JVC HDV Capture settings + Hardware advice for HDV capture

We have 6.02 FCP Studio2. We shot JVC HDV 720 60P footage (1280 x 720) and are trying to capture thru FCP. We have the JVC GY-HD200U camera and the JVC BR-HD50 outboard deck. Other than the AJA HD 422 device, what are my options (hardware and software) to capture with Log & Capture in FCP? I need In/Out points of course.
JVC HDV says it has a great HDV workflow in FCP, but they don't tell you how (at least where we have looked on their website)
Unfortunately, Blackmagic's Intensity Series cannot control the devices via the HDMI link (One HDMI output is on the JVC BR-HD50 deck). We thought that might work.
Can anyone give us advice on the settings in FCP to control our HDV deck or Camera? We would prefer to keep everything digital, via firewire
Thank you everyone for your help. I did search for this topic and found nothing. I am sorry if this has already been covered...

Connect your deck or camera via firewire to your Mac, and then select the easy setup in FCP's FCP menu that matches the format you've shot. I'm pretty sure for a device control setting either your camera or deck would use HDV Firewire Basic as a device control setting. Other than that it should use the stock preset for the format you've shot.
Jerry

Similar Messages

  • Hardware Advice for measuring sound

    Hello,
    My masters project has taken a turn and now I am using the speed of sound.
    There are two arguments that have arisen. One from my supervisor who says that LabVIEW
    is used in industry and that it is a real-time environment, meaning I would be
    able to measure the time taken for sound to travel x metres (minimum 0.5m and 7m
    maximum).
    On the other hand the Labview guru on
    campus has suggested that using a USB interface, and the fact that Windows XP
    is not a real time environment would not return true times and there are other priorities
    that Windows has to handle firs giving erroneous times.
    Which argument is true, and which solution should I take.
    Firstly, should I using a microcontroller with dedicated timers to time the
    sound by starting a counter at 1.2MHz and take start value and finish value and
    then working backwards to get the time, with the obvious hard part of setting
    up communications with Labview through serial.
    Or should I purchase some sort of serial/USB interface for Labview that would
    be able to handle the job. If this option is best suited, are there any recommendations
    for hardware? I'm using the SCB-68 which can only be used on a desktop
    computer. I need something that is either Serial or USB as the final product
    will be controller via laptop.
    Cheers

    Hello,
    I'm just testing if I can use an external oscillator to timer. I'm using a NI-PCI 6229 and a SCB-68 interface box. I'm having trouble with the connections. Any advice for using the DAQx?
    The is not wiring diagram, so I’m not sure where to put the signal in.
    Cheers

  • Monitor and i/o hardware advice for fcp6 editor

    I am a videographer who mostly creates content for the web. I have an upcoming project for local broadcast and would like to get a calibrated video monitor for editing. Can anyone advise on a monitor and other hardware for someone on a budget. Matrox? Ideally it would be a flat screen monitor that isnt too big.
    I shoot DVCPRO HD (hpx170) to p2 cards, then log and transfer to FCP 6. I keep my media on a 4TB esata enclosure. I have a G5 dual 2.7 mac powerPC and will probably upgrade to a new intel tower when they come out in June. Presently I don't have the need to capture uncompressed HD but wouldn't mind having the ability to do so if possible. The HPX170 doesnt have an hdmi out, so I don't think I could do so with a matrox. Is it possible to get uncompressed HD out of the HPX thru HD/SDI into a mac g5 and fcp6? or an intel macbook pro?
    thanks for any help
    power mac g5 dual 2.7 osx 10.5.8 fcp 6.0.4 4TB esata enclosure

    For reference, I have the same G5 dual 2.7 PowerPC tower, FCP6 and shoot DVCProHD to P2 (An HPX500 for me). My research findings were that neither the AJA I/O HD or the Matrox solutions will work with a PowerPC for HD - we both need to upgrade to Intel machines for that. Both my tower and my Intel macBookPro work great with my AJA I/O for uncompressed SD, but as we know, HD is another beast all together.
    For what it's worth, I don't think that outputting material RECORDED to P2 as DVCProHD will give you anything by "uncompressing" it - DVCProHD is 4:2:2 8-bit and won't get any better... (live feed from a camera may be another matter).
    Bottom line - Both the Matrox and AJA solutions have been getting great reviews with Intel machines, I guess the writing is on the wall for us!

  • Vocal hardware advice for L8 - Apogee Duet?

    I realise this isn't strictly logic related, but value a lot the opinions & advice I've read here (& don't really use any other forums!!) so hope no one minds me asking...
    After a few years of remixing I'm looking to start recording original vocals shortly, & wandered gearwise what my modest budget would best be spent on..
    My set-up/situation is currently as follows:
    I currently have a focusrite saffire LE, & am mixing 100% in the box. I've only ever used a stereo line in (for DJ mixes from CDJs) & stereo out (to dynaudio BM5a's) so my I/O needs are pretty basic - The few bits of vocals I have done roughly (guide vox etc) have been on a cheapish Audio Technica Mic straight into the saffire. I have some decent quality plugs (Inc Sonnox, URS) but only a budget (& now unused) outboard DBX compressor
    My studio is in a single room, so vocals will need to be recorded in the same space, the room is treated with a dozen or so home made rockwool traps but is far from perfect.
    I'll be working with a variety of vocalists, from MC's to Female R&B singers so a versatile/neutral Mic would be great.
    My Budget is £600-800.
    Because of the above, my thoughts initially were as below
    1) An apogee duet card (replacing the saffire) OR an voicechannel like focusrite voicemaster PRO or TLA audio (2nd hand) to go into Saffire
    2) An SE relexion Filter
    2) Rode NT2a or SE3300 Mic (again 2nd hand if neccesary)
    Would I get better results from the better A/Ds & inbuilt preamps on the duet, or outboard voicechannel... or voicechannel into a duet???? - any advice much appreciated.
    Cheers.
    Adam

    Hi,
    have you been looking into the t.bone mics?
    If not - well - they are Neumann rebuilds... I own 5 Neumann Condenser mics . U87,TLM170,M149,M147. After comparing the t.bones to what I own and making the the a>b test looking like a random guessing contest I have stopped buying the brand and only pay for the mic. t.bones are amazing.... I can recommend the SCT2000 though it aint no tube mic.. T.bone also makes tube mics - check this link:
    http://www.thomann.de/gb/search_dir.html?sw=t.bone&x=0&y=0
    THis will save you a bunch of money and I PROMISE you - that you are going to like them - If not - I will personally buy the mic from you to the org. price....;-))))
    Since the t.bones are sooo cheap - maybe now you can look into the avalon.... I aint no avalon endorser but I know what a difference a great mic amp makes.... A great mic amp + a mediocre mic will give you a better result than a great mic + mediocre mic amp....
    And by the way . t.bone is TOP notch... even their condenser mics for €40 are amazing...
    Most people dont believe it - they wanna get neumann - as they think it's gonna make them a hit... Well neumann charges more than double just for the name...
    I have a t.bone copy for any neumann I own - and this fare NO ONE has made the blind test...
    Good Luck

  • Sony Z1U HDV Capture Settings for FCP 6.0

    Hi, I am shooting a project on Sony's HVR-Z1U HDV camcorder at HDV 60i NTSC. Does anyone have suggestions for settings to capture the material into FCP. I have FCP Version 6, part of the FC Studio 2 upgrade.
    Appreciate any feedback!

    There are definiitely some advantages to editing in DV rather than HDV for easy workflow and faster renders, etc.
    To capture, you'll have to get the settingns on the deck and in FCP to match. If you have the deck/camera set to HDV then choose the appropriate easy setup in FCP such as HDV 1080i60. If you want to capture as DV, then set the deck to downconvert to DV, and choose the DV NTSC easy setup. You'll want to check the anamorphic box for you capture settings and sequences, but keep in mind if your are working with DV or any SD format, that the anamorphic setting can be esaily applied to clips and sequences after creation or capture.
    When you export your web clips with compressor, figure out a square-pixel frame size that is some multiple of 16:9.

  • Correct settings for HDV capture

    Hi. I'm using Premiere CS5.5. I went on a few forums to get the correct settings for HDV capture.
    I can record the footage fine. However I saw a few things which didn't seem right.
    After capturing the HDV footage, the file was a .mpeg file. Secondly, the clip was 1 hour and 10 minutes and
    it was only 11.3 GB. Does this sound right? A 55 minute .avi file is 11.6GB. I thought a HDV clip would be quite a large size file.
    If this dosen't sound right, is there somewhere I could go to, to check that my settings are correct? By the way I'm filming and capturing with a Canon XHA1.
    The footage is 1080i. HDV. I've exported it and it looks fine. Just want to make sure I've captured it correctly and to the best quality.
    Thanks for your help.

    The HDV format was advanced by Sony and others to use the same miniDV tapes used for SD.  In fact, your Canon XHAI can record and play either without changing the tape transport speed.
    Your observation in relative file sizes is due to the fact that HDV is highly compressed (MPEG), whereas, SD (AVI) is not as highly compressed.  This is one of the reasons folks (such as Harm) don't consider HDV to be an edit format, but just a delivery format.
    Note that what Harm was saying is symantics--you capture an analog source through a capture card that digitizes it.  When you transfer a image file from HDV or SD, it is already digitized, so a bit-to-bit transfer occurs.

  • Sequence settings for HDV 720p 24 fps

    Okay, now that the French is gone I'm back on track, but still confused. I've captured my HDV 720p @ 24FPS footage using LumiereHD & it's separated & ready to go. What sequence settings/editing timebase should I use? I've noted people here saying DVCPro, but others said DVCPro is just problemic/not correct for HDV . . . and the Lumiere forum reccomends using the Apple Intermediate Codec, which I think people here said NOT to do . . . and there's a 720p24 option in Lumiere, but not in FCP . . . is it just like using 24p DV where you edit at regular 29.97? My head is turing into goo. Any sage advice, O sage ones? And I'm finishing on DVD, if that's usefull. Thank you!!!

    Don't stay nervous for ever, you're missing out on a lot of good stuff.
    1. Repair Permissions.
    2. update to OS X 10.4.8
    http://www.apple.com/support/downloads/
    3. update QuickTime to 7.1.3
    4. make sure you have Motion 2.1 already installed
    5. update all your pro apps with Software Update
    http://www.kenstone.net/fcphomepage/whats_new_5.1.2balis.html
    http://discussions.apple.com/message.jspa?messageID=3213777
    Still nervous?
    I can't tell you what setting in FCP 5.1 to use, because I no longer have 5.1.
    I would convert the HDV to DVC PRO HD 720p.
    Editing in native HDV is a pain because of the frame structure.
    You will end up with larger files with DVC PRO HD, but since it's all "I-frames" editing and compositing will be much, much faster.

  • M2T vs. MPG for HDV Capture?

    Hello All,
    What is a better option to capture HDV video via firewire?
    1) Capture through Premiere CS3 into an MPG file?
    2) Capture through Adobe On-Location into M2T files?
    Are they essentially the same? Is there different compression? Are there compatability issues?
    Background:
    I have to capture about 25 hours of HDV video from a JVC HD100 in 720P30 format. I will have to share this footage with a couple of different people (sponsors, event organizers, etc).
    For compatability, I have already decided to capture via firewire instead of through my HDMI or analog component capture card. I know that codec is rare and fairly cpu intensive.
    I am just curious if M2T or MPG is preferable on a whole.
    Chris

    The file structure is actually the same. I don't know why some programs capture as M2T and then Adobe came after and captures as MPG. (On Location was purchased, not designed by Adobe).
    They are the same and are interchangeable in Premiere Pro.

  • No preview for hdv capture window

    When I try to capture hdv I am not getting a preview of the footage in the capture window while browsing the footage. I realize that I will not get a preview while capturing but I should get the preview while just browsing through the footage yet all I get is a black screen. I do have full control of the camera via premiere and the captures do actualy work. This used to work fine with cs3 but stopped working with cs4. The regular DV capture works fine with the preview. Its a sony fx1 hdv camera. Also when I click on capture setting nothing happens but if set to dv capture the capture settings give me options including preview settings.
    Thanks in advance.

    Well, it's actually a sad shortcoming of Premiere CS4.
    I'm new to PPro, and CS4 is my first, in fact I'm new to video. What little I know, I've been doing with Final Cut.
    So the answer to your question is actually "it's by design", hence my commentary.
    Ref: http://help.adobe.com/en_US/PremierePro/4.0/WS00B136B2-33DB-49a0-B247-6521242FDBDAa.html
    On the Mac, it's actually worse - HDV capture preview is totally non-existent.
    http://www.macworld.com/article/136525/2008/11/pprocs4.html
    It's a minor annoyance for me, and it could still "grow" on me - since video isn't being transferred to PC while previewing, there is no perceived delay, and the keyboard shortcuts, I and O, are the same (with FCP).
    Landed on this post after searching for what I thought was a capture setting problem, and also found the above links that answered it for me. Hope this helps.

  • Urgent Help, Thanks to any with advice... (capturing HDV)

    Hello, my name is Justin. I am under the gun and have to turn in my final movie project this week. I have footage on my Canon XH A1, shot in HDV, 24F. When I capture to Final Cut Express 3.5, my footage is slightly fast. My audio is in real time but my footage is at about 115% percent. Needless to say this will not do. I tried all 3 HDV easy set up codecs. Help?
    Thanks for any advice...

    Hi Justin
    How were you capturing the video, off the same camera you shot on. Problems occur if you you shot on a panasonic and capture off a sony as an example. Shoot and capture off the same an you should not have a problem.
    A 2nd solution send the clip to the time line unlink the video and audio and slow down the video 1 or 2 percent at a time until there is a sync up. Might not work, but when in a bind any port in a storm!!
    I shoot HDV as FCE3.5 allows me to capture the whole tape and it creates clips were as this would not be so with sd. The Sony HVRA1 has guides for on the flipout screen and the viewfinder.
    Let me know if you come right!!
    Justin..Durban..South Africa

  • Are there benefits to the Blackmagic Intensity Pro for HDV capture ?

    Are there benefits to the Blackmagic Intensity Pro for HDV capture ? 
    I have a Sony HDR-FX1 that records in HDV 1440 x 1080 
    I have already captured the footage to miniDV tape. 
    Can the intensity card get the full 1920 x 1080 video ? 
    I now use Premiere to capture my video and my HDV is in mpeg2 and my SD is in DV type 2 AVI 
    What format does the intensity card capture at ? 
    Are there other ways to capture that would make the footage better. 
    From what I have read allot of people have had problems with these cards. 
    Im just looking for the best way to get the footage off my camera with the best resolution. 
    Thanks:  Glenn 

    Glenn,
    I have posted this before in the PC Buying Guide (post #23 and later), but have a look at this diagram:
    The problem is that once recorded to tape, the material is compressed to MPEG and there is no way to get the data back, that were lost during compression. The only thing you achieve is that you lose device control, lose all timecode information, lose all metadata like date and timestamp and exposure data and lose the capability of scene detection. There are no gains to compensate the losses.
    Compare it to a glass of orange juice, that was made by heavily compressing oranges. How do you think you can reconstruct the original oranges that the juice came from? Were there 4 large oranges or 6 small ones or a mixture? Were they light colored or were they dark or a mixture of light and dark?
    BlackMagic in their marketing may lead you to believe otherwise, but the truth is they can only guess at how many oranges were used, their size and color. It is nothing more than a guess.

  • FCP7 Capture Settings - HDV Audio

    I am capturing just fine with FCP 7 and a Canon HV30 camcorder. However, I would like to be able to turn off the audio monitoring while the capturing is in progress.
    Previous versions of FCP did not have audio monitoring with HDV cameras, and wasn't a problem. Now, I can't get it to be quiet without muting my system audio.
    The HDV capture settings are not editable, nor can I duplicate the preset.
    The capture window clip settings does not include a preview toggle.
    Any ideas?

    bump... HDV audio monitoring during capture, I have been unable to figure out how to shut it off.

  • "Lacie Rugged" for hdv capture?

    Is the 160gb 5400 rpm buss powered drive good enough for basic hdv capture and editing?

    I'm not a big fan of the larger 3.5" drive based Lacie units, as Shane already pointed out, they have a very poor record for reliabilty ....
    ... the "Rugged" however, one of their smaller 2.5" format drives, is an excellent little drive, very robust and in my own experience its very reliable. It will be more than adequate for HDV capture and editing.
    Note: if you are not travelling regularly and do not need the added peace of mind of the big rubber bumper then there is little point in spending the extra money on this one, there are plenty of alternative drives that are equally reliable AND that have 7200rpm drives inside for that extra oomph when you want it.

  • Capture card for HDV

    Can anyone tell me if I have somekind of advantage from a capture card when working in HDV like realtime effects or even better direct output to tape without the time consuming conforming of the HDV material.
    Core

    I'm thinking about getting the Intensity Pro, and I have a Canon HV20, but I have a few questions for you.
    Do the intermediate codecs look better when going from HDV to Apple Pro Res for instance?
    If you have an HV20, do you know if capture is smoother? By that I mean does it find timecode more easily (when I batch capture, it's a struggle because FCP can't find the timecode half the time, and I have to keep telling it to retry).
    How does the computer control the deck/camera? I didn't know you could control something over HDMI.
    With the HV20, it records in 24p but really 60i where you have to take out the interlaced frames to make it a 24p image. If the HDV is captured as Pro Res, is it possible to still use Cinema Tools to remove the interlaced frames?
    I have a ton more questions, but that's good enough for now
    Thanks so much!

  • Capture for hdv

    i using sony htv v1u hdv cam . i can not get to capture the hdv device , only dv i can get it. please help.

    Make sure everything is set to hdv. Camera but also the capture settings in CS5.
    Connect camera to pc. Switsh it on and let Window reconize the camera.
    A pop up comes and asks you what you want to do.
    Select Premiere CS5.
    Premiere will open and you should be able to capture.

Maybe you are looking for

  • Display of Compounded InfoObject in Business Objects Variable screen

    Hi, The Cost Center is compounded with Controlling Area in BEX Query and there is filter on that.  After running the query, in the select options, it will display Cost Center in the possible values in the selections. When this query is used in BO Uni

  • From Regex to Regex

    sed -n '/regexp/,$p' Was trying just having it twice..and a few other attempts but really none that worked

  • Loaded lion yesterday, now computer crashes at start up.

    loaed Lion yesterday and all seemed fine. Now today computer continually crashes on start up. Now what ?

  • Slide notes

    This question was posted in response to the following article: http://help.adobe.com/en_US/captivate/cp/using/WS5b3ccc516d4fbf351e63e3d119e9582190-7fd8.h tml

  • Help with Date objects

              I need to get the current date from within a JSP and insert it into an           Oracle database.           I need the form to be DD-MON-YY.           What is the recommended approach for this? I have been experimenting with           time