Keeping Audio In Line With TV Broadcast Levels

I am tempted to raise the track audio to the max without clipping, but this seems a bit too much. What is acceptable or the norm for DVD audio? Any advice appreciated. I have noticed a wide variation in DVD volume levels,

On another note, is there any good reason not to max out the volume if no clipping will occur? I am creating several discs of music videos obtained from TV broadcasts, so the real dynamic range is preserved throughout. The only reason I can think of for keeping the peak as you suggested is to avoid surprising unwary listeners who have the volume cranked up on a stereo hooked up to their DVD player.
I'm just trying to compromise between puny and overly loud sound. I have seen advice suggesting -6dB max but I'm still not sure. From my standpoint, it's better to turn the sound down than it is to turn it up to where it's listenable .

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My printer keeps going off line with my network. have to set everything up every few minutes.

After getting my HP photosmart 5510 all in one printer setup on my wireless network and setup for eprint, 2 problems occurred. The printer keeps jumping off of the network, and I have to set everything back up again. Also, even with eprint still completely set up, none of the emails that I send are printing out???
Please Help

For those who are experiencing ongoing issues with their web services, you can attempt to try the following steps that may help resolve your problems.
1.) Completely shut down your printer and restart it
2.) If you have prints that have not printed, log into ePrint Center (or create an account if you do not have one) and then look for your printer status. If printer status is green but you still have pending jobs, delete the pending jobs one at a time (Starting with the oldest first). There may be a print job stuck in the queue that further restricts other jobs from completing.
If option 1 or 2 above still doesn’t work, removing web services and re-adding web services will cause the printer to reattach to the cloud.
Please note that if you attempt option 3, you will get a new eprint email address (and lose your custom one with no ability to get it back) furthermore, you will need to re-add your printer back to your ePC account.
I am an HP employee

M-Audio FastTrack USB - very low signal level (line/guitar)

I've used FastTrack USB for a couple of years with a microphone through the XLR input with no problems. Now I am trying to connect a line output of a synthesizer to the line input of the FastTrack and the signal level is very low. There is no noise, it's just quiet, even with the track volume all the way up it's still no match for the rest of the tracks.
Any suggestions, except for trying all the knobs and switches on the face and back of the unit (tried that already)? Anybody has similar setup?
I use FastTrack for audio input, and built-in audio for output, it's connected through a hub (no problems for two years). In GB microphone is going to the Channel 1 (mono), and still works fine. Synthesizer goes to Channel 2 (mono) and is really quiet. I tried the syn with two different 1/4 cables with no difference. The headphones jack on the front of the FastTrack works fine with the normal level adjustment range, and if I plug in the headphones directly into the line out of my syn, I have sound, quiet (like you would get by connecting headphones to any line out, turntable even) but steady, so the syn must be fine.
Any thoughts?

No takers. Hm. OK. After some more research on the Net it appears to be that all the Fast Tracks suffer from the same problem, which makes me believe that it's not a bug, but a feature of an unexplainable kind. Oh, well, back to my old iMic noisemaker (this one works, it's just screened very poorly, so it picks up all the possible interference, and also makes its own little nasty hiss--this is why I switched to the Fast Track a while ago--so I will need to cut it out with an EQ, again). Hopefully, the EQ surgery will not affect the synthesizer's sound consistency as severely as it use to do with a microphone.

HDMI Audio not working on Q190 (along with all higher level Audio Formats)

Help, I have been given the run around via support, I cannot get the HDMI audio to work with my Pioneer Surround Sound, only the Intel display audio shows in control panel (Win 8 X64) and the RealteK S/P Dif port and it is not capable of supporting 7.1 sound or bitstreaming or DTS, Dolby HD, Etc. Tec support appears not capable of fixing the issue and wanted to send me to software support and pay. I have only had the machine for 4 days and it has never supported higher level sound.
Every other device I have (had or currently) connected to the receiver works just fine. I have to figure this out or return the machine, the audio is the most important aspect for me. Besides when you advertise 7.1 support the machine you sell should be able to do it.

Hey guys,
I have had this Q190 with the Celeron CPU since last week and I am using XBMC Frodo and the HDMI is connected to my AVR Onkyo TX-NR809 and from the Onkyo to the TV. And the sound is 7.1 with PLIIZ. It works fine. I think it may be some driver problem because Realtek Audio which is in the Q190 works fine with the Win8 preinstalled. Realtek is kind of bad with driver because I lost my wifi after upgrading to Win 8.1. After a few days with no wifi, I found out that the driver was bad, yes it was a Realtek wifi driver but posted by Lenovo for W 8.1.
I have another friend who also just bought the Q190 and he reported no audio problem so I think it is just a matter of trouble shooting the drive and configuration. I do love the form factor of the Q190.

How can I edit imported audio track? After selecting and deleting region and joining remaining parts, it keeps playing the track with the deleted part! What am I doing wrong?

How can I edit imported audio track? After selecting and deleting region, and joining remaining parts, it keeps playing the track with the deleted region!
What am I doing wrong?

After selecting and deleting region, and joining remaining parts, it keeps playing the track with the deleted region!
What am I doing wrong?
How exactly are you doing this?
When I cut out a part of an audio region, then drag the remaining parts together, so they are touching, the track will skip the cut out section when playing the file. Also, if I select the remaining parts of the region and use the command "Edit > join regions". This will create a new audio file with the cut out part deleted.
You should see this prompt, when you are joining the regions:

Can I replace my land line with an iPhone and keep the same phone number? Thanks.

Hi, Can I replace my land line with an iPhone and keep the same AT&T phone number? Thanks.

Hi
There are always some wrinkles in this kind of change. If you have a home security system like ADT they require a land-line for their system to work. This less of an issue in apartments and condos - it's mostly a "house" issue.
Before you make the switch (and there may be a switching fee) just make sure you cover all the bases.
Cheers

Broadcast levels workflow

Hi there,
I teach Journalism production to undergrauate journalism students. We teach the Adobe apps: Audition, Premiere, InDesign, Photoshop.
In Audition, radio students construct stories with various recorded or sourced audio files in the Multitrack view, then mix them down to the Edit view for saving as MP3 files.
Naturally these source files vary in level and quality, depeding on where they came from.
I'm just wondering what other people's workflows are to get a neat, broadcast level mixdown with files of varying level, and how one workflow might be better than other workflows (or the ones we're using now). I'd like to settle on a "best practice" workflow to document in my teaching.
For instance, do you:
1) Apply normalising/compression to tracks in the Multitrack view?
2) Mixdown and then apply normalising/compression?
3) Mixdown and fix low parts "by hand"?
4) Something else?
Kind regards
Matthew P
Brisbane, Australia

Matt Petersen wrote:
4) Something else?
Oh, definitely that... In a nice, idealised student setting you can spend loads of time polishing everything after the event... but in the real world, stuff happens. For a start, if you have loads of different takes, all of different levels then what tends to happen is that each individual file is sort-of okay in itself, but not necessarily compared to any other file. So firstly you have to get all of these files to at least a vaguely consistent level, and that's where batch processing comes in. Assuming that the basic recording technique was okay, then batch normalize all of the individual files to about -1dB. This is way quicker than doing each one by hand, and it means that the next stage in the process you can generally whizz through a lot more easily without mucking about with levels all the time.
So now you can put stuff in the mix quickly and easily, and play it out directly if you are desperate - which at some stage you are going to be. If you want to make sure that the final output sounds a bit more homogeneous, then all you have to do is to put some multiband compression into the master stage, and hey presto, what comes out sounds pretty good. And when you have to redo things, or use different parts of what's there, it's dead easy to swap sections around from your files and still have instant, good-sounding output without doing anything else at all. And that's what most real-life radio production is about - good results fast, because the editorial production team won't wait.
So the basic rule is to get all your source material normalized first - and if anything else about it needs fixing, do that first too. And do as much of this stuff in batches as possible. One of the main reasons that Audition is used the world over for radio is because you can achieve a heck of a lot quickly in batch mode, and I'd say that any radio course that doesn't teach students what the real advantages of this method of working are isn't exactly doing their future employers much of a service at all.

X-FI Xtreme Audio (OEM) problems with Guitar Po

Hey all, I just upgraded from a SB Li've 5. Sound card to an X-FI Xtreme Audio Card and am now having problems with guitar port. There seems to be a delay or lag time from playing to actually hearing the sound. It sounds like its about half a second or so which makes it really annoying for trying to play. Is there a remedy for this or is there something wrong with the card/drivers?Also, is Line in and Mic levels no longer in the windows volume?playback control?

jutapa wrote:
frubsen wrote:
Hey all, I just upgraded from a SB Li've 5. Sound card to an X-FI Xtreme Audio Card and am now having problems with guitar port. There seems to be a delay or lag time from playing to actually hearing the sound. It sounds like its about half a second or so which makes it really annoying for trying to play. Is there a remedy for this or is there something wrong with the card/drivers?Also, is Line in and Mic levels no longer in the windows volume playback control?
You should be able to control I/Os through Windows mixer(s) and Creative Control Panel (comes with the driver package). If you like to install those software intend for X-Fi you need to download the CD image from BadBoys site (if he still has the site up an running). You get those mixers showing up either through panel which pops up when you enter mmsys.cpl in start->run... prompt (Audio tab, Volume buttons). Individual mixer panels can be called with commands sndvol32 (play) and sndvol32 /r (recording). The lag you have there is normally called as latency. You get rid of it by using ASIO driver mode with 2 - 0ms latency settings. You can set the latency through ASIO controlpanel. If the guitarport has an ASIO driver it's own, use it's control panel or try with asio4all driver (http://www.asio4all.com).jutapaMessage Edited by jutapa on 0-9-20080:0 PM
Is this a standalone driver? Or is it something used in addition to an existing sound driver? I'm having a similar problem with my mic, there is a delay (and it has to be turned up really loud to be heard, although that may be a different problem) and I'm looking for a solution.

IS the audio time line gone?

In older versions there was a time line for adjusting the volume (mixing)
over the period of your movie. I think that is now gone right?
I keep using the older version because I can incrimentally tweek volumes that
clash with other things like dialogue.

So what is a guy to do?
I use (and like) both iMovie 09 and iMovie 06. But when I need the audio time line or better quality I use iMovie 06.
If you like iMovie 06 better, as many do, you can continue to use it. I find that it works perfectly with my Mac Pro, iDVD 09 and the latest Mac OS.

Commentary, Audio & Burning Issues with DVD-9

Hi. I have a collection of problems here that sprouted up when building and formatting a dual-layer disc. I have a feature film with two commentaries on top of the normal audio track. If you hit play on the main menu, I specified A1 (which is the normal track) and it goes to two .jpegs (FBI Warning & Interviews/Commentaries Disclaimer) and then plays the movie.
If you go to the Special Features menu, you can hit two play buttons with each commentary specified to them (A2 & A3) the two .jpegs appear and then the movie plays.
This works fine in the simulator but when I build the disc and play the VIDEO_TS & AUDIO_TS folder in Apple's DVD Player, this doesn't work. A1 is what is heard (I have to manually select the commentary audio tracks in DVD Player). I tried bypassing the .jpegs and have the commentary buttons go straight to the movie and this works when I build and play in DVD Player. I wouldn't prefer to do it that way. So if there's a solution it would be appreciated.
My second issue is more related to audio encoding. But I'm not sure if this is a Compressor issue or DVD SP4 issue. I encode the audio from .AIFFs or audio from .MOVs into Dolby .AC3 files. The settings in Compressor is:
http://www.underlibertymovie.com/Compressor_Settings.png
The audio sounds fine in the simulator, however when I build the disc and open in DVD Player, the audio levels are all over the map. Whenever something is bassy (low frequency) happens, the audio levels are dropped and then gradually raises to normal level. So whenever the bass drum hits in the soundtrack or explosions, this sounds really strange. I'm sorry if this is solely a Compressor issue but I thought I'd give it a shot.
And thirdly, this is a dual layer DVD-9 at 6.6 GBs of data. I've set a valid layer break point as far as I know and have tried to burn several times. First I had Memorex DVD+R DL media and it would write the lead-in, start the first bit of the image, then abort and say "The device reported an error: Unknown device" and then there was an error code that I can't recall (something like 00x 04x)
After finding out that Memorex is not a reputable brand, I had my partner drive quite a ways to find DVD+R DL Verbatim discs (which is what people were consistently recommending) and the same problem occurred. I also noticed afterward that both brands are ReWritable discs. The Memorex discs didn't specify this but my Mac said it was. I can burn another DVD and get the exact error message if that helps.
Sorry for such a long post, but I'm at a loss with these issues. Thanks.

Hi Logimec,
If your playback requirements are as simple as you say, here is an option
that will work with no scripts.
Have your FBI and commentaries as one short vid track and create 3 stories
name the 1st "... A1", the next story as "...A2" then another for A3.
in the story inspector,general tab, DISABLE all other audio options except
the one which coresponds with the desired audio content, you must do this
even if they have no audio to go with them.
then create 3 stories for your feature track named "...A1,2,3 (same as earlier)
and again, enable ONLY the audio track you wish presented.
select the buttons, one at a time for each option and look to the "Button inspector, advanced tab, streams option"
and select the audio stream you wish presented.
Needless to say you must also RE-target your buttons to the desired story
line and not the main tracks.
you must be sure that the end jump from the warning to the feature goes to
the coresponding story/audio option, A1 to A1, A2 to A2, etc.
I also recommend you look in the help manual under "Setting the dual layer direction" "OTP & ATP" it may help you improve the delay at your "Break Point"
Hope this helps,
J>H<L
Message was edited by: KADVD

Can you switch to alternate phone on line with edge payment?

I have a need to temporarily from time to time switch to an alternate phone on a line I currently have Edge payments on. I will continue to keep and use the phone I'm making edge payments on, but if I take the SIM out and put it in another phone for a few days, will that affect my monthly Edge payments? I won't be putting a different SIM in the phone I'm making payments on.
Anyone have experience with this?

lewisr13 and mrhelper thanks for the responses. To clarify, I have an iPhone currently on a line with edge payments being made on that phone. I may temporarily from time to time need to switch to an Android phone on that line. I would like to keep making Edge payments on that iPhone and not have to pay it off all at once if I switch to the other phone temporarily. I have no plans to put the iphone on another line during that time and that Android phone won't be purchased via that line or any other line on my account. It would be simple swapping of SIM from iPhone to Android phone and back.
I'm just trying to avoid getting hit for the whole cost of the iPhone at once and prefer to keep my monthly Edge payments for it...that's my primary goal or what I want to understand.

With header line & with out header line ?

what is difference between with header line & without header line ?

When you create an internal table object you can also declare a header line with the same name. You can use the header line as a work area when you process the internal table. The ABAP statements that you use with internal tables have short forms that you can use if your internal table has a header line. These statements automatically assume the header line as an implicit work area. The following table shows the statements that you must use for internal tables without a header line, and the equivalent statements that you can use for internal tables with a header line:
Operations without header line
Operations with header line
Operations for all Table Types
INSERT <wa> INTO TABLE <itab>.
INSERT TABLE ITAB.
COLLECT <wa> INTO <itab>.
COLLECT <itab>.
READ TABLE <itab> ... INTO <wa>.
READ TABLE <itab> ...
MODIFY TABLE <itab> FROM <wa> ...
MODIFY TABLE <itab> ...
MODIFY <itab> FROM <wa> ...WHERE ...
MODIFY <itab> ... WHERE ...
DELETE TABLE <itab> FROM <wa>.
DELETE TABLE <itab>.
LOOP AT ITAB INTO <wa> ...
LOOP AT ITAB ...
Operations for Index Tables
APPEND <wa> TO <itab>.
APPEND <itab>.
INSERT <wa> INTO <itab> ...
INSERT <itab> ...
MODIFY <itab> FROM <wa> ...
MODIFY <itab> ...
Using the header line as a work area means that you can use shorter statements; however, they are not necessarily easier to understand, since you cannot immediately recognize the origin and target of the assignment. Furthermore, the fact that the table and its header line have the same name can cause confusion in operations with entire internal tables. To avoid confusion, you should use internal tables with differently-named work areas.
The following example shows two programs with the same function. One uses a header line, the other does not.
With header line:
TYPES: BEGIN OF LINE,
COL1 TYPE I,
COL2 TYPE I,
END OF LINE.
DATA ITAB TYPE HASHED TABLE OF LINE WITH UNIQUE KEY COL1
WITH HEADER LINE.
DO 4 TIMES.
ITAB-COL1 = SY-INDEX.
ITAB-COL2 = SY-INDEX ** 2.
INSERT TABLE ITAB.
ENDDO.
ITAB-COL1 = 2.
READ TABLE ITAB FROM ITAB.
ITAB-COL2 = 100.
MODIFY TABLE ITAB.
ITAB-COL1 = 4.
DELETE TABLE ITAB.
LOOP AT ITAB.
WRITE: / ITAB-COL1, ITAB-COL2.
ENDLOOP.
Without header line:
TYPES: BEGIN OF LINE,
COL1 TYPE I,
COL2 TYPE I,
END OF LINE.
DATA: ITAB TYPE HASHED TABLE OF LINE WITH UNIQUE KEY COL1,
WA LIKE LINE OF ITAB.
DO 4 TIMES.
WA-COL1 = SY-INDEX.
WA-COL2 = SY-INDEX ** 2.
INSERT WA INTO TABLE ITAB.
ENDDO.
WA-COL1 = 2.
READ TABLE ITAB FROM WA INTO WA.
WA-COL2 = 100.
MODIFY TABLE ITAB FROM WA.
WA-COL1 = 4.
DELETE TABLE ITAB FROM WA.
LOOP AT ITAB INTO WA.
WRITE: / WA-COL1, WA-COL2.
ENDLOOP.
The list, in both cases, appears as follows:
1 1
2 100
3 9
The statements in the program that does not use a header line are easier to understand. As a further measure, you could have a further work area just to specify the key of the internal table, but to which no other values from the table are assigned.
Internal table with header line
you can use anywhere except obkect oriented concept.
Internal table without header line :
You should use in Object oriented concept..
Always try to use without header line,performance point of view it is best..
Example :
Without header line.
Structure
types : begin of ty_itab ,
matnr type mara-matnr,
end of ty_itab.
Internal table
data i_itab type standard table of ty_itab .
Work area
data wa_itab like line of i_itab
With header line
data : begin of i_itab occurs 0,
matnr like mara-matnr,
end of i_itab
itab with header lines are obsolete, anyway it will work but not recommended. instead use work area or more effiecient is field symbols. so donot use itab with header line.
i will explain use of itab w/o header line.
Data: itab1 type standard table of mara with header line occurs 0,
itab2 type standard table of mara,
wa_itab2 type mara.
loop at itab1.
"This will work fine.
endloop.
loop at itab2.
"This will give erro that itabd does not hav workarea
endloop.
"so write
loop at itab2 into wa_itab2.
"This will work
endloop.
<b>The difference between
whih header line and with out heater line of internal table.
ex:-
a) Data : itab like mara occurs 0 with header line.
b) Data: itab like mara occurs 0.
-While adding or retrieving records to / from internal table we have to keep the record temporarily.
-The area where this record is kept is called as work area for the internal table.
-The area must have the same structure as that of internal table. An internal table consists of a body and an optional header line.
-Header line is a implicit work area for the internal table. It depends on how the internal table is declared that the itab will have the header line or not.
a) Data : itab like mara occurs 0 with header line.
table is with header line
b) Data: itab like mara occurs 0.
table is without header line</b>
regards,
srinivas
<b>*reward for useful answers*</b>

Line with same key

Hello everybody, Im facing a problem when trying to run a query
Im getting an error that says: There is already a line with th same key.
I ran the program ANALYZE_RSZ_TABLES and I found the query that Im trying to run under the error: Selections or RKFs with incomplete defeinition. Im not sure if Im in the right track, or if there is something else that I have to check.
Can somebody help please?

yes I already went there too but found anything important. I did search the oss nothes but nothing worked, I´ll keep trying and see if I can solve it, but if somebody has any idea, please tell me

Why won't the mission statement box stay in line with content?

SOURCE CODE:
<!doctype html>
<html>
<head>
<meta charset="UTF-8">
<title>Untitled Document</title>
<link rel="stylesheet" type="text/css" href="file:///FIRST 32/AVT 217/iguevara_byethost32/project1/finalpage.css"><link href='http://fonts.googleapis.com/css?family=Skranji:700' rel='stylesheet' type='text/css'>
</head>
<body>
<div id="page">
          <div id="header">
          <div id="mainnav">
    <ul>
    <li>HOME</li>
              <li>ABOUT</li>
        <li>JUDGES</li>
        <li>SPONSORS</li>
        <li>FAQS</li>
        <li>CONTACT</li>
        <li>FINAL 50</li>
    </ul>
    </div>
          <div id="section">
          <div id="subnav">
    <ul>
              <li>AIGA 50</li>
        <li>EXIBITION</li>
        <li>GUIDELINES</li>
        <li>COST OF ENTRY</li>
        <li>MAILING YOUR WORK</li>
         <li>AIGA 50</li>
    </ul>
    </div>
    <div id="content">
    <h1>What is AIGA 50</h1><br>
    <h2>#29 / Maybe it’s because you love being recognized by your peers.</h2><br>
<p>We’re proud to announce the 12th biennial AIGA 50, a juried exhibition that showcases 50 of the strongest examples of design produced in our region during the past two years. Our panel of judges, experts and leaders in design, will evaluate work from print, narrative, and interactive media.</p><br>
<p>So rack your brain, raid your files, and dust off your best work. How much have you produced in the past 730 days? You might not have hit every one out of the park, but you know which pieces hit the sweet spot. This is your chance to share your design home runs with your peers and the community.</p><br>
<p>Whether or not you make the final 50, your work will be featured in the online gallery, where every single piece submitted can be shared, liked and discussed. We’ll recognize the winners on April 25, 2012 in an exhibition and reception in the Atrium of the Corcoran Gallery of Art in Washington, D.C. Show us why you’re a designer by presenting your proudest accomplishments to the DC design community. Enter AIGA 50 by October 28.</p><br>
<p>Follow along with AIGA 50 on facebook or twitter, using the hashtag #aiga50.</p><br>
          </div>
    <div id="mission">
          <h3>AIGA Mission Statement</h3><br>
<p>AIGA, the professional association for design, is committed to furthering excellence in design as a broadly defined discipline, strategic tool for business and cultural force. AIGA is the place design professionals turn to first to exchange ideas and information, participate in critical analysis and research and advance education and ethical practice</p></div>
    </div>
    <div id="footer">
    © Copyright 2013 AIGA, the professional association for design, Washington, DC Chapter
    </div>
</div>
</body>
</html>
STYLE SHEET:
@charset "UTF-8";
/* CSS Document */
/* http://meyerweb.com/eric/tools/css/reset/
   v2.0 | 20110126
   License: none (public domain)
html, body, div, span, applet, object, iframe,
h1, h2, h3, h4, h5, h6, p, blockquote, pre,
a, abbr, acronym, address, big, cite, code,
del, dfn, em, img, ins, kbd, q, s, samp,
small, strike, strong, sub, sup, tt, var,
b, u, i, center,
dl, dt, dd, ol, ul, li,
fieldset, form, label, legend,
table, caption, tbody, tfoot, thead, tr, th, td,
article, aside, canvas, details, embed,
figure, figcaption, footer, header, hgroup,
menu, nav, output, ruby, section, summary,
time, mark, audio, video {
          margin: 0;
          padding: 0;
          border: 0;
          font-size: 100%;
          font: inherit;
          vertical-align: baseline;
/* HTML5 display-role reset for older browsers */
article, aside, details, figcaption, figure,
footer, header, hgroup, menu, nav, section {
          display: block;
body {
          line-height: 1;
          background-color:#000;
ol, ul {
          list-style: none;
blockquote, q {
          quotes: none;
blockquote:before, blockquote:after,
q:before, q:after {
          content: '';
          content: none;
table {
          border-collapse: collapse;
          border-spacing: 0;
body {
background: url(960image.png) no-repeat top left 100px fixed;
#page {
          width:960px;
          background:#000;
#header {
          width:960px;
          float:left;
#section {
          width:960px;
          color:#FFF;
#footer {
          width:960px;
          clear:both;
          padding-bottom:53px;
          color:#FFF;
#mainnav {
           width:690px;
           padding-left:270px;
           color:#FFF;
           padding-bottom:98px;
#subnav {
          width:270px;
          padding-top:239px;
          font-family:Arial, Helvetica, sans-serif;
          color:#fFF;
          float:left;
#subnav li {
          padding-top:10px;
          padding-left:23px;
          padding-bottom:10px;
#content {
          width:482px;
          margin-left:270px;
          padding-bottom:181px;
#mission {
          width:182px;
          margin-left:779px;
          color:#FFF;
#mainnav li {
          display:inline;
          padding-right:10px;
H1 {
          color:#FFF;
H2 {
          color:#FFF;

Thank you! Well that helped get them in line with each other the only problem is now for some reason the mission statement is to the left of the content information and the mission statement is supposed to be to the right. Sorry I am obviously a beginner and I'm sure its something simple but I have no idea what I'm doing wrong.
This is how I changed the style sheet:
#content {
          width:482px;
          float: right;
          padding-bottom:181px;
#mission {
          width:182px;
          color:#FFF;
          float:right;
Now it looks like this:

After recent upgrade to Yosemite on Macbook air bluetooth audio cuts out and associated video stops with audio. Likewise with airplay and Apple TV. I have deleted all my saved wifi connections and restarted numerous times. I do not expect a resolutio

After recent upgrade to Yosemite on Macbook air bluetooth audio cuts out and associated video stops with audio. Likewise with airplay and Apple TV. I have deleted all my saved wifi connections and restarted numerous times. I do not expect a resolution from the community, but hope to get the attention of Apple engineers. If you are having same problems or have a miracle cure I am all ears.

May start my own thread, but I'm having similar issues.
I've been using an old iMac (running 10.7.5) and Apple TV for years with no issues. Last week I bought a new Macbook Pro running Yosemite and have had audio issues multiple times. The weird thing is that sometimes it works flawlessly, other times (like now) I spend half an hour just trying to get a song to play.
My issues are: When I got to "computers" in Apple TV to stream my music, my music is sometimes chopper or intermittent, and I seen to know when it's going to happen based on the status wheel just before it plays. When I choose a song, the status wheel will spin for an unusually long time, usually an indicator that the audio is either not going to work, or stutter.
When it does finally pull up a song, the playhead sits at the beginning of the song for a good 3-5 seconds before actually playing. Then, when it starts playing, it's all downhill. It will play a few seconds, drop out, play a few more seconds, drop out, and then ultimately the playhead will keep moving across the song as if it's playing, but there's no audio.
Again, this is a new phenomenon never experienced by me. I've tried everything I could think of, some of them all at once:
• restart Apple TV
• restart Macbook Pro
• quite iTunes/open
• turn off Home Sharing on iTunes then reconnect it
• unplugging and cycling both my modem and router
None of these have alleviated the problem.
The odd thing is, like this morning, the audio started up perfectly and never gave me any issues. It wasn't until later in the day that it started. Perhaps after the macbook pro had been put to sleep? Not sure.
Regardless, this is an annoying trait, one that's new to me and my system (as stated, worked flawlessly until my new purchase), and is 100% limited to either a) the macbook pro b) Yosemite or c) both of them.

Keeping Audio In Line With TV Broadcast Levels

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