Moving a clip UP or DOWN several tracks in the timeline to REVEAL additional tracks

One thing I've always wondered but never asked here is if there's a way in Premiere to drag a clip up (or down) tracks and force the timeline to scroll up with the clip? In FCP as well as in Premiere, if you drag a clip within the timeline to the left or right beyond what is currently showing on the timeline, the timeline scrolls to the left or right almost like when you drag an app on your phone from one screen to the next...go to the edge and the page scrolls with you. But in Premiere (unlike FCP), if you try to move a clip up or down to a track that's outside of what is currently showing on the timeline, the timeline does not scroll up or down to show the additional tracks. Is there a preference or another way to enable this?
Many of my projects have 8 or 9 video and audio tracks BUT usually only around 4 or 5 video and audio tracks are showing at a time. If I needed to drag a clip from track #1 to track #8 I'd have to drag it up to an open area, drop it, scroll up (or down for audio) and then drag again to the open track #8. In FCP, the timeline would scroll up or down just like it does when you force a clip all the way left or all the way to the right.
Using a shortcut to move a track up or down does not work because it overwrites everything in its path and that's not what I want to do here. I'm hoping there's a preferece or some other way to enable this in Premiere.
Thanks!

I'm not aware of any user preference for this.
But, for situations like that, you can always temporarily fullscreen the sequence with the ` key, which will give you plenty of real estate to see everything, make the move, then restore back to normal with another tap of the ` key.

Similar Messages

Dragging multiple media clips into vertically stacked tracks in the timeline? Is it possible?

Hoping that some Adobe Premiere Guru might be able to lend some insight into what seemingly should be a fairly simple thing to accomplish... but despite scouring the web, I can't seem to find a peep of a solution for it.
My neighbor (whom, incidentally, I convinced to go with Premiere CS5.5 as his NLE of choice in the wake of the FCPX uncertainty) is working on a "reality-style" project where they have a massive amount of cameras running simultaniouisly for hour upon hours on end. Think Big Brother House style.
Essentially for each hour of the footage, he is creating a project in which all the multiple camera footage (MOV) from that hour is listed/linked over in the project panel. For example, for HOUR ONE he has the footage from all 20 cameras (or whatever) for hour one listed there.
BASICALLY what he wants to be able to do is grab ALL the footage from those various cameras AT ONCE, DRAG them over to the timeline and when he drops them there, the video (and, inversely, the audio) clips STACK vertically, one on top of the other, each one taking its own track in the timeline.
Currently, of course, when he does this the footage arranges itself in the timeline end to end. In the case of my HOUR ONE, 20 CAMERA example, this basically creates a 20 hour long clip, as oppossed to a one hour clip with 20 tracks, stacked one on top of the other.
As near as we can tell, there's no keyboard shortcut to make this happen. I VAGUELY recall being able to do this in FCP (maybe?) so I'll be stunned and more than just a little bit disappointed to if there isn't SOME way to pull this off in Premeire.
Does anybody have any idea if this mode of automatically dropping clips into the timeline as stacked tracks is possible? It will, quite literally, save him hours and hours of work if he can figure out the secret. And I won't feel quite so guilty for having turned him onto Premiere for this specific project!
And if anyone knows for a fact this is NOT possible, that would be great to know as well. At least we can put the notion to bed one way or another.
Thanks in advance.
Regards, Michael

You can do this with the make multi-camera source sequence command in Premiere Pro CS6 (note that this was posted before CS6 was launched):
Mark the clips
Select the clips
Choose Clip > Create Multi-Camera Source Sequence
Choose the style of synchronization and click OK
Right click on Multi-Camera source sequence and choose > Open in Timeline.
Clips are now stacked up inside of a sequence
More here: http://helpx.adobe.com/content/help/en/premiere-pro/using/editing-multi-camera-sequences1. html#source_sequence_for_multi_camera_editing

Drag select audio tracks to the timeline

I have several clips I will be adding to the timeline that have 4 audio tracks. I only want the first audio track to go to the timeline. How do I do this?

Disconnect the connectors for the other tracks on the timeline...on the left side. You will need to load the clip into the Viewer first.

HT2375 Hi I can't play back track from the middle of a software track

Hi I can't play back track from the middle of a software track, and hear what I have played.

MarsDaretoDream wrote:
Hi I can't play back track from the middle of a software track, and hear what I have played.
For this you need to look at chase functions. Project settings>Midi>Chase button

Is it possible so zoom vertically the track in the timeline? Or only horizontally?

Hi people!
Is it possible, in garageband '11, to zoom vertically the tracks in the timeline? Or only horizontally?
Cause in logic pro I know that I zoom either in and out regions in the timeline... But in garageband I'm able only to make an horizontal zoom... Enlarge vertically the tracks could help me a lot when work with the automation curves.
Thanks lot,
Peace

FranzFromFar wrote:
Is it possible, in garageband '11, to zoom vertically the tracks in the timeline? Or only horizontally?
only horizontally, though the editor can be stretched vertically:
http://www.bulletsandbones.com/GB/Tutorials.html#bsqstretchingeditorpane
(Let the page FULLY load. The link to your answer is at the top of your screen)

Stretching tracks on the timeline using keyboard.

How can I stretch audio & video tracks on the timeline without scrolling at the scrollbars?
With other words is there a shortcut on the keyboard?
Thanks,
Tim

Hi Tim,
If you mean, stretch or squeeze the timeline, then Stretch is APPLE , and Squeeze is APPLE . It stretches or squeezes the timeline around the position line. much easier for me.
hope that helps,
steve

Switching on a some track in the timeline

Hi, all.
Does somebody know how to activate specific track in the timeline (for editing etc), that playhedad didn't have changes on that timeline.
normally, that would enable a track, you must necessary click it with mouse on it but as you do it, playhead position was changed to position where you press mouse button.
how to overcome that moment.
Can't find it in help.
Thanks.

Rightly I should have selected the option in the original post 'I have this question too'. But, I did not do it because I did not understand the question in the first place. After reading your reply and the glee with which it was acknowledged, I realized that I too had this 'problem'.
Thanks Tom.

HOW YOU GET IMOVIE TO SELECT/TRIM ALL THE TRACKS IN THE TIMELINE?

trying to burn dvd of my vacation and imported the clips from the camera into imovie. worked great. i imported my audio into garageband to add some filters, compression and eq, and imported it back into imovie as a separate track. then, i muted the origional audio track from the camera. still great. now, i need to trim some clips because idvd says my movie too long to burn on a single-layer disc. not great, *****! so, then i went back to imovie and trimmed a clip and now the audio that is after the trimmed track is totally out of sync. really really *****!!!! it turns out that imovie only trimmed the video and left my second audio track alone. WHY??? ***!!! does anyone know how to trim clips so that imovie trims all the tracks? do you hold down 'shift' or 'option' or something??? there must be a way to do it. HELP!!! god, i hope i can burn this disc sometime in 2007.

yea, thanks matt but i thought of that. if i do that i have to do my whole idvd project over again. i dont think i have enuff sanity left for that. i have a really complicated idvd project thats totally done. i think im just gonna burn it to a DLdisc instead.
but hey, maybe you can help me with this question:
i made a disk image of my vacation in maui, which is 1 hour 43 mins & chose the 'best quality' option. it has lots of violent ocean footage w/lots of motion, crazy colors, rainbows etc. its taken from a canon alura dv cam & looked awesome in imovie. my imovie project is roughly 23gb. when i watched the 4gb disk image that idvd created in DVD Player, it looked really blocky especially in the water/ocean scenes. like a bad divx rip from 1997, haha. im not happy with it at all. i kinda thought about how idvd would get 23gb compressed down to 4gb and worried about how it would look. well, my worring paid off cause it looks like crap.
then, i looked at the project info window in idvd. if i select 'best performance' the capacity changed from 3.6gb to 6gb, whoa??? uh, that doesnt make sense. \ im gonna try to encode it using this 'best performance' that they speak of, and see if it helps. i just want my movie to look good and ill do anything, ill use a dvdisc if i have to! why spend hours making a perfect imovie/garageband/idvd project if your source footage looks like dog poop in the final stage. im assuming it will look better when i select this 'best performance' thingie because common sense and logic tell me 6gb is bigger than 3.6.
then i got really CRAZZIIEE and looked at the 4gb idvd image next to 1 of my source .dv files in vlc player. vlc player says my disk image is getting about 4-6,000kb/s fluctuating, BUT my .dv file is 30,000kb/s sustained!!! how do i get 30,000kb/s sustained on my dvd??? wow, that would be great!!! prob not possible with my luck? my dvd player will explode into flames when i try to play it, right? also, how can i get the quailty higher? idvd is only going to use 6gb of a dual-layer disc, why if it has the capacity to hold 9gb? any help would be greatly appreciated!!! i thought about dvd studio pro but i would only try that if it will import my idvd theme perfectly, cause im not doing all that crap again. if im stuck with a 9gb dldisc that only used 6 gb, at least thats better than 3.6gb. ill settle for that if i have to.
mahalo,
jarett

How to identify clips in finder that are used in the timeline?

Heya, this is my first post to this forum and an issue ive been struggeling with for a while...
i am trying to archive my footage and reduce the amount of HDD space old projects are taking up. I have LOADS of footage i'm never going to use again saved in folders that i want to easily identify and get rid of. Is there any way in premier pro to 'tag' files that have been used in the timeline or even the project and then i can simply go and delete those that aren't. Similar to the feature in after effects that removes unused clips from the project (though that still leaves them on the drive).
this would also make transcoding the correct files much easier as i currently have to identify each one individually by using the show in finder option...
some help on this would be much appreciated
I'm using CS5 on a macbook to edit canon DSLR footage, is there any more information that you guys need?
Cheers
Rich

In the Project Panel, click the flyout menu; that's the little stack o' pancakes thing in the upper right corner of the panel. Select "Metadata Display." In the search box, type "usage"--this will reveal the Video Usage and Audio Usage metadata labels. Check those to add them, and hit OK; they'll now be added to the columns in the Project Panel. Now, you can sort on those columns to filter by usage--the unused clips won't have a number associated with that column. Select them all, and if you really want to purge them from the drive, hit Ctrl/Cmd+Delete--that will remove the media from the drive.
If you just want to get rid of the clips, Project > Remove Unused will do that.

Is there a fix for the slow processing yet? Clipping mask slows down Illustrator CS4 to the point it can't be used

I've seen a few older posts regarding CS4's bug with applying a clipping mask to any image that is somewhat complex, but have yet to find an answer.
The problem is, any time a clipping mask is applied to a semi-complex shape, Illustrator CS4 slows almost to a halt. We're talking 10 minutes of the beach ball to apply the mask and then another few minutes to do anything else with the document. This is unacceptable. My system is loaded (Dual 1.8 GHz G5, 1.25 GB of memory). The exact same files process fine in CS3. Many of our other designers are running iMacs and cannot work on the files at all using CS4. There has to be an answer to this problem.
Prefs have been deleted, Document Raster Effects has been lowered. Any other suggestions?
Your help is greatly appreciated.

My system is loaded (Dual 1.8 GHz G5, 1.25 GB of memory).
Uhm.. that's "loaded"? That's like the slowest G5 made with almost the minimum amount of RAM.
But.. I agree with you. Clipping masks seems to drastically slow CS4 down. Even if an object isn't really complex, but included many objects. I'm running a much faster system than you are and I have to wait around 3 to 10 seconds after any operation for some files. It's annoying. So far, I've not found any solution other than to expand and clip the masks.

Audio randomly falling onto weird tracks on the timeline...

Weird question: when I drag certain audio files (music) onto my timeline it splits it onto random tracks. Does not affect the sound, only makes it really annoyingly disorganized, left might be on track1 for example while right will fall onto track 11!! I've tried locking one of the tracks and moving the other but it won't move... I've never seen this before and it must be some random setting that I'm not catching. Anyone had this issue before?

weird.
Did this just start happening?
try unlocking them as a stereo pair under the Modify menu, then unlinking them. Then you should be able to move one next to the other. Then you have to go back and link them as a stereo pair.
Have you rebooted to try to fix it?

Over the next few weeks I will travelling in Mexico and driving in Mexico, how well does the ipad Mpa program run down there and does the device incur any additional charges ?

Over the next few weeks we will be travelling in Mexico and hoefully using the iPad Maps for driving instructions etc. Does anyone have any experience with this feature? What can of challenges will we face?

How to turn your computer into a Virtual (Personal)Router.
Our hotel the Grand Oasis Cancun provided internet for only 36 hours and you could only use it on one device which comes to my next option as using your Laptop as a Personal Router to broadcast WiFi to any devices near your computer. Our room was on the Second level of the Pyramid at Grand Oasis and I was able to access it while at the VIP lounge below our room. Before our supposedly free internet service ended.
I attempted using the hotel next door since I was getting a good signal from the Omni Hotel. They offered complimentary 24hr internet access using your browser as a way to track your use. Once you find the signal of the Omni it will open your browser I used Google Chrome, after it opens you go threw a few simple steps and your ready.
I learned that after the 24 hours are up all you have to do is disconnect from their network, just run Ccleaner(free program) then find the Signal of the hotel and you will be given another 24 hours. What Ccleaner(<--download there) does is clears anything attached to your browser ie cookies temp files etc. it cleans your browser history giving you a way of not paying for the hotel fee of internet and giving you free WiFi. this is only if you are next to the Omni hotel :).
What you need to download to turn your computer into a hotspot need to say is this little easy to use program Virtual Router. Once it has download test at your home to make sure it works with you devices. This will work with Tablets, Phones and other computers that cant find the Omni WiFi signal. Your welcome. To use it, is simple. Open program>make a password>select WiFi and start VR.

All my HD clips need rendering when first put on the timeline -why?

hello people, I've captured loads of HD from sony A1E and a bit of DVcam from canon XL2 , the dvcam stuff is fine, but all the HD needs to be rendered before I can see it in the canvas, I went along with it but now no more space! Is it to do with the easy setup capture settings? i set it to 1080i50 25fps, maybe my camera runs a faster fps, could it be having to convert it before i see it?
please help
mark

Your settings are obviously for DV, as your DV footage needs no rendering. When you choose the HDV Easy Setup and create a new sequence, your HDV footage will fit just fine, but then your DV footage will need to be rendered. After you resize it...because initially it will be smaller in the frame. Highlighting the clip and going to MODIFY>Fit to Sequence will make it the right size.
Shane

Here is How to Edit clips of the same loop, which were recorded on seperate tracks, in the same way

Whiteout conditions here in the northeast, it's a Blizzard!
Hopefully this helps someone because I was banging my head against the wall trying to figure this out.
This is for people who want to precisely loop (or edit in other ways) multiple clips in the exact same way, but that are on seperate tracks playing concurrently in Multi-track view, so for instance looping 3 different tracks recorded simultaneously from a drum machine and keeping the same exact placement of each track relative to each other when trying to get the loop right (or any other type of edit)
It's all about how you switch between Edit view and Multi-track view, and you CAN'T group your clips before going to edit view, although this is counter-intuitive.
The basic jist is simple, "Selections" in the timeline, transfer from Multi-Track to Edit View and Back to Multi-Track...but you most follow a certain procedure, here is the procedure:
WARNING: THIS WILL ONLY WORK IF THE SELECTION IS OF ONE CLIP PER TRACK!!! YOU CANNOT MAKE A TIMELINE SELECTION OF MULTIPLE CLIPS ON A TRACK AND HAVE THAT TIMELINE SELECTION TRANSFER TO EDIT VIEW, AS FAR AS I KNOW.
In Multi-Track view:
1) Switch the timeline to "Samples"
2) Make a "Selection" of the part you want to Loop and zoom all the way in to the start and end points to get the loop as precise as possible, if it's not perfect don't worry just get it as good as possible in Multi-track View, then in Edit View you can find the Zero-Crossing points.
3) Make sure the clips you want to edit are NOT GROUPED AT THIS POINT
Here is the part that got me - AFTER making your Selection in Multi-Track view - you have to go to Edit view in a certain way, so that you don't de-select your selection:
WARNING: Do NOT Double-Click the clip/file you want to Edit!!! Do not double left-click anywhere in MultiTrack View or you will de-select your selection.
note: You have to edit the files one at a time in Edit View, but if you go there using the correct procedure, you can transfer your selection you made in Multi-Track view.
4) Decide which clip is the hardest to one to loop (usually it's an instrument sample rather then a drum loop but you never know)
5) Instead of double-clicking a clip to Edit it, HOLD CONTROL AND LEFT CLICK THE CLIP YOU WANT TO EDIT ONE TIME, this will select the clip without de-selecting your TIMELINE SELECTION.
6) Now that the clip you want to edit is selected, You want to go to Edit View USING ONE ROUTE ONLY --> Simply click "Edit View"
^Make sure you Timeline selection is still in place and hasn't moved do to user error (e.g. accidentally clicking the timeline or shift-clicking and moving the selection by accident <--- which I do by accident when attempting to control+click)
7) If you followed the instructions exactly, You are now in Edit View with the selected clip along with the timeline selection you selected in Multi-Track view, showing it's exact timeline location at the bottom which is relative to the Multi-Track view
IMPORTANT: YOU MUST BE CAREFUL NOT TO DE-SELECT THE TIMELINE SELECTION, AS THAT WILL DE-SELECT THE TIMELINE SELECTION IN BOTH VIEWS.
8) If you are having trouble looping without artifacts, To find the zero crossing points either go to edit > zero crossings or use shift+h or j for left edge, shift+K or L for right edge of the loop.
9) if you must adjust it manually to fine tune then make sure you shift click the file as not to de-select the entire timeline selection.
10) Once you have a perfect loop, zoom all the way in to the start and end points, and take note of exactly where the start and end points of the loop are located within the timeline.
11) Go back to Multi-track view
12 To trim the clips to to the exact timeline selection: Hold control+left_click each clip that needs adjusting one-time, then right click > group clips
13) BEING CAREFUL NOT TO DESELECT YOUR TIMELINE SELECTION, select your grouped clips by HOLDING CONTROL and clicking on any of the clips
14) Point to the start or end one of the clips, when you see the icon showing arrows going either way, right click and drag your clips to roughly match up with the timeline selection, then zoom in further and adjust the clip start and end points to match up exactly with the timeline selection start and endpoints.
WARNING: IF YOU ACCIDENTALLY CLICK WHEN THE DOUBLE ARROW ICON IS NOT SHOWING, YOU WILL DE-SELECT YOUR TIMELINE SELECTION AND YOU WILL HAVE TO START THIS ENTIRE PROCESS ALL OVER AGAIN.
15) Verify that your loop is looping correctly, in some tricky instances you may have to find different zero crossing points on the initial file you edited in edit view by repeating the above procedure, but this is unusual, although it just happened to me.
16) If everything went correctly, now all your clips on seperate tracks are looped in the exact same way, if you want to destructively edit each file down to it's loop size, you can keep your timeline selection and control+click a file then click "Edit" (the one in the toolbar of course), one by one destructively editing each file.
17) to extend the loop either set as a loop under "loop properties" and then just drag each file the number of times you want it to loop, or do it my way and right click the clip > duplicate and set the number of times to duplicate and whether to have them back to back or spaced, this is the quickest method for me.
Addendum: IF you have 2 files selected and click "Edit" to go to Edit view, it will give you the file of the clip you selected first, not 2nd. You must then go back to MT view, de-select the clip you selected first, then de-select the clip you want to edit, then RE-select the clip you want to edit.
-Also, you don't HAVE to group the files as I did in step 12, you can drag the edges of the clips to the timeline selection one by one, I just find it easier to group them after you have set the loop on one of the files in Edit View.
-Remember, you can't select the files one by one and have the timeline selection transfer to Edit View IF you group the files prior to going into Edit View.
GOT ALL THAT? I sure as hell don't know if I do ...
All this could be easily avoided if Audition would simply let you edit multiple files simultaneously in Edit View relative to their position on the Multi-Track timeline.
I'd also like to know why when you do a full zoom in, neither the selection or the clips will snap to the ruler points, only to just before and after the ruler points on the timeline.
And also (and this may be my fault) I don't understand why when the tempo of my session is 89.8bpm, the timeline under the tracks says "90bpm" why does it round it off..?
Isn't that inexact and couldn't that present problems with syncing loops? idk I could be wrong I can't get my head around these issues because of lack of knowledge on the subject, if someone could shed some light that would be great.

correction needs to be made to step #14, I typed:
14) Point to the start or end one of the clips, when you see the icon showing arrows going either way, right click and drag your clips to roughly match up with the timeline selection, then zoom in further and adjust the clip start and end points to match up exactly with the timeline selection start and endpoints.
Here is the correction, THE CORRECTED PARTS ARE CAPITALIZED:
14) Point to the start or end OF one of the clips, when you see the icon showing arrows going either way, LEFT-CLICK and drag your clips to roughly match up with the timeline selection, then zoom in further and adjust the clip start and end points to match up exactly with the timeline selection's start and end points.
Another Correction:
Originally read:
Addendum: IF you have 2 files selected and click "Edit" to go to Edit view, it will give you the file of the clip you selected first, not 2nd. You must then go back to MT view, de-select the clip you selected first, then de-select the clip you want to edit, then RE-select the clip you want to edit.
Here is the the correction, CORRECTED PARTS ARE CAPITALIZED:
Addendum: IF you have 2 files selected and click "Edit" to go to Edit view, it will give you the file of the clip you selected first, not 2nd. IF YOU WANT TO EDIT THE 2ND FILE YOU SELECTED IN MULTI-TRACK VIEW, You must go back to Multi-track view, de-select the clip you selected first, then de-select the clip you want to edit, then RE-select the clip you want to edit, THEN CLICK "EDIT" TO GO TO EDIT VIEW.

How can I make a synced audio track match the length of selected clips in a multicam seq?

I have a continuous multicam sequence of about 13 minutes containing a synced master audio track recorded from seperate microphones. I want to rearrange scenes from it into my final sequence, but when I select a range of clips to nest the entire length of audio gets pasted into the new sequence. I want to trim the audio to match just the clips I've selected but not lose sync. Is there a way to do this or is nesting not the way to chop up a sequence and rearrange the scenes in it?
Thanks.
Mike

Me too!!! I have a multicam sequence from 2 cameras with the audio staying on camera 1. I also have a seperate, continuous audio track recorded from microphones which I have synced to the timeline. I'm trying to select a group of sequential clips of different camera angles from the timeline to create scenes which I can insert into a final sequence but in a different order from how they are on the timeline. Let's say I want to take a series of clips that start at 3:30 on the timeline and go until 4:30 on the timeline. It will contain several cuts between the different cameras and I want to use that section as the first scene of my new sequence. If I select all of the clips in that time period and nest them into a new sequence, I only get the audio from camera 1 on the new TL. If I try window selecting those clips to include the continuous audio track, I get a new TL with 3 minutes and 30 seconds of the desired audio, then the video clips, and then the rest of the audio making a 13 minute TL. I just learned, after searching around, about marking in and out points on my multicam seq. and using the trick of "LIFTing" and then "UNDOing" to keep my multiseq intact, and then pasting into a new sequence. That works, but I'm only getting the audio track from off the camera. It won't select and lift the section of the other audio track that I want. I'm rushed for time so that's the way I've ended up finishing the video for now. The camera audio is just going to have to do although the mic recording is much better. The more I try to explain this the more confused I get and I'm sure everybody reading it does too. Any ideas? Thanks!

Moving a clip UP or DOWN several tracks in the timeline to REVEAL additional tracks

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