Blue ray disc players

I recently  bought   Vizio blue ray disc player and it has BD live capability. What type of cable do I need to access BD live on my blue ray disc and how do I connect  the cable  so that I can access the BD live content on my blue ray disc.

We received an Insignia blu-ray player for Christmas. I hooked it up to our Insignia widescreen HDTV and followed the onscreen prompts regarding setup (it's currently in 16:9 widescreen). However, when I play a blu-ray disc, it does not utilize the full screen--it's got vertical bars at the right and left hand sides of the screen. I did not select the "pillar-box" option and really am at a loss as to why the player doesn't utilize the full width of the screen. Any suggestions?
Thanks!

Similar Messages

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    I have a problem that I am trying to encode a sequence of frames in a video container , but the encoded video doesn't work on toshiba blu ray disc player .. I am using the following ffmpeg command to encode frames and convert them to a video:
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    The BluRay player leverages parts of Windows DirectShow but won't serve very well as a general player since Windows will load other players for the majority of media formats.
    You can get away with a limited amount of tampering of the BluRay's players tolerance of media files until you violate some far away written DRM safeguard and kneecapping the BluRay player from doing anything.
    If you're trying to validate your ffmpeg composed tests of your content as part of the editing process, you're better to avoid relying on the BluRay player that is purposed for narrow replay of licensed content and equipped with oversensitive safeguards susceptible to malfunctioning from the invasions of video pirates like you defined by studio executives.
    You and I understand you're not a pirate but chances aren't being taken.
    Whether you just dowloaded FFmep in the macho exe format or part of the millions of other packages that include it, you can tune your players to codecs pretty easily with the KLite Codec Manager or the Registry.
    Chances are you already know about KLite since editing video on Windows eventually requires it and its hard to walk down the street without eventually kiceking over a copy. But just in case you've been living on a Martian cave with your hands over your ears, snag a mirrored copy from: http://codecguide.com /download_kl.htm
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    For general maintenance of Windows poor codec management, grab this noninstalling executable http://www.nirsoft.net/utils/installed_codec.html to determine if Windows believes it has the same codecs you thought it did and you'll likely be surprised by the fine tuning you'll need to perform.

  • What is a Blu-ray Disc-compliant asset?

    I know this question sounds silly, anyone knows what Blu-ray Disc-compliant assets are? (I imagine 1920x1080 etc, etc) but is there a definition anywhere that explains more about it,  I couldn't find it anywhere in the Adobe Help documents, according to the Adobe Encore Help : 'Blu‑ray Disc-compliant assets typically do not require transcoding", obviously I want to avoid transcoding any HD files if possible.  Thanks for your help.
    Luis

    lbecerril wrote:
    And yes like demon_hunter83 said, I do want to get the best possible quality (regardless of encoding/transcoding time), but I'm asking this question because I want to build my projects in a blu-ray format, and because my (slow) computer just took 53+ hours to transcode 1 hour 12 minutes and 58 seconds of HD footage to a DVD ISO built, I have no complains about the DVD quality I got, but I basically want to avoid transcoding at all possible, for those 2 reasons, first the time it takes to transcode and second to avoid any quality loss (if any), but when I hear people say that I have to transcode the files but at the same time the provided help says that it can be avoided by using blu-ray disc compliant assets I have to stop and ask someone who has been there or that has much more experience than me. Thanks again.
    what that means is, if you bring in a mp4 or whatever file recorded on your camera, take it off of your camera memory, and dump it straight to Encore, completely vanilla, it HAS to trasncode it to a DISC proprietary format (be it DVD or Blu-ray) for it to work on a set-top player. if you take that SAME mp4 file, import it into premiere pro, and edit it (or dont. your choice), then export the video out to 'mpeg dvd/Blu-ray,' or 'h264 bluray,' THAT file will import into encore without needing to be trasncoded (because premiere already did that for us). so thats why it says "that it can be avoided by using blu-ray disc compliant assets" because they are importing a DISC proprietary asset that has already been trasncoded in premiere/avid/final cut/vegas/etc first.
    as far as it taking forever and a day to trasncode, that is just the nature of working with HD if your system is not optimal. what are your specs for your system?
    i prefer to do all encoding in premiere, while others (hunt, and such) prefer to drag in AVI assetts to encore and let it go, but with encore not having true background processing, i basically have to allocate a huge chunk of time to do that. so i would much rather set all assetts how i want them, and set up a queue for AME and while assetts are transcoding in AME, i can work on making menus and crap in Encore/PS and that is my preferred workflow. i set the assetts to trasncode to disc compliant formats, so all i have to do is drop it in encore, set my menu links to the assetts, and build disc.
    but you can NOT get around having to transcode your camera footage. EVERY single one of us who uses any kind of format other than film, has to recompress an already compressed format to get it to disc. atleast with film you can work with notive lossless form source, somewhat. but such is working with digital captureing formats
    the only way to avoid trasncoding to a blu-ray/dvd spec file is to burn an AVCHD disc, but those are NOT blu-ray spec, so it depends on the players and alot of factores whether or not they would even play. and encore does not even burn those types, so you would have to find other software that does that. but thats the only way i can think of... but again... it would have to be purely vanilla files from the camera, because if you did any editing in premiere, you have to transcode all that info to one final file... preferably a disc proprietary format

  • Preview works perfect, Blu Ray disc doesn't - Encore Cs5.1

    Hello All
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    Well im not sure yet but i think this was a problem with me Premiere Pro exports. I had exported all but one video with a 25 frame rate. apparently blu-ray will not play that. Im currently exporting new video in a 29.97 frame rate and will attempt to burn a new disc.
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  • Go to next chapter not working with Blu-ray disc

    I’m using Adobe Encore CS 5 to create Blu-ray disc but when the disc is created the go to next chapter buttons do not work. In Encore when using the preview option the go to next chapter buttons do work but once the Blu-ray is created and I try to go to next chapter while playing the disc I receive a message that reads "operation not available". I have created multiple Blu-Ray projects, used different brand Blu-ray media and even used my Windows system and my Mac system but the same issue keeps happening. I’ve also played the Blu-ray on multiple Blu-ray players and it happens on all of them. The Blu-ray burner I’m using is a LG BE14NU40 External Blu-ray burner and I have contacted them but they tell me it is a problem with Encore not the burner.

    Google "encore blu-ray next chapter remote".
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  • Downsides to multiplexing audio for H.264 Blu-ray disc?

    I have a 9 minute video; personal/consumer use; 1280x720; 59.94; source video from a Contour+ helmet camera that stores .mov, H.264; audio is on a separate track from my own selection of mp3 files (it is a music video).   I have three intended playback targets: Blu-ray disc, Sony PS3 native, and PC/Windows Media Player.   Is there a big downside on video or audio quality in this case using multiplexing to produce a single .m2t file imported into Encore to produce the BD vs. separate .m4v/.wav files?   Not a huge deal, but having to maintain one production files vs. three is a minor plus if it makes little to no difference on the BD front.
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    You must always remember gents, when you multiplex, there is a BUFFER attached to that (computer term that means a chunk of size and bit defined fast memory space that holds an intermediate piece of data for shuttling to the next piece of hardware).  This changes the MAX Bitrate allowed for your video (but it doesn't show in AME cs6 and I don't think it shows in lower versions; not sure about cc).  Since you are tying one stream to another, and effectively weaving the data into one stream, you are maxing out the amount of data you can pass in that stream.  Only certain types of data can be read in this manner.  Think of it this way, you have taken two sets of data with different bit widths, and different bit-sample rates, and tied them together into one stream.  This stream still has to fit in the max data rates of the medium.  Your video cannot exceed 30mb\s and you are also left with another problem.  Audio, without mux, has so many different formats and bit fiddling profiles that it would be difficult to make sure it was within the sizing for data.  If, however, you limit it to one major codec, and use predefined bit\sample rates that can be sized up, you'll be able to tell if all the settings are "legal" or not, as you then have a predefined data-size for both audio and video.  If you don't multiplex, you get 2 streams.  It takes longer to load the disc, but both streams are cached.  Typically, with more motion, I like to non-plex, but with more emphasis on audio, I start leaning toward a TS file.  IF you want forward compatibility, select an intermediate codec, with little to no compression, save to a disc image, then burn a disc and file it away.  Every 10-15 years, hire an intern to turn their hair white recoding all your video and following the same procedure (unpaid internship time), but make them happy by hiring them as "Labor" on a short job or two and pay them well for standing around or stroking the egos of the "Talent".  What can I say, we all work more diligently and creatively when we feel more connected with it, whether we're brooding and trying to communicate the angst of a lost generation, or felling powerful enough to choreograph leaping tall buildings in a single bound.  Misery loves company, and powerful loves to be reminded it is by everybody whether it is or isn't.
    If you need better clarification...
    Lets go back to dvd for a moment.  DVD structure is Video TS and Audio TS.  TS is Transport Stream.  A stream is a BUFFERED movement of data that is transferred quickly in set sized chunks.  In DVD there were two transport streams to play back early on.  Later, many started muxing those streams and encrypting them, so that upon Decrypting they could be played.  Muxing made the encryption easier, as only one stream needed to be encrypted and it was all in the Video TS.  Audio TS folders are still written, but there is little data there.  In fact, removing this folder when no data is actually present has shown in some cases to do no damage, while in others, it will not play.  This is because, it is used as a shell to copy.  It initiates the audio stream playback on older players, and on newer players it isn't necessary.
    Blu-ray yields similar limitations.  You need to match the size of the buffer you are feeding.  Most players max out around 35mps from the old sets, and newer players actually pull more like 50mps.  If you don't know your target, you'll be out of luck.  I've seen blu-rays that don't play on older players being sold at video stores, at Frys, everywhere.  I've played them on an old one and found them to be unplayable.  Newer formats do not work with older players, but, they note it on the package that you need to meet certain specs, and those specs can usually be found on a sticker on your device so you can see if they match.  Remember your Target BitRate and Max Bitrate.  The Target should be less than the max for the device you aim for.  CS6 won't usually allow anything over 32.7mps, anyway, so setting this in AME even with dynamic linking could cause problems.  However, you do have the choice to locate a transcode... ...presents an interesting possibility.  I've been trying to get a project done or I'd try this myself:
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  • Workflow asked: 70min hd project (PAL 1080i50)to blue ray disc with toast 11

    i tried to render a final cut Pro HD project (PAL 1080i50) into a blue ray disc with toast 11.
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    toast dit convert the qtm-file again
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    Thanks for answers

    Please examine my workflow. Perhaps you quickly find out any error:
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    exported timeline into a Quicktime Movie - same option
    loaded the resulting QTM into Toast 11
    Tost started to rerender during 2 hours and burned blue ray disc
    at last
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    Player: tested on two Philips blue ray players
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    earlyer we tried to burn a blue ray disc directly from FCP 7.0.3 by using the option "send to blue ray"
    The result was the same.

  • Read/burn Blue Ray discs in MacBook Pro

    Does anyone kows if it is possible to read/burn Blue Ray discs in a MacBook Pro (it have a MATSHITA DVD-R   UJ-898)? Thank you

    No, the superdrive in the macbook pro cannot burn bluray.
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  • H264 file conversion for use in DVDit on PC for Blu-Ray Disc Burn

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    Hi Video Dude
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    http://www.dv.com/features/features_item.php?articleId=196602808

  • Mixed frame rate video clips on the same Blu-ray disc

    Before I go into the detail, this actually isn’t an issue for me, but more of a finding the answer to a different question, so please bear with me.
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    Regards,
    Steve

    Stan Jones wrote:
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    DVD player conventional wisdom is that PAL players handle NTSC disks, but NTSC players do not generally handle PAL disks. I never quite understood why the TVs were not more of the issue. Do Bluray players even differentiate between PAL and NTSC?
    Even if the player will handle PAL, the TV may well not do so - so there is more going on.
    NTSC uses (generally) 60Hz systems whereas PAL is 50Hz hence the problem.
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