Export from .ASE to .PAL

Hi,
How do I export a previous created .ase color palette to .PAL?
What should I be careful about it, when doing it?
Thanks

If your admin bought the iWork package as a DVD, Pages '09 version 4.0.3 is really the late version available on this media.
As fruhulda wrote, you must get and apply an updater (maybe you must ask the admin to do that, I know that some of them are a bit picky).
PS, since last wednesday, the best Apple tool to create ePub is the free iBooks Author.
Yvan KOENIG (VALLAURIS, France) dimanche 22 janvier 2012
iMac 21”5, i7, 2.8 GHz, 12 Gbytes, 1 Tbytes, mac OS X 10.6.8 and 10.7.2
My Box account is : http://www.box.com/s/00qnssoyeq2xvc22ra4k

Similar Messages

Exporting from NTSC to PAL

Hi,
I've jiust completed a 60min long documentary with the amazing FCPX...I'm quite experienced in using NLE softwares like Avid NC or Edius but this is my first "REAL" experience with FCPX, which I ended up loving, so I have an apparently stupid question which is indeed crucial to me.
I shot all the footage in 60i (NTSC) now I need to export a file in 50i and to burn a blue ray in PAL...
Usually in other softwares, you have this kind of options in the export window...I can't find them in FCPX and for sure it is my fault..
Someone out there can please help me!?
Thank you in advance
Nico

COpy and paste the contents of your 60i project into a 50i project, or use a Compressor setting for 50i.

PAL files exported from FCP don't display

This is a strange one... SD PAL uncompressed files exported from FCP 6.03 won't display, you just see black. HD files are fine, as are SD PAL files exported a while ago - prior to a recent pro apps or QT update possibly? As a workaround, if they exported via compressor instead of by 'export quicktime' in FCP, they work fine. Shake is 4.0 since 4.1 doesn't want to display via a decklink.
Any ideas? This seems to be a new one.

Does the computer your using to view this video have Final Cut Pro installed?

Exported from Premiere as NTSC, but Encore thinks it's PAL - Help!

Encore 3.0.0.268
Source video: AVI, 29.97 fps, 720x480, 32kHz 16-bit stereo
Exported from Premiere Pro to Encore with the following settings:
NTSC, 720x480, 29.97 drop frame [fps], Lower, Quality 4.5
48 kHz, 16 bit, PCM
VBR, 1 Pass, Min 2.02, Target 4.78, Max 7.00 [Mbps]
But!... when I open the project in Encore, it only lists PAL options. For example, if I try adding a menu, it adds the PAL version instead of the NTSC version (which does exist in the Library folder). If I remove all the PAL menu files from the Library folder, then it doesn't list any menus at all for this project (except a couple HD ones) - ie, it's ignoring the NTSC menus.
Also, if I look at the Transcode Settings, the only choices are PAL.
NOTE: I already have NTSC set as the Default Television Standard in Encore General Preferences.
Why does Encore think the video is PAL? How can I make it think otherwise without redoing the whole export in Premiere?

See reply in
duplicate post

1080p pour export quality for 25p material from Canon HF100 PAL

Hi
I have now tested iMovie 11 with a Canon HF100 PAL version. Shooting in progressive.
The AIC import has good quality.
New 1080p export gives same pour quality as before when using QuickTime 7 for h.264 export.
AIC export provides good quality.
So still nu easy way for export from iMovie. Is this common or is it a camera compatibility issue?
Thanks
Olof

I just posted this for another user with the same problem.
I have a Sony VG10 camcorder that shoots 30p and records it as 1080i60. iMovie sees this as interlaced video and deinterlaces it IF I use most FX.
So I did a bit of googling and found there is a simple solution. I bought Steve Mullens newest version (09 and 11) of his "Ins and Outs of iMovie." With it I got a free copy of his iMakeFullHD utility. So after importing AVCHD I run the utility on the folder of clips and in a few seconds all the clips are now marked as progressive. Which is actually what they are! iMovie now treats them as 1080p30 -- exactly as it should.
When reading about the utility I remember skipping the stuff on PAL HD camcorders. So I just reread it and it's no big deal eitherl.
If you shoot 1080i50, the video is marked as 1080p25. This is exactly the reverse of what my camera does. So while I need to use iMakeFullHD, PAL users do not.
If you shoot 1080p25, the video is marked as 1080i50. This is exactly like my camera. So you have to use iMakeFullHD to remark it is as progressive -- which is what it is.
Now Ive no idea why Sony or Canon did what they did, but they did. After buying a $2000 camcorder, buying the book was by far the simpler solution.
I know he has a section on 1080p50 and 1080p60 from the tms700. Didn't apply to me so i skimmed it. Also, having had imovie 09 i was surprised to read that 11 now supports real 1080p24. There's also a section on removing 2-3 pulldown from 1080i60 to get 1080p24. Again i just skimmed this in case sony were to release a firmware update so I could shoot 24fps.
One more thing I learned. Because my video really is progressive, I can use all FX. They'll always look perfect.
But, if you shoot 1080i50 -- which imovie sees as 1080p25 -- the good news is that imovie will never deinterlace the clips causing a loss of resolution. But, the clips realy are interlace. this means that sometimes you may see combing during the FX. There are very clear pix of what this looks like in the ebook. But, the solution is so simple -- only shoot 1080p25!
Most of us want to shoot progresssive anyway!
The nice thing is i followed the instrictions on burning 1080 avchd video to DVDs and they play in HD on my BD player. And, i didn't have to buy a BD burner.

Exporting from PP CS3 to Encore CS3 defaults to PAL project settings!

I am trying to export about an hour of edited HDV video to Encore, and no matter what I try, the project settings after exporting into Encore is set to PAL and not NTSC. Encore does not allow me to change the settings back to NTSC. I have set all the export settings in Premiere to confirm NTSC is set in the encoding settings. I have tried to change all the default preferences in Encore to NTSC, but still when I export from Premiere, the project settings turns up as PAL. The work around is to export the movie seperately, then import it in Encore with new project settings set to NTSC, but I lose all my chapter information. Anybody else run into this?

Authoring Mode really only governs the size of the Preview window. When you export to BD, DVD, or Flash, Encore will transcode any media that is not legal for the export format.
So in your case, if you burn to Blu-ray, Encore will not transcode your video (if it is an elementary stream); if you burned to DVD, Encore would transcode your video to SD widescreen (720x480/576 NTSC/PAL).

Export from premiere pro cs4 for youtube - new error message from youtube

I wonder if anyone has had a similar problem to me.
I am using CS4 on a windows 7 computer.
I have a number of films that I am in the proces of exprting for upload to youtube.
Since youtube has updated the design and function of it's upload window I am now getting a warning once the upload completes saying "The video that you uploaded may have audio/video sync issues. Please refer to this article for advice on how to correct this issue should it arise."
The link takes you to a page which gives you a range of settings. It suggest Quicktime as the preferred format with H.264 encoding.
But in Adobe media encoder cs4 if I select format: quicktime, there is no h264 option.
I have tried selecting Format: H264 and the apparently obvious Youtube widescreen HD format, but still get the warning. Our footage is all PAL so I normally change this from NTSC to PAL - but even if I do not make this change, I still get the warning.
I wondered if anyone else has discovered this, and if they have found a work around?
Any suggestion would be appreciated.
I am using:
adobe media encoder 4.2.0.006
adobe premiere pro 4.2.1
Finally, in terms of the warning, I do not generally notice sync issues, but occasionally I giet visual glitches once the film is uplaoded to youtube - the latest involved the whole bottom half of the screen being smudged, as though someone had smeared the image from the middle down to the bottom of the screen. It only lasted about half a second.
Thanks
Patch

Hi Jim, you are quite right... that is what it says.
It is just that when I export a movie using premiere pro, and upload it I get a warning message from youtube. I never like a warning, so I followed the link to the article hoping for a solution.
I assumed the article indicated youtube's preferred format, so thought 'great, I'll use that- but could not find them in Premiere Pro.
As you point out it does say it is for iMovie, Final Cut Pro or Quicktime (so my mistake).
As Ann suggests, as the film looks ok on youtube, I will just carry on using the youtube settings in Premiere Pro, and ignore the warning.
Thanks for the sugestions,
Patch

Export from FCP via QT or Compressor into DVD Studio Pro?

Hi everyone,
I'm editing in FCP and making a menued SD DVD. I've had success in laying out the DVD project.
The source material is low quality and duration overall a few minutes. I'm adding a few supers to the clips.
My question is, will I get better result exporting via compressor or via a QT export (using current settings PAL 25FPS 16:9)?
Thanks in advance.
Steve

what you're doing is actually fine. But, generally, the following workflow is reccommended. It gives you more control if not better quality. Depending on your source (large or small frame size) you can adjust resizing and motion compensation and other parameters:
export as QuickTime using "current settings." bring that resulting QT file into Compressor. Pick the DVD preset closest to the length of your project (e.g. 90 min best). From there you can select the preset in the project and adjust it.

From NTSC to PAL .mov - huge, urgent problem!!

Ive shot a shortfilm on a Canon XH A1 NTSC, 24 fps, HDV, 16:9.
It has been edited in FCP and exported as a Quiktime Movie (.mov)
Then i burned it to a DVD and discovers that it lags annoyingly when played on a DVD player (Im from Denmark so its PAL).
Now, i thought running it through FCP would have solved the NTSC / PAL problem automatically, but I was wrong.
How do I make my 23.98 fps Quiktime Movie play on a PAL DVD?? I tried Cinema Tools, but it wont open and conform the .mov file.
I have to turn it in tomorrow and seriusly need help.
Thank you so much...

Hi,
welcome to FCP discussion area.
A great standard converter is [Nattress Standard Converter|http://www.nattress.com/Products/standardsconversion/standardsconvers ion.htm].
However, if you have Compressor you may convert from NTSC to PAL at no cost.
Compreesor settings>Other Workflows>Advanced Format Conversion>Standard Definition.
Here is an article which you may use as general guidance:
http://www.macworld.com/article/49306/2006/02/marchcreate.html
G.

What format to export from FCP for iDVD?

I am having trouble coming from FCP to iDVD. Material was shot HDV on a Sony Z5 and I downconverted to DV to edit on FCP. I make a Quick Time Movie of the edit (as DV PAL) but the pans are all juddery. How should I export from FCP to stop the juddering on pans?

http://www.sjoki.uta.fi/~shmhav/SVCDon_a_Macintosh.html#edit_convertMPEG
BTW, this is the mother of all FAQs here Sadly the FAQ section of the forum decribes just the problem, not any solutions. And searching the forums doesn't always work either.
ObSig: I don't benefit from the link.

How do I produce the highest quality DVD from MOV exported from iMovie

What is the best method in iDVD11 for burning to DVD, an imported HD 720p or HD 1080p MOV file exported from iMovie11?
I have successfully exported a 5.5GB (66min) HD 720p MOV file from iMovie. I then used iDVD to import this MOV file and burn it to DVD. When I played the DVD the quality was nowhere near that of the imported HD 720p MOV file as played on QuickTime. The DVD also shows captions at the edge of the 16:9 TV screen instead of further inside as per the QuickTime screening of the HD 720p MOV file.
How can I improve quality and maintain borders in iDVD for the DVD output?

Hi
How can I improve quality and maintain borders in iDVD for the DVD output?
Quality.
• Use iMovie up to HD6 or FinalCut - as iMovie'08 or 09 or 11 - just delivers every second line to iDVD = less resolution
• There are no HD-DVD in real life - DVD is as standard SD-Video
• If You must use iMovie'11 then do not use "Share to iDVD" BUT "Share to Media Browser" and as Large (Not HD or other resolution - as result will suffers)
Border
• May be turning on TV-Safe area in iDVD can help a bit. ?
• If this is IMPORTANT - Then You have to re-do Your movie in FinalCut and here turn on TV-Safe area and shrink the movie area to within this. Now it will show all on an old CRT-TV - but with a black frame due to that no two CRT-TVs show exactly the same area and then TV-Safe must be less than this.
My - Un-specific notes on DVD-Quality. If You are interested.
DVD quality
1. iDVD 08, 09 & 11 has three levels of qualities. (vers 7.0.1, 7,0.4 & 7.1.1)
iDVD 6 has the two last ones
• Professional Quality (movies + menus up to 120 min.) - BEST
• Best Performances (movies + menus less than 60 min.) - High quality on final DVD
• High Quality (in iDVD08 or 09) / Best Quality (in iDVD6) (movies + menus up to 120 min.) - slightly lower quality than above
About double on DL DVDs.
2.Video from
• FCE/P - Export out as full quality QuickTime.mov (not self-containing, no QT-conversion)
• iMovie x-6 - Don't use ”Share/Export to iDVD” = destructive even to movie project and especially so
when the movie includes photos. Instead just drop or import the iMovie movie project icon (with a Star on it) into iDVD theme window.
• iMovie’08 not meant to go to iDVD. Go via Media Browser or rather use iMovie HD 6 from start.
3. I use Roxio Toast™ to make an as slow burn as possibly eg x1 (in iDVD’08 or 09 this can also be set)
This can also be done with Apple’s Disk Utilities application.
4. There has to be about or more than 25Gb free space on internal (start-up) hard disk. iDVD can't
use an external one as scratch disk (if it is not start-up disc).
5. I use Verbatim ( also recommended by many - Taiyo Yuden DVDs - I can’t get hold of it to test )
6. I use DVD-R (no +R or +/-RW)
7. Keep NTSC to NTSC - or - PAL to PAL when going from iMovie to iDVD
8. Don’t burn more than three DVD at a time - but let the laser cool off for a while before next batch.
iDVD quality also depends on.
• DVD is a standard in it self. It is Standard Definition Quality = Same as on old CRT-TV sets and can not
deliver anything better that this.
HD-DVD was a short-lived standard and it was only a few Toshiba DVD-players that could playback.
These DVDs could be made in DVD-Studio Pro. But they don’t playback on any other standard DVD-layer.
Blu-Ray / BD can be coded onto DVDs but limited in time to - about 20-30 minutes and then need
_ Roxio Toast™ 10 Pro incl BD-component
_ BD disks and burner if full length movies are to be stored
_ BD-Player or PlayStation3 - to be able to playback
The BD-encoded DVDs can be playbacked IF Mac also have Roxio DVD-player tool. Not on any standard Mac or DVD-player
Full BD-disks needs a BD-player (in Mac) as they need blue-laser to be read. No red-laser can do this.
• HOW much free space is there on Your internal (start-up) hard disk. Go for approx 25Gb.
less than 5Gb and Your result will most probably not play.
• How it was recorded - Tripod vs Handheld Camera. A stable picture will give a much higher quality
• Audio is most often more critical than picture. Bad audio and with dropouts usually results in a non-viewed movie.
• Use of Video-editor. iMovie’08 or 09 or 11 are not the tools for DVD-production. They discard every second line resulting in a close to VHS-tape quality.
iMovie 1 to HD6 and FinalCut any version delivers same quality as Camera record in = 100% to iDVD
• What kind of movie project You drop into it. MPEG4 seems to be a bad choice.
other strange formats are .avi, .wmv, .flash etc. Convert to streamingDV first
Also audio formats matters. I use only .aiff or from miniDV tape Camera 16-bit
strange formats often problematic are .avi, .wmv, audio from iTunes, .mp3 etc
Convert to .aiff first and use this in movie project
• What kind of standard - NTSC movie and NTSC DVD or PAL to PAL - no mix.
(If You need to change to do a NTSC DVD from PAL material let JES_Deinterlacer_3.2.2 do the conversion)
(Dropping a PAL movie into a NTSC iDVD project
(US) NTSC DVDs most often are playable in EU
(EU) PAL DVDs most often needs to be converted to play in US
UNLESS. They are playbacked by a Mac - then You need not to care
• What kind of DVDs You are using. I use Verbatim DVD-R (this brand AND no +R or +/-RW)
• How You encode and burn it. Two settings prior iDVD’08 or 09
Pro Quality (only in iDVD 08 & 09)
Best / High Quality (not always - most often not)
Best / High Performances (most often my choice before Pro Quality)
1. go to iDVD pref. menu and select tab far right and set burn speed to x1 (less errors = plays better) - only in iDVD 08 & 09
(x4 by some and may be even better)
2. Project info. Select Professional Encoding - only in iDVD 08 & 09.
Region codes.
iDVD - only burn Region = 0 - meaning - DVDs are playable everywhere
DVD Studio pro can set Region codes.
1 = US
2 = EU
unclemano wrote
What it turned out to be was the "quality" settings in iDVD. The total clip time was NOT over 2 hours or 4.7GB, yet iDVD created massive visual artifacts on the "professional quality" setting.
I switched the settings to "high quality" which solved the problem. According iDVD help, "high quality" determines the best bit rate for the clips you have.
I have NEVER seen iDVD do this before, especially when I was under the 2 hour and 4.7GB limits.
For anyone else, there seem to be 2 places in iDVD to set quality settings, the first is under "preferences" and the second under "project info." They do NOT seem to be linked (i.e. if you change one, the other is NOT changed). take care, Mario
TO GET IT TO WORK SLIGHTLY FASTER
• Minimum of 25Gb free space on Start-Up hard disk
• No other programs running in BackGround eg EnergySaver
• Don’t let HD spinn down or be turned off (in EnergySave)
• Move hard disks that are not to be used to Trash - To be disconnected/turned off
• Goto Spotlight and set the rest of them under Integrity (not to be scanned)
• Set screensaver to a folder without any photo - then make an active corner (up right for me) and set
pointer to this - turns on screen saver - to show that it has nothing to show
Yours Bengt W

Exporting from Quicktime for optimal editing in FinalCut Express

I've read that it is recommended to export H.264 for best quality in Quicktime, but Final Cut Express doesn't play H.264 in real time. It forces you to render if you want to edit in the timeline. What is the best format to export from Quicktime in to enable real time editing in FCE?

To convert the file so that FCE doesn't need rendering you need QuickTime Pro and do the following:
- open the file
- menu File > Export...: then select +Export: Movie to QuickTime Movie+ and click Options.
- In the +Video > Settings+ dialog select:
- Compression Type: DV/DVCPRO-NTSC (or DV-PAL) and make sure that:
- Frame Rate: 29.97 (or 25), Quality is Best, Scan Mode: Interlaced, Aspect Ratio: 4:3 (or 16:9 if anamorphic)
- In the +Sound > Settings+ dialog select:
- Format: Linear PCM, Channels: Stereo (L R), Rate: 48000, Quality: Normal, Sample size: 16 bits
The result is a .mov file (not .dv) that doesn't need rendering when imported to FCE to a sequence with setup DV-NTSC (or PAL).
Piero

Why is my video pixelated when exporting from Premiere Pro?

Hi,
I'm a musician wanting to make some basic videos for YouTube. The videos will consist of an intro (logo, title etc) and audio playing over a still image which will last the duration of the song. I've edited the still image for the video within Photoshop (CS5.1). The image is of a woman screaming and is intentionally very dark. When I export this image from Photoshop, the quality is excellent. When I then import this image into Premiere Pro (CS5.5) and export as the finished video, the quality of the image is significantly reduced and is rather pixelated. After spending hours searching online and trying different settings to achieve the result I want, I've had no luck, and I'm now in desperate need of a professional opinion. Is it possible to get the same quality image within the exported video as I get from an exported Photoshop file?
Things I've tried:http://www.ashmathos.com/Musici
Photoshop - Exporting image using different file types - .tif , .PNG , .PSD etc
Premiere Pro - Exporting video using different formats - .FLV , Quicktime and MPEG4
- Changing the Capture format between DV and HDV
- Different presets - AVCHD, HDV, DV - PAL/NTSC etc
Both the image exported from Photoshop and the video are 1080p (square pixels)
An example of what I've explained can be found here:
http://www.ashmathos.com/Musician/Test
(The video can be found below the image)
To any responders,
Thank you!

Can't you see how the video is pixelated? Mainly around the nose and forehead?
Nope. Looks fine when I watch it.

Blurry titles when exporting from interlaced to progressive?

I have a project which is DV PAL (720 x 576) and needs to be exported as a progressive H264 mpeg file. The video looks good in the export, but the titles are blurry. I just did a test and exported the project interlaced, and titles were fine. So the problem is clearly the transition from interlaced to progressive. Is there any way to get crisp titles in this situation?
Using Premiere CS6. Have tried exporting to progressive with several alterations to the title clips (reversing field order, always deinterlace) with the same result.

Hi JR Dungan,
How about you create a new progressive sequence, and then copy paste all of the content of your current interlaced sequence into the new progressive sequence, and export from there. I haven't worked with interlaced footage for years so I don't know for sure if this will help or not, but since it's quick and easy to do, it's worth a try.
Cheers!

Exporting from Keynote to Power Point

I live in Kenya in East Africa and run photographic safaris. I use Canon digital equipment (still photography) and at the end of each safari set up a slide show of the better images taken on the safari and give it to the guests. I present my images using power point as this seems to be the most universal way to present slides.
I own a 17 inch Power Book G4 and also a 17 inch Mac Book Pro. I use Aperture on both Macs.
On my new Mac Book Pro I have problems. After editing in Aperture, I then export my versions ( in any format - Tiff, Jpeg ) to a file and then import them from that file to power point. Power point seems to remove all the punch of the images making them look very flat and hardly worth looking at. Why?
I have managed to by pass this problem on my Power book G4 by exporting images from Aperture as Tiffs, these seem to work quite well when they are imported into Power point, except the files are huge.
What this means is that I own a Mac Book Pro but don't use it as it can't do what is required. I hope I am doing something wrong or that there is an alternative method to presenting slides.
I have Keynote, which works well. Sadly most of our guests are PC users and so would like the slides in a PC format. Keynote allows you to convert to power point, but here again the picture once in power point looks flat, Why?
Is there a better method than Power point to present slides? In a presentation I like to have text, single and multiple images per slide.
I have used iDVD, but there are not enough pixels on a TV screen (when showing still images) to give you a punchy clear picture, or so I am told.
I would love any suggestions to help with this problem.

Hi Ngiri
It's not really clear to me how you or your guests are assessing your "flat" photos - on a computer screen, via a video projector, on a TV?
Most of my photo slide shows are created using DVDStudioPro - look fantastic. Distributed as a PAL DVD "best viewed on a TV".
Lately I have tried some photo presentations using Keynote, and then exported to Powerpoint. Photos looked fine, but PP is unacceptable. I then tried exporting from PP straight to PDF. Using a PDF for a presentation was a revelation - photos look very good. The PDF is a small cross platform file.However, I still prefer DVDStudioPro, but it takes much longer to create a DVD.
Have you actually tried Keynote straight to iDVD? Or a slideshow created within iDVD? (Lots of tutorials available).
I have used iDVD, but there are not enough pixels on
a TV screen (when showing still images) to give you a
punchy clear picture, or so I am told.
???I don't understand why anyone would tell you this???
Of course, Aperture could be the problem...or your Mac Book Pro is incorrectly setup.
Regards. Robert
G4(7 y.o)1.5GHz 1.25 GB Ram, 2x120GB intHD, orig AGP & Radeon 9200 PCI card Mac OS X (10.4.8) 2monitors, CRT TV, FCP5.0.4, DVDSP4.1.1, STP1.1, Comp2.3, LT2.1, QT7.1.3

Export from .ASE to .PAL

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