Correct settings for HDV capture

Hi. I'm using Premiere CS5.5. I went on a few forums to get the correct settings for HDV capture.
I can record the footage fine. However I saw a few things which didn't seem right.
After capturing the HDV footage, the file was a .mpeg file. Secondly, the clip was 1 hour and 10 minutes and
it was only 11.3 GB. Does this sound right? A 55 minute .avi file is 11.6GB. I thought a HDV clip would be quite a large size file.
If this dosen't sound right, is there somewhere I could go to, to check that my settings are correct? By the way I'm filming and capturing with a Canon XHA1.
The footage is 1080i. HDV. I've exported it and it looks fine. Just want to make sure I've captured it correctly and to the best quality.
Thanks for your help.

The HDV format was advanced by Sony and others to use the same miniDV tapes used for SD.  In fact, your Canon XHAI can record and play either without changing the tape transport speed.
Your observation in relative file sizes is due to the fact that HDV is highly compressed (MPEG), whereas, SD (AVI) is not as highly compressed.  This is one of the reasons folks (such as Harm) don't consider HDV to be an edit format, but just a delivery format.
Note that what Harm was saying is symantics--you capture an analog source through a capture card that digitizes it.  When you transfer a image file from HDV or SD, it is already digitized, so a bit-to-bit transfer occurs.

Similar Messages

  • Are there benefits to the Blackmagic Intensity Pro for HDV capture ?

    Are there benefits to the Blackmagic Intensity Pro for HDV capture ? 
    I have a Sony HDR-FX1 that records in HDV 1440 x 1080 
    I have already captured the footage to miniDV tape. 
    Can the intensity card get the full 1920 x 1080 video ? 
    I now use Premiere to capture my video and my HDV is in mpeg2 and my SD is in DV type 2 AVI 
    What format does the intensity card capture at ? 
    Are there other ways to capture that would make the footage better. 
    From what I have read allot of people have had problems with these cards. 
    Im just looking for the best way to get the footage off my camera with the best resolution. 
    Thanks:  Glenn 

    Glenn,
    I have posted this before in the PC Buying Guide (post #23 and later), but have a look at this diagram:
    The problem is that once recorded to tape, the material is compressed to MPEG and there is no way to get the data back, that were lost during compression. The only thing you achieve is that you lose device control, lose all timecode information, lose all metadata like date and timestamp and exposure data and lose the capability of scene detection. There are no gains to compensate the losses.
    Compare it to a glass of orange juice, that was made by heavily compressing oranges. How do you think you can reconstruct the original oranges that the juice came from? Were there 4 large oranges or 6 small ones or a mixture? Were they light colored or were they dark or a mixture of light and dark?
    BlackMagic in their marketing may lead you to believe otherwise, but the truth is they can only guess at how many oranges were used, their size and color. It is nothing more than a guess.

  • What are the correct settings for the Canon 5D mark II in FCP 7 ?

    I am shooting full HD at 23s97 fps.. tried making a preset for the Canon but when I import fils FCP always wants to change to appropriate settings for this file type but doesn't tell me what that is...
    (latest firmware installed)
    Please, can someone provide all the correct settings for me?
    And also, why doesn't the camera show up on the desktop/in the menus when attached to the mac? I have ro use EOS utility every time I want to get anything off of the camera... and FCP doesn't see it either. That's just not right - FCP MUST recognise my camera!! : (
    Please help - I don't want to start editing until I have the right settings for this footage.
    Thanks
    Jim

    Welcome to the Boards
    Not sure what you mean with the following, looks like a word dropped?
    I have ro use EOS utility every time I want to get anything off of the camera...
    Anyway, some more specs on your system could help point where the issue is. With the new Plug-In by Canon you can Log & Transfer from the Flash Card (not sure how you connected the camera.) Alternatively you could just drag the files in (but make sure to keep all files such as THM in case you use Log and Transfer later.)
    Generally it is best to transcode to Pro Res to be able to work with the files in Final Cut. (Log & Transfer should do that, or using Compressor/Mpeg Streamclip.)
    It (Final Cut) is probably changing the timeline to match the codec, or depending on your last preset used, just switching things around. In other words if you were editing in DV and had a set up for that, new sequences would default to that and if you try to ad anything else you will get the message.
    Take a look at the search over there -> to look for the Canon 5D threads for some more info.
    What I would do is just pull one of the clips in to start and look at what the sequence settings are aftr Final Cut changes them for you - they should be fine generally, though you will want to change Codecs to Pro Res.
    I like just batch conversion of all my clips from the 5D Markk II and then work from there. (I do not hook up the camera to the computer, just use a card reader.)

  • Which are the correct settings for gmail in MacBookPro

    I want to use mac mail to access my gmail. Can I  ? instead of going directly to web to access my gmail.? Which are the correct settings for the incoming and outgoing servers ?

    Hi,
    Yes. You can absolutely access your Gmail account from within either Mail or Microsoft Outlook for Mac. Make sure, that you have enabled POP/IMAP in your Gmail settings, then follow the instructions here: http://mail.google.com/support/bin/answer.py?hl=en&answer=180188 if you wish to access your account via POP3 instead of IMAP, change the incoming mail server to pop.gmail.com
    Regards,
    Gábor

  • "Lacie Rugged" for hdv capture?

    Is the 160gb 5400 rpm buss powered drive good enough for basic hdv capture and editing?

    I'm not a big fan of the larger 3.5" drive based Lacie units, as Shane already pointed out, they have a very poor record for reliabilty ....
    ... the "Rugged" however, one of their smaller 2.5" format drives, is an excellent little drive, very robust and in my own experience its very reliable. It will be more than adequate for HDV capture and editing.
    Note: if you are not travelling regularly and do not need the added peace of mind of the big rubber bumper then there is little point in spending the extra money on this one, there are plenty of alternative drives that are equally reliable AND that have 7200rpm drives inside for that extra oomph when you want it.

  • Correct settings for DVD

    Hi
    I wish to know which are the correct settings for making a new project in imovie and then what to do for getting the best quality on DVD. (I use still pictures and video clips with music, transitions and effects)
    Thank you so much.

    ola
    the correct format depends on the format your camera (PAL or NTSC - 4:3 or 16:9) meaning the project format should meet the camera format. pleas note that that format changes in iMovie/iDVD are effective only for new projects and cannot change existing ones. the dvd quality settings depend on the length of your movie and can be set in iDVD under preferences.
    my movies are never longer than 30 min. so i set it to faster encoding and check background encoding ... i also tried with best quality once but frankly i can't see the difference
    buona suerte & viva la mela

  • HT1277 i have all the correct settings for my e mail but i can't send for some reason it keeps taking my outgoing server offline

    i have all the correct settings for my e mail but i can't send for some reason it keeps taking my outgoing server offline can anyone help

    If you can receive mail and your connection to your ISP is otherwise working, but cannot send mail, then your SMTP settings are incorrect; the SMTP server port is wrong, your SSL setting is wrong, or the username or password credentials don't match what the ISP has, or your attempted accesses are being blocked or your ISP SMTP server is offline.
    And in general, don't use port 25 for your outbound mail, unless your ISP specifically requires that; these days, that port is best left to communications between mail servers and (usually) not used by any mail clients.

  • What are the correct settings for my WRT54GS for using remote access on a Windows Home Server?

    I can not remotely access my Windows Home Server from outside.  What are the correct settings for my WRT54GS?

    I have opened ports 80, 443,and 4125 to PCP.  The  router address is http://192.168.1.1, my address is 221.40.138.170.
    Thank you.

  • Correct settings for DVCPro HD capture

    I shot a short film on an HDX900 in 1080i 24P/60. Looking at the choices for capturing into my FCP 4.5 HD, the easy setup wants to capture at:
    Frame Size: 1920X1080 HDTV 1080i (16X9)
    29.97 fps (grayed out)
    Anamorphic: 16X9 unchecked
    Digitizer: (Missing) DVCPro HD (1080i/60)
    If I switch the frame size to DVCPro HD 1080i/60 the resolution changes to 1280X1080 and it can't be modified.
    Question 1: Was I supposed to trust the Preset here and don't change anything?
    Same issues with the default Sequence Preset. It wants:
    Frame Size: 1280X1080 DVCPro HD 1080i/60
    29.97 fps (can be changed)
    Anamorphic 16X9 is checked
    Field Dominance: Upper(Odd)
    Timecode Rate: Same as editing timebase
    Renderin 8-bit YUV
    Question 2: Is this correct in matching the captured footage?

    Thanks.
    I trust them...I just find it odd that the defaults for capture and editing are different. Why is 1280X1080 the default for the sequence? Why am I changing 60i(59.94 I'll assume) to 29.97?

  • Sequence settings for HDV 720p 24 fps

    Okay, now that the French is gone I'm back on track, but still confused. I've captured my HDV 720p @ 24FPS footage using LumiereHD & it's separated & ready to go. What sequence settings/editing timebase should I use? I've noted people here saying DVCPro, but others said DVCPro is just problemic/not correct for HDV . . . and the Lumiere forum reccomends using the Apple Intermediate Codec, which I think people here said NOT to do . . . and there's a 720p24 option in Lumiere, but not in FCP . . . is it just like using 24p DV where you edit at regular 29.97? My head is turing into goo. Any sage advice, O sage ones? And I'm finishing on DVD, if that's usefull. Thank you!!!

    Don't stay nervous for ever, you're missing out on a lot of good stuff.
    1. Repair Permissions.
    2. update to OS X 10.4.8
    http://www.apple.com/support/downloads/
    3. update QuickTime to 7.1.3
    4. make sure you have Motion 2.1 already installed
    5. update all your pro apps with Software Update
    http://www.kenstone.net/fcphomepage/whats_new_5.1.2balis.html
    http://discussions.apple.com/message.jspa?messageID=3213777
    Still nervous?
    I can't tell you what setting in FCP 5.1 to use, because I no longer have 5.1.
    I would convert the HDV to DVC PRO HD 720p.
    Editing in native HDV is a pain because of the frame structure.
    You will end up with larger files with DVC PRO HD, but since it's all "I-frames" editing and compositing will be much, much faster.

  • Sequence Settings for HDV footage to create SD 16 x 9 -help!

    I shot HDV footage (using Sony Z1U) and want to use it as SD footage in final cut.
    How do I set up a sequence to be able to create an SD sequence in 16 x 9? Which sequence settings should I choose for this?
    Also, do I need to capture the footage as Anamorphic 16:9 or can I simply check the Anamporphic 16:9 box?
    Thanks, Joel

    HDV has a natively wide aspect ratio, and is not anamorphic (stretched) like SD widescreen.
    FCP seems unable to correctly allow for the reversed field order of HDV when converting to SD with software, whether exporting QT, going direct to compressor, or nesting into SD and rendering.
    Also, if you go direct to compressor from your HDV sequence, type elements and pixel layers will shift around and change aspect ratio.
    I have had good luck exporting a self-contained native HDV movie and running that through compressor, though I am forced to turn frame controls off in my compressor preset, which throws out every other field and gives a pattern of progressive frames where every 5th frame is repeated. Our producer called it the "max headroom" effect.
    If you know you won't need HDV output for the current planned workflow of your project, I would start by capturing SD by turning on the DV downconvert setting on your HDV deck. You'll save yourself a lot of time and headaches.
    Otherwise, if you want to work in native HDV, output and HDV master of the finished sequences and recapture those as DV if you want to retain the origiinal fields in your SD output, whether to tape or to mpeg2.
    When you recapture as DV, whether the original source, or a recapture of you finished master, that's the point at which you'll want to capture anamorphic.

  • No preview for hdv capture window

    When I try to capture hdv I am not getting a preview of the footage in the capture window while browsing the footage. I realize that I will not get a preview while capturing but I should get the preview while just browsing through the footage yet all I get is a black screen. I do have full control of the camera via premiere and the captures do actualy work. This used to work fine with cs3 but stopped working with cs4. The regular DV capture works fine with the preview. Its a sony fx1 hdv camera. Also when I click on capture setting nothing happens but if set to dv capture the capture settings give me options including preview settings.
    Thanks in advance.

    Well, it's actually a sad shortcoming of Premiere CS4.
    I'm new to PPro, and CS4 is my first, in fact I'm new to video. What little I know, I've been doing with Final Cut.
    So the answer to your question is actually "it's by design", hence my commentary.
    Ref: http://help.adobe.com/en_US/PremierePro/4.0/WS00B136B2-33DB-49a0-B247-6521242FDBDAa.html
    On the Mac, it's actually worse - HDV capture preview is totally non-existent.
    http://www.macworld.com/article/136525/2008/11/pprocs4.html
    It's a minor annoyance for me, and it could still "grow" on me - since video isn't being transferred to PC while previewing, there is no perceived delay, and the keyboard shortcuts, I and O, are the same (with FCP).
    Landed on this post after searching for what I thought was a capture setting problem, and also found the above links that answered it for me. Hope this helps.

  • CS4 MPEG 2 export settings for video captured by sony cybershot dsc-w35

    Hi,
    I am trying to export a project (which contains video captured by my sony cybershot dsc-w35 digital camera) in MPEG 2 format (not sure if there is a better format I should be using, but I tried to do it in AVI before and the resulting file was way too large), and the resulting exported file always comes out with choppy video. The video capture settings for my cybershot camera (and thus the source video in my project) are:
         - VGA (640 x 480)
         - framerate: 25 fps
    At the outset, I am using DV (only other option is HDV) as capture format, and I selected DV-PAL: Standard: 48 kHz as my Sequence preset. I have no idea if thi is the appropriate preset for me to be using, but it seems logical since its timebase is 25 fps and it says a 4:3 video ratio in the description, and almost every other preset seems to be intended for HD video and higher framrates or ratios, etc.
    At the export stage, I select MPEG 2 format, and other than that I really have no idea what settings I should be using. I set the preset to Custom and under the Video section I switch the framerate to 25 and the pixel aspect ratio to 4:3. Everything else I pretty much leave the same.
    Can anyone tell me why the export file always comes out choppy? (it is not choppy when I watch it in Premiere itself). I must be either using the wrong preset at the beginning or in the export stage (or both). The VGA capture setting of my camera seems like it might be an issue as none of the presets in Premiere appear to accomodate it. Any help is sincerely appreciated!

    Thanks for the prompt response, Hunt.
    The spec sheet you referred to is actually for the Sony cybershot dsc-w350, whereas my camera is the sony cybershot dsc-w35. that's probably the reason for the discrepancy. When looking at the properties of the source video I am using it says 25 fps, so does this mean I should be using a PAL preset in the export stage? I see what you mean about using a Desktop (custom) preset for the sequence preset, and for this I set the framerate to 25, frame width to 640 and height to 480 (to match my camera settings), but what should I set the pixel width to?
    In the export stage, I select custom preset again, but within this there are lots of options (mostly under the Video tab) I am unsure about. Should I be using PAL instead of NTSC since I'm using a 25 fps framerate? I can also scroll video quality anywhere from 1 to 5, any ideas? I can also choose various pixel aspect ratios here and then there are a bunch of bitrate settings I am totally cluseless about. Also, under the Multiplexer tab, there is an option between constant and variable bitrate types, which should I use? Thanks again

  • Correct preset for video captured from VHS tape

    I have bought a cable which connects to my PC USB slot and has red, white and yellow component connections to connect to my (old) VCR or Video-8 format camera.  It comes with software called ArcSoft ShowBiz that allows me to capture the footage.  I have used it for both VHS tapes and Video-8 tapes.  The only options I have when capturing are the filename and a choice of MPEG1 and MPEG2, with MPEG1 being the default.
    I have successfully captured footage (in MPEG1 format) and now I want to edit it in PE10.  The trouble is I do not know what preset to use.  The VHS tapes were in PAL format.  If I open a project as DV PAL and add the footage to the timeline it has a red line above it, which I assume means I will lose resolution when I render.  The quality is already not great and I don't want to make it worse. 
    Any advice would be appreciated.

    Most likely that footage will not work well or look good in Premiere Elements. The capture device you're using is a low-end digitizer and likely came with some software for editing (ArcSoft Shopbiz). It's designed to work pretty exclusively with that software.
    MPEG1 is a very low quality format.
    You can try using the project settings for Hard Disk Camcorder/Standard Defintion for that footage -- but I make no guarantees about the quality.
    The best device for capturing analog video is a DV bridge, like the Canopus AVDC, as we discuss in this FAQ.
    http://forums.adobe.com/thread/431853?tstart=0

  • Best import settings for HDV 1080i Video

    Hello,
    I just shot some HDV 1080i footage on a Sony HDR-FX1. What are the best settings for importing it into FCP 5.1.4? Just kind of lost with all of the options.
    Thanks,
    -Phil

    Apple Intermediate Codec.
    http://manuals.info.apple.com/en/FCP5HD_and_BroadcastFormats.pdf
    Read chapter 1 "Working with HDV".

Maybe you are looking for

  • Application stuck in call of slow_lock

    During running of our application under Solaris 9 using SunStudio 8, the application get stuck, and the process stack shows the following thread stack: ----------------- lwp# 6 / thread# 6 -------------------- fcd95994 lwp_park (0, 0, 0) fcd9166c mut

  • Boot Seagate Expansion Desktop Drive (2Tb) on HP ProBook 6570b

    Hello All! I currently bought a Seagate Expansion Desktop Drive (2Tb) and tried to make it a bootable drive so if I go to work and back to use it (Windows to go). On my desktop computer the drive works perfectly, boots and everything is fine, but on

  • Totally helpless installing NetWeaver with ABAP

    Hi, I am trying to install SAP NetWeaver 2004 SneakPreview with ABAP for the last 2 days. But I am getting the error esage which is at the end of this topic:I did all the above and am at my wits end: 1) Removed any exiting database instance. 2) Insta

  • Update a slider insider an array of clusters

    I have an array of clusters. Each clusters has several controls, one of which is a slider. I want to change the scale of the slider dynamically, since I have one slider per variable in my system. I'm using a for loop to access each cluster in the arr

  • Same event in two calendars

    Can I easily put a same event in both calendars (home, work) without needing to type it twice? I do not want to merge the two calendars, just have few single events in both of them.