RED ONE camera to FCP to compressor for DVD

My client used RED ONE camera for filming. He used FCP to edit it then exported it in 1920x1080 Apple ProRes 422 (HQ). He sent it to me by mail (external HD) for me to use that QT movie Apple ProRes 422 for Compressor to compress it into SD DVD MPEG-2 5.0 2-pass with Progressive (Best Quality). I used DVD Studio Pro and found it very unsatisfied with the quality of video because I'm seeing a lot of pixels around those letters during open/close credits. Not only that, I also see a lot of bad interlaced video. I set it up for Progressive and YET I'm still seeing interlaced in it. What's did I do wrong? How can I make it the best quality video for SD DVD from Red One camera or Apple ProRes 422 (HQ)? I know Blue-ray is the best answer but a lot of my costumers don't own blue-ray dvd player. (I'm sure you're aware that HD DVD don't work on any DVD players, only on Mac computer which is very unfortunate for me!) Please help! I'm flirting the deadline right now:)

1. Take your sequence into an uncompressed 720x480 16x9 anamorphic sequence. It needs to be 720x480 first since thats the resolution of NTSC DVD - create a 720x480 uncompressed 16x9 anamorphic sequence
2. With a bitrate calculator, you would need to determine the best bitrate. How long is your DVD? (include menus as well) plug it into the calc. here's a good one:
http://www.videohelp.com/calc.htm
3. Export out through compressor as an MPEG2 file and the bitrates from above. make sure you match field order of your source if interlaced
4. Import into DVDSP and author away

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RED One camera: is someone using it and how?

I'm curious to find out more about users editing RED One footage in Final Cut Pro on Mac. All I saw was a demo at the Apple booth at IBC in Amsterdam in September.
I browsed their MacPro a bit but I couldn'f figure out what RAW images were used.
What are the REDCODE experiences?
What are the prores results?

One very cool thing is that the RED Camera creates quicktime wrappers for it's native .R3D files so that you can immediately watch back the 4K clips by using proxy files. So if you have, say, a MacBook Pro on set when you are shooting, you can download the files from the memory card and view them in realtime using a 2K, 1K, or .5K proxy.
Here is another independent RED Camera forum with quite a bit of information:
www.RedCamCentral.com

FCP 7 exporting for DVD, Image problems

Hey,
New here so sorry if I'm a little slow with everything. We shot some concert footage using 4 cameras, 3 cameras shot in 1440X1080 HDV 1080i60 and the other camera shot in AVCHD but was imported as 1440X1080 ProRes 422. I edited the video in a sequence with settings of 1440X1080, field dominance of Upper (odd), and compressor HDV 1080i60. I was trying to find a way to export for SD DVD in the best quality I could and found Ken Stone's site,
http://www.kenstone.net/fcp_homepage/hdv_timeline_to_sd_dvd.html
It's worked for me on other projects. This project is a 2 1/2 hour DVD, so I tested that method on a minute of the footage and it didn't come out well just for one camera. I followed Ken Stone's page and took the sequence and changed the settings to field dominance None, and compressor to ProRes 422. Then I exported using quicktime conversion with settings of ProRes 422 HQ. Once that file is exported I've been taking it to Compressor and using either DVD Best 90 Minutes or 120 Minutes. On the max bitrate I don't go above 7.9 and on the average I'm usually around 6.7 for Best 90 minutes and 5.2 for Best 120 minutes. Whenever I put the footage in DVD Studio Pro, the footage from the 3 cameras shot in 1080i60 look great but the footage originally shot in AVCHD has all sorts of lines and distortion on movement. I'm just trying to find out if there is a better way for me to take my footage from final cut to SD DVD and still get good looking footage out of the original AVCHD footage. I don't really understand why the footage from the AVCDD footage is coming out like that since it was imported as ProRes 422. Any ideas on how to fix this?
Thanks,
Matt

Thanks a lot, this did the trick.
Yeah I'm doing a dual layer dvd, but I'm sending it off for replication so from what I've read it sounds like I have to build and format the dvd, then burn each Layer to it's own dvd. Do you have any experience with this? The break point is kind of confusing me right now because it sounds like just a lot of trial and error.
Thanks again
Matt

How to injest RED ONE camera footage in FCP?

Hi there,
I have downloaded the necessary drivers from the RED website and I am expecting to receive the files from the director off of his hard drive this week.
What should I be expecting in terms of files for an offline edit? Is there a link or process to view the steps to inject into FCP?
Thanks!
Steven

I am a whatever works for you guy...but at the same time I think it's important to consider once you are working with Red or 10bit source PRHQ may be your friend.
RED FCP Whitepaper:
Method 1: Transcoding to ProRes 422
You may choose to transcode R3D media to ProRes 422 or ProRes 422 (HQ) compressed QuickTime files. ProRes 422 is suitable for creating lower-quality files for offline editing, but ProRes 422 (HQ) is recommended for higher-quality mastering. You can set this up by opening the Log and Transfer window’s Import Preferences dialog.
• ProRes 422 (HQ) – Suitable for ingest and mastering of high-quality chroma- subsampled/YʼCbCr color space media for high definition broadcast masters.
• ProRes 422 – Suitable for ingest and mastering of high-quality chroma-subsampled/ YʼCbCr color space media for standard definition broadcast masters, or good-quality mastering at HD resolutions.
This workflow describes transcoding your REDCODE media to 2K resolution Apple ProRes clips, and then mastering using Apple ProRes.
• Advantage — This is a straightforward workflow with no reconforming necessary. Editing using the Apple ProRes 422 (HQ) codec is simple and efficient, especially for programs that are destined for output to a YʼCbCr-based tape format.
....

My iPod has two small dots on it. The first one is red and the other is white. The red one came first and a few weeks later the white one showed up. Can I take it to the Apple store and have it exchanged?

I've had it for less than a year and noticed a few weeks ago that it had a red dot on the center of the screen. About a week ago I noticed another dot, a white one, right next to it. I've never dropped it and even went out of my way to buy a decent case to keep it safe. I spent over 200$ on my 4Gen iPod Touch it and I'm very concerned that these dots will spread across my screen. Can I send it to the Apple store by me and have it replaced?

Make an appointment at the Genius Bar of an Apple store and find out. If defective, within warranty and not abused Apple may exchange it at no cost.
See:
About LCD display pixel anomalies for Apple products released in 2010 and later

Help with Workflow FCP to Compressor then DVD Pro and Shaky footage

Hi, I am new to using a MAC and also to Final Cut Studio so if this question has been asked before or seems obvious then I offer my apologies.
I have a clip on the timeline which is a little shaky but I need to use it. I have added a SmoothCam filter and when I playback in FCP all seems OK however after sending to Compressor then eventually to DVD Pro the clip shows as being shaky again, almost as if the filter had been deleted in the Compressor. Could someone perhaps talk me through the correct workflow I should be using and maybe suggest where I am going wrong please. As I said this is my first attempt to author a DVD with FCP on my MAC.
The footage was captured on my Panasonic Home camcorder. The settings in my camera were set at 1920 x 1080 HG mode for High Definition.
In my camera user guide it refers to the images being based upon the MPEG-4 AVC/H.264 codec so should I have set something similar when capturing into FCP.
Any advice would be welcomed.
Regards
Fred

Hi Mike I tried everything to try and resolve this one, I tried all combinations of field dominance. I also followed the recommendations from the Apple help to use the intermediate codec (search under AVCHD in the Help files) If I get anywhere I will mail you
Regards
Fred
PS I had some advice from another forum group who said to try and export a Quicktime movie into DVD Pro and not to send to Compressor, I will try that later and see if that helps.

Is it necessary to use Compressor for DVD Studio Pro*

I am making a FCP X movie and when it's finished I want to put it on a DVD using DVD Studio Pro. I have done this before but now I'm wondering if I should first export it to Compressor 4 and then to DVD Studio Pro. I understand that if I was puting it on YouTube or an iPod device I would need to Compress it however why would I need to go to Compresss 4 first if ultimately going to DVD Studio Pro? Would I get a better Codec quality then what I get from exporting in FCP X using their default Compression format i.e. Quicktime? Should I use an Apple ProRes Compression from Compressor 4? I guess I really don't understand the encoding quality options very well however I do want the best quality on my finished DVD. The DVD or Sequence is somewhere around 20 - 25 minutes if that makes any difference in your response.

The following applies equally to both C4 and C3.5 (which you have, if you have DVDSP). There is really very little that C4 can do compared to C3.5.
Bring your movie into Compressor as the source file. Drag the MPEG2 and Dolby Digitlal presets into the Batch window. Set the destination where you want your output file to be saved to.
If you are using HD material, open the Inspector>>Frame Controls and activate Frame Controls. Set Resize filter to Best. (If your source file is SD skip Frame Controls.) In the Encoding section, click on Quality and in mode change to CBR. Set your bit rate to 7.0.
Test a short representative section of your movie by marking a range in the Preview window. Submit.
Take your test file and drag it into the DVDSP asset pane. Do your build. Open it in DVD Player and see what you think. If you like the results, proceed with your project. If you're not satisfied, tweak your settings and test again.
Good luck.
Russ

My sound mix does not sound the same after using Compressor for DVD

Hi,
Is there something I can do to maintain the sound mix of my original file when converting to the dolby in Compressor. It needs to be louder overall and sometimes the music goes way too low and the dialogue goes to soft. Sound effects were louder and now get quiet during some parts.
Help?
Thanks!

Hi:
You must do some changes in the standard AC3 preset from Compressor. Duplicate it, and chage the following settings:
- Dialog Normalization: -31
- Compression Preset: None
Save it and try it. You must get the same mix and level than your original.
Hope that helps !
Alberto

Using Compressor for DVD Output

I used a Sony CX-430V to record an event in 60p. Am I limited in the amount of video to compress to DVD? With standard video, I could work between 90 to 110 minutes. Total video I completed editing in HD is roughly 100 minutes. I am new to HD, FCPX and Compressor which is why I am inquiring.

Parm4u wrote:
Am I limited in the amount of video to compress to DVD?
Yes. You can lower the bit rate to fit more and more content, but at some point image quality will become unacceptable. Above two hours and you should probably use Dual Layer disks.
If you give Compressor an HD file it will down convert to a SD resolution and encode an MPEG2 file.
Russ

Compressor for DVD storage

I exported the raw footage quicktime. I would like to compress into 4.4 gb that I can storage the compress of raw footage that I can get to expand out if I need the raw footage back. I thank you for your time and respond quick. Jerome

Compression is always a size versus quality compromise, so how much footage are you looking to archive?
What was the source material shot on? DV, HDV etc.?

Exporting Chapter Markers From FCP7 to Compressor for DVD Studio Pro

I put several chapter markers in a Final Cut Pro 7 sequence by hitting the "M" key a few times on the timeline.
I tried exporting the video with Compressor, both by using "Share" and "Send To Compressor."
When I load the post-Compressor video files into DVD Studio Pro, make a track, and look at the track timeline, the chapter markers are not there.
How do I send the video files from FCP7 to Compressor to DVDSP and have the chapter markers survive the journey?
(NOTE: I am not using Final Cut Pro X, where, I understand, that the problems with chapter markers are a whole different ballgame.)

When you hit m twice and get the marker window:
1. Make sure the marker is created on the timeline, not the clip;
2. you have to specify that it's a chapter marker. There's a pulldown or something to select it. It's NOT automatic.

Cant burn dvd from fcp to compressor to dvd studio pro

I have burnt projects in the past from hd but cant seem to create an sp dvd from an combo hd and sd
project. I am using the setting best quality 120 minutes

http://discussions.apple.com/thread.jspa?messageID=12830379&#12830379

RED ONE digital camera...

Has anyone used a RED digital camera with FCP?
RED Camera specs: http://www.red.com/cameras/tech_specs/
If so, how does FCP handle those resolutions (4900 x 2580) and frame rates (120 fps)? I watched a recent BluRay (Red Dwarf - Back to Earth) and was VERY impressed with the quality -- apparent RED camera's were used to shoot the footage. These cameras cost a fraction of the $250,000 Movie studio cameras at somewhere around $20,000-$25,000 US.
Would love to hear from anyone who's had experience with this camera and even more so someone who's worked on post production footage.
Thanks, Rob.

Yes the RedOne is a fantastic camera, but as Shane pointed out, it is really a professional tool meant to replace 35mm - not HD video. That isn't to say it can't be done - and it will certainly make some super nice HD video, but the cost of entry is still pretty high, even if it is much less than a comparable film camera (and all the processing/scanning involved there).
More important than the 4k numbers though is the fact that it shoots what is effectively RAW video - allowing for a lot of post processing/grading/vfx. Check out District 9 - while not all of it was shot on Red (the docu stuff was done on an HD Sony camera I believe - a much less $$ one than Red) a lot of the FX sequences were.
Keep a lookout for the Red Scarlet which should be available soon. That will offer 3k in a much smaller and more "prosumer" friendly package, without sacrificing the RAW capabilities. They are going to be making special "mini-prime" lenses for it too - should be a great replacement for DSLRs shooting H264.
http://www.engadget.com/2010/01/09/red-scarlet-and-bomb-evf-surprise-hands-on/

Cameras and FCP - 2

I'm back again ---- the Sony Webbie HD camera is a great little camera for certain purposes but I have now, after 2-3 weeks with it, found it to be unforgiving in too many ways to be a suitable family camera.
So - I am look at three additional Sony cameras, links below. If anyone has comments on them or experiences with them I would love to hear about them. I will be using this camera with FCP and DVDSP for burning DVDs, so any related comments are more than welcome. I am learning a lot, and appreciate all the help!
http://www.sonystyle.com/webapp/wcs/stores/servlet/ProductDisplay?catalogId=1055 1&storeId=10151&langId=-1&productId=8198552921665291520
http://www.sonystyle.com/webapp/wcs/stores/servlet/ProductDisplay?catalogId=1055 1&storeId=10151&productId=8198552921665094482&langId=-1
http://www.sonystyle.com/webapp/wcs/stores/servlet/ProductDisplay?catalogId=1055 1&storeId=10151&langId=-1&productId=8198552921665737600
The last one is not available until March 1st, but any comments on the specs vs. FCP or DVDSp would also be helpful.
Thanks,
Jason

I'm more than happy to consider something other than Sony. But I have a Panasonic 601 I am replacing and I was never all that impressed with that, or with Panassonic's service unit. From my 'former life' in video production I learned to stay away from JVC. I owned a Canon XL1 for a couple of years and I was impressed with it, so Canon offers some options.
Athough I now have a pair of 8GB Sony Duo Cards which will go to waste should I go non-Sony. Cie la Vie. Viva la eBay, I guess!
If you have some affordable Canon recommendations, that would be great. Any particular model you think stands above the rest for a consumer model? Must be HD and you know the rest.
Thanks!

FCPX DVD export to Compressor: error burning disc; video file incompatible for DVD creation

I've been working on a project for months now (feature film) in Final Cut Pro X. Therefor I have done about 20 exports already from within FCPX to Compressor for DVD. Did the same process last night as always.
From within project timeline I go to SHARE -> DVD -> setup a basic menu then select USING COMPRESSOR
Compressor opens. I click submit and after the progress indicator fills up way too fast, I get this error:
"there was an error burning your disc the video file is incompatible for DVD creation"
DVD spits out and that's it. Compressor and FCPX are both still running and haven't crashed but I'm confused. I have burned since the recent 10.0.3 upgrades (and whichever upgrade just came out for Compressor as well) so I can't imagine it's the upgrade.
Any ideas?
I tried making a duplicate of the project and renaming and exporting and had the same results.
At this moment I am trying to export to DVD directly from FCPX with default settings and it has bee "processing" with no movemtn on the progress bar for an hour (it's a 2 hour video so this may not be abnormal).

RED ONE camera to FCP to compressor for DVD

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