How do you make a layer/image a gradiant of opaque to transparent?

I want to learn a way to make and image transition from opaque to transparent.
I've seen it in advertisements shown as something that resembles a reflection.
I only have CS2, so bare with me.
Thank you to anyone who understands and can help.

YOU ARE AMAZING!
I love you.
I've pondered that for months after I saw this cigarette ad. It's kept me up at night!
See, I've self taught myself Photoshop ever since I was 14, and I'm just now messing around with masks.
They're difficult, but I think you just opened so many doors in my brain on what I can do with masks now.
Thank you so very much!

Similar Messages

  • How do you make a layer transparent?

    I know this probably should be obvious, but I can't figure it out.  I have a .psd doc with a photo that has a lovely frame around it.  I want to make the area where the photo is transparent so I can use the frame for other photos.  When I bring the opacity down, the background is white, not transparent.  Same when I use the eraser.  Thanks in advance for any help you can offer.

    The background is not a layer.  It is the background.  There is a subtle difference.
    Make the image into a layer by double clicking the Background in the Layers palette.  Then it will be made into a layer and you'll be able to make parts of it transparent, to where you can see the checkerboard (indicating transparency).
    A transparent layer only allows you to "see through" to the layer(s) or background underneath.  Make the background and/or lower layers invisible (click the eyeball icon) or delete them to be able to see the checkerboard pattern through the transparency of the layer above.
    If you're trying to make a frame you can paste over other images, select the photo and delete the image out of the inside.  Delete all other layers in the image, and save as Frame.psd or something.  Then later you can open that image, copy the layer, and paste it over other images.
    Hope this helps!
    -Noel

  • How do you make the layer mode take effect with no background in Elements?

    I have a picture of water splashing over a black background (like this:
    although this isn't the exact one). By turning the blending mode to "screen", I get the effect I want: it basically looks like the water is splashing over my image. The thing is, I need to save it as a .png file with part of the water "dripping" off the edge of my photo onto a transparent background (background must be transparent). The problem I have is as soon as the image hits the transparent background, the black comes back.
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    I don't understand how you're using "screen" blending mode on a single image, but is this the effect you're trying to get (I used a blue colour to show the transparent area at the bottom of the image):
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    Used Enhance...Lighting...Brightness/Contrast as well as Levels to darken the water splash.
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    My layers wound up looking like this:
    Ken

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    I'm trying to make my video clip move from one side of the screen to the next, please help.

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  • How do you make a floppy image on a mac mini?

    I tried the following to make a bootable floppy image and it would not even read in a virtual machine.  I have Oracle Virtualbox.  I am using a Mac Mini 2011 with 4GB of RAM.  I have tried making a blank floppy and copying to it by dragging and using the Terminal, but neither works.  Here are the cmds I used:
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  • How do you make a color image black and white

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    The image has been reduced in size and over sharpened to the point that jaggies artifacts abound.  You will not be happy with the result of interpolate the images up in size increase the number of pixels..   You need to find the original image file from the camera.

  • How do you make a GIF image move........

    .....across the screen when your running an applet.
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  • How do you make an array of image icons and then call them?

    How do you make an array of image icons and then call them, i have searched all over the internet for making an array of icons, but i have
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    Demo:
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    import java.net.*;
    import javax.swing.*;
    public class IconExample {
        public static void main(String[] args) {
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            } catch (MalformedURLException e) {
                throw new RuntimeException(e);
        static void display(Icon[] icons) {
            JPanel cp = new JPanel();
            for(Icon icon : icons) {
                cp.add(new JLabel(icon));
            JFrame f = new JFrame();
            f.setContentPane(cp);
            f.setDefaultCloseOperation(JFrame.EXIT_ON_CLOSE);
            f.pack();
            f.setLocationRelativeTo(null);
            f.setVisible(true);
    }

  • Sorry I'm new to Final Cut Express. How do you make an image (jpeg file for example) move across the screen slowly as I've seen in many films.

    Sorry I'm new to Final Cut Express. How do you make an image (jpeg file for example) move across the screen slowly as I've seen in many films.

    Neil from bristol wrote:
    … How do you make an image … move across the screen …
    by setting KEYFRAMES
    (read, what FC/e's built-in Help-feature tells about it)
    resize and set pic to start position
    set keyframe
    move playhead in timeline to desired length
    set pic to end position
    set keyframe …

  • How do you make images transparent in inDesign?

    How do you make images transparent in Adobe InDesign CS5.5?

    Dittco wrote:
    It IS possible: Select the image. Open effects (Window > Effects). Switch from "normal" to "multiply". Viola! White background is gone.
    That only works with a white background. In addition, it introduces a transparency effect, with its associated problems.
    With a rather light background: Select the image. Open clipping path (Object > Clipping Path > Options). Select Type > Detect Edges; use Threshold and Tolerance to get as close as possible to the edge of your image. This may be difficult because of a too low resolution image, or too much fringe on the edge -- if all fails, use the Inset Frame value to force the mask "into" the image. Click OK, and the background is gone.
    But that's not the only way: you can always create a clipping path manually, and then you are in total control, not limited by transparency side effects, auto-edge detection, and busy backgrounds.

  • How do you make an image or text, appear on every slide?

    How do you make an image appear on every slide?

    What part did you not understand?
    As Andrew said, open the Keynote file, go to the View Menu>Show Master Slides
    This is what you should see on the left hand slide of the window. The Master slides are at the top and the check mark goes by the Master Slide that is referenced on which ever slide you have selected in the Slides pane.
    Add to the Master slide the image or text that you would like to see on the slides that are made off of that master. You can see in the Title & Bullets master slide, I added the shape in the lower left hand corner and it was added to all the slides build off that master.
    If this still isn't clear, let us know where you are getting stuck and we will try to help.

  • How do you make ruler display ticks every 12 inches instead of every 16 inches?

    Hi all,
    How do you make ruler display ticks every 12 inches instead of every 16 inches?

    I just wish that common features like layers, color, swatches, styles, masks, adjustments, character, paragraph and so on - looked and functioned the same across adobe applications. Is that too much to ask for?
    In some cases, that would be absurd. Photoshop and Illustrator are fundamentally differerent environments, as they should be. Photoshop Layers and Illustrator/InDesign Layers are entirely different things, because a vector drawing program works with arranging OBJECTS (raster images, vector paths, text objects) in a Z stacking order and XY position. A Photoshop Layer is essentially just another raster image of the same pixel count as all the others, viewed optionally opaquely or transparently on your screen. It would be ridiculous if Photoshop created a whole new raster image every time you colored another selection of pixels. It would be ridiculous if Illustrator created a new Layer everytime you draw a new path.
    Regarding text, Photoshop and Illustrator share the same lame text engine. Illustrator's should be like InDesign's, not like Photoshop's.
    And that is a good case-in-point negating the silly defensiveness of Illustrator's outdated and buggy functionality. Illustrator's text handling remains poor today. But it was not updated even to today's treatment until CS 1. For most of its history, its text handling was pathetically primitive compared to that of other programs which were designed for exactly the same purpose and which competed directly with it. Should one "defend" that fact with some nonsensical argument that 'Illustrator is not meant to be a word processor'?
    It was not until AI10 that its print dialog acquired a simple Fit To Page command. You had to manually figure and enter a scale factor, and that was limited on the low end to 25%. Can that logically be "defended" on the basis that 'AI is not an imagesetter'? Every dang software on the planet provides a Fit To Page print option!
    This "It's not a technical illustration program" argument is every bit as nonsensical. Every one of Illustrator's direct competitors provides for user-defined drawing scales, and has for decades. Illustrator is just as "technical" a drawing program as those others are. It's just particularly lame at it in this regard. And since when is "technical" illustration not "illustration"? And since when is user-defined drawing scale only needed for "technical" illustration? Absolutely ridiculous.
    So what if in its infancy Illustrator was a tool for PostScript workflow? Illustrator's leading competitor for most of its history, FreeHand, was initially based on the path drawing engine of a font design software. But when it went to market as a general illustration tool, it blew the functional and interface doors off Illustrator, and continued to do so throughout its history.
    The simple fact is this: Throughout its history, Illustrator never kept up with the basic drawing features, interface refinements, and performance of its direct competitors. Its market share is primarily due to its carrying an Adobe label--and to the absurd defensiveness of too many of its users who have next to no experience with anything else.
    Ilustrator, Indesign and Photoshop share about 90% of the same functionality.
    Where do you get that?
    Photoshop's primary purpose is fine-tuning of raster imagery, especially photography. You don't do sophisticated color correction, channel operations, sharpening, etc., in Illustrator or InDesign. That's what I would call its "90% functionality."
    InDesign's primary purose is automation of repetitive assembly tasks and text handling in high page-count documents. You don't do master pages, indexes, tables of contents, constant spooling the hard disk, hundreds of externally linked raster and vector files, chapters-long threaded text stories in Illustrator or Photoshop. That's what I would call its "90% functionality."
    Illustrator's primary purpose is general-purpose vector drawing (which most certainly includes many kinds of 'technical' illustration) using cubic Bezier curves, and page-assembly for low page-count, illustration-intensive documents. That's what I would call its "90% functionality."
    Now ask yourself: Should programs fundamentally structured for different primary purposes necessarily share the same interface? I say no, not necessarily. Example: The mere use of the same term (Layers) in Photoshop and Illustrator for what are fundamentally two different things has led to a gross misunderstanding on the part of Photoshop users who are Illustrator beginners, which is repeated here in this very forum almost every day.
    Ask yourself this: Should unyielding adherance to the organizational dictates of Adobe's so-called "unified" interface be allowed to result in a palette flyout menu in InDesign that contains only one option? Is the very concept of a 'menu' not fundametally antithetical to a single choice? Is that not just poor interface design, regardless of whether it "matches" that of the other programs in the so-called "suite"? (Frankly, I find Adobe's over-use of flyout menus--which effectively HIDE important options--generally both ill-conceived and poorly executed.)
    No, there simply is no excuse for Illusrator's still lacking user-defined drawing scales, just as there was no excuse for its lacking multiple pages for two full decades, just as there is no excuse for its still lacking reliable snaps, connector lines, live shape primitives (!), proper arc-drawing, proper corner rounding, inline graphics, auto-fitting textframes, the ability to join multiple paths at once, (note that NONE of those can be called specifically "technical" drawing features) and a plethora of other functions that are bare-bones basic to vector drawing. The programs is just archaic and outdated in all these regards, and that's all there is to it.
    JET

  • How would you make an effect like this?

    Hi! I'm new to the forums, but hopefully it's ok if I start this new discussion. I'm very new to Photoshop as well (newbie).
    Here is the image: http://sffbookreview.files.wordpress.com/2012/10/life-of-pi-banner.png
    How would you make the image on the right - with the watercolor painting crop effect of the tiger? Also, how would you make the font on the left gradually turn to orange?
    Thanks! Your help is much appreciated.

    Hi there,
    Here's a really quick tutorial on how to add the mask and gradient text over the image of a tiger.
    Masking the Image
    1) Open your image of the tiger. There should be two layers in your layers panel: the image and a white background.
    2) With the tiger layer selected, click on the icon marked below in the layers panel to create a layer mask.
    3) Being sure you have the mask you just created selected, paint with black using the brush tool to mask out the image. In your layers panel, if you look at the mask icon, you will see the areas where you were painting (on the canvas) change to black. Use a variety of brushes to recreate the effect in your example image.
    Creating Text with a Gradient Effect
    1) Use the Type Tool to create your basic text and reposition it on the page with the Move Tool.
    2) In the layers panel, control click on the type layer and select Blending Options.
    3) In the dialog box that opens, check the Gradient Overlay box and click on the "gradient overlay" text to move to the gradient options. Adjust the angle of the gradient, then click on the colored bar to select the colors you want. Click OK on each dialog to close them.
    Final result:
    I hope this helps, and please let me know if you need any more assistance.

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