Unwanted flash of video in between clips in FCE

Hello, it's me again
In between edit clips in my FCE project there is a very brief flash of video that does not fit in. I can't highlight it to just delete it. I know there is some technique to getting rid of this, but I can't remember.
Thank you so much for any advice!

That's interesting, as last night I had to research how to insert a flash (like a camera flash) into one of my movies! Anyway, if it helps, this is what I do to clear those unwanted flashes (sometimes maybe only a frame wide).
In the timeline, zoom way in, with repeated apple-key and +. then you should be able to see a larger view of the offending flash. Highlight it, and delete it. You can then close the gap by right-click and select "close gap". If this doesn't work it may be due to linked audio so unlock those audio tracks first. I'm no expert but that's what usually works for me. Good luck.
Keith

Similar Messages

  • CS4: Flashing black screens between clips after exporting

    I'm having some trouble with a particular project when exporting video, and I can't seem to track down the cause. The primary problem is flashing black screens between clips, with the additional problem of occasionally having a clip that I fade to be completely black (ie, the first clip just fades to black instead of fading to the second clip).
    I say "occasionally" because the problem seems to migrate depending on what I do to try to fix it. I've noticed that if I shift the clips .1 seconds one way or another where there is a black screen, it will sometimes fix the problem, but when I fix one of them the exact same problem will pop up in another place where it didn't exist before. I can also export a few seconds of video where the problem occurs independently of the rest of the project and the issue won't occur, but will then reoccur in the same place if I export the project as a whole. All of the video is from the same source and is in the same format (.MOV from a Canon 7D). I've edited plenty of other stuff from the same source on the same computer, and the only other time I've seen this problem it's been fixed by just shifting the clips a little bit in the timeline as mentioned above. If anyone can suggest ANYTHING I can try to troubleshoot this problem I'd really appreciate it, because right now this is driving me up the wall.

    I've been exporting to h.264 exclusively so far. Below is a screenshot of where one of the offending screens appears between the two clips on the timeline (the yellow in the bar up top is there because I had stepped that clip back .1 seconds like I mentioned earlier and not re-renered the sequence). I've also verified that this particular spot shows no black screen on the Program Monitor - it's a completely smooth jump from one cut to another. Please let me know if you see anything that might be causing this!

  • MP4 Video has 'Spinning Wheel' in between clips in Captivate 8

    We've recorded several video demo clips within a Captivate 8 project.  They should flow seamlessly in our published video, but when we publish to video (MP4) Captivate adds 'spinning progress wheels' in between every clip.  It doesn't show these wheels in the preview or HTML5 version.  We need the MP4 version without these progress wheels.  What can we do?  Is this a bug?  Please help!!

    Unfortunately, that isn't it.  I'm running the MP4 video from local solid state disk and the spinning wheels only show up in between clips recorded in captivate...

  • I'm using a Canon HV20 video camera that uses digital tape. After importing to my Events Library in Final Cut X, there are some timecode breaks between clips resulting also in gaps between the clips. Is there a way to avoid this?

    I'm using a Canon HV20 video camera that uses digital tape. After importing to my Events Library in Final Cut X, there are some timecode breaks between clips resulting also in gaps between the clips. Is there a way to avoid this?

    Thanks Russ.  I'm a beginner but Lynda.com has a video on making an archive, so I'll follow her video to try this method.

  • Unwanted freeze frames at end of clips

    Hi! I use iMovie 08 v 7.1.1 (529). My project is in 16:9 format and the video I use is 1280x720px .avi files (mjpeg codec) taken with a Canon TX1 camera and imported into iPhoto's library.
    I have done about ten small projects in iMovie now, some are just clips strung together with cross disolve and/or ripple transitions between them. Other projects also have a background audio track extracted from long clips.
    Lately, for no apparent reason, the video in some clips in my projects freezes about 0.5 to one second before the end of the clip. The transition to the next clip goes ahead with the unwanted freeze frame, and the background audio keeps playing - thereby going out of sync. This problem is apparent both when previewing the project in iMovie before it is exported, and also in the exported videos. (I have exported using Quicktime and .mp4 format - both as .h264 and MPEG4 Improved.) The first time I noticed the problem was when I was exporting a project at 10000kbps video (which probably was a bit higher than needed). Now the problem happens all the time, regardless of bitrate.
    The strange thing is, these projects exported perfectly a few days ago. Then, trying to export them again now, the freeze-frame problems occurs.
    When control clicking clips in any of my projects and selecting "Reveal in event browser", I now get the message that "the event for this clip is no longer available". Asking iMovie to "Reveal in Finder" works like a charm though.
    Anyone got any ideas?
    Cheers,
    :Marius
    :o)
    Message was edited by: Marius1980

    The following information is extracted from the FCP User Manual, and gave me an explanation to such black extra frame at the end of my edits that I used to fund too. I hope it helps you.
    Learning About the Out Point Inclusive Rule
    Before you begin to set In and Out points, it’s important to understand the “Out point inclusive” rule that Final Cut Pro follows, so you can avoid an unexpected extra frame at your Out point.
    Out point inclusive means that when you set an Out point at the position of the playhead, the frame that the playhead is on is included in your edit. This rule means that whenever you set In and Out points, the minimum duration set is always one frame long. For example, if you place the playhead on a specific frame, and then set both an In point and an Out point, the In point is placed at the beginning of the frame and the Out point is placed at the end, resulting in a one-frame duration. If this rule did not exist, it would be
    possible to create edits with zero duration, which would be useless.

  • Removing camera flash from video

    Is there a way to remove camera flash from video clips within PE8?  If not natively, is there a plugin that can do this?
    Thanks,
    Steve

    Here are the best answers that I can offer:
    1) why do you go from Premiere Pro to Premiere Elements?
    Actually, about 90% of my work is in PrPro. The rest is in AfterEffects, PrE and other NLE programs. Basically, I use those, including PrE, when they do something better than PrPro. PrE will accept a broader range of formats/CODEC's, than will PrPro, so I use it to Import those odd Assets, and get them ready for PrPro. Same with CyberLink's PowerDirector, and Magix MovieEdit Pro.
    2) How do you synch the audio and video  (I'm guessing that you record off-camera).  I synch it by eye and ear and it can be tedious.  I don't have time code synchronized equipment
    Most of my shooting is actually done with camera audio capture, though usually through either a shotgun, or wireless mics, attached to and recording to the camera's tape. When I do separate audio & video capture, I slate, so that I have the visual and audio sync. When I am faced with having to do manual sync, I will look for the visual and then the accompanying audio, and just nudge and listen. This ARTICLE will give you some of the mechanics of the process.
    3) I don't know much about DD 5.1 SS and this is just from the point of curiosity at present, can it be a problem keeping long clips in sync?
    I do not record to DD 5.1 SS, as that is a very expensive and technically challenging process. It takes six well-designed and well-placed mics, a multi-channel recorder and a mixing panel, run by a skilled tech. My DD 5.1 SS Audio is with regard to the music for my Projects. Some of it is recorded as 6 discrete channels and then mixed, while some is faux 5.1 and is "created" from 2-channel source material.
    Much of the work from Hollywood is actually faux 5.1, in that the source material is seldom recorded in 5.1. Most is stereo and mono, and is blended from myriad sources. These can be SFX, dialog, ambient audio. Most of those are mono TO separate them out from any other audio sources. Narration is a good example. Few audio techs, would consider using a stereo mic for narration and would choose a very directional mono mic, so as to better reject other audio signals.
    Now, I can take a mono SFX file and pan/fade (not in the terms of a "fade" Transition, but front to rear location) it across/around the sound stage. I can place that bumblebee anywhere that I want, when I want it with 5.1 SS Audio. I'd almost always work with mono sources, so that I have the pure signal with no clues as to the source location - I set those in mixing.
    I must add that with regard to mixing of music, there are constraints on doing faux 5.1. If the material was not recorded on multiple tracks to begin with, the RIAA, and other organizations, greatly frowns on creating a 5.1 "master." That came after the failed quadrophonics experiments from the '70s/'80s. With Hollywood's music, the recording IS done multi-track in the studio/symphony hall, so it IS multi-track and just gets mixed down to 5.1 Audio. This will be about the only time that the audio is done multi-channel in recording, as few environments lend themselves to doing 5.1 during the initial recording. There are exceptions, like live concerts, but that is almost a genre unto itself.
    Sync, in and of itself, is not difficult to maintain, but so much depends on the recording equipment. Many, using separate cameras and recorders, often find that there is sync drift, and need to establish the % of "cure." In the old cine days, we hooked our camera to the Nagra recorder, and chose which unit's crystal clock would establish sync. Then, we had a cable between the two. Nowadays with digital, it seems a bit more difficult. There are several recent threads in the PrPro forum about the sync drift between pro-level cameras and recorders. One user has found that altering his recorder's output by 104% fixes the OOS issues. Others need to test critically. The sync clocks in different equipment just does not match up perfectly, and there is usually no universal crystal clock that overrides the internal ones - like in the "good old days."
    Hope that this helps. If I missed something, please let me know,
    Hunt

  • Flash live video to SIP

    We have a SIP server which supports video calls (with various
    different codecs). We want to be able to handle video calls between
    a Flash client and a SIP client - is this feasible? If so would it
    require a live transcode (= hardware intensive)?
    Help much appreciated.

    I'm interested in doing something similar - bridging FMS to a
    an Asterisk conference. I know breeze has this capability, does
    anyone know if this can be done using FMS?

  • How to apply transitions between clips in the same track?

    Hey guys,
    I'm in Uni on Final Cut Pro 5 and all the videos and discussions tell of how to apply transitions between clips in the same track.
    I like to have my clips on different tracks so that I can overlap them at specific points but I don't know how to do this?
    If I have track one. . .which ends. . .and have track 2 beginning below that (and have it overlapped for a few seconds) I don't know how to enable the transition at the point where track 2 begins.
    Can anyone help?

    Yep I understand that.
    Let's say I overlap track 2 as I don't like the beginning of it. . .so I want the transition from the end of track one to track two to occur in the middle of track 2 - should I just trim the track to the point I want the transition to occur as opposed to have it overlapping?

  • Can't add a dissolve between clips in FCP 4.5

    I do animations and we shoot hundreds of stills with a digital camera to record a "shot" in a scene then import them all to FCP 4.5 with the still image duration set to 2 frames. This gives a sort of 12 frames a second speed to the animations which is ok for our purposes.
    Then we export the timeline as a qt mov file and use that like it was a single video clip in another sequence in FCP to build up the final project.
    When I try to add a dissolve or any other video transition between two of these clips, it won't work.
    If there is a gap between the clips, I can add a dissolve at either end of the clip and this looks like a fade out or fade in, but if the clips are touching then I can't add any transition.
    I have also tried nesting the sequence with all of the still images into a new sequence so that the stills are treated as a single clip in the new sequence, but this doesn't solve the problem and I can't add transitions between those clips either.
    The computers are G5 Mac Pros running Tiger 10.4.10 and FCP is version 4.5
    Can anyone please explain what is wrong or how to fix it?
    Thanks a lot for any advice.

    One way to do dissolves is to put the clips in different video tracks and overlap them (that is, handles by the duration of the "dissolve" you want to implement.
    Then use an opacity ramp to fade on out as you fade the other one up.
    I find that doing dissolves this way means that I don't have to set the in and out points with a transition in mind, and it easy to slide the clips around to get the exact effect want.
    To do opacity ramps, you need to set the sequence setting "timeline options" set to show keyframe overlays. That will put a black line on the video timeline for each clip on each track. When dragged to the top, it is 100% opaque; at the bottom it is 100% transparent. You use the little "ink pen" to put keyframe handles on the timeline opacity line and you can then gradually increase/decrease the ramp as you see fit, including rounding the corners to make it smoother.
    As other noted, it may be easier to just make sure you have the right amount of "handle" (video beyond the in and out points) and do one of the built in dissolves; I find that if I don't like the timing I've chosen, it is more work to fiddle around with the in/out points (for example, by putting the clip in question on another video track and dragging the ends out or in).
    Experiment with different methods and use the one which works best for you.
    Eddie O
    Message was edited by: Edward A. Oates

  • How do I make transitions between clips smooth?

    how do I make transitions between clips smooth?  Right now, when I play my video in imovie, the clips freeze or jump between clips. 

    Have you tried sharing the final movie using the Share menu, or, alternatively use FILE/FINALIZE PROJECT?
    The final product shouldn't have any lag. iMovie itself should not have any lag, but could depending on your Memory and hard disk configuration.

  • While trimming a clip in my timeline, the entire timeline moves with my trim. How can I stop that and leave a gap in-between clips?

    While trimming a clip in my timeline, the entire timeline moves with my trim. How can I stop that and leave a gap in-between clips? Also when I use my blade it only leaves a dotted line in the clip. How can I make that a solid line? I do a lot of flickering in my videos and don't need that some what of a snapping effect while I edit. Please help me someone. I believe i upgraded from FCP 10.0.1 to 10.0.3 and before it never did this.

    Mark an In point and an Out point (which creates a Range) and hit the forward delete key (Replace with Gap.) On a MacBook, you'll probably need to hold down the Fn key and type the Delete key (or, I think you might be able to use Shift-Delete as the same command). On an iMac/Mac Pro keyboard, it's the key just to the left of 'end' or the next key above the left arrow key.
    You can use the Range tool (hold down the R key and click drag over your clip) or the Blade tool to cut at the in and out (then select the cut and replace with gap).
    You can also go into Commands > Customize (command-option-K) and assign a different key to Replace with Gap.
    If you need to ripple edit the ends (cut), create a small section that is Gap, and hold down the T key while you use the mouse to click drag both ends (double sided trim cursor) of the cut.
    Don't worry about the dotted line blade... That just lets you know that the frames on either side of the cut are continuous, or sequential — nothing has been moved yet. Once frames from either side of the mark have been cut, it becomes a full fledged cut resembling a separate clip.

  • Pause between clips after rendering

    I have a sequence with several video clips. I shot this entirely with a Canon 5DMarkII so the video format is H.264 mov.
    Playback in the canvas/timeline is great until I render. Once I render- either the entire sequence or just a single transition- the playback pauses/stutters between clips. The stutter happens anywhere on the timeline, not isolated to the transition. Intra-clip playback is great, just when it gets to the end of the clip, it hiccups before moving to the next one.
    If I delete the render files, playback goes back to normal.
    I am editing on a new macbook pro, with an external firewire800 drive as scratch disk. I originally created the project on a new iMac with the same firewire drive and never had this problem. Its just since I have moved to my laptop.
    Adjusting RT settings does not seem to correct this problem. Either does moving scratch disk locally or to another drive.
    Any ideas?

    I'm having the same problem using the canon 5d Mark 2 with final cut... it's really odd... can't put a finger on the problem... i checked the format of the sequence, along with the video clip... they both match... even the playback in the canvas i can notice the pause... i tried exporting a little portion of it just to preview, and the playback was smoother, but still noticed the pause between cuts...
    another thing i noticed was that certain clips there was no pause... could it be a frame rate issue? perhaps it's trying to fill in the frames in between... i don't know... just a guess... i would still like to know how to remedy this problem tho... so let me know your findings... i'll do the same...

  • Flash SWF video export problem

    Hello everyone,
    I am currently working on a flash intro with a bunch of video
    clips interspersed at different points. I've imported all the clips
    using the method to place the individual frames on the timeline.
    The video also sometimes is shorter than the alloted time given to
    where it is placed on the timeline, so when it gets to the end the
    last frame of the video freezes for a few frames, which isn't very
    noticeable and is fine. When I play the intro in Flash the video
    looks fine but the problem is when I export it to an SWF file. Then
    when the actual exported file is played instead of freezing on the
    last frame it starts to replay the beginning of the video clip
    again, which is noticeable. I am wondering why Flash is changing
    what I am seeing on the timeline when I am editing with the
    exported file. I really can't re-edit the video clips to add a few
    frames. Any help would be greatly appreciated, thanks.

    export using QUICKTIME CONVERSION not just as quicktime movie and then choose h.264 which makes beautiful pictures at decent data rates.
    If this does not work, export native qt movie then open using qt pro and select h,264....
    good luck

  • Flash 8 Video Encoder, audio/video discrepancy from mpeg

    Two questions...
    First, more urgently, I've been given an origianl
    720xsomething mpeg format video, and I'm trying to bring it over to
    flash... I use the flash 8 video encoder, which does a phenomenal
    job of keeping video quality while vastly reducing file size, but
    in this case, (unlike some others in the past) I'm getting a
    bizarre discrepancy between the speed of audio vs. speed of
    video... I can't find a way to force the mpeg (or flash encoder
    software) to TELL me what the frame rate of the original mpeg is,
    and even when i attempt to force it to 24 or 25 during conversion
    to flv, it doesn't seem to bother matching it up to the audio...
    when i take the result and export it from flash, i'll try, at 24
    the video is going too fast for audio, but at 23 its going too
    slow...
    and this SEEMs related to 2nd question.. I took about 15
    solid minutes of video of a particularly nice sunset in
    progression, with the hopes of compressing it down to about 30-60
    seconds for effect... but it seemed like, no matter what frame rate
    I tried to compress it to with the encoder, it just drew each frame
    out to a set length, and even if i tried to export the flash really
    fast, it remained at the epicly slow frame rate...
    is there a relation? what am I doing wrong?
    is there a way to detect the ACTUAL frame rate of the
    original mpeg... is there a way to force the audio and video to
    remained sync'd up? Seems the that problem is, if i go with the
    default 'Same as source' I'm left to guess what that might be when
    exporting from flash, as nothing ever actually tells me what that
    source frame rate actually was! Is there some natural audio
    compression business inside mpeg video that works fine for mpeg
    video, but the flash encoder can't handle well? I've tried it with
    about a billion different frame rate, audio data rate, quality, and
    export settings, and have yet to get a sync.
    Thanks in advance!

    I should have been more clear.
    I changed the file name from .vob to .mpg and then tried to
    add the video file to Flash 8 Video Encoder and received the
    following error message:
    "You won't be able to encode this file. Your computer doesn't
    have the necessary codec or the file is corrupt."
    Currently,
    I use ffmpegx to convert the .vob to .dv and then, I import
    the .dv into Flash 8 Video Encoder and convert it to a .flv....
    I can use ffmpegx to go straight to a .flv, but the file size
    is larger b/c the compression is different, not On2 VP6...
    I would like to skip the middle step because my files are
    very large and it takes extra time.

  • Suddenly my entire screen now has little dots on it that flash back and forth between pink and blue. What's up?

    I was online (on Facebook) when suddenly my coputer screen developed these little dots--uniform across it not just in a browser window--and they started flashing back and forth between blue and pink. The computer froze up and I had to reboot. It hasn't gone away and it's terribly annoying. What should I try to do?

    It may be a problem with your video electronics - possibly heat related. Shutdown the PB & leave it overnight. Then startup & see if the dots appear.
     Cheers, Tom

Maybe you are looking for

  • ITunes Wont Open. I Do Not Have NIS Installed

    As the title states. ITunes refuses to open. As I've seen with many other post's this was solved by uninstalling NIS but I do not have it installed. When I click on ITunes the license agreement thing shows for a split second then dissapears. Thats ab

  • How to authenticate CXF-Webservice against external LDAP in WebLogic?

    Hi there, I'm trying to integrate our Camel-application into WebLogic 12c. All the incoming endpoints are CXF-based webservices. These are secured by "UsernameToken Timestamp" with the WSS4JInInterceptor configured like this: <bean id="wss4jInInterce

  • Import pictures and videos

    Hi. I noticed that since I deactivated the "Video" app in my Xperia Z1 Compact (running stock Android 5.0.2), the Movie Creator app doesn't include videos in the created videos, and if I try to edit a created one  and replace a photo with a video I g

  • Advanced formulas with filtering

    Hi, I'm looking for some examples of advanced formulas, to figure out how to solve my problem. Its hard to explain what i want to do, so I'll draw you a drawing. Table1: 1 Nov | 0 | 0 | 1 | 2 | A 1 Nov | 2 | 3 | 1 | 1 | B 1 Nov | 0 | 2 | 4 | 2 | B 1

  • Track opacity issues

    I am using 2 lines of video. When I want to fade out from a clip on the bottom line into the one on the top line, I use the pen tool to create keyframes in the timeline for opacity by simply dragging the opacity line to a diagonal shape. Most of the