Motion project import to DVDSP

I have seen this topic, but haven't seen a solution to my particular problem: when I try to bring a Motion project into DVDSP, I get an Import Error box which reads in part, the files "do not match the current project's video format or their file format is not supported." Both applications are set to NTSC 4:3. Any advice would be appreciated.

I actually don't use Motion myself, although the app is installed. As a test I opened up one of the template projects and simply saved it to the desktop. I didn't add any file extensions, but the icon on the desktop was as I expected it to be... Finder identified it correctly as well.
I imported this in to DVDSP using the import tab of the assets pane... like David there were no issues. It came in fast, and right now is showing a 'yellow' status next to its name.
It can be dragged on to a menu to set the background just as I would expect to be able to do.
If the problem isn't with the preferences, try downloading and installing the proapplication support update for your system. The 10.4 version is here:
http://www.apple.com/support/downloads/proapplicationsupport31macosx104.html
It may not make any difference, but if you haven't already installed it, you probably should!

Similar Messages

Motion project imported into FCP looks different...

I have a Motion project that moves 17 magazine covers across a background. When I preview it in Motion it looks great, but when I import it into FCP the mags overlap and run into each other. What could be happening during import and is there a fix??

I'm posting in response to my own question because this may actually be a bug. When I import the Motion project into FCP with the Motion layers locked, the animation is altered. When I go back into Motion and unlock all the layers and import into FCP, the animation is perfect. No kidding, locked tracks and the animation is funky, unlocked and it's fine. Anyone ever stumble on this??

ALIASING effect in final cut on motion project imported in sequence

i built a project in motion, and imported it in final cut pro sequence, and although my output setting in motion was ok (apple pro ress 4444, render best etc, ) i had a aliasing problem on still images, thats did not happen when i rendered before my clip from motion and imported it in FC, what is your experience.

Aliasing when rendering Motion projects in the FCP timeline comes from a mismatch between the Field Dominance of the timeline, the Field Dominance of the Motion project within the timeline, the Field Order setting in the Motion project, and/or the Field order of any media within the Motion project.
IOW, Click on your timeline, type ⌘0, check the Field Dominance. Click on the Motion Project in your timeline, type ⌘9, check the Field Dominance of the clip. Change it via the popup when ctrl/right clicking on the setting. Also, right/ctrl-click on your Motion project, select Open in Editor, check the Field Order within project properties of the Motion project and the Field Order for any media within the Motion project.
The best way to avoid mismatches is by "round tripping" your media you wish to send to Motion from within FCP by right/ctrl-clicking on the clip in your timeline, selecting Send To Motion, then do your work in Motion, Save, Quit, and fall back into FCP. This ensures a match between the Motion project and your timeline.
Make sense?
Patrick

Motion project appears with

I'm having a problem with Motion projects imported into a Final Cut Pro timeline. A thin black bar appears over the top of the movie. This is consistent across multiple Motion and Final Cut Pro projects.
An example is at http://homepage.mac.com/alan.stonebridge/motionfcpissue.png
Any ideas?

If you want to use vector artwork in Motion and have it scale with continuous rasterization, create them in Illustrator, then save as .ai or .pdf.

Importing Motion Project into DVD Studio Pro

I'm new to Motion and I'm using it to create an animated DVD menu. I have an overlay layer for the DVD highlights in my Motion project. Now, I understand that I'm importing my Motion project as an asset. How do I tell DVDSP to use that overlay layer or do I need to export the layer as something else and import it into DVDSP?

You need to export your overlay as a still image, then import that image into DVDSP, drag it onto the menu, and select set overlay. Make sure you turn off the visibility of the overlay back in your Motion project so it doesn't appear as part of the menu.

Problem with importing a Motion project into FCP if it uses a Boris filter

Had an odd and highly frustrating experience. Was using a Boris Continuum filter (the posterizing one) on the background of a Motion project (was using it to age a background of a brick wall to age it and give it a more 'nighttime' look).
When I imported the file into FCP to use as an intro there, the background disappeared entirely. After an hour of troubleshooting, finally figured out that it was the Boris filter that was causing the problem (it also was probably responsible for the random crashing of FCP I was experiencing), as when I disabled the filter and re-saved the project, it worked beautifully.
Is this a 'normal' problem when using Boris filters? Do I have to export every Motion project into a Quicktime file before importing it to FCP (and possibly DVDSP) if it uses a Boris filter?

Thanks! Now the frustrating thing is that the client doesn't want to use what I created after all...bah humbug
It's not the RAM (which is either 8GB or 16....not sure on that computer). Got an e-mail from Boris Support that implied that this will happen all the time...that you have to export all projects before you use them in FCP or DVDSP or the Continuum filters won't work (loved how the support person suggested that I just use the filter in FCP...which defeats the purpose of creating something in Motion! But I digress...) Told me I had to buy a $500 program called Automatic Duck to get things to import properly...and that Boris filters won't work with the latest upgrade of FCP, btw.

Trouble Importing Motion Projects into DVD Studio

I’m in the process of creating a Demo DVD and I was looking to use Motion to create menus and transitions in DVD Studio Pro. Every time I try to import a project I get an “Incompatible Format” error. My roommate’s iMac G5 imports Motion projects with no problems. I called Applecare to get help and was told Motion was bad and to reinstall it. I did and it didn’t work. (It was also suggested that my video card might not be good enough. Doesn’t make sense though because my roommate’s iMac does the trick.) I called back like I was told and was informed by another guy that I don’t have support available to me because the complimentary phone support expired last year. What is the world is wrong? Does anyone have any suggestions? I’m game for a complete hard drive wipe if it’ll fix the problem? My specs are below. Here are the specs of my roommate's computer:
Processor: 2.1 GHz PowerPC G5
RAM: 1.5 GB DDR2 SDRAM
Video Card: ATI Radeon X600 XT, 128 VRAM
Software: Final Cut Studio Academic
Please help me!!
~Thanks

One more thing, I tried opening up my project no DVDSP on my roommate's computer and it worked. His own project worked too. I brought the same files over to my computer (I opened the files both time off my thumbdrive, so they're the same files, not copies) and I got the same "Incompatable Format" error.
I also cannot import Motion projects into FCP either, but both my roommates can.
~Jeff

Importing Motion project into After Effects

I am attempting to import a Motion 4 project in After Effects CS4. I am using the suggested instructions:
1 In After Effects, choose File > Import > File.
2 In the Import File dialog, choose All Files from the Enable pop-up menu.
3 Click to select the Motion project you want to import.
4 Choose QuickTime Movie from the Format pop-up menu.
5 Click Open.
Motion does not show up in After Effects. What went wrong?

You could check this for instead
http://provideocoalition.com/index.php/motiongraphicsvizfx/story/moveprojects_from_fcp_to_ae_seamlessly_andfree/

WIDESCREEN MOTION PROJECT NOT WIDESCREEN IN FINDER PREVIEW (HENCE IN DVDSP)

Howdy folks,
This seems like an easy one but I haven't been able to figure it out after a long time of trying and internet searching.
I have a Motion project with the following "project properties":- Preset: 1080i50; Width 1440; Height: 1080; Pixel aspect ratio: (HD 960*720, 1440*1080).
This is a widesreen project and looks so in the Motion canvas window. However, when I find the file in Finder and click on it once to get the little preview, it is not in widescreen and in fact looks distorted to my eye (squashed).
I get the same playback if I open the file using Quicktime. More pertinently, I get the same plackback when I import the file directly into DVD Studio Pro, which is what I want to do.
I hope you folks can help.
Cheers,
Grateful Bob

On my system, a Motion project @ 1440x1080 plays back thin in the Finder but correctly in DVD SP. If it's wrong in DVD SP, make it into a Track, then force that Track to be 16:9 Letterbox with the Inspector. This will only apply to an HD-DVD, of course; for SD you'll need to be downconverting.
In SD, the problem is slightly different (and this applies to the other poster here): you want to tick the "anamorphic" checkbox in the FCP browser to make sure your assets are interpreted correctly.
The behind-the-scenes 1440x1080-to-1920x1080 trickery that many codecs use is very much like the anamorphic trickery in SD, but we don't need to know much about it because all the HD resolutions should be interpreted as 16:9.

Rendering issues with imported Motion project in FCP

I have various titles for a DVD prepared in Motion that are imported as project files into Final Cut Pro.
When playing back the rendered timeline in FCP to a TV, the animation on these titles (scaling and moving of text and untextured, 100% opaque rectangles) looks fine. When I render the timeline to a QuickTime (DV PAL) they still look fine on a monitor, though obviously not a great test on a progressive display.
After using Compressor (and a suitable preset for PAL content) and burning to a disc from DVD Studio Pro, the animation is jumpy. Some elements in the project with a Fade In/Fade Out behaviour with Fade Out duration set to 0 suddenly disappear for a short period (looks like one frame) - these objects end on the timeline in the same frame that their Fade In/Fade Out behaviour also ends.
If I render the Motion project to a QuickTime file with transparency and overlay that in FCP then follow the same route through Compressor and DVD Studio Pro everything looks as I expected... smooth motion and no disappearing elements.
Any ideas? Should I just keep rendering Motion projects out to separate files to overlay in FCP? That seems a bit of a waste of the integration between FCP and Motion.

This gives me pause: AEManager::scanForPluginsInDirectory(PCString) + 1011
I'd check for any third party plugins...
Patrick

Importing Motion projects in FCP

I am importing a motion project in to FCP, the motion project is a NTSC anamorfic project in 8 bit. When i import it into the FCP project witch matches the motion project, the render for ten seconds of video says it takes 1 hour. why does this render take so long, it DV video, the things in my motion project are only to CAMP FIRE partical Emiter and one tiff photo. WHY SUCH A LONG RENDER?

I encounter the same thing every now and then. And that is pretty much only with dv projects. The biggest factor I've seen is a graphic file that is much too high resolution. But often that is not the problem. At that point I export a quicktime and edit that into FCP. Sure it negates roundtripping but at that point it's usually just getting the job out the door.

White screen Motion projects in FCP

I have created a Motion Project on my father in-laws Powerbook, my old machine, and used it in a FCP project everything was fine and as it should be.
Saved the files, and brought everything to my new machine.
On this new machine it has the crossgrade version of FCP,(5.1.4) and Motion (2.1.2) on it, and when I bring the Motion file into FCP I get a white screen. Nothing else. Just 10 seconds of white. The project plays fine in Motion. I have tried to resave and re-import. Nothing. Plays perfectly fine in Motion.
I made a new project in Motion, assuming it had to do with the old files. Imported it into FCP, white screen for 10 seconds! This is a huge issue, but not sure what to do if I can't import my Motion projects into FCP.
Now this is something to considerI will throw this into the mix.......the Motion Projects do open up in my DVDSP 4.1.2.
So it opens in Motion, opens in DVDSP, but not in FCP. So its the import into FCP, not the file itself.
What gives? Any clues......
Any suggestions would be greatly appreciated.
OS 10.5.4, MacBook Pro 2.4, 4 gig RAM

OK, so I've been importing motion projects into FCP (for a while now) and rendering them each time they're changed...and finally wondered: why? If I click "open in editor", change something and go back to FCP, I should only have to re-connect it, right?
Unfortunately for us, whenever the source media - a video clip, still image, Motion or LiveType project file - changes, FCP trashes the associated render files. As far as I am aware, it's a hardwired 'housekeeping' thing within FCP.
The usual advice is to render only as a last resort, but I take it your workflow doesn't allow for that?
I busted open the FCP manual and it only said that LiveType and Motion clips must be rendered (red render bar)...but not why. Is it because they are inherently motion effects/graphics intensive?
It's because Motion or LiveType files typically do not match the codec - what FCP terms 'Compressor' in your Sequence Settings - that you're working in. Sure, the files may match the frame size and rate - for instance, 720x480 at 29.97 fps - but Motion and LiveType files are 'interpreted' as Animation codec files. If you're working in DV, for instance, you'll have to render files that are not DV. Another issue is that no machine/setup I've ever worked on can do Animation files - at Full Quality - without rendering (they are simply too data intensive). However, beefier machines can get some amount of RT playback, depending on the settings and number of tracks being composited.
Or did I misread your questions?

Motion projects in FCP

OK, so I've been importing motion projects into FCP (for a while now) and rendering them each time they're changed...and finally wondered: why? If I click "open in editor", change something and go back to FCP, I should only have to re-connect it, right? That's what I do in DVDSP if I need to change something on a menu I did with After Effects...export it from AE with same file name, then the file in DVDSP automatically updates (sometimes I gotta re-connect the file...).
I busted open the FCP manual and it only said that LiveType and Motion clips must be rendered (red render bar)...but not why. Is it because they are inherently motion effects/graphics intensive? I know the answer is probably just that simple, I'm just looking for some re-assurance that I'm understanding this correctly...
I'm not a noob...just trying to understand the tech side of things. That way I can be happier with my software.
Thanks
Jonathan

OK, so I've been importing motion projects into FCP (for a while now) and rendering them each time they're changed...and finally wondered: why? If I click "open in editor", change something and go back to FCP, I should only have to re-connect it, right?
Unfortunately for us, whenever the source media - a video clip, still image, Motion or LiveType project file - changes, FCP trashes the associated render files. As far as I am aware, it's a hardwired 'housekeeping' thing within FCP.
The usual advice is to render only as a last resort, but I take it your workflow doesn't allow for that?
I busted open the FCP manual and it only said that LiveType and Motion clips must be rendered (red render bar)...but not why. Is it because they are inherently motion effects/graphics intensive?
It's because Motion or LiveType files typically do not match the codec - what FCP terms 'Compressor' in your Sequence Settings - that you're working in. Sure, the files may match the frame size and rate - for instance, 720x480 at 29.97 fps - but Motion and LiveType files are 'interpreted' as Animation codec files. If you're working in DV, for instance, you'll have to render files that are not DV. Another issue is that no machine/setup I've ever worked on can do Animation files - at Full Quality - without rendering (they are simply too data intensive). However, beefier machines can get some amount of RT playback, depending on the settings and number of tracks being composited.
Or did I misread your questions?

Motion project to FCPX

I created a logo animation to go at the end of a commercial. how do i import this into FCPX?

Since your project is very specific to a set logo, exporting as ProRes 4444 is perfectly adequate. If you were designing a logo-style watermark or similar design, then you would want to be able to edit the text elements, and perhaps be able to change the color of the background elements from inside FCPX. In that case, you would "Publish Template" from the File menu. In the popup Publish dialog, you would check the bottom checkbox: "Publish as Final Cut Generator" -- provide a category (or select one from the Category dropdown) and give your Template a name. In FCPX, you would find it (immediately available, BTW) in the Generators > Category you saved it to.
If your final destination for Motion projects is FCPX, when you start a new project, you would select one of the available projects from the opening dialog. Normally, a "logo style" design project would be a Title project (but it doesn't necessarily have to be as a Generator is also a viable choice.) If you start your project as one of these specific types (Effect, Generator, Title or Transition) the simple act of Saving the project automatically publishes the project for use in FCPX (you have no other choice to save it anywhere else! You still need to provide the Category and a Name in the Save dialog [duh].)
If you decide to create templates that are editable in FCPX, those parameters you would want access to in FCPX (for example things like shape colors, opacities, etc.) all you need to do is right click on the specific parameter in Motion and select Publish (if it is allowed!) from the popup menu. You can set default values for your published parameters by selecting the Project layer at the top of the layers list and then the Project pane from the inspector followed by the Publishing tab. (You can find out how to deal with "Snapshots" later on.)
It's easy to create your own custom templates with Motion.
Have fun!

Motion Project does not look good in FCP

I am using FCP 5.0 and Motion2. I made a lower third title graphic in Motion. When I embed the clips back into FCP they look pixalated. They do not look as good as they did originally. Does anyone have a solution?

Hey,
Here's the result from last night. The quicktime file is good. It seems that Motion projects in FCP, even from rendered QT files, don't display their true image.
My output this morning for my project is flawless. Even though the timeline looks horrible.
The reason this seems to come up in this forum again and again, is probably that Boris 3D, FCP's titles, even LiveType, all display their true clean rendered image in FCP. Motion, however, doesn't seem to do that.
My guess is that it hangs on to a thumbnail representation for FCP of the rough draught render that motion must create so you can place your motion project in your FCP timeline live. (you know, you can switch back and forth and update a motion project and it updates it in FCP. )
It just doesn't say that anywhere that I was looking.
So, if anyone else is creating Motion projects and importing them into Final Cut, be aware that what you see in Final Cut is not what is going to render in your output. It will be full resolution and without the alising that appears in FCP's timeline.
Whew!
Gord
G5 Dual 2.3Ghz Power PC 3GB RAM, 2x120HDD, & 15" Powerbook Mac OS X (10.4.6)

Motion project import to DVDSP

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