Setting "Monitor RGB" as default.

Like many others I know, I design ONLY for the screen and thus, I ALWAYS want my screen to soft proof to "Monitor RGB" in both Illustrator and Photoshop (CS3). I've developed the habit of selecting View > Proof Setup > Monitor RGB and making sure that View > Proof Colors is checked EVERY SINGLE time I create or open a document. Is there a way I can set this as my default?
(17" "unibody" MacBook Pro, CS3)

The variable that is used in this report is 1VERP. You can changed this via GS12 to enter the whatever plan version to default under the default value. For your information, the report group 1AIP is run when you run the t-code S_ALRr_87013613, which inturn runs the report 1AIP-001 that incorporate the variable 1VERP under the plan data for version selection.
But this may not be the best practise, because you will be changing the SAP standard, which will be overwritten when you upload support packages or do an upgrade. Better you copy this report and use your own version variable, by copying the 1VERP.

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  • Set Monitor iSight as Default?

    I have a Macbook Pro with built in iSight and a 24" ACD with built in iSight. When hooked up to my monitor, I want to only use the ACD iSight. I want this to be the default for every application that uses iSight.
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    plochner wrote:
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    I don't want to do the hack-y load-up-iChat to "force a lock" onto the laptop camera every time I open up a piece of video conference software. The instructions, while definitely a creative workaround (and I applaud the effort) are just too obtuse to follow for the majority of my users.
    Also, the users don't use iChat, and it's not on their Dock. So even if they dig through Applications and find it, when they try to follow those instructions, they'll get the "Please setup your iChat account" wizard which will require IT support to get rid of.
    Any other ideas? I simply want to set a preference that basically says, "When given the choice between two iSight cameras, regardless of the application, always default to the one on the monitor."
    (1) I do not know of any preference like that which you seek. Nor do I know of any single preference or other single setting that will do what you want to accomplish.
    Unlike Sound, which allows selection of default input and output devices for your entire system via Mac OS X's  > System Preferences.... > Sound menu command, I cannot find a way to select a single, system-wide, default camera/sight/video device.
    The best I can offer is the suggestion that you set the desired default camera for each individual app that you use with a camera. For some examples, see the following:
      http://discussions.apple.com/thread.jspa?messageID=11033260&#11033260
    As long as you are using Mac OS X (10.5.8) (or earlier), there is no way to select among two connected cameras in Photo Booth other than the "hack-y" you "don't want to do". Photo Booth did not add a menu selectable camera choice until Snow Leopard.
    (2) You may want to offer specific comments by using Mac OS X Feedback to send your suggestions for improvement directly to Apple. You will not get an answer, but the responsible Apple people will see your input for consideration in future product releases..
    EZ Jim
    Mac Pro Quad Core (Early 2009) 2.93Ghz w/Mac OS X (10.6.2)  MacBook Pro (13 inch, Mid 2009) 2.26GHz (10.6.2)
    LED Cinema Display  G4 PowerBook 1.67GHz (10.4.11)  iBookSE 366MHz (10.3.9)  External iSight

  • Wide Gamut Monitors & 10.6 Default Monitor RGB

    Hi, an Adobe employee just told me Snow Leopard 10.6x defaults untagged and unmanaged color, that SL "uses sRGB for untagged images/graphics, and converts to the profile for each display”.
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    Can a few people with wide gamut displays running 10.6x and Safari 5 please go to
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    And post back if they "match" to prove or disprove his statement?
    (By his statement, the tagged and untagged rollovers should "match."
    Also, if they shift, how does the untagged sRGB change in appearance?
    Thanks (I am trying to get my page updated)...

    That's expected, a wide gamut monitor will be a lot redder.
    Yes. Just a lot more color range and gamut to view than a "standard" monitor.
    Tagged) Photoshop/Safari is reading the embedded profile and CONVERTING to Monitor RGB.
    Actually, that's what the OS or Photoshop always does. No matter what you're viewing in Photoshop, and no matter what the CMYK, RGB or grayscale working spaces are set at, the color you view is always your monitor profile, which is the last conversion done before displaying the image in Photoshop to the screen. Which is why I use my monitor profile as my working RGB space. I want my images to contain the color data of the device I'm viewing, not a canned space forced to fit. Here's what I mean. This image is Adobe RGB and my monitor profile overlaid. It's mostly a top down view. That was the best orientation I could turn the 3D map to for the example.
    The ghosted map is the monitor space. As you can see, if I were to use Adobe RGB as my working space, I'd be losing all of the color I could be using that extends beyond Adobe RGB (reds through pinks, greens), since Adobe RGB would limit how far I could saturate those colors, as it has to stay within the limits of the profile. On the other side of the coin, the left side shows how much of Adobe RGB extends beyond my monitor space. The even brighter pinks through bright cyans across the top left.
    But I don't care about that color. I already get all the saturation I can reasonably use for a photo. I mean, just how unnaturally bright do you want someone's lime green shirt to look? Using a color space your monitor can't display is also a very bad idea in my opinion. Say you're happy with the color you see on your current monitor. Then you get a new monitor at some point with an even wider color range. Suddenly, those bright pinks are way more saturated than you remember. What's wrong? Nothing. Your new monitor is just showing you values that were already in your Adobe RGB tagged image your previous monitor was incapable of displaying. I would much, much rather use my monitor profile for my RGB images. Then when I do move to any even wider range monitor, ColorSync/Photoshop will be able to properly map the color to fit the new monitor profile so the images look identical, or nearly so, as they did on the monitor I was using before.
    In short, I consider canned profiles such as Adobe RGB, sRGB, ColorMatch RGB, etc. completely useless. None of them represent the device (monitor) in front of you. Only a properly created monitor profile is accurate to that device.
    If the Adobe theory were true, you would NOT see a brighter, redder image on the rollover (they would "match").
    Sorry, -g. By, So far, it sounds like his theory is true., I just meant that my tests were following his theory up to that point. After that though, it falls apart.
    Can you tell me if Photoshop> Assign Profile (your custom EIZO monitor profile) displays like the Safari untagged rollover (especially level of saturated reds)?
    Yes, but it looks that that to start with if I open the untagged image and tell PS to leave the color as is. So PS/ColorSync is already doing the only thing it can do with the color, mapping it to fit the monitor profile.

  • Trying to configure Windows default Monitor RGB

    Hi, I am trying to figure out the Windows color management interface to set up and confirm Monitor RGB.
    Also how to set up and confirm that Windows is Defaulting to sRGB in untagged/unmanaged apps.
    Thanks in advance for any help...
    First DEVICES tab:
    In this screen shot, I see Device is set to "Display: Generic PnP Monitor-ATI"
    This doesn't look like a monitor profile (what is it)?
    I see "Use my settings for this device" is checked
    What behavior does that turn off/on?
    In ICC Profiles, I see "Starbucks.icm (default)"
    This looks like the Default monitor profile, but how/where was it selected?

    Okay, I plugged my Vista hard drive into my Mac Pro and booted into Windows Vista and took a deeper look.
    Control Panel> Color Management> Device tab:
    "Display: Generic PnP Monitor - NVIDIA GeForce 7300 GT" appears to selecting the monitor attached to that card.
    To see the actual monitor, go to Device Manager> Monitors (expand): right+click on Generic PnP Monitor> Properties> Details tab> click/expand Property drop menu and scroll to Hardware Ids ("Value" should list monitor). I am not sure what PnP means (plug & play?).
    Checking "Use my settings for this device" probably lets me add and select profiles and behaviors to use with this monitor.
    Unchecking "Use my settings for this device" probably tells Windows to make these decisions for me behind the mystery curtain (not desired if you like to know what's happening).
    To select/change Windows Default Monitor RGB:
    For example, if I wanted to switch my Monitor RGB to sRGB, I would click on "Add..." and choose the sRGB profile from the list of profiles installed on the system.  Same routine if I had a custom monitor profile....
    Once I have the desired monitor profile appearing in Devices> Name — to set it as my Monitor RGB — I would click on it to highlight it, then click on "Set as Default Profile" (and reboot for safe measure and to be sure the change sticks after rebooting).
    +++++++
    To confirm Windows Default Monitor RGB:
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    This "(default)" designation probably identifies the current Windows default monitor profile, and it is probably where Photoshop picks up its Monitor RGB profile.
    In other words, in the above example, Windows is using the "Starbucks.icm" custom monitor profile.
    +++++++
    To confirm Photoshop's Monitor RGB:
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  • Manually set Monitor Profile

    Instead of Photoshop, et al using my Win7 x64 ICC monitor profile, I would like to set it manually, as I'm able to do in other applications.  Is this possible? 
    The reason why is that I have a Dell U3014 and using the software that comes with it, I want to use its sRGB mode (and an associated sRGB profile from my Spyder 4 set as my Windows default) for all of my regular apps, and AdobeRGB mode (and profile) for my CS and other color-aware apps. My other apps DxO, PhotoMechanic, Canon SLR apps, etc. let me choose the profile.

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  • Display profiles and soft proofing Windows RGB / Monitor RGB

    This might have asked before, but I did not find any definite answer for this. Sorry this gets a bit long.
    Short question:
    What's the difference between softproofing with Windows RGB and Monitor RGB targets? I see differences in my image between these targets.
    Long question(s):
    Here's some reasoning.. let me know when I go wrong.
    I have hardware calibrated my display Spyder 3 elite to sRGB standard. I have understood that the generated display profile contains a LUT table that affects gamma values for each RGB component, so that affects both gamma and color temperature. That table is loaded into video card when Windows starts. In addition to the LUT table, the display profile contains what? Probably information on what color space the display has been calibrated to. Does that matches directly with the LUT table information, but may deviate from sRGB in the case my monitor cannot reproduce sRGB 100%?
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    I read from www.gballard.net that
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    Photoshop's Soft Proof screen preview here simulates how unmanaged applications, web browsers, will display the file on 2.2 gamma monitors, based on the sRGB profile. If the file is based on sRGB and our monitor gamma is 2.2 and D/65 6500 degrees Kelvin, we should see very little shift here, which is the goal.
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    Thanks

    Windows defaults to sRGB if you don't calibrate your monitor so untagged sRGB files should display (more or less) correctly in applications that don't know about color management on systems with uncalibrated monitors.
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    When you proof against Monitor RGB, Photoshop will assign your monitor's icc profile to the image which tends to be utterly useless most of the time.

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