Different formats (drone/GoPro), best edit settings?

Hello, and thanks for ANY input.
I have been tasked with an edit.
I will be shooting with a:
Phantom 2 Vision+
- 1920 x 1080 60i
- 1920 x 1080 30p
- 1920 x 1080 25p
- 1280 x 720 60p
- 1280 x 720 30p
- 640 x 480 30p
GoPro Hero 3+ Black
- Shooting modes: http://gopro.com/cameras/hd-hero3-black-edition#technical-specs
Some of the footage will be slow mo.
Any recommendations on timeline settings?
This footage will not go to DVD, only online viewing.
Should I shoot everything at 720p 60, and edit in a 30 fps timeline for the slow mo footage?
Any advice/recommendations would be helpful. Thanks.

Since your material is inteded for online viewing, shoot progressive.
For slow motion, your choice to shoot at 60p and edit in a 30p timeline is a good call.

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Best Streamclip settings for iPhone 4 Video - to edit in FCE

First, the problem: iPhone 4 records HD video in h.264. But Final Cut Express doesn't have sequence settings for editing h.264 or iPhone video clips.
The solution: I'm using Streamclip to convert all of my iPhone 4 videos to a format FCE lets me edit in.
Question: What are the optimal settings to insure that my final output retains quality almost equal to the original video shot on my iPhone? (More specifically, I plan on uploading to Youtube as a HD video).
I've read somewhere that I should convert to Quicktime Movie format, with Apple Intermediate Codec 720p 30fps. Is that the best compression type to convert to for editing iPhone 4 videos in FCE? If so, how should the other settings in streamclip be jiggered? For instance, does it make much difference if I set the Quality slider to 100% (As opposed to the default at 50%?) What about audio compression settings?
(P.S. I think it's very annoying that I can't directly edit a video from iPhone 4 on another consumer Apple product, the FCE. Does FCP let me directly edit h.264/iphone 4 videos?)

The slider makes no difference as AIC is variable bit rate within a specific range. No audio compression in FCE ever. Uncompressed stereo 48k, the video standard sample rate.
It would be truly miraculous if FCE worked with iPhone media as the current version predates it by three years, which in computer lifetimes is two generations, basically the equivalent of your grandfather having developed an app for a smartphone when he was a young man. FCP is a mere year old, well before the iPhone did video. Furthermore, if you'd read the forums, you'd see that H.264 is an acquisition and delivery forward. It is not used in production. The codec is not suitable for efficient production and really should never be used there. It's very unfortunate that camera manufacturers have taken the cheap way out and used this codec, rather than actually developing and using a suitable intraframe production codec.

What are the best sequence settings for editing a movie made on your iPhone

I have a lot of footage taken on my iPhone 3Gs. I want to make a summer fun movie and compile all the clips together. What are going to be my best sequence settings to make editing of the footage easy and viewable in real time without the need to render. Is this possible?

Open the videos in QT Pro player and export to a codec and frame rate consistent with any easy set up such as NTSC DV and edit that.

What are the best export settings to use...

Operating system: Vista SP1
Camera: Canon HF100 (1900x1080 HD quality 29.97fps) -- uses AVCHD compression which is H.264 I believe.
I'm able to watch my camera video files in Vista nicely. However, I'm having trouble with the watching the results of my edited and exported videos. Assuming I want the same quality and playability as the source video, what settings should I use in the export?
In the export settings window... I select:
Format: H.264
Preset: HDTV 1080p 29.97 High Quality
Source files have the extension: .m2ts
...I don't change the other values. Then I export. Now the result is an .mp4 file which does not play in Windows Media Player. It does play in Quicktime or iTunes however it plays jerkily... I would like to be able to play it as smoothly as the original source plays... And I'd like to be able to play it in windows media player just as the source can be played in media player. Media player seems to play the source more smoothly than does iTunes or Quicktime.
So what are the best export settings for me so that I can watch my edited HD video on my computer as easily as the source footage???
I've been able to edit and save the results of the edit using the crappy ImageMixer3 video editor that comes with the camera. The results are perfect and play in windows media fine. The files it exports the edited video as is the same as the soure... the file extension is .m2ts
So the problem is how to get Adobe to export the edited video to an .m2ts file or at least to a file type that plays as nicely in my system?

See
Exporting to iPods, cell phones, PSPs and other mobile devices in the PPro Help for details.
Cheers
Eddie
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Working with many different formats/codecs/frame rates within one Sequence.

Good Afternoon,
As an editor for an ad agency I am being tasked with cutting a demo reel together. Nothing too difficult.
The reel is to include video footage of past projects, going back a couple years or so. The footage that I will be given will undoubtably be in a variety of formats, codecs, frame sizes, frame rates, etc (all SD, though). Delivery is SD DVD.
My question is this:
What is the best way to set up my timeline for a barrage of clips with differing specs?
Do I encode all the media assets FIRST to conform to my Sequence Settings? Or do I just deal with the large amounts of timeline rendering as I work with different formats and codecs? Or do I....?
I am running FCP 5.1.4, so I don't have the Open Timeline feature going for me.
I appreciate any advice and tips you can offer!
Thanks!

Your final format is NTSC SD DVD, so you're going to have to go to 720x480 at some point. This is what I would upscale to. Make sure your "client" knows that the 320x240 wmv's may not look to good in the final production.
Personally I use MPEG Streamclip (an excellent FREE application that's part of many a pro's arsenal) for this kind of conversion and/or upscaling. It's not particularly intuitive (especially for upscaling) so read the manual.
You may need to get hold of Flip4Mac or Episode for the wmv conversions.
I would tend to convert to a lossless codec like Apple Uncompressed or Animation. You could try going to NTSC-DV but you're going to lose some quality initially and again when you do the final mpeg2 compression.
Experiment.

Exporting different formats in the same sequence.

I created a sequence in FCE mixing both DV footage and MP4 footage (H.264 codec). I had no problems importing into FCE and working with both at the same time.
When I export quicktime movie to idvd and watch the dvd on a tv, the dv footage looks beautiful but the MP4 footage is very blurry.
I then tried many different compression options for export, but anything that makes the MP4 footage look good makes the dv footage look terrible.
Is there an export option in FCE that would create a reasonable looking DVD from original source material in different formats?

We used 2 different cameras when filming a project. I don't currently have access to the one used to film the MP4 footage. It saved onto a memory card during filming and I got it onto my computer by connecting the video camera and dragging the clips to a file on my desktop.
An example of the names the clips saved under is SDV_0403.MP4, SDV_0404.MP4, etc.
Properties of a sample clip as follows:
Kind: MPEG-4 Movie
Dimensions: 720x480
Codecs: H.264, AAC
Duration: 00:25
Size: 17.6 MB on disk
Channel count: 2
Total bit rate 5,911
Sorry if there's irrelevant info there...I'm not sure what's necessary.
I would just drag the clips right from the file on my desktop to FCE either into the timeline or the canvas and insert them among others. Then render them so I could see them in the canvas, editing and rendering as necessary.
I will try the mpeg streamclip in the future, but I'm freaking out a bit because I've already edited hours of footage, and fear having to go back to the beginning to re-import my source footage and start from scratch. I definitely won't be working with multiple formats in the future. I'm just trying to salvage this project now as best I can.

What are the best export settings for a HD video in Premier Pro CS4?

Hi!
   I've been having so much trouble with this issue and it's something that continually frustrates my boss. I have a HD video the settings for it are
FPS 23.98
1920 x 1080, then a few lines down it says 1408 x 792
16 bit,
2 channels
48000 Hz
   What should the settings be when I make a new sequence?
             When I look at it in the window in Premiere Pro I have to contantly 'shrink' the image to fit the window, is that something I should be doing or does it indicate the sequence settings are incorrect?
But more importantly what should the export settings be? I exported a 4 minute long video and the size was 1 GB, I know that's too big.
I need to export it without loosing any quality and export another one that meets the Youtube and Vimeo limits on size.
Vimeo is 500 MB per week, sometimes I upload 4 videos per week. I think Youtube you can only upload 500 MB at a time.
I need to get smaller sizes with loosing the least amount of quality possible AND the best export settings for quality, so I guess I have 3 separate questions-
What are the best sequence settings for HD video?
What are the best export settings for HD without loosing any quality?
What are the best export settings for the size to come out around 500 MB with loosing the least amount of quality possible?
Thank You!
http://forums.adobe.com/thread/713070
On the above thread I used the 5th anwer, and it's going to take about 7 hours to export a 4 minute video :/

It Stands for "Coder Decoder."
Your format is like a container for your video file. Certain containers can hold certain codecs and not others. Other containers can hold other codecs. Sometimes different containers can hold the same codecs.
This might be a bad analogy but I'll give it a try.
A coffe cup (container) can hold pretty much any liquid you drink, where a red solo cup (container) won't hold scolding water. So, the coffe cup would be your container of choice most likely because it has the most options for liquids (codecs). But, you might want a red solo cup for just a single crappy beer at a party (a moderate quality streaming video on the web). In that case, you don't need all the optoins of another container.
In Premiere Pro CC H.264 is a Container and the Codec in one option. This has been streamlined for web distrobution of video to be played in browsers without things like Flash or special players.
Were as if you choose the QuickTime Container there are over 40 codec optoins (at least on my machine with additinal ones installed) but you may run into an issue where your browser doesn't support QuickTime playback.
I would say that your container is for compatability with players and your codec is taken into consideration when looking at the quality of the compression.
Yesteraday I wrote a blog entery on Exporting from Premiere Pro and found that the MPEG-4 codec inside of the QuickTime container gave me much richer colors than the H.264 container/codec option.
I posted the link before but here it is:
http://goo.gl/8GZq4i

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Hello All,
I have requirement in SAP script where I need to compare the system date and condition validity date and display the value if todays date lies in validity date. What is the best way to do this , I have tried using a perform statment but the date when being passed into the program is appearing in different formats in dev server (dd.mm.yyyy) and test servers(yyyy.mm.dd), I have checked the user settings and they are similar why is the date being passed in different formats.
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Hi Ranjan,
or if you want to compare two dates.
use the FM "CONVERT_DATE_TO_INTERNAL " it converts user setting date to internal format YYYYMMDD
then you can compare
USe the FM "CONVERT_DATE_TO_EXTERNAL " it converts the input date to user setting format it is (dd.mm.yyyy) and test servers(yyyy.mm.dd),
data : formatted_date(10).
WRITE sy-datum TO formatted_date MMDDYYYY.
Now for all users the date format will appear MMDDYYYY regardless to user setting.
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Best Export Settings for DVD burning and Computer viewing

Hello,
I am trying to export a 1 hour video that I need to be compatible with standard DVD players as well as viewable on any computer.
Original footage was shot with a Canon 5d Mark ii in 24fps.
I have done all of my editing in Premiere Pro CS6. From there, I exported a high quality file to bring into Media Encoder (for trials of best output). My master file from Premiere was exported with the Preset MPEG2. The only thing I changed in the preset was VBR from 1 pass to 2 pass.. This gave me a 6.2 GB file.
I then brought that file into Media Encoder where I have tried the following presets:
MPEG2-DVD - Match Source Attributes
MPEG2-DVD - NTSC 23.976fps Widescreen High Quality
MPEG2 - HDTV 720p 23.976 High Quality
MPEG2 - NTSC DV High Quality
These settings have encountered various issues.. some have significant banding, but most importantly, none of them will play on my DVD player when I burn them to a disc.
The discs I am using are Sony DVD-RW with a 4.7GB capacity.
Where am I going wrong here? From what I've read, the format needs to be MPEG2 to be viewed on DVD... Sorry if I sound ignorant! This stuff is tricky..

First off, don't export your timeline and then take the result to AME to re-encode, this is compressing your video twice and degrading quality (not to mention takes extra time and hard drive space). Always export direct from Premiere to Media Encoder. If you must use an "intermediate" file as part of your workflow, perhaps to archive a completed video that might later be exported to other formats, then use a lossless codec such as UT or Lagarith (free downloads).
For DVDs, you MUST use "MPEG-2 DVD". Other forms of MPEG-2 are not appropriate, as the official DVD specification requires that the MPEG-2 file has certain attributes. Not recommended to use "Match Source" for ANY export, just choose an appropriate setting as needed.
This should be correct for your application - MPEG-2 DVD > NTSC 23.976fps Widescreen High Quality
If you want to encode a DVD file over 1 hour in length, then you will need to adjust the encoding bitrate so the resulting file will fit the disc. Rule of thumb is 560/minutes = bitrate, but you might round down the result a bit to allow for menu overhead and such, depending.
Once you export the "MPEG-2 DVD" file, you can NOT simply burn that file to DVD media. That is only creating a DATA disc and it will not be playable in a DVD player (though a computer or PS3/PS4 may work since they can play most media files). To make a DVD that works in all DVD players (and meets the spec), it MUST be "authored" in a program like Adobe Encore. This compiles your content and menus and all that and then writes the result to the disc in certain way so that DVD players can read the disc. If you open any DVD on your computer, you will see a folder called "VIDEO_TS" and inside that there are .vob files and others. That is a proper DVD. And once you have a proper DVD, you can't simply copy the VIDEO_TS to another disc (as DATA), you must tell the burning software to create as a "VIDEO DVD" and not DATA, or it again won't be readable in a DVD player. Very picky spec, sorry.
When using AME to export MPEG-2 DVD, it will create two files, audio and video (.m2v and .wav), you will then Import both of those into Encore together. Note that you CAN import other formats into Encore, such as .avi but Encore will then transcode that to the correct MPEG-2 format anyway, so best that you take charge and create the right media in the first place in AME before you get to Encore.
EDIT: In AME, any time that your source is higher resolution than the destination, such as HD to DVD, you can check the "Max Render Quality" button in AME to provide the best downscale quality.
EDIT 2: I see you're using DVD-RW media. That is fine for experimenting, but for delivery to clients always use good quality DVD-R or DVD+R media. DVD-RW may not have the best compatibility with players and costs more anyways. DVDs are so cheap now that I just proof to DVD-R and toss the bad ones, up to you.
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Jeff Pulera
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Hello,
I've created a few iMovie projects that I've put on DVD using the Share To iDVD option.
I have a few different projects that I want to put on one DVD. What are the best export settings in iMovie to create files that I can later import using iDVD?
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I would sugest using the Apple defaults - which you will get if you use SHARE/Export Movie.
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I have shot my video on 1080p witha DSLR and edited it in premiere pro. I exported the video in .mp4 format.
Now i imported the video in after effects and added loads of animation. I want to export it to the best quality for playback ON COMPUTER ONLY. Which is the best export settings for this purpose.
I rendered it in .avi and my 12 minute video had a size of 55GB after render and did not play smoothly in the computer.. PLEASE HELP WITH THE BEST SETTINGS for the above purpose.

You messed up. You should NOT have rendered MP4 out of Premiere to use in AE. You're adding compression and quality loss in between stages. BAD video person!
The easiest thing to do would be to import your Premiere project in AE. That way it can use the original footage too. If, for some reason, you can't do that, you should render a lossless file out of Premiere. Speaking of lossless files, that's what you rendered out of AE. This page explains your large AE file issue.
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Bridge is file browser with custom preview options, but it's not a pre-press examination application. Just don't use it for that purpose.
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Different formats (drone/GoPro), best edit settings?

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