Jagged video with compressor encoding

This question runs parallel with an earlier one I have posted re quicktime encoding.
I have submitted a 47 min timeline to compressor for encoding to mpeg 2. The resulting file imported to DVDS is jagged with movement of subject or camcorder. The 2 cameras used are a sony SD and a Sony Hd exporting as SD, both inputs are affected. This is a process I have been successful with over a number of years so do not see what I can be doing wrong. I have uninstalled and reinstalled FCP Studio 5.1 plus all the updates, tossed the FCP Studio ID file and re registered but to no avail. I have encoded as Pal, Bottom file as it should be but tried both top and auto with no change.
Blaming Leopard, after which I have had problems with my 5 year old mac I have, on an external drive, installed OS 10.4.9 and FCP Studio 5.1 and all the updates ( ten in number), again with no improvement.
Any suggestions?

Thanks for the response Olse. As I put in my query, I used an HDV cam but, as sony describes it, I used the i.Link Convert feature to convert to DV format. I have checked the Browser window in FCP and get the following information for all clips. Vid rate 26 fps: Compressor DV-Pal: Data rate 3.5 MB/sec: Pixel aspect Pal-CCIR 601: FIELD DOMINANCE Lower (even). Which seems to be pretty conclusive.
Perhaps I should have signed myself as "old aging workhorse" being in my eighties, so have seen the world moving forward. While knowing that an upgrade is desirable I find a pension and other needs very restrictive. I bought my first Apple almost 26 years ago as a retirement hobby, but achieving good video has always been an ambition. It looks as if my granddaughter will have to wait a while longer for her wedding video.

Similar Messages

Open video with Media Encoder on a mac

This may be a super easy noob style question, but here goes.
I'm on a MacPro running OSX 10.9.4, Adobe CC 2014. Whenever I need to convert a video file using Media Converter, I'll right click the file in finder and go to "open with", and can't get finder to recognize AME as a recommended application. It's not a huge deal, because I can select "all applications" instead of just "recommended applications", but that is just such a pain in the buns. Is there any way to get OSX to recognize AME as a "recommended application?" Like I said, not the end of the world by any means and I'm probably just derping up and being a noob, but if anybody knows I would greatly appreciate it. Thanks in advance!

John T Smith wrote:
As far as I know, you don't... those are Windows formats that are not available on a Mac
Nonsense.
Apple Compressor has been doing wmf exports for a decade. I have the Quicktime export components from Telestream and they appear as presets in Compressor. They should be available in Media Encoder or they should be importable. Adove apparently refuses to see them. Still trying to figure that out.

S video with Flash Encoder 3.2

We stream a great number of events for clients around the country. We have just transitioned from Windows Media Encoder to Flash Encoder 3.2. Is there any work around for those clients of ours that use S video out of their cameras. Flash Encoder does not seem to work when the video output is through an S video plug. In Windows Media Encoder you could configure the encoder for eitehr composite or S video. I do not see this option available in Flash Encoder 3.2 Am I missing something? Any help would be much appreciated.
Thank You

The option for using s-video or composite should be done on the grabber-card in youre computer.
widthout more information about youre setup, my only tip for you would be to start FMLE, select youre grabber card, and click on the button to the right, with an wrench on it to change settings on the card.

Importing Video with AC3 encoding

Hi,
I am completely new to FCE 4.0. For years, I've been using my Sony DVD Camcorder (DCR-DVD403) to capture my raw footage. The camcorder an onboard Dolby Digital AC3 encoder which I use all the time. I import the video to my PC since using the Sony Picture Perfect software to preserve the AC3 encoding. However, when I import it into FCE 4.0, the video plays fine but I get now audio whatsoever.
Any ideas how to fix this?
Thanks,
Randy

Thanks for the tip. I ended up using the MPEG Streamclip function "DEMUX to M2V and AC3" to divide the original video file into a discrete video (.m2v) and audio (.ac3) file. I then imported into FCE 4. I was not sure how to load the two files into the Preview window, so I instead chose to drag each file separately into the Sequence window. To get all 6 audio channels I had to add 2 more audio channels prior to loading. FCE requires that you render the entire clip first after completing the render, I was able to replay the clip with full 6 channel Dolby Digital.
There is still one thing that I cannot figure out. Which audio channel corresponds to its respective audio output (ie. A1 = Front Left, A2 = Right Left, A3 = Centre, ...).
Anyone know the answer?
Thanks,
Randy

How to compress a 120 VDV video with compressor?

hello, I would like to know how to compress a video more than 2hours on a DVD of 8.5G

Just to add:
Essentially the same steps that I gave for FCP>Share would be followed in Compressor, except you would select the job in the Batch window and then go to the jobs action tab. (An advantage of using Compressor is that you could insert chapter markers.)
Russ

Is cropping possible with Compressor-2?

I'm a newbie and have a newbie question.
I have a movie clip (.mov) that I need to compress for the web. My clip shows a guy running on a treadmill in a gym.
The clip is currently 720x480 and I need to crop out everything except for the guy's tennis shoes and end up will a finished size of 200x100.
Is it possible to crop video with Compressor, the same way you crop images with Photoshop? Can I specify the exact size I want (200x100)? If so, how is this done?
Thanks in advance.
Warren

There are two ways you can do it:
From the preview window, resize the red cropping border; hold down shift to constrain the aspect ratio of the crop.
From the settings inspector, click the Geometry tab, and voila!
Power Macintosh G5 Dual 2GHz, 4GB RAM Mac OS X (10.4.3) MacBook Pro 17" 2.16 GHz 2GB RAM

Can I Encode to These Settings with Compressor??

Greetings,
I need some help from you good people.
I have been tasked with preparing our video program for an SD Television Broadcast.
In my many years of using Final Cut, I have never had to export for an official SD Broadcast. So I declare up front that this is a new world for me from web and DVD creation.
But I seem to be having a hard time matching all of these settings using an MPEG-2 Transport Stream in Compressor. So I want to know if I can use Compressor to match these settings or will I miss some of what the station wants?
I've tracked down most of the major settings in Compressor. I highlighted below in bold and red what I am having trouble with.
I will also add that I was trying to work with the GOP I and P frames settings but do not see a choice for selecting 1 frame for each one.
Most of my other issues are with the audio settings. I went to "Extras" and selected Multiplex but don't have any other control over the audio.
So any help would be much appreciated. Thanks!
These are the requirement sent from the station:
(BOLD AND RED are what I need help with)
VIDEO:
MPG TYPE: MPG-2
STREAM TYPE: PROGRAM (VIDEO + AUDIO)
VIDEO RESOLUTION: 720x480
FRAME RATE: 29.97 (NON-DROP) 4:3 DISPLAY
FIELD ENCODING: TOP FIELD FIRST
DEINTERLACING: USE TOP FIELD
BITRATE TYPE: VARIABLE (If they say a variable type, why would they state a Constant Bit Rate below??)
RATE CONTROL MODE: MODE 1
CBR BITRATE: 8000Kbps
GOP STRUCTURE:
I FRAMES: 1
P FRAMES: 1
PROFILE ID: 4:2:2
LEVEL ID: MAIN LEVEL
AUDIO: MPEG 1
AUDIO MODE: MPEG LAYER 2
AUDIO FREQUENCY: 48000 HZ STEREO
BITRATE: 256 KBPS* VARIABLE BITRATE EMBEDDED
MODE: STEREO
NO DE-EMPHASIS
MULTIPLEXING TYPE: MPG-2
Thanks in advance!
-Al

Disclosure: I haven't prepared a show for SD Broadcast either, but have been working with Compressor/DVDStudio Pro for a decade.
Looking at the specs, there are only a couple of unclear areas... the big thing is, they're asking for a Program Stream rather than Elementary Streams.
I looked into that codec and it seems capable of handling the task once you clear up the VBR/CBR and interlace/de-interlace questions.
Good luck!

Videos export with purple/green artifacts/splotches/flashes with Media Encoder CC but export fine with Premiere Pro CC?

I use Premiere Pro CC to edit videos, and videos render fine when I export through Premiere Pro, but when I try to use Media Encoder CC, the video exports with weird splotches of green/purple artifacts all throughout. It almost looks like the video is glitching and having a seizure of green and purple. No idea why this happens. Could anybody help me? I use Media Encoder to export bulks of videos at a time through its queue feature, which is why I prefer to use Media Encoder for video exporting.
Please and thanks.
Specs:
Motherboard: MSI® Z87-G45 Gaming [Red on Black color] 2x SLI/CrossFire
Processor: Intel® Core™ i7 4770K 3.5GHz/3.9GHz Turbo 8MB L3 Cache HD 4600
Memory: 16GB Corsair® Vengeance™ DDR3-1600 1.5V (2x8GB)
Graphics and GPGPU Accelerator: AMD R9 295x2
Power Supply: 1300W EVGA
Operating System: Microsoft Windows 7 Home Premium 64-bit

Mitch,
I was hoping that you and others might have some insight as to whether the purple and green artifacts / splotches seen in the attached screenshots (taken from 4 consecutive frames here but occurring through the entirety of the clip) could possibly have resulted from exporting video with ~ Premiere Pro CS5 or 6 ? As seen below, these splotches alternate back and forth between purple and green in every consecutive frame. I was also hoping that someone might know if this is a relatively common type of artifact and how it is caused.

Ingested videos not playing in stereo with Quicktime or after exporting with compressor

Why does it seem like every time I try to do something just mildly complex I'm stymied by some bug or problem with the software?
Here's the deal:
0) I have footage was shot with a stereo camcorder, a JVC GR-DV3000 (circa 2003), with built-in stereo mics.
1) I ingest the footage from the Mini DV tape and save it to a camera archive using Final Cut Pro X (latest version).
2) I use Final Cut Pro to pull the events out of archive.
3) When the events are played from within Final Cut Pro X, I hear strereo and audio meters indicate the audio is in stereo (left and right channels have different volume levels).
4) When the events are played with the open source software, VLC, I hear stereo, too.
5) When I export the files for playing on an Apple device using Final Cut Pro, the audio is in stereo as you would expect.
BUT:
5) When I play the event clips with QuickTime from my hard drive after step 2 above, I get no audio from the right channel. Weird, right?
But most annoying of all:
6) When I use Compressor 4 (instead of Final Cut) to output the event clips to "SD for Apple Devices" using the default audio settings, I get no audio from the right channel, either.
7) I've got hundreds, if not thousands, of clips. I'm not about to save each clip manually with FCPX. I need to batch convert these files with Compressor.
8) I've tried various combinations of the audio import settings ("Analyze and fix audio problems," "Separate mono and group stereo audio," and "Remove silent channels." These options have not solved the issue for me. The clips still play in mono in QuickTime.
When I look at the properties of the file in QuickTime, here's what it shows:
DV/DVCPRO - NTSC, 720 x 480 (640 x 480)
Linear PCM, 16 bit little-endian signed integer, 32000 Hz, Left
Linear PCM, 16 bit little-endian signed integer, 32000 Hz, Unused
Linear PCM, 16 bit little-endian signed integer, 32000 Hz, Unused
Linear PCM, 16 bit little-endian signed integer, 32000 Hz, Unused
Why it's telling me the other 3 channels are unused, I have no idea. As I mentioned, the footage was shot in stereo and even Final Cut plays it in stereo.
Here's what VLC says about the very same file:
Stream 0:
Type: Audio
Codec:PCM S16 LE (sowt)
Channels: Mono
Sample Rate: 32000 Hz
Bits per sample: 16
Stream 1:
Type: Audio
Codec:PCM S16 LE (sowt)
Channels: 1
Sample Rate: 32000 Hz
Bitrate: 512 kb/s
Stream 2:
Type: Audio
Codec:PCM S16 LE (sowt)
Channels: 1
Sample Rate: 32000 Hz
Bitrate: 512 kb/s
Stream 3:
Type: Audio
Codec:PCM S16 LE (sowt)
Channels: 1
Sample Rate: 32000 Hz
Bitrate: 512 kb/s
Stream 4:
Type: Video
Codec: (DV Video (dvc)
Resolution: 720 x 480
Frame Rate: 29.970030
Decoded Format: Planar 4:1:1 YUV
If anyone can point in the right direction, I'd much appreciate it.

I ended up just using iMovie to capture video from the camera. The clips now play in stereo in QuickTime perfectly.
It's interesting to note that iMovie saves the clips as .dv file types, not .mov file types like FCPX does.
And it turns out the iMovie capture is *much* smoother. It actually "just works." Ingesting tapes with FCPX, I had to cross my fingers, spin on my head and pray three times to a statue of Steve Jobs before it would work (and even then it would do weird stuff).
The only downside of using iMovie is that it doesn't have the camera archive feature.
I really don't understand why, with $120 billion in the bank, Apple seems to be churning out software as an afterthought. No, software is not where they make their money, but they are ruining their reputation. Ah, well, first world problems.

Are the problems with Compressor's encoding fixed yet?

Sorry for the slightly vague title but I only use compressor once a year basically, which is after the production of a Christmas show I produce. Last year I upgraded ot Final Cut Studio to do the DVD and got caught out. I encoded using what I thought was the best setting (2 pass variable bit rate) and got jittery encoding. After investigating on this very forum, I found lots of comments about known problems with Compressor's encoding in this setting and ended up re encoding using one pass which was "ok".
I'd rather do the best job I can so the basic question is, "is it fixed yet". Keeping in mind I understand about altering settings so that I can get the time I need onto one disc (110 minutes unfortunately!) What setting will offer me the best possible picture quality, regardless of encoding time, with compressor? Many, many thaks for any advice you regular user can offer!!
Happy Christmas in advance, Gareth

Gareth:
According what was posted in this thread:
http://discussions.apple.com/thread.jspa?threadID=760041&tstart=15
by Brian a lot of problems must be solved using the last 2.3 version.
Hope it helps !
Alberto

Encoding video with NERO 7

Anyone here use NERO 7 to encode video with the IPOD-AVC profile or IPOD profile? curious about success or not..

The AVC or Advanced Video Codec / H.264 the MPEG-4 Standard is as smooth as glass. Very hardware intensive and time consuming depending on the size of your file. I reserve this for music videos and family video that I have captured to DVI. I am running a Windows machine dedicated to video work, P4 HT 3.6 overclocked to 4.1 and running liquid cooling and 4Gb of Ram.

Compressor encoded speed change clip with echo as motorboat sound

Took me two days to troubleshoot, through trial and error and process of elimination, why Compressor encoded an audio clip that had been speed changed and echo applied to it -- as rapid MOTORBOAT sound! Project is a 5.1 mix. Since STP3 won’t accept speed change clips, after I completed mix in STP I placed speed changed clips on FCP timeline below the exported STP 5.1 mix with the FCP audio tracks for that clip assigned to channels 1 & 2 for the fronts and channels 5 & 6 for the rears. The clip on 5 & 6 was duplicated and identical in every way to the clip on channels 1 & 2. Only the dupe clip on 5 & 6 did Compressor encode as motorboat. The identical clip on 1 & 2 encoded correctly. Both clips were set to play at same time since I wanted the effect to be on fronts and rears simultaneously. I could not get the motorboat sound to play back from either FCP timeline or Compressor preview window. Only after encode and burn to DVD did it show up. Why would Compressor introduce such artifacts on one of the clips and not both – if it’s going to do it at all – which it shouldn’t? Any ideas? I have other such effects throughout the project where I duped a speed changed clip with an effect applied to it and set it to play on fronts and rears simultaneously and Compressor encoded those correctly.

Well, it's a little late, but this is one of the reasons to have your startup drive cloned so you can restore it to a working state if an update, upgrade or install sends things south.
https://discussions.apple.com/docs/DOC-2494
Have you tried resetting your fcp preferences
https://discussions.apple.com/docs/DOC-2491
If this doesn't fix the problem, you could try sending the shot to motion. You could aslo try changing the speed in the motion tab of the viewer.

Batch encode with compressor

I have many projects going in motion 2 and I exported them in a batch into compressor, I submited the batch and left it there for about 2.5 hours and there was no progress. Does the compressor take outragouly long to do batches or am I doing something wrong? I am exporting a SD session that has many moving video tracks. I am exporting it to 8 BIT uncompressed Quicktime.

i've had the same thing happen occasionally.
are you using the "export with compressor" option or are dragging your motion project files directly into compressor? i've experienced different performance using one method or the other.
nonetheless, i always export using compressor. it's frustrating however, as adding motion files to compressor always takes a few moments. for example, if i drag a handful of motion files into compressor (let's say 10 files for the sake of argument), the app displays the beachball for up to a minute or so before the files appear in the batch list. then, each time i select an individual file in that batch window, the app stalls again for 20-30 seconds.
i always save the batch once i've gotten the settings correct, exactly for the issue you describe. not often, but occasionally, i'll submit the batch and the batch monitor will display no progress. in which case i usually restart. i figure that qmasterd and compressord have screwed up and restart to get them back up. after restart, i open the saved compressor batch and submit again.
usually, the batch monitor pauses for a few moments, then displays normal progress. i've had fewer issues when using the "export with compressor" option in Motion, but then have to open and export each file individually, which is not a very efficient workflow.
overall, i'm quite frustrated with Motion+Compressor. I'm really trying to give it a fair shake, and will continue to streamline workflow. however, coming from AE, i simply can't stand Motion's non-existent batch capabilities (unless there's a glaring function that i'm missing).
for example, in AE, if i'm making chyrons i can keep everything in the same project, and pre-comp my backgrounds. if the client requests a background change, just change the backgound comp and eveything updates. if there are other changes, everything is right there and can be updated relatively easily. send all the chyron comps to the render queue and let it go, no problems.
with Motion, i already have many project files, one per chyron. so, at the very least, i'm going to have to open each project individually to make the changes. then export each individually. not efficient. (then take in to account my Multiple Open Document Woes, and it's a mess)
i'm aware of a third-party solution for automating this process, but it would really be nice for Motion to do this itself, rather than have an external app perform some XML hackery.
so, anyway, i use Compressor for exporting Motion rojects almost exclusively, but it's not without headaches. this is barely acceptable in a production environment.
-bt

Encoding a 3.5 hr movie with Compressor ??

I have a series of family reunions compiled in FCPHD. Yet the compressor settings only go out to 120 minutes/anamorphic HQuality. I have dual layer DVDs, which will accomodate the entire movie. Will Compressor just stop at
120 minutes ? What settings do I use in Compressor. I have been encoding sections of the movie with Compressor, on DVD/RW to check for errors, and the picture is outstanding. Can some one help me ?
thanks a bunch in advance,
rick

All the presets in Compressor are for DVD5 or SL discs.
So the 120 minute preset will encode two hours of footage to fit on a SL Disc.
So you can use the 120 minute preset to encode your 210 minutes to fit on a DL.
It won't stop encoding after 120 minutes.

Stream video with Adobe Flash Media encoder

Looking for a video camera capable of streaming video with
good quality and decent price.
What camara should I buy?

I'm not sure if the Vixia series can be used to provide realtime video to a PC. They're not really designed for this purpose - they are primarily recording devices.
*disclaimer* I am not now, nor have I ever been, an employee of Best Buy, Geek Squad, nor of any of their affiliate, parent, or subsidiary companies.

Jagged video with compressor encoding

Similar Messages

Maybe you are looking for