Transcoding

Looong story short, I was working on a project for a friend that I started out on PC and FINALLY moved the project over to a MAC to finish it. The video camera's original format was MPEG. (I converted the files to .MOV, thinking it would be more compatible since After Effects works in tandem with Quicktime.) I started to have the same issue as everyone: with .MOV files erroring during RAM preview and rendering.
I downgraded to Quicktime 5 (because most forums say to downgrade), all the way back up with no success on my Windows 7 machine. From Quicktime 5 thru 6, the audio would play (ACC), but not the video (unknown compressor). Through all the Quicktime 7 series, I could see the video (H.264 now added to Quicktime 7), but began to get the audio error, again. Occasionally, the first file in the composition would play and then error out.
I brought the project over to MAC and it imported the files fine.  I was able to RAM preview and render. The only thing Adobe After Effects asks me to do was re-title the project . . . I'll take it!
Now going back to the original problem on my PC: I used a video converter to try out different file types on After Effects that would not produce an error. I found that MPEG-1 and MPEG-2 worked fine on my PC and MAC. So, if I need to cross over again, I know NOW to just use this format (container).
I also decided that if I want to preserve the best quality from the "film," I can rip out the audio and just sync it to my project using the original MPEG from the camera. NOTE: I'd do this because the audio doesn't show up when I import the video to the project

Robotboyv02 wrote:
Now going back to the original problem on my PC: I used a video converter to try out different file types on After Effects that would not produce an error. I found that MPEG-1 and MPEG-2 worked fine on my PC and MAC. So, if I need to cross over again, I know NOW to just use this format (container).
NOooooooooooooooooo!
MPEG-1 and MPEG-2 are lossy and compressed (not to mention, old) formats. They are not appropriate as intermediate codecs! At all! Never were! Not only are they compressed, but they use interframe compression which is not ideal for After Effects.
Use DNxHD (from Avid), Cineform (from GoPro), Quicktime with the PNG codec, or Quicktime with the Photo-JPEG codec. Any of these work just fine in After Effects on Windows and Mac and aren't lossy.

Similar Messages

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    Hi,
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    Hi,
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  • Can I trim without doing ANY transcoding?

    I have video files in MOV and M4V which are H264. Those files play beautifully from a website but they are too long. I have QuickTime Player Pro 7.6.9 so I'm intending using it to edit them (by which I mean just trim them - no fiddling with anything else).
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    Is there a way that I can edit (ie just trim) them in QTP but have it export the files exactly as they are now, without touching the coding at all?

    Currently the file sizes are large. I was hoping that trimming to the few minutes I want would reduce the file size.
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    If I'm understanding you correctly, QTP will mark the In and Out points but when I use 'Save as.." it will leave the full file size intact (??) and still upload to the server the full 15 minutes worth of file (??) and visitors to the website who are using mobiles may view the full 15 minutes still???
    No. What I said was that if you "mark" the content you wish to keep and then use the "Trim to Selection" option to create a "timeline" only containing the segment of the file you wish to keep, the, when you use the "Save As..." command, only the trimmed content will be copied to the new MOV file.
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  • Compressor problem.  transcode failed

    Hi,
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  • ProRes files act crazy and transcoding to Animation codec gets ugly

    So, allegedly, the Animation codec is lossless. However, when I take something encoded with Apple ProRes 422 HQ and transcode to Animation within the Quicktime Pro software, I see noticeable differences. Including: color change and increased aliasing.
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    As a test, try nesting the problem sequence in a new empty sequence then export that new sequence using QuickTime. Let us know whether or not that succeeds.
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    PremiereProPedia   (RSS feed)
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  • Any way to transcode more than one file at a time?

    I've noticed that Final Cut Pro X, when doing transcoding (for Optimizing or creative Proxy media) only processes a single file at a time (whereas it can handle processing up to 5 audio files at once), and is only using about 70% of my processor(s) -- I have a dual core, Core i5 processor, 8GB of RAM, about 500MB used by FCPX during the processing.  So this thing should have PLENTY of processor and memory headroom to use, and it should certainly be able to transcode more than one file at a time.  Yet it isn't nearly taking full advantage of the processors, or the RAM.  Is there any solution to this problem?
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  • Do I need to transcode .MTS (AVCHD) files before editing?

    I am quite new to all this, so forgive me if my question is unclear or just plain dumb.  I am shooting footage with a Panasonic GH2 which outputs clips as AVCHD. I understand that this is highly compressed.  I am perfectly able to edit these short clips (less than 1 min) in PP CS5 and export them as mp4 or .MOV files.  They seem to play back just fine in the Windows Media Player.  However, I am shooting footage destined for online stock companies and I am concerned that, without some form of decompression prior to editing, I will be degrading the footage too much. Is this the case? If so, what should I transcode to before importing to PP?  I am using Adobe Media Encoder as part of CS5 Production Premium.

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    function(){return A.apply(null,[this].concat($A(arguments)))}
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  • FCPX Project Render Settings - Can you edit in h.264 and Transcode/render only used clips on timeline to Prores during render?

    I have a question on the PROJECT RENDER settings in FCP X. It’s seems to me that one could theoretically import and edit entirely with original h.264 video files without needing to Transcode to ProRes422. Once you’re done with your edit and want to get the added benefits of COLOR GRADING in ProRes422 color space, it seems that FCPX will automatically render your edit in ProRes422 according to these preferences. In that case, a color grade could be applied to the whole edit, and be automatically transcoded/rendered into ProRes 422 during the render process. After rendering, what would show up on the viewer and what would EXPORT would be the rendered Prores files and not the original h.264 files. This saves a lot of time and space of transcoding ALL your media, and in theory should enable you to edit NATIVE video formats like h.264, with automatic benefits of ProRes during render.  I'm assuming the render may take longer because FCPX is having to convert h.264 video files to ProRes422 while rendering. This may be one drawback. But will you your color grade actually use the 4:2:0 color space of the h.264 native media, or will it utilize 4:2:2 color space, since the render files are set to render to ProRes422 ? Can anyone please confirm that this theory is correct and optimal for certain work flows?? Thanks!

    Thanks Wild. That's what I thought - in that the render files would be converted to ProRes422 codec. So do you or anyone else think that there is an advantage to having the 4:2:0 original file be processed in a 4:2:2 color space?
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    Can anyone verify from a technical standpoint whether editing and color grading in this workflow will see the same benefits as having transcoded the h.264 media to ProRes in the first place?
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  • How can I edit the audio in a QT file without having to transcode it first?

    I have some 320x256 QT files that feature some background noises that I want to edit out and dub over with some new audio. Is there an app that will let me do this while retaining the files at their native resolution?
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    QuickTime Pro can "extract" the sound track. This will create a copy you can then "export" to a suitable sound editing format (.aiff).
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  • Transcoding for a vertical display

    I've been assigned the task of transcoding 16:9 for a flatscreen that is to be turned on it's side.  To tackle this problem I've rotated the image to fit into the "portrait" format, and exported to ProRes.  Here's the kicker, the client has requested DVD's.  When I transcode from Compressor to the DVD format, I get terrible interlacing.
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    https://discussions.apple.com/message/22940201#22940201

  • Looks like a pulldown issue, duplicated frames are baked into transcoded files...

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    Removal of every 3rd frame which (since that = every 2nd frame) obviously gives a visual "jump" over the now removed dupe frame, and leaves footage has to be converted from 20p to 29.97 which looks horrible regardless of how its done (conformed or interpolated).    Removal of every 3rd frame from 29.97 is actually not too hard, as 2/3rds of the frames are still 'good' it's easy to
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    Oh and the easier way to removing the dupe frames was just to drop it to 19.984, set (nested) comp advanced settings to 'preserve framerate when nested' and watch for the occasional rounding error when back in a 29.97 container composition.  It would be nice to be able to specify 29.976...
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  • FCPX: How to import, transcode and keep an Event on an external drive

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  • Latest Media Encoder CC 7.2 fixes the transcode issue in Encore CS6

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    Maximum Bitrate (Mbps): 9
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    4) I will test also LagarithLoslessCodec and frameserving +DGMPGDec. But the video is vertical long drawn-ot.
    I think I did not use it correctly. 
    Regards

  • Adobe Premiere Elements. Crash at transcode

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    Notebook: Sony VAIO VPCF11S1E (Vaio VPC-F Serie)
    Prozessor: Intel Core i7 720QM
    Grafikkarte: NVIDIA GeForce GT 330M
    Thank you in advance

    monchauer,
    Thank you for that information.
    Translation of the error log:
    Name of misapplication: Adobe Premiere Elements.exe, version: 11.0.0.0, time stamp: 0x5041d43d
    Name of the faulty module: mc_enc_avc.dll, version: 8.5.0.5184, time stamp: 0x4ff260b7
    Exception code: 0xc0000005
    Error Offset: 0x000000000002757c
    ID of the faulty process: 0x874
    Start time of misapplication: 0x01cf2ca939298336
    Path of the faulty application: C: \ Program Files \ Adobe Elements \ Adobe Premiere Elements 11 \ Adobe Premiere Elements.exe
    Path of the faulty module: C: \ Program Files \ Adobe Elements \ Adobe Premiere Elements 11 \ mc_enc_avc.dll
    Report ID: 0dee2331-98AB-11e3-9023-5063139f3a94
    The Faulting Module is mc_enc_avc.dll
    Here is a PrPro thread on crashes on H.264 Export. In it, Jim Simon has a link to a MS Knowledgebase article, that might be useful: http://forums.adobe.com/thread/1141341
    It appears that that .dll is likely part of the MainConcept Encoder: http://www.herdprotect.com/mc_enc_avc.dll-50f9fb58d88ab643d0199d77b79c2b9b4b12a8c7.aspx
    As the MainConcept Encoder is installed along with PrE, if the MS article, or the Herd Project one does not help, it might be time to Uninstall PrE, run a Registry cleaner, like CCleander, then Reinstall. I am not a big fan of doing the Uninstall/clean/Reinstall, and usually hold that in the wings, until nothing else works, but then there are times, when an installation can become corrupt (in this case one of the MainConcept modules?), and that can fix some issues. I would try other remedies first, and maybe others will have some direct experience with the mc_enc_avc.dll, that will help, without that Uninstall/clean/Reinstall.
    Good luck,
    Hunt

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