Color cast removal

I am scanning old family photos. I prefer not to do any post-processing in the scanning software, but I really like how SilverFast AI has an "Auto Color Cast Removal" function.
Is there any way I can match this setting with a preset in Lightroom?
Here's the one that's been auto color corrected:
And here's the original

Google finds lots of answers, such as this one
How to Achieve the Correct White Balance in Lightroom | iHeartFaces.com

Similar Messages

Color Cast Removal in Aperture

In Photoshop, I can usually remove a color cast using Image > Adjustments > Auto Color, but I can't find any similar easy way to remove a color cast with Aperture. Has anyone found a way to do this? Thanks.
iMac G5 Mac OS X (10.4.3)

Good luck! The white point tool is pretty much broken.

Feature request: adjustable color cast removal

I've been sorting through some underwater photos I took while snorkeling, and the "Auto Levels - Separate" tool does a wonderful job of removing the aquamarine color cast. Unfortunately, it works a bit too well. It would be nice to have a slider that allows for variable removal of color casts, such as the one SilverFast provides for scanning.
Cheers,
Andreas

David,
I haven't used Silverfast, but the "Color" tool is
superb. Use the hue or sat sliders along with the
range setting (at bottom of the tool) to really tweak
out just the color you want. I think you'll be
delighted!
Thanks for your suggestion. I've gotten pretty good using the hue/sat sliders to tweak colors, particularly for adding some punch to washed-out skies.
You can think of the tool I'm requesting as a slider that lets you adjust between no adjustment and hitting "Auto Levels—Separate", e.g., pushing that button 1/4 or 1/2 the way down. You can accomplish the same thing by monkeying with levels for each channel or using the color tool as you describe, but a simple slider for removing color casts seems more straightforward.
Cheers,
Andreas

Removing color casts, and correcting colors to match reference materials? any guides/tutorial/videos

I have been looking for tutorials showing how to use SpeedGrade. I am now comfortable with the UI enough to use it after watching these: http://www.youtube.com/user/AdobeTV/videos?query=speedgrade
I am looking for tutorials that show how to do a couple things, first I would like to be able to remove any color casts. In photoshop to do this you can use a curves layer and use the set white point color picker and click somplace that is supposed to be white. and in premier you could do something similar using the Fast Color Corrector. So basically I am looking for a way to target an area in a frame that should be grays, In Anime, the eyes generally will always be shades of gray, so that is what I would target usually when working with anime in photoshop/premiere. If anyone knows of a tutorial that shows how to do this type of color cast removal color correction in SpeedGrade could you please share a link.
Some of the older 80's and 90's anime on film, the film has aged and that is where the color cast came from. There is also a loss of color information across the board. For instance in the below picture. The sky is supposed to be more blue instead of teal/sea green.
Another thing is back in the 80s and 90s a lot of Anime worked from limited color palletes; something like maybe 16 colors total, so a lot of colors are used repeatedly. So even with only a limited amount of reference material I should be able to get the corrections close. (I dont have reference clips for every single episode, only a handful of scenes from a handful of episodes.)
I have some reference material showing approximately what the colors should be. So my next question is if anyone knows of any tutorials/guides/videos showing how to use SpeedGrade to color correct a clip so that the colors match up with the colors used in a reference clip
I was also wondering about auto correction based on a reference clip, although I am guessing this is still not possible.
When I watched the websiminar: http://seminars.adobeconnect.com/_a227210/p738pxm9zs0/ at about 43 minutes into it, a feature is shown that automatically adjust the color using a clip that contains a colorchart.
I was wondering if a tool like that could analyse a clip start to finish, to create a pallete of used colors, and then compare that to the colors used in another clip and correct them. (a feature like this would probably be more useful/accurate in anime than it would liveaction but who knows.)
Another UI related question:
I did have one question, the only place I see to access the colorwheels is in the looks tab, my video I am working on, just manages to fit at 100% in the monitor.
So I would prefer to hide or collapse the different looks(maybe even with a hotkey) so that I can access the color tools that it is covering, I attached a picture of what I am talking about. I know pressing "P" hides everything at the bottom, and figured maybe there is already a way to hide/minimize/collapse the look presets to access the tools behind them without shrinking down the size of the monitor preview.

There is a special grading filter called "Color match" which can assist in cross-referencing the black/white/gray levels from one playhead to another but it's not documented yet. The suggested way to set black/white/gray points in Sg is to adjust it visually, using the waveforms as a guide, but there's no chance of doing that for something as small as a character's eye. There's no "eyedropper" picker on the primary grading panel because Sg isn't a correcting tool, but a cinematic grading tool. 99% of the time the end result of an Sg grading session is a long way from what the camera pixels actually recorded.
If all you are doing is reversing a color cast then Speedgrade isn't the right tool to use - you should be working in Premiere Pro (with the Fast or 3-Way Color Correctors). If you're a Photoshop person the UI is much more recognizable, it'll handle all the native footage you can throw at it, and you get your B-G-W eyedroppers.
In Speedgrade CS6 you cannot hide the Presets panel in the Look or Mask tab. The UI is really designed for use in a two-monitor system (which all professional colorists will have), and/or with a hardware controller (which means you can keep the entire bottom panel hidden).

Does Touch have "remove color cast" and adjust lighting - levels like Photoshop Elements?

Does Touch have "remove color cast" and adjust lighting -> levels like Photoshop Elements?

There isn't a "remove color cast" command per se but there are Levels and Curves adjustments so you can effectively remove/diminish colors yourself.

Is there a way to remove lens color cast?

Hi
i took some photos with a Sigma 12-24mm f/4.5-5.6 EX DG with a canon 5d mark 3 and mark 2
and i noticed some magenta color cast
i tried the color passport check but and create a dng profile , but it doesn't eliminate the color cast
is there a way to remove this magenta color cast?
a tutorial , some advises
photoshop cs6 64bit windows 7
thanks

Color Balance is a simple way, not automatic though.

Pse 3 remove color cast

Obtained elements 3 bundled with epson v700 .Remove color cast,color variations,adjust smart fix are disabled.Am i able to enable these??
or were they permanantly removed.Happy with pse 3,does what i want so no real reason to upgrade at present,only want to use color cast option,maybe
the other 2 at a latter date.
thanks

Thanks to Joe & Juergen. Juergen your tip did not help in this case,however Joe yours did,and i am now able to access the bottons that were inaccesible. But in doing so,it has not helped my overall problem,which is the overall strong redish cast,especially in some of my Gevaert & kodachrome slides.Maybe i'll have to trial pse 7 and see
if it will help.Or just keep on reprinting my b&w negs!!Prehaps there
is someone who can point me in the direction of a freebie download/
plugin that could help.
Many thanks for the assistance.-- john.

Removing Color Cast with TIFF images? (PSE 8)

Hello,
Hoping someone can help. I'm trying to "remove color cast" with TIFF images and I'm not seeing the option as available. It works fine when I try to use it with JPEG images.
To be clear....I'm using PSE 8...after opening a picture (of course), on the top menu "Enhance", then "Adjust Color". When I'm working with a TIFF image the option "Remove Color Cast" is not available/active. It works fine with JPEG images.
What am I missing?
Thanks,
Rich

Alternatively if you want to keep the file at 16 bit click File >>Open As >>Camera Raw
Then use the temperature and tint sliders to edit your tiff.

How to remove cool/Blue color cast in pictures

I had incurrect setting when taking some pictures, which turned the pictures blue. Is there a way to correct this in Elements 9?
Message title was edited by: Brett N

The 'color cast' correction I mentionned above is really the simplest, 'one click' tool in Elements, but there are other ways.
My favourite one is to open the photo (even jpegs) in ACR. Then you have the same interface than with raw file, and the temperature and tint sliders.
The advantage is that once you have corrected one picture (also a one click sampling of neutral white/gray), the settings can be used for the next picture. You can correct a batch of images rapidly.
Edit:
To open a jpeg in ACR, use 'Open As' instead of 'Open' in the editor. On the bottom line for the file format, select the 3rd option 'Camera raw...' not the first 'Photoshop raw'.

IMac CS3 Photoshop Magenta/Cyan Color Cast w/Epson - Help!

I've been reading past posts and other websites on this problem and cannot seem to resolve it. I have an Epson 2200 and have been working in CS3 for at least a year with great results. Suddenly, my prints are whacked out with color cast. I reinstalled CS3, I re-set profile to sRGB space & "no color management" in the Epson settings. I've tried Adobe manage color & Printer manages color. I'm still not able to print my work. Any other suggestions before I pull my hair out?
Thank you!

Try doing all you did and reinstalling your printer drivers first remove the printer from the printer list then check to see if there are any cache files and preferences associated with the printer and trash those as well.
See if this gets you back to where you were.
BTW did you install any software lately or updated any of the applications you have on your system?

Media Encoder adding RBG color casts on BW 16mm Footage

Hey Everyone,
I am really stumped by this one. I am working with FCP6 and Apple Pro Res HQ scans of 16mm B&W footage. I am trying to encode a self-contained .mov file (direct from FCP) in Adobe Media Encoder CC (for Blu-ray) and then burn to Blu-ray with Encore CS6.
I burned the first test Blu-ray last night and when I played it back on my Blu-ray player/TV, I was stunned by the fidelity and definition of the otherwise thick/complicated 16mm grain structure, even via what was only a 6GB .m4v render (compressed from 33.5GB .mov). Everything was perfect...EXCEPT...I got these horrible "color casts" of red, blue, green, magenta, across practically every shot in the footage. Particularly in the last shot of the drain pipe (see example clips 14 seconds long):
Original: https://vimeo.com/97456916 (pass: "original")
Blu-ray: https://vimeo.com/97453674 (pass: "colorcast")
Obviously the footage does not look this in either FCP6 or .mov in QT7. I just double checked and the color casts ARE visible when playing back the ME converted .m4v in Encore. I have also taken the .mov from FCP and brought that into Encore and NO COLORCASTS. I have also taken the .mov, reimported it to FCP and but a 3-Way Color Corrector on it and put the saturation at zero, exported that, and then ME>Encore and it still adds the color....So I am 99% positive this is a Media Encoder issue. Here are the settings I used:
Considering how long is has taken me to get satisfactory web compression results from 16mm footage in the past, I feel like I just hit a grand slam in the bottom of the 9th with the playback fidelity of the first test Blu-ray. The motion and definition are phenomenal, I mean we are talking Criterion quality--without X.264 or Blu Code--(even with all the modern "overcompensation" crap turned off on my TV). I AM SO SO CLOSE TO RENDERING/BURNING A PERFECT BLU-RAY IF I CAN JUST FIGURE THIS COLOR THING OUT!
Got a deadline to get this into the hands of a couple of prominent filmmakers.
Any help or ideas that anyone can provide will be most appreciated.
Thank so much!
Alec
MAC PRO // OSX 10.7.5 // 2 x 2.66Gmz 6-Core Intel Xeon // 32 GB 1333 MHz DDR3

***SOLUTION***
Well it seems silly that I had to do this at all, but here is the workflow that finally seemed to solve the issue without adding an extra level of encoding...
Save self-contained .mov of my timeline in FCP6 > bring that back in FCP as a separate sequence and apply the "Desaturate" filter (Image Control > Desaturate) to the entire film > save as self-contained .mov again > convert in AME > master and burn to Blu-ray with Encore > Presto!!! NO COLORCASTS on B&W 16mm footage in Encore and no colorcasts from the file on the burned Blu-ray disc.
I believe I stated it above, but in case I didn't, adjusting the chroma and/or "desaturating" via FCP's color corrector plugins did not work...even with the exact same workflow otherwise. I have no idea why, but if anyone ever runs into the same problem, this worked for me. Only took two weeks to do something that I guessed would take a day, maybe two. Geesh.
Thanks again guys for all the suggestions. Really really appreciate it.
-Alec

Where has the colored fringe removal tool gone in ACR 6.7?

Having just updated ACR to ver 6.7 (6.7.0.339) I am surprised to find that the colored fringe removal tool in the Lens Correction palette has disappeared. All that there is now is Transform, Lens Vignetting and the relatively useless Defringe.
I thought updates were supposed to provide enhancements, not remove things. What else has been taken away?
I use this tool a lot and would like to get it back. If it has been replaced with something supposedly better, then what and where is it? Have I missed something?
Any advice on this would be appreciated.

Yes, there is lots of useful information here, and thanks for directing me to it. The claimed improvements to fixing chromatic aberrations in digital cameras, including ability to fix LoCA fringing, are impressive
However, the article seems to apply only to ACR 7 (which I presume is exclusive to CS6) and LR 4. My question was really about ACR 6.7.0.339 in CS5, which installed via Adobe Updates, during the past week. On my system, this update appears to have removed the manual fringe removal tools in the Lens Correction palette.
There is nothing about this in the release notes, so has something gone wrong here?
However I have discovered that my lens is now supported, and that applying the (semi) automatic adjustments via the Lens Profile tab does a reasonable job of fixing chromatic aberrations (as well as geometrical aberrations) and is a lot quicker to use. However the manual tool should still be there to fix problems with unsupported lenses as well as a means of applying finer adjustments, perhaps to selected parts of an image, or to accomodate variations in manufactured lens quality.

How to easily spot color cast in aperture

Hi,
I am having difficulties to properly spot/analyze a color cast in my (scanned from color negatives) images. There is no neutral grey or white present and I'd like to get a handle on correcting this color cast without just trial and error (and making things worse)
Any hints or ideas? Pointing me to a resource on the web to find out how?
(Spotting and correcting the color cast in my scanning software (Silverfast Ai) didn'd work as well)
Thanks a bunch,
Rolf

Hi Rolf -- you're question is not really answerable. Color is almost entirely subjective -- we color our world in our brains, and then we make machines to mimic this (digicam sensors don't record color -- they record luminance as filtered through known colored gels). Your question presumes an objective standard of color correctness. That does not exist.
Nevertheless, you can at least maximize your ability to get the colors as close to "right" as you can. For that you need a color-calibrated workflow, from input (scanner) to output (whatever). There is much information on this on the Web. For Aperture, you'll want a hardware photospectrometer to calibrate your monitor(s) and whatever paper you print on (if you print). I use a Color Munki Photo, and recommend it or something similar. (X-Rite has recently announced a revamped product line.) X-Rite also makes a calibration tool called a Passport. This has several colors and shades of gray of known hues. In use, you make an exposure of these colored squares, and then use them to set the white balance. You might be able to something similar with a scanner. (I don't use one, and don't know anything about scanner calibration.)
HTH. Sorry not to know more.

How to Recover a Dark Picture with a Heavy Color Cast

I just posted this article about how to recover a dark picture with a heavy
color cast using Lab Color mode in Photoshop. I hope it will be helpful to
others.
http://www.braintrove.com/article/58
Greg Collins
Microsoft MVP
Visit Braintrove at http://www.braintrove.com

None taken. I am unfamiliar with ACR and would love to see (compare) what it
could do with the sample PNG file in the article, and how much time it took.
The results I achieved in the article took only a few minutes to
complete--though as I mention below, it took more than a few minutes to get
to the point where I could do it in a few minutes.
I happened across a web site one day discussing the techniques in Margulis'
LAB Color book, which interested me enough to purchase it. I found the book
very enlightening and have seen incredible results using the techniques he
describes as applied to my various images. I've also ready his Professional
Photoshop book which focuses more on CMYK, and found many techniques in
there just as enlightening.
Ultimately the tools and techniques used are irrelevant if you get the
results you want... but if you find one that works faster, easier or better,
then certainly you should employ it.
I have no problem working in RGB, CMYK or LAB and find benefits from each.
The particular sample image I used in the article was one that I've spent
(too much) time cleaning up in various ways and in various color spaces (or
combinations thereof). It became my "poster child" image to work on as I
continue to build my Photoshop skills. The approach I used in the article
was the one I found most to be the fasted with the most effective results.
The original was a 6MP JPG file. I reduced it to the size in the article and
then worked on that size for the remaineder of the article. The resutls are
equivelant in the fullsize file.
Greg Collins
Microsoft MVP
Visit Braintrove at http://www.braintrove.com

PP Program Monitor displays with a color cast

Hi all,
Having trouble with the display in the Program monitor. I'm working with still images at the moment. All the images have a strong blue cast when previewing. They look fine when exported, or if you click on the image to reposition, the color seems to correct, but as soon as I play the sequence the color cast comes back. Also, getting the same cast with .AVI video.
I am only having this issue on my laptop, all works fine on my desktop PC. Both machines are PC's running vista. I've also tried clearing my preferences and reinstalling PP. No luck.
I'm working in NTSC DV now, but have tried creating projects in HDV and others, and still have the problem.
Also, I've tried resizing the images, changing color spaces, etc, nothings worked. The images now are jpegs.
On another side note, opening the reference monitor causes PP to have an unexpected error and crash. Every time. Although this is not really the issue I am worried about at the moment, it might be relevant?
I've posted a sample of what the preview looks like here: www.jessicamans.com/PremierProCS4Issue/index.html
Thanks in advance for your help!
Jessica

Sounds like an overlay issue. Video card and drivers?

Color cast removal

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