Finishing up the production of my film

Im just finishing up a film I've been working on with FCP, and am getting ready to start looking at exporting and finishing options. This is the first project Im completing using the entire FCS package, and Im not very comfortable using compressor and color.
-I need to compress the video in two formats:
1) A _high quality_ video that can be played on most computers, and has the audio and video tracks combined into one file (quicktime....)
2) Whatever is the best for creating high quality DVD's
How do I go about doing this, and what are the best options to choose (de-interlace? SD to HD? Good Filter settings? etc.)
Also, I've tried doing it on my own, but every time I submit a batch Im usually unable to locate the file and or open it even after (I think) I was able to change the destination.
Lastly, After this is all done, what is the next step when moving on to DVD Studio Pro?
Cheers,
Austin

1) H.264 is a very good codec, but not every computer will be able to play it. They'll need a recent version of QuickTime Player installed on their system.
2) Use the appropriate DVD preset in Compressor based on the duration of your project. Compressor will create an MPEG-2 (.m2v) video file and a Dolby Digital (.AC3) audio file. You'll use those two files in DVD-SP for authoring.
-DH

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    "We could not complete your App Store request" or something similar.  And the only choice I had, is to click on OK button. As I said, the only way I found is to start from Mac OS 10.6 to succeed in buying, not only downloading, but simply buying Mountain Lion.
    Best Regards from France

  • How they create the cinematic look (Basic Film Question)

    Just wondering how real cinema is done with digital cameras. Is it filters, or their cameras, or programs which clean the colors and image up, like After Effects, or all of the above? Seeing all digital movies like "Inland empire" was a little disappointing because the digital look is, well, TOO realistic.
    Traditional film in most movies for the last two decades always has the same feel, where it's not familiar enough to resemble a home movie, but close enough that you can identify with it.
    Anyways, I'm just pondering the potentials of my low budget and access to these great programs, such as FCP and AE, and I wanted to know if it is indeed possible to create what we see from modern films with our humble means. Phew.
    thanks.

    I think it comes down to a couple of things. Film has grain. (but you could add that to the RED shots an get it that way if that's what you want).
    The other thing that will replace film is plain dollars and sense. You can buy 24 RED One setups with the cost savings of a major motion picture's film stock/processing/telecine costs. With the general public not being able to tell the difference (heck most of them can't tell the difference between video and film now), Hollywood is gonna take those savings. They already are actually... there are many films right now in production using RED ONE... and if it makes the bucks that a film shoot does, trust me, producers are going to start wanting RED shoots instead of 35...
    The situation reminds me a lot of the time when Hollywood editors wouldn't touch an Avid, because they said they "needed" to feel the freaking celluloid. PLEEZE... the real reason was they were computer illiterate and quite frankly, they were too lazy to get up to speed. It wasn't until the younger editors began to get it that Avid began to take hold in motion picture production. Took years for this in fact. The same thing is going on right now with DP's and RED. I think it scares them a bit and there's that old "film is better than video" thing that still pervades.
    Content is king. Doesn't matter what you shot on.
    Jerry

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