FCPX-to-Compressor V4 performance question (which is better?)

For a 15-minute movie, I go directly FILE=>SEND TO COMPRESSOR and it takes about 4-5 hours to produce a MP2 file for DVD.   That's grinding four 3GHZ processors to 100%.
Alternatively, if I FILE=>SHARE=>MASTER FILE  it takes about 10 minutes to create the .MOV file.   If I then input this intermediate .MOV file directly into COMPRESSOR, I can create the MP2 file in about 10 minutes.
So my question is:  If I create the intermediate .MOV file, will I lose some quality instead of going directly from FCPX to COMPRESSOR?
Thanks for your thoughts
-Dale

It's theoretically a cleaner encode going directly from FCP to Compressor. Each frame is called up from FCP from the original media, processed and then encoded. The original file is processed in fully uncompressed, 32-bit float format. It's very clean but it requires the OS to basically switch back and forth between the two applications frame by frame. It's great, but it's very slow. The fact is with near lossless codecs like ProRes the difference between the two methods is not discernible without frame by frame comparison. If you've got all weekend to encode your movie you may as well go ahead and do it. Personally I like having a master file anyway, so if I ever need to make different versions in different formats, it's much easier to go just go back to the master file and re-encode from there than to have to go back to FCP to encode again. You'll probably find discussion about this going back a few years on the Final Cut Studio forum here or on the equivalent forum on Creative Cow and probably other places as well.

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