the video and audio > 'submit'.
    You should end up with a file that resembles *My Movie.m2v*
    Then import that file into DVDSP into the assets pane and you're away.
    Good luck!
    -Chuck

  • Best settings for exporting to play in Windows Media Player on Powerpoint

    I'm trying to export from FCP X by sending clips to Compressor 4.04 however the online lessons on lynda.com - my go-to source - and in Compressor manuals don't appear up-to-date with the actual latest revisions and I'm confused about whether to use QuickTime Export Components to get video that will play instantly in Windows Powerpoint either if its running on a Sony PC or being projected on a big screen (not HD).
    Also lynda.com says 10,000 bit rate is best but the version used in the lesson limited one to 10,000 while the update goes past 30K. Which setting will work best for my purpose?
    Some help on these settings for this novice Compressor user sure would help me make my deadline. My deliverable to a client is a collection of clips that play in the Windows Media Player.  thanks
    Compressor

    Are you referring to a Lynda.com Compressor tutorial or one of their many PPT tutorials.
    I agree that 10 Mbs is a nice general quality level – depending on your footage, of course – the content, the lighting, etc. WMV is probably the safest – although MP4 should be good as well,
    Hard to be more specific except to say, Test. A preset that works well for one movie may look not-so-great applied to another.
    Take a short, representative section and encode. Project the output file and see what you think.
    Good luck.
    Russ

  • Problem exporting from FCP using compressor

    Out of the blue - I'm getting batch failures trying to export from FCP for use in a DVD. Immediately after selecting compressor for export, I get an error reading "That file already exists", and a new tab appears in the media browser with a lengthy character string. Compressor opens fine, and I select Best Quality 4:3 encoding for video and aiff48 for audio. When the batch is submitted - it promptly fails and blames FCP for generating an error.
    Did all kinds of restarts and work arounds to no avail. The promising news is that this error seems to occur only when exporting from FCP through Compressor.
    My work-around is to export a QT movie of the piece, quit FCP, launch Compressor, and then import the QT for batching.
    Hope this helps anyone else in similar situations
    Martin
    G5 PPC   Mac OS X (10.4.8)   FCP 512 post production

    Hi:
    How long is your movie?
    The best workflow is FCP > Compressor > DVDSP.
    You can encode your timeline directly to get MPEG2 video and Dolby 2 (AC3) audio files. Then import those in DVDSP and author your DVD.
    Using Compressor you control the full encoding process. You can test with small parts of your movie (those where you got problems with iDVD) and find the best encoding options fopr your footage.
    Of course the DVDSP learning curve is longer than iDVD but once you learned ir you probably never go back. Like iMovie and FCP.
    To give you detailed info about what encoding settings to use you must post some info about your FCP project.
    Hope that helps !
      Alberto

  • Everytime I export from FCP using comressor I am lose my audio, any ideas as to why this is happening. Or do I have somthing turned off and I am just missing it? Dual 2.7 Ghz PowerPC G5 1.5 GB DDR SDRAM, Mac OS X (10.4.6)

    Everytime I export from FCP using comressor I am lose my audio, any ideas as to why this is happening. Or do I have somthing turned off and I am just missing it? Dual 2.7 Ghz PowerPC G5 1.5 GB DDR SDRAM, Mac OS X (10.4.6)

    Exporting via Compressor may be recommended but it is slow and doesn't fully support all available filters, etc.
    Try exporting the timeline as a QT Movie (the "normal" export) using Current Settings and them submit the resultant clip to Compression. Works for me...

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