Monitoring audio on capture

Folks
New 'puter, so I can get back into video, in fact I'm working on a project that was shelved 5 years ago. I have 11 concert tapes to edit, so being able to select clips based on audio quality is important.
I have a Sony TRV240 digicam connected by firewire, and I have the analog stereo/video cable plugged in, then with a tricky series of adaptors, I feed the audio into the G5 audio in, expecting to monitor the sound on playback from the camera on my spiffy Monsoons. Not so. Headphones work, but I have no volume control. Audio input is set in system prefs to audio in, not mic. The audio meters tell me that the audio is happeneing.
What am I doing wrong?
Dave Tinker

David
Nothing. FCE does not give you audio during capture because the firewire cable is active and effectively mutes the Mac speakers. Monitor the sound from the camera with earphones or set up your speakers from the camera if you like. The capture window is only a basic idea of what is being sent to the Mac. Some latency with sound is there if you could hear it and the picture is dodgey anyway. The capture window image does not represent the true quality of the DV footage.
Al

Similar Messages

  • Unable to monitor audio during capture

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    In the Audio/Video Setting dialog box, the Sequence Preset is "HDV 720P24". My Capture Preset is "HDV", Device Control Preset "HDV FireWire". Video Playback shows "[Missing] Apple Firewire NTSC (720 x 480)" and offers only the options of None and Digital Cinema Desktop Preview–Main as alternate choices. Both HDV options are greyed out. The Audio Playback option is set to Default.
    With this setup, controlling the deck remotely from the capture window, I get video but no audio. The only audio I get is when the deck is connected to my video monitor and I use it to monitor the output of the deck. The audio is there when I play back the clips after capture but I cannot monitor the sound with the computer's speakers. If I go to the A/V Devices tab, under Video, it shows the same "[Missing] Apple Firewire NTSC (720 x 480) with the same choices described above, and the Options button next to it doesn't do anything.
    Can anyone think of anything I've missed in the initial setup?
    Keith
    Message was edited by: Keith R Thompson

    Keith,
    For whatever reason (perhaps the intense processor needs) HDV does not allow you to monitor your audio during capture. The computer just will not do it. What I have done, if I really want to hear what's happening durning capture, is plug my speakers into the headphone jack of my XL H1. Due to the processing that's going on, the audio "lags" behind the video by a couple of seconds.
    I'm pretty sure this is not a setup problem, but just a limitation due to the nature of your format.
    Hope that helps!
    ~Luke

  • Final Cut Express:  No audio when capturing from camcorder

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    My Easy Setup settings for audio match my camera audio settings.
    I've used different firewires between the camera and the scratch disk. Still the same.
    This has been a problem for about a month. Everything worked fine before. To make project deadlines, I have worked around this anomaly by capturing clips in IMovie 4 on my older Mac laptop than transferring the media clips to my Final Cut Express scratch disk. That works, but it is time consuming and requires rendering of all the audio.
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    Hi Sid
    I get the video in my browser but it has no accompanying audio.
    YES - This is the way FinalCut Express AND Pro works !
    If You need the audio - Then You connect a small set of speakers to Your miniDV Camera
    (headphone out)
    alt. if no phono-out on Camera is to connect a small TV to the Camera analog way
    and here You can both see and hear during Capture
    (BTW - Connecting a small TV (or if §§§§§ is no problem a reference monitor
    §5-10,000 or even more) is a Very good way of keeping Quality control during
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    ref monitor are well compared to my final DVDs.)
    There are NO WAY that You can monitor audio during Capture in any FinalCut versions !
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  • Audio Monitoring during Log & Capture

    New user here and just setting things up. I'm able to hear audio after I have captured a clip but cannot hear/monitor audio during logging. What am I missing here? BTW - using onboard iMac speakers and headphone jack for monitoring.

    I have the same problem and its driving me crazy! I don't think it is supposed to work this way, especially if you have 8 cores worth of processing power. More than enough to view and listen during capture and log review process.
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  • Is it possible to monitor audio through my mac while capturing from a tape in FCPX

    Is it possible to monitor audio through my mac while capturing from a tape in FCPX?

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  • SETTING to hear AUDIO while CAPTURING?

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    Thanks,
    Mark

    We're here all week, try the liver.
    I've always been a believer in monitoring in the signal chain. Granted I don't work much with HDV-- but monitoring what is going into and out of the computer, rather than relying on the computer's built in audio seems to be the way to go. Then you know what's coming off the tape, and what's going back down to the tape.

  • Cant hear audio while capturing

    Hi
    When I capture video & audio, i cant hear the audio from my source. However, the audio is captured and embedded in the clip when i look at it after the capture.
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    Maybe someone have a clue.
    //Lukasz

    We're here all week, try the liver.
    I've always been a believer in monitoring in the signal chain. Granted I don't work much with HDV-- but monitoring what is going into and out of the computer, rather than relying on the computer's built in audio seems to be the way to go. Then you know what's coming off the tape, and what's going back down to the tape.

  • Premiere Pro Does Not Support Audio-Only Capture For Some Formats, Such As HDV?

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    Capture your HDV material in the normal way and just drag audio only from the source monitor to the timeline.

  • No audio when capturing from vcr using canopus100

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    OK, I suppose it would help to know the details to provide a proper analysis of the situation.
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  • Monitoring sound for capture

    Hello -
    I have read through a few posts with similar dilemmas regarding how to monitor sound while capturing/logging. I now know I'm not going deaf.
    I have a Sony DSR-20 deck and will be soon changing that to a DSR-11 deck, and was planning to log shot-by-shot and then batch dig each tape. Obviously during interview footage I need to hear the sound.
    I also have temporary use of an NTSC monitor on loan, but I can't figure out how to hook up speakers to that. I don't have the right speakers, obviously, just my old ones with those red/white wires that I have on my ANCIENT stereo system.
    Should I invest in new speakers or just hook up my television to the deck? I know it's not perfect (that's ancient too). I am going crazy not being able to start this process since I only have this deck for a week or so.
    As a side note, I know that can instead import each full tape one by one and then go back and make subclips, hearing the sound at that point after the media has been captured. I'm not entirely clear on that process, whether you delete the original media and recapture based on your subclips, but that's for another post.
    I sound muddled and I am muddled. Any help will be so appreciated.
    15" Powerbook G4   Mac OS X (10.4.8)   1 GHz, 1 GB SDRAM, 60 GB HD

    thank you.
    I had read in an earlier post about it being better to listen to the audio off the VTR, not the computer, but I will try your suggestion as well. I just don't want to overtax my Powerbook G4 as I log and capture.
    Any other input?
    (quoted below, submitted last January by Studio X)
    When you download a video file from your camera, FCP and, more to the point, Quicktime is working furiously to split the muxed DV stream into distinct audio and video components. Though they stay within the same file wrapper, they are transcoded into unique components.
    The point of this is to explain that the computer (CPU, RAM, ect) are working very hard to do this conversion. Now, to ask the computer to figure out and play the audio while you are converting it just simply adds more CPU/RAM overhead to A VERY TIME SENSITIVE process. The conversion MUST happen in real time or frames are dropped.
    This is why it is highly recommended that you monitor your audio on speakers attached to your VTR not through your computer. It is also why FCP gives such a low res and slow refresh on the video component.

  • Getting the following message on Final Cut Express "audio only capture selected video preview disabled" how can I get the video capture back?

    I'm getting the following message on screen when attempting to capture video  "audio only capture selected, video preview disabled."  How can I get the view preview back?

    FCE doesn't allow for audio only capture, it's in a twist somewhere.
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  • How do you monitor audio?

    I have a few questions about monitoring audio in my fcp/stp projects.
    Currently, I have a g5 quad that has an optical toslink output, that I use to connect to the optical in on a good denon home theater receiver (avr 3801). This is how i output my mac's audio. I have two B&W bookshelf speakers as my monitor speakers.
    Is this acceptable to use to monitor my sound for my editing projects? I am not doing much music work, mostly just voice track cleanup on my video projects.
    How do you connect audio equipment in your setup to monitor audio?
    I am thinking of buying an Alesis 12 track multimix firewire mixer, is this a better interface to use and do I route the signal from the multimix to the receiver to get to the speakers, or should I just get powered monitor speakers and connect them to the mixer?
    Also, when editing audio, which is mostly dialogue, is there a volume setting I should keep my receiver at and just work the levels in stp to get the volume right? My receiver has a volume level from -60Db to 0 to 18Db. I am worried about setting my project audio to high or too low.

    Giving advice such as saying <Your B & W speakers might be good enough for the job, their lineage is as a studio monitor for the BBC. If you paid over $500/pr, and they sound good, then they're probably good enough. You can use them with a mixer hooked-up to your Mac and outputted to the Denon like in your current set-up> is so cool, if that was the case would,nt you think for a quick minute they would be recomended by pro or advertise as nearfield monitor and not hi-fi.
    <conveinient to buy active monitors.> that ain't the case active monitors are made for monitor audio interms of listening to frequency that would be imposible to hear on hi-fi speakers which is the opposite of hi-fi which is more colour-full and does'nt give the true sound, also because its self-power and easy to plug and play.
    <The playback volume you use is relative. Most of the engineers I've worked with over the past 30 years prefer to listen back at higher volumes> most pro enginineer listen to mix at very low D.B so as to know exactly what there getting, and after crank them up to hear the over-all levels, any engineer that linsten at loud D.B. does that to show off in seeking attention fr. clients making them feel as if the mix or the song is all that, take it outside the studio and its a different story! <listen back at higher volumes than I'm comfortable with,> thats what i have just explain.
    <As far as the levels within the track are concerned, that is all done in the software, again per your preferences, and with an eye on the meters.> it would be nice of you to explain what meter are you talking about, and if it was all so easy with eyes on the meter, dont you think every mixing engineer or anyone attempting to mix would all were glasses, meter in sofware aren't the same as the meters in a pro studio, nor is it the same in hardware, also not all meters are the same where as mixing is concern, they are special meters prefreable know as V.U. meters, check below and you'll all get a better understanding of what i have just out-line, before giving wrong advice of monitor audio.
    http://johnvestman.com/meter_madness.htm
    Fr.BlayZay.

  • How do I monitor audio while importing?

    While importing from my cable TV, I Can see the incoming video but caan't hear the audio. I would be helpful if I could here the audio so I could go about my work and keep an ear on the feed. Then I would know when the feed is over without having to Constantly watch it. I suppose I could size the monitor windo real small and put it in the corner of my screen then rearrange all working windows arround it. But that's a pain...

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  • A way to adjust audio when capturing video?

    I transfered some video/audio and am having distortion in some audio.
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    Is there a way to adjust audio when capturing audio or is it a straight feed? Wondering if I can lower the audio input to try to fix.
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    Charlie

    How are you capturing the content? Because in my experince premiere doesn't have a way to adjust the audio levels of what your capturing. However if you post how you are capturing the footage in more detail I might be able to help. Please tell me exactly how you have everything hooked up.
    For example if you have the camera hooked straight to the computer or if you're using a capture card if so what kind. Some capture cards have audio gain settings which might be causing the issue. Also some decks and cameras have audio playback volume settings which can also cause audio to be sent to premiere louder than what it started as. So if you give more detail I may be able to offer some sort of help.
    One thing you might try though to remove that distortion is too add a lowpass filter to the audio, and start off by setting the low pass filter to like 3000 and just adjust by 500 up or down from there until the distortion goes away. I've had to do this in the past with audio that's distorted before. (Although I haven't experinced the specific issue you're experincing before.) Although it will make the persons voice sound  muffled it will take most of the distortion out. Which getting rid  of distortion at the cost of making it sound somewhat muffled is a decent trade off if worse comes to worse and you can't get the issue figured out. 

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