Premiere Pro Beginner Question Re Gripper

I am using Adobe Premiere Pro CC 2014, and am just learning the basics of moving panels. One of the tutorials says to "click the gripper area in the upper left corner of the tab" and drag. However, I don't see a gripper area on any panel's tab. Maybe this isn't a problem since I'm able to drag the panel anyway. Has the gripper been removed from the application? Thanks!

Thanks for your reply. I won't worry about it. But the questions still remains - Did Adobe remove the gripper, or is my installation simply failing to show it?

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Premiere Pro CS4 question on how to integrate into my website

I have a simple question...
I used Premiere Pro CS4 to create an Avi video.
And now I need to integrate it within Dreamweaver CS4 to upload it to my website.
I never did it, so I don't have any idea on how to do it.
Could someone send me a tutorial or website with explanations.
Thank you,
MAthieu
www.courtier-remax.com

Mathieu,
I can't answer for Premiere but if you have Encore you can use your avi file and export as flash flv file.
Encore includes menu templates for use with your flash file and varying sizes of flash export dimensions
depending upon how large you wish your final file and view to be.
Creates a folder with everything for you including index.html file and all you have to do is transfer the folder
to your website directory and hyperlink. Voila!
Sorry I can't point to any specific tutorials at the moment.

Adobe Premiere Pro CS6 Question

One of the requirements for Adobe Premiere Pro CS6 is a 7200 rpm hard drive. I have a notebook that I purchased less than a year ago with a 1 TB 5400 rpm hard drive. I meet all of the other requirements listed on the Adobe site for the product except for the hard drive speed. Will this product work with my notebook? Thank you for your response.

It'll work. Just not as well as it could with a better system.

Premiere Pro CS4 Question

I have Premiere Pro 4.2.1.
I have figured out how to insert images made in photoshop into the video (easy enough). However, I was trying to figure out how to move it so it is in a different place on each frame. (For example, placing an object over another moving object and have it follow it through a series of frames).
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Thank you, worked great

Premiere Pro/Audition question

I am running Premiere Pro CS4 and Audition 2.0. I have some musical HD footage that I have loaded into PP. I would like to export only the audio, work on it in Audition and reimport into PP. The only audio only export option in Media is AAC (+/- Version 1 or 2) which Audition doesn't recognize.
Suggestions?

With File Associations in Windows, at least one user has bypassed Soundbooth for Audition, so that Edit in Audition works as it did back in the old PrPro 2.0 days. Not sure of what any ins-and-outs might be, and do not have CS4, but Edit in Audition works for other, even in CS4, with a little work in Control Panel.
Doing an Export to PCM/WAV, editing in Audition, doing a Save, and then an Import will work too.
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Premiere Pro 2 question

Hello.
It's been a while sinse I used Premiere Pro 2 and I'm in need of help to solve a problem.
I've created the movie I need and I'm in the process of finalizing it. I wish to create a MPEG2 film and there is one option I'm unable to find.
I'm using (or trying to use) media encoder.
File -> export -> adobe media encoder
When I click "export settings" and then select the format drop down, I should see (according to the manual) the following options:
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Thank you.

Derek,
I would like to post my video online and for some reason, once I've compiled it, I get a seperate video file and seperate audio file. Did I mess something up?
There are a couple of places to assign Multiplexing (muxing). The first will be on your General screen, where you will choose both Audio and Video. Then, go to the Multiplexing setting and choose DVD, and not None. That should get you one muxed file with both Audio and Video in one.
Lastly, my original video in premiere is 23 minutes long, but when finalized, it's down to 13 minutes! Any ideas?
The only thing that comes to mind, that can alter the Duration is the WAB (Work Area Bar). One can Export just the WAB, or the full Sequence. The latter is what you want, and not the WAB. While it can cover the full Sequence, it's basic design is to allow one to Export just certain segments, set by the WAB.
Hope that helps,
Good luck,
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Premiere pro/ fcp question/ problem

I think I've gotten myself in a pickle:
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Sorry if that sounds like a math problem but I really need help on this issue,
Thanks forum,
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Just send him your project exported as an .xml along with the media files.
If you are only doing a cut & dissolve type of rough cut, there won't be any problem.
If you add audio and video effects, they are not likely to translate.
I have done this successfully with several mac fcp editors.

After Effects - Premiere Pro workflow question...

Hi,
I have a basic question about workflow between AE and PP.
I'm editing an acting reel for a client which deals with a lot of different footage and bits and pieces here and there.
We already converted all the footage to DV-AVI - tweaking, color correction and effects are done in AE.
Here's the question that I'm thinking about:
Should I work on all my footage in AE first and then import it into PP for editing OR should I edit everything the way I wanna have it and then import it into AE for the tweaking.
Advantages for both options that come to my (newbie) mind:
AE first then PP
1. Final editing is done in PP which gives me flexibility if I wanna change things later editing wise
2. PP exporting options are huge - don't know if AE can compare to that
3. could import to PP via Dynamic link which saves me the hassle of exporting each little clip from AE to a lossless format - as mentioned we have lot's of different footage and little bits and pieces here and there
PP first the AE
1. if u apply a lot of effects, Dynamic link is a pain to scrub through the footage in PP because it takes so much time to render through the link - with exporting a final edited version from PP and then importing into AE would make things go a little bit smoother
2. I would have more flexiblity if I wanna change any effects in AE
What would u suggest ?
Thanx for your help in advance !!
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Mylenium,
thanx again for your input.
Reading your posts - and PLEASE correct me if I'm wrong - it seems like the workflow would be:
1. PP for rough cut, then
2. AE for tweaking
3. back to PP for the final cut, export etc., since AE does not have the editing tools needed (transitions etc.)
But, as I did some testing the last two hours it is almost impossible getting PP projects into AE.
I read the manual and tried the following:
a. importing a PP project file into AE via the Import --> File dialog.
I specified only one PP sequence to be imported - it did import all of the footage of the PP project (including the footage that is not needed) and it imported 3 (not one) sequences, including the one I specified.
Besides that, the sequence is unusable - the in & out points of the footage are totally wrong - the transition I applied (dip-to-black) was unavailable.
I re-tried it without transitions but the in & out points of the footage are absolutely wrong.
The sequence deals with two different clips - both used 3 times in the sequence - and the first clip is okay in AE, but the second clip always (at all three points) starts from the start of the original footage.
b. I tried to copy & paste footage from the PP timeline to the AE timeline - which did not work.
As described in the manual, I did save that AE project and I did select the timeline in AE. I tried it through Edit --> Paste (which was unavailable), as well as through Ctrl+V. Did not work.
It seems to me like Dynamic Link is a One-Way-Street, it does work from AE to PP but not the other way around, at least not usable.
I had a thread about this a couple of weeks ago and other users experienced the same results.
I'm thinking about doing the rough cut in AE, the limited editing tools from AE should be okay...
Mike

Premiere Pro Export question -

i need help with the following- i want to export some Canon 5D .mov clips that i have adjusted in regard color correction and created in and out points - i want to export to media those files and hand them off to an editor- what is the best way to do this so they retain the same characteristics as the source (5D) files- in regard to Codec/compression/file size / qulaity - it seems when i choose (click) "match sequence settings" in the export settings dialog box the resulting exported file does have the same codec ( MPEG I-Frame) as the original but the resulting file size is is only about half the size as the original .mov souirce file ? so what is the best way to export these files- so an editor can use them with my edits intact - but so they are the same quality or better as the original files?- thanks for any help

best way to do this so they retain the same characteristics as the source (5D) files- in regard to Codec/compression/file size / quality
Simply put, it's not possible. Keeping the quality will make them larger, keeping their size will add degradation.
The better option is to give your editor the raw video files, let him edit, and them do the color corrections after.

How can i save a sequence into a folder in premiere pro cc

How can i save a sequence into a folder in premiere pro cc

Your question is confusing. It could mean a few different things.
A. If you just want to have the sequence in a particular bin in the Project panel, then drag it there.
B. If you mean you want to save a sequence so that all of the necessary files are in one folder on your hard drive, simply create a new project and import the sequence into your new project. Then use the Project Manager to gather all of your files together.

Runtime Error - Program-iles (86)Adobe\Premiere Pro 1.5\Adobe Premiere Pro.exe

I have Adobe Video Collection V2.6. (Adobe Premiere Pro 1.5).
All of the collection will load on my system except Adobe Premier Pro.
My system is:
Dell Precision 670 Work Station
Intel Xeon CPU 3.2GHz
3.19 GHz, 2.00 GB of RAM
MS Windows XP
Professional x64 Edition
Version 2003
Service pack 2, v.4566
When I try to load Adobe Premiere Pro I am presented with the follow statement:
Runtime Error
Program…iles (86)Adobe\Premiere Pro 1.5\Adobe Premiere Pro.exe
Question: How do I correct the Adobe Premiere Pro 1.5 Runtime Error? Any help would be appreciated.
Thank you.
NotAPro

Bill and Harm,
I spent 16 hours yesterday blending everything from Microsoft and Dell that
I could find relating to my problem. During all of this I lost all sound,
including playback and record on Adobe Audition 3 on another partition. I
worked until midnight last night and came back to my computer this morning
at 2:00 AM to continue. When I turned on the computer and checked, all of
the icons for the CD & DVD units, internet phone were in place and
everything worked. Adobe Audition now records and plays back...just like old
times. I have no idea which of the changes I made corrected my problem but
the problem is solved. Just wanted you gentlemen to know. It is reassuring
to know that there are folks “out there” a novice can count on. I will now
add the 8 GB of RAM but will not move to Windows 7 as yet. Thanks again for
your help.
Tom

I'm a new user and learning, I bought and installed Premiere Pro cs6. I got a nice video clip but has a baby cried in the background and very annoying. My question is, is this noise remover is separate from the cs6 or I need to get this software downloa

I'm a new user and learning, I bought and installed Premiere Pro cs6. I got a nice video clip but has a baby cried in the background and very annoying. I have tried all of the sounds in Prem cs6 but didn't work. My question is, do I need to get a separate sound software download and install to be able to use it?

In the CS versions, there was some audio capability in PrPro but you needed to get a separate audio program for major work. Lessening a baby definitely qualifies as major work. That's lessening, i dont mean eliminating. Adobe's audio program is Audition. There are others "out there'. In the CC versions one just downloads Audution also.
Neil

Premiere / RedCine-X Pro Workflow Question

Hi Folks,
I have been trying to find a solution for the last couple of months. I know out there someone has an answer for me.
So I keep trying.
Here is my question / problem.
1- I make my first color correction with Redcine, then save the rm.'s
2- Then I do my edit with Premiere. When finished export the edit as xml.
3- Import the xml to RedCine-X Pro again to do fine tunings according to the edit.
4- Do my fine tunings and save rm.'s again.
Here is the problem.
When I open my existing edit in premiere my fine tuned color correction should be available, instead I still see
my first color correction. And I have to click on source settings and again click on reload from rmd for each clip.
I assume that Premiere is reading the first color correction from a cache file or something like that.
How can I reload all clips with the new fine tuned rmd's ? Any ideas..
I was expecting this situation to be solved with CS6 but still continues..
Thanks
Koray Birand

I have no idea why Adobe continues to ignore this issue. You would think at least in the CC version of Premiere, there would be a function that would reload all the RMD's in your project. Very annoying. You can use a third party piece of standalone software, but Adobe really should take care of this in-house.
http://www.fallenempiredigital.com/blog/2012/07/29/batch-reload-redcine-x-rmd-raw-adjustme nts-in-adobe-premiere-pro/

AVCHD in Premiere Pro CS 5 - exporting file type questions

Firstly, this is my first post on here, so apologies if I'm breaking any kind of etiquette. Also, I'm not a very technical person and would appreciate any comments or advice to be in layman's terms!
So, I film and edit weddings as part of a small company. I've recently had my camera and editing system upgraded to a Sony NXcam and Premiere Pro CS5 and I'm having a little trouble getting used to the new file types and settings (previously used miniDV tapes in SD with a Canon XL2 in an older version of Premiere).
My pc handles the AVCHD footage fine but the way that I edit means that I'll want to export a sequence of edited clips as one long clip, and then re-import it. For example, I'm editing the wedding ceremony from footage from two cameras - I'm going to edit the full version of the ceremony and then I'm also going to edit it down into a version that is a highlights montage in slo-motion to music. The way I do this is once I'm happy with the full version of the ceremony I'll export it and then re-import it so it's one long clip I can play with rather than two sets of footage chopped up on a sequence. So I can alter the speed of this new long clip, and then chop it up and stick in some dissolves to put together the montage. Then I use this montage in the middle of my final film, between the preparations and the reception. The full, edited version of the ceremony is used as an extra on the DVD.
Previously this was fairly straight forward. I was always working with footage in 16:9 and could export it as an avi file, then re-import that avi file with no problems - presto; the exact same-looking footage as I was previously working with.
Now I'm editing with avchd mts footage (1920x1080 - 25p - square pixels?). Naturally, if I export it as a 16:9 avi and re-import it, the aspect ratio and frame size is all wrong for the project sequence.
I just want to know what the best file format and settings are to use to export footage that will match up. There is no option that I can see to export edited footage as mts files. There is a long list of file types, most of which I don't recognise or know anything about and have never needed to use in the past.
Sorry if this is a silly question, I've tried searching for "working with AVCHD in premiere pro cs5" in google and not been able to find anything that can help me on there, so I thought I'd try a forum like this.
Cheers
Adam

I think we may have a slight miscommunication. This is the way that I interpreted your original post.
Lets say you shot the Smith/Jones wedding this past weekend. You start a new project and have a Service Sequence and a Reception Sequence. You finish editing both the service and reception and just a standard full length video. Now you want to create a montage with clips from both the service and reception. In this montage you will have different effects like Black and white, Slo Mo, blurs, etc. So what you do is export the service and reception and then import those two files (or one long one) and then cut that apart and add your music and effects to make your montage. Is that correct?
The way that I do it works the exact same way except that you skip the export part.
When I edit a wedding I generally have 4 sequences when I am finished. I have a Pre Wedding montage, service, reception, and ending highlights. The Pre Wedding montage is just made up of shots from before the service (bride and bridesmaids getting ready, shots of the venu, groom and groomsmen and so on). Then I have a full edit of the service and a full edit of the reception. After I am finished with those 3 sequences I start working on the ending highlight collage. I make a new sequence for the collage then I go to my bin and drag the "Service Sequence" up into the preview monitor (I know in my previous post I said double click. That does not work, because that just opens it up as a sequence. Sorry about that). In the preview monitor I scrub through the footage until I find a section that I want in the montage. Then I set in and out points around that clip and drop it into my Montage timline, and what ever effects to it that I want, then move on to the next clip and do the same thing. To me it seems that we have the same process except that you have to wait for the export (which is always going to give you a quality loss, how much of a loss depends on format and settings).
Please let me know if I have misread your process.
Phil

New in Premiere Pro CS5. Questions: markers, shortcuts, keyframes, and more!

Hi everyone, this is my first post. I'm an editor from Argentina, with background in Avid media Composer, but I'm switching to premiere pro cs5 for a new job. I was highly and happily surprised with it. But, there's still a couple of things I haven't quite got right, yet.
So, a couple of newbie questions... you'll save me a lot of time if you can answer some of them.
Markers
1a. Can I use markers with different colors?
1b. Is there a way to select more than one marker and delete them at the same time? Of course, with out deleting all of them, just the ones I need.
1c. How can I set up a shortcut for going to next\previous clip marker in the timeline? In shortcuts, I go to Marker>Go go Clip marker> and select a shortcut, but in the timeline it goes nowhere. I have made this work for sequence markers in the timeline, and this shortcut also work for going next\previous marker on a clip in the source monitor.
1d. How can I extend a marker in the timeline? I know I can set the duration of the marker in the pop up menu... but if there a way to do it directly in the timeline?
Razor Tool
2. A simple one. After I've used the razor tool on a clip... how can I join the clip again?
Track Select Tool
3. Can the Track Select Tool, select all the clips to the LEFT, instead of all the clips to the right? In avid there's a Select Right command, which works as the track selector, but there's also a Select Left command, which does the same, but to the left.
Audio Master Meters
4.Another simple one. Can I put this in a horizontal way? It'll fit perfectly in the tool bar then.
Tab sizes
5.Can the tab size be modified? I have "Media browser", "Info", "History", "Effects" all docked... but the size of the panel is such that I can never see the four tabs at once, I have to drag the little bar at the top. Can I have the tabs be smaller so that I can see the four of them... as if they said "Media.." "inf.." "hist".."eff"... instead of wasting space with long tab names?
Keyframes
6. Is there a shortcut to add one? Where is it in the shorcut configuration? I know I can put them with the Pen Tool, I need a shortcut to replace the "add/remove keyframe" button on the tracks in the timeline.
6b.How can I snap the current time indicator to a shortcut in the timeline?
6c. Can I lazo multiple keyframes?
Audio While Scrubbing
7. In Preferences>Audio>Play Audio While Scrubbing I can select that on and off. How can I set a shortcut for that?
Well... that was A LOT! Sorry for so many questions. Hopefully they can help other new users.

From the top:
1a. No; but you can set numbered markers, for both clips and the sequence.
1b. No; you can delete one or all.
1c. You have to select the clip in order to activate the command.
1d. You can only do this in the Marker dialog.
2. No direct way to do this. Delete either the portion before or after the edit, and then extend the clip to fill the gap. Clunky, yes.
3. No, the Track Select tool only operates to the right.
4. Audio meters are vertical only.
5. The tab size matches the title of the tab; no way to change this.
6a. No keyframe shortcut.
6b. It doesn't work in the Timeline panel, but in the Effects Controls panel, you can hold down Shift to snap the CTI as you drag.
6c. You can lasso multiple keyframes in the Effects Controls panel with the standard selection tool, or you can use the Pen tool in the Timeline panel. Just be sure to start within the graphical representation of the clip.
7. No, it's only a program preference.
Sorry that so many of them are negative! Be sure to file feature requests for anything that you'd like to see: Adobe Feature Request/Bug Report Form

Premiere Pro Beginner Question Re Gripper

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