Gradient problems

ive got a serious issue with illustrator,if anyone can pls assist me it would be great so i can solve this problem once and for all!
no matter on what pc i use illustrator and i do various designs using alot of gradients and i mean alot of gradients,illustrator after a while starts going slower and slower and then the objects cant hardly move and then i get a messegae error from illustrator crashing down.is there smthing about gradients thats make illustrator not be able to function.ei like a max of gradeints in a project?or is there smthing i must do on mu document in or to avoid problem like this in future?
best reagdrs.

greetings wade!
i did what you advised me to do and saw a good result.took the raster effects to 72 so i can work around the objects (within the document) without the pc taking for ever to make the objects move.but when multiple objects from other documents where brought into the one document so i can have a clear view of my desgin,my pc took a while to intergrate all the objects that did have gradients of 72res(as i lowered as advised),and all of a sudden, a failure was encountered and there was a message by the programs stating:
a)cant move objects there isnt enought memory ID = -108
2)the operation cannot be complete there isnt enought memory ram available
and then all of my artwork turns into black outlines.
and i can asure that my pc is a good machine upto date for these times.

Similar Messages

Monitors with Gradient Problems?

Hi All,
Further to my recent post "monitor screen display terrible!"
Finding a monitor without spending a lot with excellent picture quality is proving differcult! I have tried a Philips 22" monitor Model 220CW9FB and now a BENQ T900HD 18.5 WS monitor all not as sharp with good contrast as my 4 year old G5 iMac. Also has a gradient problem e.g. as you get up off your chair and continue to look down at the screen the white background of the screen turns light blue then darker and colored parts turn white!? Also looking at an angle to the side anything light blue turns a light brown!? Then as I'm viewing something as in Apple Discussions each box of replies alternate white then light blue and so on but looking at normal distant as you type each box are white. You have to lean back in your chair, twice the distance back to actual see the blue box then white box!?
What's that all about? I have noticed this on the new 20" iMacs too but the three new 24" iMacs are great just like my Rev A G5 iMac of 4 years. Are these inferior screen problems anything to do with them being TN panels as I've just read about?
I really don't know where to go from here as the screen quality is important. I'm use to the great screen quality of my old G5 iMac and don't want to go down in quality for the sake of moving from a Mac PowerPC to an Intel Core 2 Duo even though I need this for EyeTV hybrid and all the features of iLife '09 etc.
I don't want to spend a huge amount for an Apple display as I might as well get the entry level 24" iMac. The main reason for not getting the new iMac is I don't like the glossy screen, although today I heard there is an option for a 24" matt screen... any truth in that? Then again will I be able to return the new Mac mini I've only had for 6 days for a 24" iMac?
Other suggestions seen here is turning my G5 iMac into a stand-a-loan monitor or maybe a 20-year-old CRT 19" TV I have can be used as a monitor and if so what connections are needed? Any ideas on these options?
So buying the new Mac mini has created a lot of unexpected problems. I thought as asked about before getting it was told any monitor would have the same picture quality as my old G5 iMac, but after the fact found out this is not the case.
Thanks for the read & any ideas/thoughts much appreciated...

AFAIK Hmmm Googled "As Far As I Know"... So far I've tried three monitors (all with gradient problem) so it looks like you are correct. I'll try a couple more today as if I need to return my Mac mini with Philips monitor need to do soon for a 24" new iMac even though the Mac mini is not at fault. I'll have to get use to the glossy screen. While writing this an item "iMac or MacBook display too glossy? Apply inexpensive non-glare LCD protective film" has appeared in MacDailyNews.
http://macdailynews.com/index.php/weblog/comments/20561/
Thanks for the idea using my G5 as a monitor but maybe quite an involved process?
It's a shame in all my research before buying a monitor no salesperson mentioned TN display panels. Mind you since the problem no salesperson has said they know about TN display panels or better monitors, just saying any monitor will work with the new Mac mini. Very frustrating!

Gradient problems ...funny texture in screen

I just received my new macbook the other day.
The screen seems to have a texture pattern in the display.
I am assuming this is a inherent thing in the glossy display.
The main issue i am having is the color saturation and gradient problems.
I have been using an imac for the last couple of years, and have only started to use leapord for the first time on the macbook. I though apple intentionally desaturated...but in fact, it seems like the screen has a dull saturation.
I am always seeing un smooth gradients and a lot of dithering. In fact, it's almost in everything. I have read things on the internet about 6bit displays and such but never got any real facts.
I have heard of people getting the display replaced because of this issue.
I am not sure if it is common in all macbooks or just some.
Any info would be awesome.
TIA,
ADAM

Thanks for your reply,
I have a few different problems with my screen.
The back of the laptop screen is being illuminated by the lcd,especially around the edges.... It is not as bright as the illuminated apple logo, but is pretty strong.
I've talked to many friends that have mac books and have never seen this issue. I am sending my macbook back and they are sending me another one for that reason.
I also looked at many macbooks just the other day. I looked at numerous friends macbooks and even went to best buy to compare their screens with mine. The screens on those macbooks are far better. Two issues, first, the gradients are really bad. They are not near as noticeable on other macbook screens. Sometimes you have to tilt the screen to notice it, but on my macbook, not very far. It is almost impossible to do graphics work on it. The best I can describe this....it reminds me of a PC that is missing a graphics driver (lots of dithering on subtle color changes.)
Second, the screen has a very light texture being displayed on the screen, kind of a micro check pattern. Again, this is not noticeable on other macbook screens (I originally though it might be on all "glossy" screen).
All in all, Apple is doing the right thing and letting me get it replaced with another. I hope that this macbook I am sending back just had a defective screen...and it's not apple changing the screens on them. If they are in fact changing the screens, then i have to say that they are inferior to the old ones....( and your paying the same price). If the macbook I get in the mail a few days has the same problem, I will, unfortunately, have to return it for a FULL refund. The laptop will not be suitable for the work I do.

PS 2014 Foreground to transparent (gradient problems)

Adobe Photoshop 2014
Files:
PSD                                Clock, Gradient line
DOCX, MHTML, PDF                   PS Foreground to transparent gradient
SWF                                2014-06-26_1509
PNG                                Clock (original), Clock (gradient), Clock (masked), PS 1, PS 2, PS 3
Foreground to transparent gradient
Foreground to Transparent will not work by simply clicking 'OK' and dragging mouse across a selected layer. This gradient tool is hyper sensitive, and unstable.
We tried to record the PS method for our gradient. Jing was our first choice, but Jing’s flash engine conflicts with the PS flash engine, blocking the gradient tool’s drag action. Jing can only record steps prior to the final drag-and-drop gradient action. Cam is rendered useless by HDR displays’ high resolution, causing glare white-out. Here is our visible work-flow.
>>
1. Select Gradient Tool on left toolbar, open tool group and select 'Foreground to transparent' tool.
Occasionally, next close and reopen PS 2014 (stubborn gradient problems).
>
When PS 2014 reopens, the specific gradient tool remains selected. This clears some aspects of the PS 2014 cache, which sometimes help.
Notice that selected left tool bar button momentarily changes to Eyedropper, when Gradient Editor opens! A hint of what follows.
2. Select a layer to apply gradient to, this selected layer is the gradient tool's "Foreground". However, gradient is applied in ‘reverse’ (see below, 5).
3. Panels bottom bar, click mask button to 'Add a layer mask', then ‘Filter for pixel layers’ and ‘Add a vector mask' -

This may also help!
                Using only Add layer mask may indiscriminately result the following:
- Stressing here the words "may indiscriminately"...
when PS 2014 is unstable, adding actions when Layer mask alone fails, may (often) be stabilizing enough to make gradient work...
once PS 2014 begins performing Foreground to transparent gradients, then simply begin creating new transparency gradients when PS 2014 re-opens,
or just click Add layer mask to get going again;
- Layer mask alone may suffice, or it may slightly penetrate underlying layers with partial transparency, and/or…
- May convert transparent background to a foreground 'Color to transparent' gradient in opposite direction to (reversed) Foreground to transparent gradient;
- Exact/intended layer vs. vector behaviors are unknown, though each provides unique creative applications, in isolation and when used together;
- Use a new PSD file dedicated just to Foreground to transparent gradient. This quickly resolves inevitable multiple layer-and-tool conflicts.
4. Layers panel top bars, click ‘Lock transparent pixels’ and then click 'Filter for pixel layers'. These actions help focus PS 2014 on the current work-flow. Though given this gradient’s obvious corruption, it cannot be said that any method is specific, or repeatable. We are now stepping beyond the sometimes sufficient Add layer mask, experimenting with gradient line attempts as we go.
5. Finally, we will drag from point A to point B in workspace, resulting gradient with greatest transparency at A-side of selected layer. Click workspace anywhere and drag across selected layer: this creates a straight, dashed gradient line. When the mouse button is released at point B, the dashed line vanishes and the gradient is applied. Release mouse button where you want gradient to end. Note that the endpoint B inside of layer object will fade into opaque towards point B, right up to the B-side edge of the layer object. PS 2014 auto-renders an even gradient. Extending beyond object renders opacity curve with midpoint transparency closer to full opacity B-side of gradient line. This gradient tool, in its current structure, performs in reverse and should be renamed to Transparent to foreground: starting Point A is the transparent side of the gradient line!
6. Ctrl-Z or history to undo Foreground to transparent gradient (s). Experiment until it looks best. Multiple gradients can be applied from any direction. Occasionally, once PS 2014 has established effective (reversed) Foreground to transparent gradient behavior or behaviors (?... not sure what's going on there), then closing and reopening PS 2014, one can immediately begin to create new (reversed) Foreground to transparent gradients... without any masking or other workspace preparation!
Office 365 32-bit and PS 2014 64-bit conflict. When image pasted from PS into Word 365, Office pastes image as ‘Object’. Pasted object is distorted as square dimensions are vertically stretched 150% to offset square dimensions – e.g., 2px x 4px PS 2014 copied image layer becomes 2px x 6px Word image “Object”. Also, pasted objects cannot be formatted in any way. Re-sizing is not possible! This dimension distortion and formatting conflict does not arise in Office 64-bit; however, Microsoft will discourage (even withdraw support) as the bulk of corporate clients deploy Office as 32-bit software. PS 2014 is set to Maximize Compatibility.
- - Riverleaf digital publishing, summer 2014

Motion 5, 16bit and Gradients problems

I got a lot of problems with gradients in my last project.
I did orange gradient in Motion 5 for background, rendered it to ProRes 4444 and got banding and other gradient problems. Same time rendering to TIFF sequence was fine. Then I imported this TIFFs to Motion 4, change project to 16bit mode, enable float render in rendering preferencres. Rendered to same ProRes 4444 and all things are fine& No any banding.
In other hand I got information from manual that Motion 5 always work in 16bit mode. But my test show that output is have problems with right wripping 16bit video to any codec.
Can somebody conform this problems and may be somebody finded any solutions . . .

I can confirm this problem. I've created FCPX templates that look absolutely perfect in FCPX until they are rendered and there is banding in every version of ProRes. I know this problem is specific to Motion and Final Cut as *other programs* have no problem exporting/rendering flawless gradients in at least ProRes LT.

Gary level gradient problems !!!

Hi,guys!
I have a problems with gary level gradient effect! Like the image below. It have stripes. Not smooth transition. And is it a technical problems? Can't be solved? If it can't be solved,is any ways to change it better,like encoder format,some parameters. If it is my false and it can be solved,what should I do?
Hope someone help me,THKS!!!

If you are going to have very slight color differences in a gradient then your best option is to tint the dark toward something like blue and the brighter toward orange just slightly so that the bands break up between the r g and b channels. Then you add some noise. It doesn't matter what kind of display you have if you compress your video for delivery using an mpeg format like h.264 because that is an 8 bit codec so color artifacts will show up. Noise is your friend and unequal rgb values for each channel are also your friend so you can break up the differences between the channels in more steps. The biggest problem with digital displays is that all color values are quantified so you have to learn to work with your design to minimize problems.
I hope you understand what I am saying. A gradient with RGB values of 2, 4, and 9 at one end blending to 22, 35 and 19 at the other end are going to have a lot more bands in the image than a gradient that moves all values up 10 or 15 points equally because the banding in red is going to be in a different position than the banding in blue and so on. This helps hide the banding and also improves the chances that compressing to mp4 for delivery will build up fewer blocky color artifacts.
Another trick is to use a feathered mask on a solid color as an overlay on an image that has a texture. Something simple like rice paper or even a fractal with a blended (multiply blend mode) dark overlay with a feathered mask will work much better than a simple gradient background.

Gradient Problems with colours

Hi I am new to Illustrator (just bought CS5) and I am having trouble with the colours when using gradients (colours are generally duller as well) but when I make a gradient from red to black the computer automatically puts a grey inbetween, (photoshop has no problems the colours are clear and bright) I recently did a tutorial http://veerle.duoh.com/design/article/illustrator_inset_effect_on_text_in_combination_with _clipping_mask (she had the same tutorial in photoshop, which worked great) but my colours in illustrator are having this grey issue and the image came out looking very dull.
Is there some file setting I may have changed to cause this?
Thank you

The color setup in AI is trying to simulate the way CMYK actually looks in print. Sometimes the simulated display goes overboard, and it's impractical to write you a textbook on the whole color management (color calibration) subject in a user forum. (Plus, replies in a user forum are as often wrong as right.) There is plenty of reading material out there for you on this. (Start with the Help files, as the Color Settings dialog suggests.)
When designing for CMYK print, work in a CMYK document. Switching color modes is bad practice, especially if you intend for your on-press values to actually be the values you specify in the document. For example:
1. Set up your red (100M, 100Y) to black (100K) grad.
2. Change Document Color Mode to RGB.
3. Change Document Color Mode to CMYK.
4. Look at what has happened to your original CMYK values.
The best way to work in CMYK is to have a basic understanding of CMYK and the real-world principles of process printing. For example, if you do as Jacob suggests, and make the black end of your grad also contain the "red" (100M, 100Y), you will have a 300% total ink coverage at that end of your grad. That may or may not be a problem, depending on the target printing environment.
Generally speaking, yes; CMYK print is almost always "dull" compared to viewing RGB on a monitor (and you are always viewing RGB on a monitor, even if it is shifted to simulate CMYK). This is true regardless of color calibration. Common sense goes a long way. Monitors glow; paper doesn't.
One of the most overlooked facts is that human vision is highly adaptive. Even in RGB, your monitor never displays anything even approaching a true black. Yet your eye nonetheless sees a dark rich black.
CMYK process, for example, is very poor at reproducing brilliant blues. Yet the combination of knowledgeable image color correction (as opposed to mere calibration), quality printing, and the adaptive nature of human vision can nonetheless result in printed blues that seem to "glow."
If you're designing for commercial print, you should seek to understand the process enough that you would be comfortable assigning colors while working on a grayscale monitor. Again, that comes from both study and real-world exposure. Actually visit the press room whenever you have the opportunity. Maybe even take a course in commercial repro at the local tech school. You can't really gain the understanding you need in a software user forum. This is a huge subject.
JET

Gradient problems with stepping single and full colour

Hi, just wondering is anyone else is having problems on printed
jobs with the gradient having definite steps between the
different tints. We had no problems with CS3, but since updating to CS4 we
have had jobs showing this stepping problem. Has Indesign changed settings?
Any help would be appreciated I have checked all the the PDF settings as our RIP works from the PDF's to create the plates. The RIP is a Harlequin Rip.

GrahamHe wrote:
We don't actually rip the files. We are a pre-press/production department in an Agency. We do ensure that the files we deliver to the printer are 100% clean. Our problem with exporting is that if you have a gradient, as InDesign splits up large images into small pieces when writing the PDF we have seen single images that have different resolutions. We even had one file where 99% of the image was 350 dpi, and a small part 100 dpi.
It could be that CS4 has fixed these problems and am willing to try it out, but am very wary of exporting.
InDesign only splits things up when you flatten, as far as I know. If you use an unflattened format, PDF1.4 or higher, there is no flattening, so the problem may well be in HOW you are exporting. Of course, it sounds like you do ads, and I send flattened ads to publications myself because I don't trust that they know how or have the technology to handle a proper transparent PDF, but I don't distill, and I try to avoid situations that would cause problems to begin with.
Take a look at the Transparency Flattener Preset you are using when you export. I believe the default is [Medium Resolution] which has a gradient resolution of 150 ppi. If possible, save your distiller settings as a .joboptions file and use that to export the same file and compare the distilled and exported versions.

Image in a layer mask with gradient problem

Hi,
I have a image in a layer mask with an gradient on a 30c0m0y100k background and at the gradient from image to background I always get a white "shine". which NOT appears when the background is the standard photoshop-black definition in all colors.
please have look also here (where the problem is): http://adobe.ly/1yXBCix
and here where it looks like I want to have it (where I switched the layer mode of the mask to multiply and that causes that my background is not anymore 30c0m0y100k): http://adobe.ly/1HFZfC4
thanks a lot!
oliver

Yes, just save it and post it here using the little camera icon:

Gradient problem in Fireworks

Hello.
I am having a serious problem with gradients in Fireworks.
The display of every gradient looks like there is not enough
quality so there will be visible stripes that makes it look
insufficient. E.g. a simple box made with the Rectangle tool and a
gradient preset looks like it´s a gif export with way to few
colors.
I´ve tried three different computers and screens.
I´ve checked my program configuration. I´ve searched the
internet and I can´t find anything or anyone who seems to have
a similar problem.
I´ve compared it to Photoshop and there it works
perfectly.
It looks the same in Fireworks it self as it does if I try to
export JPG - full quality.
All the three computers I´ve tried it on have CS3 on
them. The fourth one though didn´t have this "bug", and that
one had never seen CS3, instead I installed a trial of Macromedia
Fireworks 8 and there it worked perfectly. And two of the computers
I´m trying this on have previously had Fireworks 8 with no
problem at all. But since then I have formatted them and put the
operating system on from scratch.
Enough of explanation. Has anyone been through something
similar or does anyone have an idea on how to resolve this problem
of mine?
Every suggestion will be appreciated. Thanks.

Trish Meyer wrote:
> I finally had some time today to compare gradients in
Fireworks, Photoshop,
> After Effects and Illustrator (the latter two are based
on the same code).
> Except for Photoshop, the other programs create
math-correct linear ramps.
> Meaning, that the colors progress in 10% increments for
every 10% of height.
> On the other hand, Photoshop is applying - for better or
worse - an S-curve so
> that the ramp starts off slower and ends slower (sort of
like an ease in and
> out). The colors are the same at the start and end, and
roughly the same in the
> middle, but the quarter tones are very different. I
posted my results (and
> added the original test files in a zip archive) at:
>
http://www.crishdesign.com/gradients/gradient-compare.html
>
http://www.crishdesign.com/gradients/gradient-compare.html
This may not be the
> same issue that others were complaining about when
exporting as GIF and seeing
> banding. That's why no matter what format I used (PNG,
JPG, GIF) I still didn't
> like the visual effect of how a Fireworks gradient from
A-to-B met the B color
> in a Dreamweaver background. It is more jarring than
creating the same gradient
> in Photoshop. Now I know it's because Photoshop is
'easing in' to the B
> color. It sounds like we need more control than just
Linear or Radial ramps in
> all programs. We need Straight Linear and an S-curve
Linear...or whatever Adobe
> wants to call it. Either that, or I need to create 3- or
4-color gradients
> where the mid-point or three-quarter point is moved to
add the photoshop-type
> 'ease in' effect. Maybe someone on the Photoshop team
would like to explain
> why the linear ramp is different. over to you, Trish
>
Something that may help in this control is the Gradient panel
by Grant
Hinkson.
http://www.adobe.com/devnet/fireworks/articles/gradient_panel.html
Jim Babbage - .:Community MX:. & .:Adobe Community
Expert:.
http://www.communityMX.com/
CommunityMX - Free Resources:
http://www.communitymx.com/free.cfm
.:Adobe Community Expert for Fireworks:.
Adobe Community Expert
http://tinyurl.com/2a7dyp
See my work on Flickr
http://www.flickr.com/photos/jim_babbage/

Proposed Fix for the Gradient Problem (programmers please read)

I think I realised a solution for the problem.
The problem, as I see it:
a great number of the screens have brightness and/or colour distortion. It is more severe on some machines than others and some people are more sensitive to it than others.
A solution:
A simple background compensation utility. It would let the user manually calibrate the screen in red, green, and blue channels. the user would choose a channel and define multiple horizontal and vertical gradients over hot areas of the screen. That way we could calibrate our screens to the darkest spots in each colour channel. The screen would end up dimmer overall but at least it would be even -- and we could then compensate for much of the dimness by increasing the brightness slider (although few 'graphics people' run their screens at full brightness).
Since OS X has total control over every pixel displayed, this should be a simple, small application to write. It's just too bad that I'm not nearly smart enough to know where to begin!
Now, if some of you smart people reading this know how, please, please get to it cause I also don't want to return my Mac.
Cheers

gizzys dad wrote:
No hard feelings. Just having some fun with ya. I have been following this issue on the before mentioned post for the last 2 days now and remember seeing this fix of yours along with a few other creative ideas as well. Glad it works for you but I don't think Apple should leave us to fix their problems with super glue, duck tape or what ever.
Message was edited by: gizzys dad
It's all good fun thanks for the link. I certainly agree that apple shouldn't leave us to devise our own workarounds for a potentially faulty product. Now that I have addressed and fixed the antenna issue I can say that I am completely satisfied with my iPhone 4. I don't plan on putting a case on it but I think I'll spend another $29 on front and rear shields so that I can at least set it down without fear of scratching it. Thanks

JavaFx gradient problem

Hi, i got some problems when i try to launch any application that contains gradients(linear or radial). For example this one
[http://javafx.com/samples/PrimitiveShapes/index.html|http://javafx.com/samples/PrimitiveShapes/index.html]
The shapes go messy and the animations flicker so bad i can barely see them.
Anyone having the same issue?
I'm under winXpsp3, jre 1.6u16
Thanks in advance

No. Same system and JRE. Old graphics card. Display is smooth and animation doesn't flickers.
Perhaps you should try and upgrade your graphic driver? I had not such display issue but after the upgrade, I got at least a (small) boost in performance... (tested with JGears, a nice benchmark). So it shouldn't hurt (in theory...).

Illustrator CS6 Saving to PDF Gradient Problems HELP!!!

Im trying to export an illustrator CS6 document to PDF but whenever i export it the gradients within the document turn nearly sold. On the screen it looks fine. have changed the transparency in the document set up to high res but still, nothing changes. Does anyone have any idea?

Here you can find adjusted file: https://dl.dropboxusercontent.com/u/275719/FTPlinks/test.ai
Keep in mind i did not have the links, so it is without the links.
Problem was buildup of your file.
Black in your backround was in 4 sepparations and the circular gradient is black only. I adjusted background to black only.

Do the new Imacs fix the Backlight Gradient problem?

Ok, time to resurrect this question - as my 3rd copy of a 1st gen aluminum imac is starting to burn out my left eye... And I am not the only one if you look at the history of this: http://discussions.apple.com/thread.jspa?threadID=1502535
Has anyone had a chance to go into a store and checkout the new model? If someone does can they report their findings here?
I'm also curious if anyone is going to try and get applecare to fix their old imac by replacing it with a new one that does not have the problem - I am considering it.

I have a white 24" iMac with LCD display issue. Apple replaced the LCD under Apple Care. The new LCD had the same issue.
Went back to the Apple Store but, according to the Tech there's nothing wrong. Obviously, they're told to say it's within specs.
I went directly to an Apple Authorized Repair Center where they were familiar with the issue. So much so that the description on the work order described things I didn't mention but were there (yellowish discoloration in the center of display).
I won't give in to Apple saying it is what it is. There are perfect displays out there and I won't stop until they replace mine with one!

Gradient Problem on CS3

hi. i've been using illustrator for the mac for a few years now and i've been using gradients on my work. we've recently acquired a pc and illustrator cs3. however, the gradients on it aren't as smooth as they were on mac. for example, i would blend dark red and black. on a mac the red will just fade to black, but on the pc, there's a slight "gray" area in the middle of the red and black that i can't get rid of. it basically changes the look of all the old files i have where i have lots of gradients. i've tried diff settings, and even tried changing color settings but it doesn't seem to get rid of that gray middle area. anyone know how to fix that? thanks.

Full colour print jobs, like a magazine, are printed using CMYK colours. All colours you see are created by blending halftones of four inks: Cyan, Magenta, Yellow, and Black (CMYK). You can get a lot of colour that way, but if you're needs are specific, or if you only need one or two colours, Spot colours make more sense. Spot colours are colours that separate and print as that specific colour, using ink mixed by the printer (a company you hire, not a machine on your desk). Red can be a mix of Yellow and Magenta inks, or it can be printed using just red ink, like Pantone 485. When that happens you are using a spot colour.
If you are designing for screen, ALL your colours are RGB, even if you specify them as CMYK. NONE of your colours are spot colours because you are not printing colour separations. Any colour you use can be made into a swatch, That's a nice way to access the colour with a click instead of dialing in the values each time you use it. It also makes it easy to make global changes if your swatch is Global. Change the swatch and all uses of it change throughout the illustration.
Turning on the Spot option only affects how the colour is printed and tells Illustrator to blend it differently when using transparency (because of the different printing method). If you're not printing, or if the colour will be converted to CMYK process, don't call it a spot colour.
Since you are not working for print, you should not be using spot colours (but it's OK to use global swatches). You should also use RGB Document Color Mode.

Gradient problems

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