Competency Management

Interested in knowing the licensing requirements for the competency management capability which I understand is part of Oracle HRMS Talent Management. If one already has Oracle Human Resources (HR) license, Self-Service HR license, and Oracle Learning Management license, is there a requirement to
i) purchase a separate license for Talent Management in order to obtain the competency management capability and if so what is the cost structure OR
ii) purchase a separate license just for the competency management portion of Talent Management and if so what is the cost structure OR
iii) no additional license purchase is required at all?
A reply would be most appreciated! Thanks.

982813 wrote:
Interested in knowing the licensing requirements for the competency management capability which I understand is part of Oracle HRMS Talent Management. If one already has Oracle Human Resources (HR) license, Self-Service HR license, and Oracle Learning Management license, is there a requirement to
i) purchase a separate license for Talent Management in order to obtain the competency management capability and if so what is the cost structure OR
ii) purchase a separate license just for the competency management portion of Talent Management and if so what is the cost structure OR
iii) no additional license purchase is required at all?
A reply would be most appreciated! Thanks.Please contact your Oracle Sales Representative (Account Manager), he/she is the best one to answer license questions/queries.
Global Pricing and Licensing
http://www.oracle.com/us/corporate/pricing/index.html
Thanks,
Hussein

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    However, during execution of the document, the qualifications to be imported will have at least two types of scales (2 pt, yes, no, and 5 pt)
    Does SAP just inherit the proficiency scale attached to the qualification or am I stuck with only the single scale specified in the predefined configuration step? 
    If the latter, any ideas on how to overcome this limitation? 
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    M.Hagen wrote:
    Its predefined, you cant use the above proposed solution. You are stuck to the selected scale.
    >
    > Regards and Groetjes,
    > Maurice Hagen
    Hi Maurice - it turns out it looks like SAP fixes this in EP5 or somewhere along the way. 
    If you define your own competency goal in the document it will use the default scale from the predefined config step.
    however, NOW - when you inherit a qualification it will use the qualifications proficiency scale.  You just have to be sure that the proficiency scale being used follows the rules of the allowed scale numbers (3,5,6, etc) and is defined in the table: V_T77TMC_SCA_MAP

  • Training and Event Management Implementation based on competencies

    Dear Friends,
    My client is going ahead for Training and Event Managment Implementation. They have a basic requirement to start with and that is :
    1) They have done competency mapping for all its employees and they want that the competencies of each employees(along with the skill levels) to be recorded in the system and that has to be the starting point of using Training and Event Management module.
    2) They want, if the competencies can flow based on Job/ Position.
    3) Some identifier to the competencies, whther it has flowed from Appraisal or any other sources in the Final Training Needs.
    Kindly provide me help, as to how I will be able to achieve that and in what Infotypes the data pertaining to Training and Event Managment will be stored.
    If u all can kindly share with me the User Manuals and Configuration Docs of Training and Event Management, it will be of great help.
    Thank you all.

    Hi,
    Competencies can be stored as qualifications in PD and then by activation of PD PA intergration can be seen from pa30 infotype 24.
    Qualifications can be stored against a Job/Position and are called as the Requirements. They are seen as a separate Tab and to which ever position the person is linked to the corresponding qualifications of the position will appear in the requirements tab.
    You can maintain the proficiency and a note along with the qualification when assigned to a person.
    Also Appraisals can have qualifications in the template rather than criteria and criteria groups.
    Also after training is completed during the follow up we can create an appraisal and transfer the qualifications or simply transfer the qualifications to the employee.
    Regards,
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  • Colour Management - who does what - Some thoughts now the smoke is clearing

    First up, thanks very much to everyone who contributed their ideas and expertise to my recent query here, when I was seeking help for a problem with colour management issues when printing a magazine I edit. I have a ton of suggestions  to work through and study but the smoke is slowly clearing and it raises some interesting points which I think are worth recounting.
    First of all, I have been editing short run magazines now for 25 years, at first part time and later on a professional contract basis.  I am not a trained graphic designer nor a trained printer. I did start out training as a graphic designer, many years ago but gave it up for a career in IT (as a networking specialist). That was full time until 10 years ago, although I did some freelance writing and editing in my spare time.
    And yes, I did start originally with scissors and cut and paste, and moved on through black and white with spot colour and Pagemaker software  to full colour and InDesign today. One thing which may be different about my experience to most of yours is that I am a PC user and always have been. All my editing and graphics work has always been done on a PC - Pagemaker was our DTP package of choice for a long time and we supplemented this with Corel-Draw (which has a range of graphics handling options). All my software is legal and I always register it and keep it up to date. I have used the same graphic designer for quite a few years now and whenever we upgrade our software he goes and gets trained on the latest release.
    Around 10 years ago I was offered the chance to edit a specialist short run magazine (not the current one). This was a chance I took and gave up the day job and became a full time freelance. Editing is not my main or only source of income. I am also  a freelance writer and photographer and heritage consultant and I have a specialist image library.   I sell my own sell my work - articles and pictures - to the national and local press. I also write books (non fiction) on commission. The magazine editing is really an extension of my interest in historic landscapes. I have never had any complaints, or problems, with the freelance work, photos and archived images I sell.  Clients include national newspapers here in the UK, national magazine groups and my books are available in national bookstore chains. I supply my work digitally, naturally, and it includes photos I have taken myself and items which I have scanned into my library of historical images and store on line. No reported colour management issues there.
    I have always enjoyed a good relationship with my publishers and printers because I seek to be as professional as possible, which means delivering my stuff on time, to the required standard so that minimum intervention is required from them. This does assume that I have a clear brief from them on what they need from me.
    Recently this approach has not been enough to avoid colour management issues with the short run magazine I currently edit. I have been wondering when  and where things went astray and date it back to the upgrade to InDesign two years ago. However it may have its roots in my earlier decision to use PCs not Macs for my work.
    Until 4 years ago I had used the same printers for magazine editing for many years. They were a well respected firm specialising in short run magazines. They were not far from where I live and work and if there was a problem I would go over and discuss it with them. They were happy, and competent, to handle Pagemaker files generated on a PC and convert my rgb images to cmyk if there was any concern about the colour balance. On a few occasions I paid them to scan a photo for me. However 4 years ago the owner decided to retire and shut up shop. I needed to find a new printers and it had to be someone who specialised in short run magazines and could meet the budget of the charity I edit for. Also someone who could handle copy generated using Pagemaker running on a PC. I chose a printers I had used briefly in the past  where I knew some of the staff and was promised PC based Pagemaker would not be a problem. I even got this in writing. I started to send them proofs generated using Pagemaker v7 on my PC.
    I soon found that although they had agreed they could handle Pagemaker on a PC in fact they had only a few PC based clients and were using a single ageing PC running Pagemaker to proof their work. In fact nearly all their jobs were Quark based. I was also told we had to supply CMYK images although not given any further requirement so I now did the conversions from rgb to CMYK using my PhotoPaint software. (There are quite a few settings in Corel for the conversion but there was no guidance  by the printer on which to use so to be honest it did not occur to me that it might be a problem).
    Now of course I understand that the drive to get customers to supply CMYK images was a Quark driven requirement back in the late 1990s. I did not and do not use Quark so knew nothing for this.  I did have some early colour problems and font incompatibilities with the new printers and was pressured by their senior Graphic Designer (who designed for their own contract clients) to upgrade to InDesign and provide them with a .pdf, which I was assured would solve all my problems. The .pdf would be the same as the final printed magazine because "it would not require any further intervention by the printers".
    I expect you are collectively throwing up your hands in horror at this point, but I think he was speaking genuinely. The creation of a .pdf  using InDesign, is widely promoted as the ultimate answer to all printing issues.   I have encountered it recently with a lot of printers' salesmen and my friend, who edits a learned journal, has just been told the same thing by her printers, to get her to upgrade to ID. Incidentally she also uses a PC.
    So we upgraded our design process in house to InDesign and our graphic designer went on a course, two courses in fact. When we came to produce our first .pdf using ID, the printers'  Senior Graphic designer came on the phone and talked our designer through the ID Export function. I think he may at that time have told him to create a preset profile with MPC and the defaults, but to be honest I don't recall. We were never sent anything in writing about what settings we needed to match theirs. I continued to have intermittant colour management problems but put this down to my photos. Things came to head with the most recent issue where the colours were badly out on the cover, supplied by a press agency and taken by a professional photographer. The printers seemed to have little or no idea about possible causes.
    Initially I thought that part of the underlying cause must lie in some mismatch between what I was sending the printers and what they expected to receive so I asked them to specify what I should send. All they said was use Profile preset as MPC setting and accept  the defaults which accompany it.
    So I came on here looking for a solution. A lot of people were keen to offer their own experience which I really appreciate. However the messages could be conflicting. Some of you suggested it was the underlying cover photo which was at fault, some that it was my monitor which needed better calibration.
    Many of you here said that part of the problem, if not the whole problem, was the way I was generating my CMYKs for the printer and I should use Photoshop to do this. You also mentioned a number of possible colour management settings which I should try.
    At times the advice seemed to change tack. There were suggestions that the colour management issues I had  were nothing to do with the printers, that it was up to me not them. Quite a lot of you said I needed to be better informed about Colour Management issues. I agree, but I had never had any previously (maybe good luck, maybe good support from my previous printer) so I was not even aware that I needed to be better informed.  Some of you mildly chastised me for not finding out more and doing more to manage my own colour management with the switch to ID. To which I can only say if I had needed to train up, I would have done. I did not realise I needed to.  Nor was my designer aware of the issues as colour management was not really covered on his ID courses which were about typesetting and design.
    Some of you even seemed to hint that unless I was prepared to use an expensive high end printer or effectively retrain as a print specialist or get my graphic designer to do so, then I probably shouldn't be in the magazine editing game at all. OK maybe that is a bit harsh but you get the drift.
    The fact is that printing is much more accessible these days to all sorts of people and in particular to people with PCs. My brother lives in a large village in an isolated area and produces a village magazine which has been a great success. It is in black and white with spot colour but he would like to move to an all colour issue. He is a bit nervous of the colour management issues as he has no experience of graphic design and is his own designer using a low end entry level design package. He too uses a PC. The printers reps all tell him the same thing they tell me, that all he needs to supply is a .pdf using InDesign.
    Somewhere I feel a black hole has developed, maybe back in the 1990s with Quark 4.11. A lot of printers standardised on that, and set up a work flow and prepress dependent on CMYK images as provided by the clients. They assumed the the clients would doing their own colour management. This approach also assumes everyone is using Quark on a Mac with the full range of Adobe software. When it became possible to generate .pdfs using InDesign, this was held out to users as the Holy Grail of magazine printing, even though their workflows and prepress were still based on Quark 4.11 principles. Any underlying colour management issues the clients now have to tackle themselves.
    So now we have the situation in which I find myself, having to learn from scratch a good deal about colour management issues so that I can tell the printers what is needed for my magazine. Meanwhile all the printing salesmen, the ones I encounter anyway, are still busy pushing the InDesign to .pdf as the "be all and end all" solution. Some re-education is needed for all parties I think.

    I am glad to see that the sun is peeping through the clouds.
    I apologise for my Aussie-style straight talk earlier, but as I said before it was not directed personally at you but in the direction of others whom you epitomize, repeating a conversation I have had many times over the last 10 years or so where respectable, well-meaning photographers, designers and other contributors refuse to accept that colour management is being thrust upon them.
    It is a simple fact of life, there is this 'new' thing that has butted into the very root of our trades and changed the most basic principles of printing and photography.  We expect that this kind of thing does not happen but the industry we now work in is not the same one we trained in twenty years ago.
    Many printers are still struggling with the same conflict, so many tradespeople cannot accept this change.
    This is exacerbated by the fact that colour management is so complicated to learn and implement and confounded by the fact that the default settings and a clumsy workflow often yield acceptable results with incorrect, generic settings, hence the old 'use InDesign and make a PDF and it will be ok' route.
    When the chain of colour management includes the photographer, the photographer's client, the designer, the other designer maybe, the prepress person, and the platemaker, and a single incorrect click by any one of those can kill the CM it is not surprising that in the end when someone is looking back to see where it fell over they usually never find out.....   They will meet someone who says ' I never touched it, I simply opened the file and scaled it and closed it'.  And that person will be a reputable photographer or designer (and CLIENT) who has no idea they just broke it.  So what do we do?  We go with the generic setting that seems to yield adequate results therefore avoiding the confrontation. 
    You need to understand the situation of the printer who took his business through the 'early' days of colour management, we had all kinds of very reputable sources supplying incorrect files, we did not have the expertise yet to be able to address the entire workflow, it would have meant training photographers and designers all through the best design houses and national institutions, because they blamed the printer.  Only in the last few years have I seen these people coming around to the fact that they bear responsibility for implementing their own cm and maintaining it through their own work.
    Sadly, many high end sources are still not there, and I mean HIGH end!  Probably the ones that don't even visit this forum because they want to keep blaming the printer... They tend to live with the poor quality reproductions and just pull up the worst ones and fiddle with those and try to avoid the 'elephant in the room'.
    I am sorry to say that it was not practical for a printer to reject mismanaged files for fear of losing clients who would happily accept less than perfect results in order to avoid the painful truth that was being told to them.  The best thing we could do was to gently make those clients aware that their workflow was imperfect and hope to show them how we could help...  Many print shops do not have someone knowledgeable enough or patient enough to do this, or the boss does not understand the issue either and tries to work around it to keep his jobs flowing in the expectation that all those experts in the chain will eventually tame the thing.
    The many experts on this holy forum are waaaaayyyy ahead of the printing industry in general and photographers and designers in general in their understanding of colour management workflow.  I have seen first hand how reputable local industry people and trainers alike are spreading misinformation and bad techniques, when I discovered these forums back in about 2002 I found that they opened up a whole new galaxy of knowledge and facts that actually worked and made sense, unlike what I had been told locally....  This forum taught me what the Adobe text books did not, the Tech' teachers did not, local 'experts' did not! 
    I tell all interested people to join these forums and learn to discriminate between the good and bad information.

  • To SONY management not Sony ericsson Management, please don't do the same mistakes.

    Please Don’t Make Same Sony-Ericsson Mistakes
    by USER-986393 » Thu Oct 27, 2011 3:40 pm
    Congratulations on your Erricsson's share acquire, I must say i have been Sony phone holder from the day SONY CDM-Z1 was created, forced my self to stick with SE... and now happy to come back to SONY again. I would like to talk about couple of things...
    Response:
    The major fall of SE is the fact that they did not listen to fans and most importantly customers. we complained so much over Xperia X1 and Xperia X10 until SE forced us to purchase other brands due to lack of response. so please, responding to complaints is critical when there are so many better phone makers out there.
    Lack of future vision:
    Look at the Galaxy S, Galaxy Sii, Iphone... you know what they have in common? light years technology for the same price as Caved in SE phones. Arc vs Sii?... SE was against technology for some reason, for instance. who ever was against dual processor and how much it would attract customers, needs to find another company to put down. Lack of LTE?, how can someone not find that as something a cell phone can use in the future? Market share in USA? why would someone not give the US attention, no one buys a full priced phone these days, that only worked when there was no contracts. these days i don't mind a contract as long as i am getting a phone a i can not afford. also i never understood this frequency difference, why did SE wait until iPhone 4s marketed the idea a "world phone" that works anywhere? why did SE insist on making an American version and an international version? example ARC LT15A and ARC LT15i is it SO HARD to make a phone that has all the frequencies LT15Ai? really? who ever was against that idea needs to go as well.
    I will assume who ever is reading the example i mentioned above is grasping the importance of it... it's as simple as this SE would have been more successful had more people bought SE phones, i am interested in the ARC LT18A, well there is only LT18I that wont work 3g on At&t. here are the problems that you will face... 1 - a happy innocent customer that did not know that, purchased a LT18I (international) and realized SE customers service in Canada or USA that it won't work in the U.S. on 3g...   2 - a frustrated customer like me who knew about the difference from previous mistakes and decided to buy an iphone instead just bc of the being neglected or carelessness from SE towards people in the U.S.  either way, wither those two two points were shocking to you as a SE manager, or a common fact that is not important enough... that manager needs to go.  with a tahnk you note for loosing market share in the U.S. deserves an excelence in that actually.
    Wrong Focus, right focus was a little too late:
    SE phones especially in 2011 was way behind any other company in smart phones, yes the ARC S was maybe a nice attempt but simply not enough... the world is advancing really fast, if you dont catch the train, then your about to bankrupt. it took forever to jump on really powerful phones and instead there so many variations. you can get a cyber-shot but not a Walkman.. you can get a walkman phone but not as smart as the p900 you can get the p900 but not as slim as the p600. SE was competing with its own self ... lets FOCUS, get your stuff together and make a Quality phone not Quantity phone. (GOOD JOB ON THE TABLET) the variations are based on needs not confusing differences. The ARC was a great phone, but SE had missed the train.
    THE UPDATES:
    The most frustrating customer service i have ever experienced, and when updates come out, they come out first in Nordic places then in middle east country by country... giving every day more fuel to angry customers wondering when they will be lucky to get an update ... why can't there be one global update for all phones and different updates to phone carriers for each country. make it easier, it does not take a company purchase to do so.
    Announcements:
    it was frustrating, just like it is right now, i still don't know when ARC S comes out. oh wait i am in the U.S. it comes out "WHENEVER" does it look like i am happy? i need a new phone, how SE expect me to purchase an ARC S when i don't know how long i am waiting for it and there is GALAXY and Iphones released in the markets hovering around me every day?
    USA, USA, CHINA, USA:
    Why was the U.S. not a focus, please someone answer!
    Creativity:
    androids are awesome operating systems, they are simply great and simply work every single time you use them. i believe, i gave SE so many ideas, non of them were integrated. to be able to distinguish your self from the rest of the pack; you need to be the alpha. simply having the most powerful phone is one factor, Xmore R is another, crazy led designs. look at the Tablet S, it's not the thinnest, it's not the cheapest, it's not the most powerful, yet it's unique in design. and for the market with the dull flat tablets, who ever designed it should design your new phones. the ARC design was AMAZING but lacked the items that are enough to give it a competitive edge in the market.
    Charging:
    Why is it only micro USB is the main charger, Why can't it be that and another EASY WAY OF CHARGING, why do we have to wait tell apple go to conductive charging? SONY come up with two ways of charging, micro usb is great cause every one has either a BB or an android somewhere. but imagine just placing your phone on something without me connecting... I AM BUYING.
    Pricing:
    SE charges an arm and a leg, when Galaxy Sii and iphone 4s are $200.00... do you not thing there is something wrong here?
    Accessories:
    I have suggested times and times, make more accessories, lets compare phones covers for the Iphone and the Any SE phones... the amusing aspect is, why did not SE see what I see?
    Cool names PLEASE:
    the ARC is a way to start after 10 years of naming products like fax machines... I need to see Jima, president, awesome... less chemical equations of fax machine names. LT18a, imagine I tell my friends have you seen the LT18a or have you seen the Sony ARC?
    FM:
    Really?  your research says in 2011 people won't buy a phone without FM?  and the customers would also do the twist dance from the joy of knowing the phone has FM.  it's 2011, perhaps you need to look in your research again.
    SonyEricsson does not see the need for a dual processor for an android that won't support it yet:
    that right there shows the difference between a company with a long vision and another with a short one.  my answer to that statement, please set down get some popcorn as you are just about to watch S ii and iphone 4S a chance to be light years ahead of you, and sell millions of more phones than you.  just because someone that works at SE has a very short vision ruining a whole company. president of Syria bashar alasad, believes that his country is under control.  the achievements of democratic countries did not impress him and the fall of Lebian, Egyptian, and Algerian presidents did not get him to even think twice about what is happening.  it amazes me how people can be so selfish and short visioned.
    Waterproof: 
    Great idea, where is the phone, i am in the U.S. while you are at it, let me suggest accessories.  a helmet accessory that would station that phone on my helmet while i am racing... right there i can buy a phone that is weather proof records 720 p and when i am done from my athletic even i can use it as a phone.  knowing SE, don't even think about that idea, and i will get an email saying we only have a shoulder accessory for now thank you for inquiring.
    Closing fan websites?
    xperiablog.net, um........ ? 
    now there are people at SE that need to be promoted,
    Updates had gotten faster and better, but they still need more work
    unlocking the boot loader is a great i dea
    designs started becoming extra beautiful
    SE website is beautiful
    facebook page is great
    xmor r, phone screen size EXCELENT
    forum support is getting better
    there many many things I can bring to the table, question is, SONY are you going to do the same Mistakes? or am i going to changes? perhaps you need to hire me, so I can get something done. how open are you to changes? how open are you to listen to your customers and fans? how open are you to realize the completion and take actions to be ahead of the curve? how open are you to realize that the Video games on cell phones are only fun the first 5 minutes but after that iphone 4s is better?
    LTE, Gorilla Glass, conductive charging, Unique design, unified phone, focus on 1 - 3 phones for the whole year, interactive customer service, New logo, Battery performance, UNIQUE DESIGN, top notch camera, waterproof, why dual when you can go Quad... go in to the market with a bang and bigger bang with it's prices. Start cranking AT&T and Tmobile, Verizon and Sprint from now in the U.S. chop chop you have work to do...
    I wish you the best of luck SONY and hope to see interesting phones coming from your end.
    Solved!
    Go to Solution.

    lov2bugu, you said things the exact way I wanted to express them! It was like watching me talking to a SONY’s CEO.
    I don’t really think they are not aware of the problems. SONY used to be the 27th largest company in the world, according to Forbes. They are now at the 456th place!!
    They are aware of their problems and I think, the move to buy the remaining stocks from Ericsson, is a move to bounce back into the market. They found the right time, where the stock is too low and the economics around the globe don’t  look promising enough. I have to recognize them, all the bad phases they went into this year … hacking attack, loss of their factory in London, global economic climate etc.
    But these are not excuses good enough not to produce quality, reliable and technologically advanced goods. I think that SONY is not to blame for the bad course SE has had. I think this is what SONY wants to revert. They want to “embody” all their technology … BRAVIA engines (TV Tech), Walkman and Cybershot tech (using Carl Zeiss lenses), VAIO (Comp tech) and finally PS3. Ericsson tried to integrate them, unsuccessfully.
    Overall, I thing SONY, did not have or did not attempt to have the control of SE, hence, the answer you got back from SONY “… anything related to SE must be posted on the website of SE”. I think they will bounce. Just give ‘em some time. I’m willing to give them time, but not too much though. Just because I’ve always loved this brand!

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