Export image - Best quality

I have a pdf in which i need to export an image in the best possible quality,how shall i achieve that?I've already tried saving as a tiff or a jpg and wasn't happy with the result.

I have a pdf in which i need to export an image in the best possible quality,how shall i achieve that?I've already tried saving as a tiff or a jpg and wasn't happy with the result.

Similar Messages

  • Exporting for best quality

    Hello. I've been reading the forum, the manual, and trying different things to get the best results and I'm still not sure I'm getting the best for what I need. And to be honest "what I need" is part of the question.
    I've made a music video that is to be used for presentations. It will be on various computers using at times different projectors. I'm sure it will be played on mac's and windows based computers.
    1. What should my final format be so that it will work on most every computer?
    2. Does it need to be interlaced?
    I've attempted about a dozen mpeg videos, trying different settings and everyone the quality is very poor. I only mention this b/c if this is what is recommended I'll need some help here as well.
    I do have it in the following formats with great quality, but are they normally this large for a 5 minute video/movie?
    1. AVI 1.03 gigs
    2. QuickTime 1.07 gigs
    I'm using FCE 4.0.1
    Thanks in advance for helping. I'm worn out trying to figure it out on my own.

    You know, I read some of these articles on getting the best quality and they don't always hold true.
    I made an excel spreadsheet, and played with all the settings and listed the results on the spreadsheet
    So I took a 5 second clip from one of my music videos and tried it in H264, DIVX, AVi, etc...
    Tried it in different sizes, different bit rates, different key frame rates, different FPS
    It was worth it. I know, I know, there are all these articles on the web on how to get the best picture quality and quite frankly I don't agree with them all. And, if you are doing music videos where the average edit cut is every 3 seconds or less and there is a ton of movement from frame to frame, it's worth playing around.
    These file sizes are huge that you made - 1.03 gigs for a music video? Mine average anywhere from 50 mb to 300 mb at the large end
    Listen, post your settings here for the Quicktime 1.07 gig file that you made
    List the following from the FCE export compression/converter settings:
    FPS - frames per second?
    Key Frame rate?
    Bit rate?
    Size? (720 x 480 for example if that is what your setting is or did you custom sized it?)
    I don't know what camcorder you used, but try the interlacing
    This test clip that I did for a recent music video
    It is 17 MB - 40 seconds long (not fully color corrceted or edited at this point)
    http://www.skyjamvideos.com/images/Sequence_1.mov

  • How to export the best quality file from FCE?

    Hi people. I was wondering which is the option that I have to choose to get the best quality on an exported file from FCE4. The best quality I get is from the "Export - Quicktime movie..." option, but there is a huge compression as I see. The final product isn't as good as it should. Obviously, it won't be the same as the original material, but I was wondering if there was another way of getting a movie with much more quality, like when you use "Compressor" from the Final Cut Studio. Thanks in advance.

    I imported the material through firewire (it was recorded on a miniDV tape). I respected the format of the source and the files I got are top notch. The final movie looks great on the computer, the differences come when burning it to a DVD. I'm using IDVD, and the .mov file exported through the option I mentioned.
    I want to burn that .mov file to a DVD, which means there will be another compression to MPEG2 once I burn it through the DVD authoring app, but the product has some kind of "shaking" in the dark areas. It's not so bad, but I would like to get the best quality, like the ones I've got from Compressor. Is it possible using the Export - Quicktime movie option?

  • Exporting in best Quality

    Hi,
    I record with 1920*1080 50i (AVCHD). When I finish a project and export it, how can I make sure its at the best Quality? Can I export it as a Quicktime Movie in Full Quality?
    What I want to do, is to export the finished cut movie in Full HD Quality and store it on an external HD. But what compression should I use? There are so many possibilities (AIC, H.264 and so on).
    Can anyone explain?
    P
    Message was edited by: Pätschi

    That will give you the highest possible quality because it will show no degradation in quality at all. It is fine for storage but the files might be large because they are not compressed.

  • What is the best workflow procedure for importing DV SP 16x9 footage into FCP7 and then exporting the best quality 16x9 to standard DVD so that it looks great (or at least good) on a 50" Samsung LCD TV ?????? Please help! anybody?? Thanks!

    We are using a Sony HDV-Z7U camera for acquisition. We recently recorded an event using the camera's non HD capabilities. We set the camera to record "DV SP" 16x9 settings on both Mini-DV tape and CF card.
    To import the DV SP footage into FCP7 we chose the "DV NTSC anamorphic" setting in the log and transfer settings window. After a successful transfer from the CF card (the CF card held approximately 83 minutes) we checked the size of the file and found it to be 16 Gigs! Why so big? An 83 miniDV tape shot in SD should easily fit on a standard 4.7 gig MPEG2 DVD.
    We need to burn DVDs of this show - we sent it to compressor and got horrible quality.
    What is the best setting to use in FCP7's log and transfer settings window to import DV SP 16x9 standard def. footage and what is the best method for exporting for outputting this footage to DVD that preserves the original quality of the DV SP footage?? Anyone? Many thanks

    > Why so big? An 83 miniDV tape shot in SD should easily fit on a standard 4.7 gig MPEG2 DVD.
    No it doesn't. DV is 13GB per hour.
    In any case, a Video DVD uses the MPEG 2 codec, not DV.
    >What is the best setting to use in FCP7's log and transfer settings window to import DV SP 16x9 standard def.
    DV NTSC anamorphic.
    >what is the best method for exporting for outputting this footage to DVD...
    Use the Compressor DVD preset "Best Quality 90 mins".
    >...that preserves the original quality of the DV SP footage?
    Not going to happen, you are compressing by a factor of 1:4. Shooting as HDV would have given you better quality material to start with. DV is at the bottom end of the scale.

  • Best SWF export for best quality?

    I have some raw footage that I have compiled in Premiere Pro CS4 and now have been trying to export it out in a SWF format.  The sound in Premiere is very good but when I export it it doesn't sound near as good, even though I'm using best quality.  I also have at the bottom of the video a flat bar of green with text and that has quite a bit of artifacts.  Would someone have a list of settings that you use when exporting to SWF on hand that may help me out?
    Thanks!,
    Wesley

    Thanks, I've been searching for a tutorial that may help me.  Is Premiere Pro able to export a high-quality SWF, or at least one that retains sound quality that is close to the original?  Or is it better to maybe export the video out to maybe a DV format and then use a stand-alone SWF encoder software?
    Thanks again!,
    Wesley

  • Export images at BEST quality

    When you export images form Fash, File/Export/Export image/png (i.e.), the default quality is HIGH (and you can`t change it), but I'd like to export in BEST quality, however there is no control over quality.
    the best way at this moment is taking a screen shot from a swf, very awkward and unprofessional metod (worse, you cannot do it with alpha channel)
    Any suggestion?
    Thanx in advance

    You are mislead, a png uses a lossless compression whereas a screenshot of a swf went through jpg-encoding (lossy).
    Event the "Best"(100%) JPG Quality is worse(in terms of prevserving the original) than the "high" PNG Quality

  • Best quality .AVI for PC viewing

    How can i export with best quality AVI for PC viewing. HAS to be AVI. I use the expert settings with keyframe of 10 and 100 kb/sec max, and it is very "blocky".. How to improve the quality.

    i created a login just to reply to you cuz i was trying to do the same. i found the answer on: http://www.humnet.ucla.edu/itc/resources/powerpointav/pptvideo.pdf
    basically, use "expert settings" "movie to AVI" "options" "settings" "cinepak" "millions of colors" "high" "30 fps" "key frame every 300 frames" "limit data to 400kbytes/sec"
    following the above instruction, i was able to export a movie to a decent size avi file that plays on wmp on a pc. (i didn't use sound cuz i didn't have any but there is instruction for sound on the pdf file)
    i use a mac but have to create videos that can be viewed on any computer and can be used on a powerpoint presentation. i was so happy when i found a way to make good quality (actually i used "best" rather than "high" under quality), not choppy video for pc and mac viewing.
    hope this helps!

  • What is the absolute best quality xport for a dvd?

    I want to export the best quality Movie. Standard definition, 60 minute long movie. Should I go through Compressor, or would a simple FCS-2 Quicktime Xport due, if so then what settings should I put it at. When I bring it into DVD Studio Pro, How do I make it Burn the Best. I'm Just Curious, I usually do a standard quicktime export and I want to make sure I'm not if I can do anything to improve. Thanks!

    Welcome to the forum, Cinema. There's a ton of people on here with lots of good advice and experience, so read frequently and if you have any questions do a quick search before posting. You'll probably find the answers.
    As far as best export out of FCP, the best is going to be File>Export>Quicktime Movie. This will export your project with the settings your timeline is set to. Any other option is going to compress the project somehow and you'll lose quality.
    Compressor and DSP I'm still learning myself, so do some reading on the forum and in the manual (always a good place to look) and see what you can find.
    Hope this sets you on the right track.
    jesse.

  • Best image EXPORT settings for best quality

    What should i have my export settings at when exporting to a jump drive to give to clients for web and printing use???
    When i see my images uploaded on Facebook for example, the qulity looks poor which worries me that when printing the quality will be poor as well. Am i missing something in the setting for exporting? What is the proper way to export for the best quality image? HELP!
    My settings now under Aperture>Presets>Image Export:
    JPG Original size
    300 dpi

    t_hall10 wrote:
    The information provided was helpful, but did not completely answer my question...
    Are there specific settings with-in Aperture I can set for exporting so that clients have the ability to print as wanted and post on the web as wanted whithout losing any major amount of photo quality?
    No, not for one size fits all.
    I do appreciate this may be a frustrating answer, but non-the-less, that's how it is.
    t_hall10 wrote:
    Should I be gving 2 folders of pictures, one for web use and one for printing use? If I were to do that, what should the exporting setting be set for both folders?
    Maybe, it's your choice.
    Let's go through the settings.
    The only real quality setting is for JPG compression. 12 is virtually no (lossless) compression but gives huge file sizes which may breach a websites limits.
    A 16MP images on quality 12 will be about 22MB. 11 brings it down to 8MB and 10 down to 7MB. You'd be very hard pressed to see the difference between a 12 and a 10. But if you want to feel you are giving the best quality without the extreme file size, go for 11.
    The the vast majority of web sites, like facebook, will either resize uploaded images and/or re-compress them. They may also crop them to a different aspect ratio to fit their browser software.
    Many report the best size for upload to facebook, for small images is 960 pixels on the long side. For large images it's 2048. For different websites it may be different. It is discussed on many photography sites and blogs. You will find some promoting the 960 / 2048, and others with their own preferences. Here's a good one which also shows you many ways FB will mess with the images:
    http://havecamerawilltravel.com/photographer/images-photos-facebook-sizes-dimens ions-types
    The safest colour space is sRGB (Mac profile: sRGB IEC61966-2.1) as it will more often be right than wrong. You should preview your images on screen with this profile to get a feel for how it will look and avoid unexpected colour shifts in your files. Ideally your screen should be calibrated so you know what you are giving them is accurate.
    To understand the printing issue, try this exercise:
    If you have a printer installed on your Mac, it probably also installed some printer profiles. In Aperture, look at one of your nicer vibrant images. From the view menu turn on 'Onscreen Proofing' and then from the 'Proofing Profile' sub menu, select one of your printer profiles and look at how the onscreen image changes. Repeat with each of the printing profiles and see how the image changes each time.
    This is only a fraction of the colour shifts that will be occuring after you give your file to someone and they print it on their own uncalibrated system with their uncalibrated printer.
    Many photographers don't offer full size images to their clients. They will usually give them smaller versions for their own use, which may include small size printing.
    They will either do the main printing themself on their own calibrated printer, or work with a print shop, and may have installed calibrated profiles on their system for the shops printing equipment so they can use onscreen proofing to gauge what the pictures will look like when printed on that equipment.
    But if you are just giving a file to someone, you lose all control of how they will print it. Even experienced photographers and computer users can struggle to make the prints match close to what they look like on screen.
    Most often photos will appear too dark, or the colours look wrong, or it lacks sharpness. There are some settings on the export presets for gamma and blackpoint compensation. Gamma will brighten the image for when it's printing too dark, and blackpoint will try to stop the shadows turning black (within the chosen colour space). But as you don't know in advance whether the images are going to print too dark, or the shadows are turning black, you can't really set these for a one-size fits all scenario.
    So there are not many settings to help you here.
    You are actually moving into the realm of defining your product. You could, for example, ask the client which site they intend to publish the photos on, research that site and produce files optimized specifically for that site.
    You also need to decide what size (resolution) files to give them for printing and whether you are happy giving away your full size images.
    These choices will lead you to a number of a different files sizes as 'your product', all should be in sRGB colour space, and all with quality 10 or 11. For any client's who know how to make use of a wider clour space like Adobe RGB for printing, they will probably ask you up front to supply the print versions as such.
    Next, for each size and usage, you now need to sharpen these images.
    This is because sharpeing is best applied to images that have been resized to their intended output size and should be sharpened in accordance with how they will be viewed. Images displayed on computer screen generally need less sharpening than those that will be printed. Depening on the printer, the images may need some oversharpening in the file, in order to appear crisp and sharp in the print. As you won't be controlling the printing process you should probably avoid oversharpening. The bottom line is, if people are taking on the task of their own printing, they'll need to figure out what they are doing to get good results, or use a commercial printer.
    Andy

  • Best quality animated gif export

    Hi
    I was doing just fine exporting animated gifs (in terms of quality output) and all of a sudden on an update to my fireworks png my exports (no matter what options I change) are just not as good quality as before.
    Essentially, I am trying to get as close to the JPEG 100% quality (best quality) I can get - drop shadows on items just don't like that great at moment.
    Could someone please advise what is absolute optimum setting for best quality output for an animated gif - I am not concerned about file size.
    many thanks
    Jeff

    Without seeing the image/animation, I can't make specific comments.
    However. Keep in mind that the GIF format has an indexed palette of 256 colors, total, one of which can be transparent. If you have a still image of 256 shades of red, and a still image of 256 shades of blue, they'll look fine as GIFs. If you try to combine them as an animated GIF, then the palette will need to be 128 shades each of red and blue, so neither of the images as frames in the animation will look as good as they do as stills.
    Also, Fireworks doesn't always give you the maximum amount of colors. If you have an image with 1000 colors, and you export to GIF, you probably won't get 256 colors in your palette. Go to File>Image Preview and see what your palette is. If necessary, add colors from your image where you notice banding (with dithering off).
    Finally, the two image formats are not equally appropriate for all image content. GIF is good for line art of solid colors. It isn't good for photos or gradients. If you can forgo your drop shadows you'll probably get better quality in the essential parts of the images. JPEGs are good for photos and gradients (although I prefer PNGs for gradients, myself), and are not good for line art. Unfortunately, if you want an animation, you need a GIF or Flash.

  • How to export best quality gif animations in flash

    how to export best quality gif animations in flash

    GIF is a color restricted format with on/off support for transparency. There's really no settings you can tweak to output a better GIF. You have a drop-down during GIF sequence export to allow transparency, select the amount of colors (up to 256) and you can choose dither to save a little filespace. The only 2 things in there that really matter are dither and amount of colors used to export.
    If your content is very similar (e.g. not a lot of complex gradients/shadows/etc) and is limited in color use turning down the amount of colors used and dithering is your only option.
    Make sure you're exporting the GIF via "Publish Settings" so you get a single animated GIF and not file->export->movie because this creates a separate sequence of GIF images for each frame.

  • If exporting images for backup, to reimport into a clean aperture or other program, is it best to use 72 dpi or 300 dpi, or does it matter?

    If exporting images for backup, to reimport into a clean aperture or other program, is it better to use 72 dpi or 300 dpi, or does it matter?  I want the best quality for any future unforeseen use. 

    I am somewhat reluctant to answer your questions after Frank Caggiano's excellent advice, but I really do not like to leave the question open, for there will be many occasions when you will need to export images and to understand how it works.
    But please, follow Frank's advice, right now you do not need to worry about pixels and dpi. That is exactly what I meant, when I suggested to you to make sure you keep a copy of your Aperture Library and to back it up with all your other data, before you erase your disk for a clean reinstall.
    DPI revisited:
    So, is the dpi setting only for exporting to print?
    The dpi settings are necessary to define the size of a digital image, since pixels don't have any dimensions. And since you cannot print or display an image without knowing its width and height, you will need to specify dpi when you are printing or scanning.
    If I leave it at the default 72dpi will there be any problems getting quality prints in the future from jpeg versions exported with that setting?
    Not if you export with the original size - the maximum number of pixels available. That will ensure the maximum print quality.
    The dpi settings are required to export versions; versions are derived from the masters and new image files are computed. When you export masters you get a copy of the original file that already may have a dpi setting.
    If I choose "export masters", will aperture will export my masters just as they are? 
    yes, and  you may add IPICT data if you choose
    Pardon my thick skull--I'm an old dog trying to learn new tricks in this digital world!
    No apologies necessary, we were all beginners once
    Here is another example, maybe that helps a little:
    I exported an image (jpeg) with three different setting: export masters, a version with 72dpi, a version with 300dpi and inspected the files in Graphic Converter:
    The master was exported like this:
    Notice, the master had already dpi settings, although I did not specify any on export.
    The size is 51,48 cm x 38,61 cm.
    The 72 dpi Version has larger dimensions, but also 10 Megapixels.
    and here the 300 dpi version: smaller dimensions, same amount of pixels.

  • Exporting - Option for Best Quality?

    Okay. Just upgraded to QT Pro. What "export" option produces the best quality video?
    Also, should QT Pro be able to open an WMV file? I've been having to use Flip4Mac, but is water marks everything when I try to do the conversion to *.mov format.
    Thanks for any info and insight.

    The best quality video will always be lossless or uncompressed. The reality about compression is that it's always a trade off between image quality and data size and as Colin pointed out depends a lot on what you use it for.
    While you're working on a piece of video, it's always best to keep it as uncompressed as possible. Compressing footage and then compressing it again leads to a much reduced quality, something like generational loss when recording from tape to tape.
    As a good balance between data size and quality in Quicktime, I'd recommend working at the full pixel dimensions and frame rate that you captured and using Apple's MJPEGA codec at full quality.
    You might also think about AVI file compressed with DV codec - they won't be as high quality, but will have the advantage of being readable on Macs as well as PCs which don't have Quicktime installed.

  • Image format for best quality photos

    Hi there, I'm pretty new to photo-editing and have a question about preserving image quality:
    I've heard that re-saving jpegs in Photoshop (Elements 12) makes them lose quality - even if no editing is done - and that saving jpegs in formats like PNG and TIFF can preserve the quality of the original image.  So, if I edit a jpeg image in PSE and then save it as a TIFF, does that mean the quality of the original image is preserved 100%?  If not, how can I fully retain the quality of jpegs after editing and saving them?
    Thanks for your help

    Hi Phoebe2014,
    Yes you are right that each time you open and save a jpeg image , the image compresses and you lose small amount of information. As i believe that it should not lose quality of image when you are saving a jpeg image to tiff format because compression occurs when you re-save a jpeg image to jpeg format. You can read more on below links.
    Photoshop Elements Help | Saving and exporting images
    What is the Best File Format to Save Your Photos In? PSD * TIFF * JPEG * GIF  * PNG - Digital Photography School
    Thanks,
    Raushan

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