Export settings for sequence from FCP to Avid PC

Hi,
Please can someone give me the best export settings/codecs to use if I need to export a FCP sequence with clips shot on XDCam EX1, 1920x1080i, 35 mbs at the least quality loss possible so that it can be imported into an Avid on PC for titling, effects and other bits added? My on-line editor is on Avid PC.
Many thanks
Belinda

Hee....missed that final sentence somehow.
So...offlining imported footage on FCP that you will online in Avid? What is there to online? You imported at full resolution. Must be color correction.
OK then...you edit in FCP from imported XDCAM EX footage...and you intend to go to Avid for the final color correct and titling. Did you plan for this? Test this? because I am pretty sure that the QT files that were created when you imported with the transfer tool won't work on a PC. Unless you tested and they did. But it appears that they don't as you are asking how to get them there.
Did you not ask this question when you started this show? That is ALWAYS something you do. If you plan on doing a certain workflow, you have to make sure that the workflow in question will work. Offline and online from tape is fairly simple, as you can recapture from the tape...timecode being the big thing there. But this is IMPORTED footage. Full clips, and I don't see how you can import only what is used in a sequence.
This issue, coupled with FCP to Avid...and Avid on a PC no less. Well. Find a codec you can export from FCP that the Avid can read (this will require testing), then MEDIA MANAGE the footage to that codec. Hmm....but then how will the Avid read the FCP project file to reconnect to the footage?
Nope...I stand by my original answer. Output to XDCAM disk and recapture, or to HDCAM or HDCAM SR tape and recapture.
Shane

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These clips will eventually be edited in FCP and I'm guessing that the appropriate settings will match whatever is selected at the export stage.
I'm using the JVC Everio GZ-DH7U HD Hard disk camcorder...I'm not sure if JVC uses the same setting across the board for it's HD cameras or maybe just the Everio cameras are similarly designed??
Thanks to all!!

the output should match the source file, generally speaking. So if you camera is making HD files then using a HD sized coded would suffice.
HDV (IIRC) is 1440x1080. I often find that using the default settings for a particular file type in Streamclip often work quite well.
As a test, take a small file. if it works, great batch process away, if not, tweak it and then try the same small file until you get a desirable result. Rinse and repeat.

Exporting Sequence from FCP

Forum,
I sent part of a sequence from FCP to STP, but it's not in sequence anymore. It's broken back down into the original clips.
How can I edit in STP without losing the structure of the sequence that I spent so much time on?
Thanks,
Trey

I remember having to do a mixdown in each of my nests when dealing with this issue in 4.5.
You can also do an end-run around FCP's mis-management of the audio renders by manually throwing away the audio render files for the project in the finder and re-opening the project.
You might also try using the Advanced Format Conversion in Compressor, as that should ignore any pre-rendered material from your sequence.
Also, I have seen this problem when combining 44.1k audio (from a music CD) and 48k audio (from digital video) in the same 48k sequence. You might find it helps in the long run to re-export the CD audio as 48k and replace the music in your sequences.
Hope this helps -
Max Average

Problem importing Sequence from FCP 7 to Color 1.5!!!!!

I am trying to export a Sequence from FCP 7 into Color and am experiencing problems. When I send the Sequence to Color from FCP 7 Color receives the incorrect in and out points for many of the clips in my original FCP sequence. All of the footage being used was captured with the same settings from the same camera (Canon xha1). I have made all of the clips in my sequence that had basic motion effects into self-contained QT movies, so the basic motion ramping I've done shouldnt be a problem, right? There are no filters on the clips either. After hours and hours of searching, reading, and trial and error I cant figure out why Color will not recognize and play the clips as they appear in FCP. This is killing me and the project I am working on is due ASAP.
Any idea what I am doing wrong? Thanks.

In the Logging Info tab in Item Properties, the self contained QT movies I made have a TC Rate of 24 whereas the normal clips from the sequence have a TC rate of 30. Could this be the reason Color wont read the sequence correctly?
I have tried to remake the self contained QT movies with the Apple ProRes 422 1440x1080 30p 48khz setting, yet still the TC Rate shows 24. What am I doing wrong?
You probably have "24" fps media on a 29.97 fps timeline, which would explain a few other things, especially why the in/out points are wrong on the COLOR timeline. COLOR does not look at express timecodes -- it functions like a good old fashioned EDL and works on durations -- so if the frame rate disagrees, the trims will also be incorrect.
I have no idea how you are making the self-contained QTs. Are you using Export QT, or Conversion? Are you manipulating the export settings in any way? Are you exporting from the timeline?
I myself am very disappointed with Apple's inability to cope with 23.98/29.97, because you are also dealing with three flavours of cadence/pull-down, not all of which are handled correctly, especially with ProRes.

What are the best export settings for a HD video in Premier Pro CS4?

Hi!
   I've been having so much trouble with this issue and it's something that continually frustrates my boss. I have a HD video the settings for it are
FPS 23.98
1920 x 1080, then a few lines down it says 1408 x 792
16 bit,
2 channels
48000 Hz
   What should the settings be when I make a new sequence?
             When I look at it in the window in Premiere Pro I have to contantly 'shrink' the image to fit the window, is that something I should be doing or does it indicate the sequence settings are incorrect?
But more importantly what should the export settings be? I exported a 4 minute long video and the size was 1 GB, I know that's too big.
I need to export it without loosing any quality and export another one that meets the Youtube and Vimeo limits on size.
Vimeo is 500 MB per week, sometimes I upload 4 videos per week. I think Youtube you can only upload 500 MB at a time.
I need to get smaller sizes with loosing the least amount of quality possible AND the best export settings for quality, so I guess I have 3 separate questions-
What are the best sequence settings for HD video?
What are the best export settings for HD without loosing any quality?
What are the best export settings for the size to come out around 500 MB with loosing the least amount of quality possible?
Thank You!
http://forums.adobe.com/thread/713070
On the above thread I used the 5th anwer, and it's going to take about 7 hours to export a 4 minute video :/

It Stands for "Coder Decoder."
Your format is like a container for your video file. Certain containers can hold certain codecs and not others. Other containers can hold other codecs. Sometimes different containers can hold the same codecs.
This might be a bad analogy but I'll give it a try.
A coffe cup (container) can hold pretty much any liquid you drink, where a red solo cup (container) won't hold scolding water. So, the coffe cup would be your container of choice most likely because it has the most options for liquids (codecs). But, you might want a red solo cup for just a single crappy beer at a party (a moderate quality streaming video on the web). In that case, you don't need all the optoins of another container.
In Premiere Pro CC H.264 is a Container and the Codec in one option. This has been streamlined for web distrobution of video to be played in browsers without things like Flash or special players.
Were as if you choose the QuickTime Container there are over 40 codec optoins (at least on my machine with additinal ones installed) but you may run into an issue where your browser doesn't support QuickTime playback.
I would say that your container is for compatability with players and your codec is taken into consideration when looking at the quality of the compression.
Yesteraday I wrote a blog entery on Exporting from Premiere Pro and found that the MPEG-4 codec inside of the QuickTime container gave me much richer colors than the H.264 container/codec option.
I posted the link before but here it is:
http://goo.gl/8GZq4i

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I'm using FCS 7.0 and about to start a project / slideshow with about 700-900 pictures. The images are currently slides but will be converted into digital images. What would be the recommended settings / format to have the pictures converted into digital images for Final Cut? Also, any advice on the sequence / timeline settings as well would be appreciated.
Thanks!

Look at this first...it's designed for stills...and when you're done you can export it for use in FCP
http://www.boinx.com/fotomagico/overview/

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I couldn't find a discussion room for FCP 7 so I figured if anybody is proficiant with FCP X, they could help me.
Hello,
I really could use some help with my export settings using FinalCut Pro 7. Most of my shows are no more than 20 minutes and I pretty much know the best QuickTime export settings for uploading to Vimeo, Exposure Room,YouTube...etc. But now I am trying export a lengthy project at 53 minutes.
The footage is mixed and some of it was not converted to ProRes but it plays great and renders fine in the timeline. The sequence settings were picked automatically at 1920x1080 because of the main footage that was brought in.
This upload is for client viewing purposes ONLY so I really don't care about the quality as much as the export speed. As far as what I’ve tried - I am using the H.264 codec. I tried lowering it to NTSC 720x480, then tried 1280x720 HD. I set the compressor lower than medium and the Kbps (?) settings to AUTOMATIC when I typically set it manually, between 3000 and 5000. My audio is set at AAC.
It’s a crappy project because of the way it was frankenstein’d together in the field (I’m just cutting it), but I'm committed now and have a huge deadline. I'm getting a bit nervous because of how many hours it’s taking to export. The client is going to make inevitablec hanges and will want to see those changes quickly again - online.
NOTE: My Compressor does not work and I’ve never needed to use so far so that option is not available.
I could really use could some wisdom today!
Thanks so much to whomever can steer me in the right path.
`Patrick
Message was edited by: prepstein

Try here
https://discussions.apple.com/community/professional_applications/final_cut_stud io

FCE-HD export settings for slideshow

Hey dear specialists,
I need to have a help for the export settings for a slideshow
I am using FCE-HD 4.01 on either MacBookPro with Mountain Lion or on my old G5 with 10.6
Input are slides in JPEG with 15MByte Pixel.
As soon as I am using transition of a picture the result in export in all setting I can choose from FCE, which I found out is very bad, because picture has the interlacing effects at the borders
What can I change to get a good result
Thanks in advance for the feedbacks
Best regards
FJ
N.b.: screenshot abstract >>>> see right hand video lines

Hey Russ,
the video rate of the object does not change when I manipulate on the easy setting
If I import pictures, I do this directly from pircture folder into the BIN, and that should be independently from video input setting
The frame rate should also not be a problem for me here in Germany, because working directly from MAC to flatscreen
I put you a screenshot of the new sequence
The Mov output looks not that bad, even if one looks into detail see picture attached, the steps between one and next frame creates problems
I try also to send you the latest version of a slide transiltion example in iPhone quality ( this can not be attached ) it is a 2MB file. If you like I send you by email.
looks a bit improved vs the morning, but I do not feel confident.
What do you think?
Best regards and will come back tomorrow
FJ

Best Export Settings for 24PA DVD

Just finished 10 minute production shot with a Canon xl2 in 24p advanced pulldown with 16:9. After exporting with compressor to DVD Studio pro and burning - have some leterboxing and quality is not what I expected. Also - client reports "pause" when playing on new dell. Need the highest quality - but production needs to play on most popular newer model computers. Would appreciate any advice anyone can provide:
1. What is best export setting to use from FCP for DVD production of a 24pa 16:9 project? Should 16:9 be checked under the advanced sequence setting - or does that cause a problem in dvd studio pro?
2. What is best compressor setting? DVDbest quality 90 minute 16:9?
Really need some help on this - we have a fantastic production and wand it to be displayed in the proper format at the highest quality. Thanks so much.

>require this much memory
Just a comment to help with future communication... memory is RAM, file storage is on a hard disk
Glossary of Terms http://forums.adobe.com/message/2276441 to help w/communication
My 3 hard drives for video editing are configured as...
1 - 320Gig Boot for Win7 64bit Pro and ALL program installs (2)
2 - 320Gig data for Win7 paging swap file and video project files
When I create a project on #2 drive, the various work files follow,
so my boot drive is not used for the media cache folders and files
3 - 1Terabyte data for all video files... input & output files (1)
(1) for faster input/output with 4 drives
- use drive 3 for all source files
- use drive 4 for all output files
(2) only 60Gig used, for Win7 & CS5 MC & MS Office & other smaller programs
Search Microsoft to find out how to redirect your Windows paging swap file
http://search.microsoft.com/search.aspx?mkt=en-US&setlang=en-US
Drive C space http://forums.adobe.com/thread/1007934?tstart=0

I have lost the export settings for FCP7. How can I get these back?

I accidentally threw a folder in the trash. I got a lot of stuff back using Data Rescue, but not everything.
I have lost the export settings for FCP7. How and Can I get these back? tia

Sorry for the delay in response. It sounds like you have somehow deleted your quicktime ProKit with the codecs by what ever process you were trying to restore you trashed files.
Go to the Apple Menu > System Updates and see if the updater sees a need to install them.
If this doesn't work - it might be
the best thing to do would be to get FCS Remover from Digital Rebellion (free)
http://www.digitalrebellion.com/fcsremover/
and try to remove all traces of your corrupt installation and then do a clean install from your original disks, followed by updates to restore the new ProKit codecs.
If your system has been corrupted by whatever you did, it might be best to wipe the drive and start from scratch - but understood this is not a pleasant choice.
Other posters may have different or better suggestions. The FCS Pro Apps require a lot of files and file structure that may or may not be apparent, and were never drag and drop installable. They always needed to be installed with the proper installer.
MtD

Best PE7.0 export settings for Youtube HD, Vimeo or Smugmug?

Hi all,
I'm really new to video editing and I can't find any recommendations on the best Premiere Elements 7 export settings for Youtube HD, Vimeo or Smugmug. It seems like most of them want you to upload in 1280x720.
My original source is 1920x1080 30p AVCHD from a Canon HF100. Obviously, I would like to keep it at the same frame rate. There doesn't appear to be a preset in PE7 (or a way at all) to output 1280x720 30 into an MPEG container with H.264 encoding. When I go into the advanced properties of a preset like "H.264 1920x1080i 30" or "MPEG2 1920x1080i 30" and choose 1280x720, I no longer have an option for 29.97 fps - the only options are 23.976 or 24 fps. It seems bad to change this, right?
I see the preset for "HD 720p 30" which appears to be MPEG encoding of the video stream instead of H.264. This seemed to work OK, but I wasn't sure about it, because when I choose it I see in the description a line that says TV Standard: NTSC. A number of web sites indicate that H.264 is preferred, but I don't really understand why.
I also found a way to do H.264 in a Quicktime container. This seemed a little suboptimal because you can't do variable bitrate. When I unselected the "select bitrate" checkbox, it seemed like a quality of 50 yielded a .mov file with a bit rate of 2.87Mb/s, and a quality of 100 yielded a .mov file with a bit rate of 26Mb/s. It is confusing to me how the quality setting affects the bitrate on the quicktime containers.
I'm leaning towards using the "HD 720p 30" preset and working with the bit rate choices, but am open to comments. What do others think?
And on a related question - assuming we choose the "HD 720p 30" preset as a starting point, given the 1GB file restriction at Youtube, it seems to make sense to choose a bitrate that allows both good quality and reasonable file size. I don't know much about whether VBR 1 pass, 2 pass or CBR would be best for this kind of online HD video. Google is a little unhelpful here: http://www.google.com/support/youtube/bin/answer.py?hl=en&answer=132461
This page (http://webvideotechniques.com/123/bigger-and-better-encoding-for-youtube-hd) seems to indicate aiming for a bitrate of 8Mbps with a minimum of 4Mbps, including 2 pass VBR.
So, basically, I'm confused and a little overwhelmed. I think I have solutions that work, but it's hard to tell. What does the greater community think? Thanks.

Thanks very much E Mann, that was a very helpful thread. I think it actually would apply for youtube as well. For other users, here's a direct link to the settings for Premiere Elements:
http://eugenia.gnomefiles.org/2007/12/08/exporting-with-adobe-premiere-in-720p/
Roughly, the answer is:
Quicktime container
Video codec: H.264
Quality: 80 (I used 100 and it just takes longer to encode)
Frame Rate: 29.97 (I guess if you are shooting in 24p, this might be different)
Bitrate: 5000 (I might try 8000)
Audio codec: AAC
Output channels: Stereo
Frequency: 48kHz
Now, my own personal changes to this recipe are:
Quality: 100 - takes longer to encode, no file size difference
Bitrate: 8000
Frequency: 44kHz (recommended by youtube)
One final note is that for Vimeo it appears you may have to try encoding in 29.97 or 23.97 and test to see which you like better. Apparently Vimeo caps fps at 24.
The nice thing about this is that you can get a quality video directly out of Premiere Elements and you don't have to pipe it through another program.

FCE export settings for higher quality video

Hello. I'm a self-schooled newspaper video features producer and relative newcomer to Final Cut Express, shifting from Premium Elements. I've just begun using it to upload videos to my newspaper's finicky web system, which will only accept .flv files of a certain size. My modus operandi has been to export my videos as large .avi files, using Quicktime conversion and DV/DVCPRO/NTSC, with medium quality, with 16 bit sound set at 32 Khz. Then I run that .avi through the Adobe Flash Media Encoder with a frame rate of 15 fps, deinterlacing and resizing the screen to 640 by 480. This procedure (outlined by our former video editor) produces serviceable web quality video (You can see video that results from using these settings at http://wvgazette.com/multimedia). So, two questions: 1) I have created an 8-minute FCE music video for my band and wish to export it at a higher quality (for use on Vimeo) than these newspaper settings. Which of them do I change so that a higher quality video results without waiting all night for a massive file to upload? 2) And wthere might I turn for guidance on better understanding the Sanskrit of FCE video export settings for newbies? Thanks for any help.
Douglas Eye
http://hundredmountain.com

The simplest way to produce good quality video for the internet is:-
1. File>Export Using QT Conversion.
2. The "Format" window should say, "QT Movie".
3. In "Use" select "LAN/Intranet" from the dropdown menu.
4. Click "Save" and when it has finished encoding, upload it.
Do not mess about altering audio settings, frame rates etc.
Using the above settings an 8 minute video would be encoded in around 20 minutes (depending on computer speed) and would be well under 100MB.
Is that too big?
Message was edited by: Ian R. Brown

Best export settings for dvd

Im sure this question has been answered already but i dont see it anywhere. So what is the best export settings for getting the highest quality from my original footage for making dvd in encore? My original footage is recorded in AVCHD

>require this much memory
Just a comment to help with future communication... memory is RAM, file storage is on a hard disk
Glossary of Terms http://forums.adobe.com/message/2276441 to help w/communication
My 3 hard drives for video editing are configured as...
1 - 320Gig Boot for Win7 64bit Pro and ALL program installs (2)
2 - 320Gig data for Win7 paging swap file and video project files
When I create a project on #2 drive, the various work files follow,
so my boot drive is not used for the media cache folders and files
3 - 1Terabyte data for all video files... input & output files (1)
(1) for faster input/output with 4 drives
- use drive 3 for all source files
- use drive 4 for all output files
(2) only 60Gig used, for Win7 & CS5 MC & MS Office & other smaller programs
Search Microsoft to find out how to redirect your Windows paging swap file
http://search.microsoft.com/search.aspx?mkt=en-US&setlang=en-US
Drive C space http://forums.adobe.com/thread/1007934?tstart=0

Premiere Pro CS3 HD Exporting Settings for YouTube??????

I am having trouble getting a crisp picure when I upload to Youtube, My picure quality looks great! when its exported but when I upload to YouTube its looks a lil pixelated when there is motion? www.youtube.com/gatorvision206 . Ive seen sooooooo many post saying do it this way..... do it that way.... What are the EXACT SETTINGS (Everything from FORMAT to BITRATE).
P.S.---------> filming in------> 1080p
Thanks
Gator.

Hello John,
I've seen all of that and some..... lol. That is why Im on Adobe forums now, cause I want to know the EXACT export Settings for a perfect quality 1080 HD picture.
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GV

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Export settings for sequence from FCP to Avid PC

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