Using 16x9 footage in a 4x3 Sequence

I've got a goofy combination of ideas & aspects here...
The finished product is to be 4x3 NTSC DV... but is to be letterboxed onscreen (the client is trying to match the look of some other piece.) While shooting, rather than taping off the monitor to show where the letterboxing would crop the 720x486 image, we switched the camera (Sony DVCPro25) and monitor into 16x9 mode. That way the client could see exactly how the letterboxing would look on an SD monitor as we shot it.
Now...
I'll be capturing the footage from a DVCPro deck via Firewire. What capture preset should I use in order to have the image retain its 16x9 aspect without having to manually scale it down to look letterboxed in a 4x3 DV NTSC sequence?

Zod wrote:
we switched the camera (Sony DVCPro25) and monitor into 16x9 mode.
You probably mean DVCAM (since DVCPro is Panasonic).
I'll be capturing the footage from a DVCPro deck via Firewire. What capture preset should I use in order to have the image retain its 16x9 aspect without having to manually scale it down to look letterboxed in a 4x3 DV NTSC sequence?
Capture it as DV25 Anamorphic, and when you drop it in your 4:3 sequence, it will auto-size to fit.
tim

Similar Messages

  • Can I use 4k footage in a 1080p sequence, then export 4k without resolution loss?

    Hi,
    I cut a 1080p sequence using 4k footage that I scaled down in the Effect Controls window. If I export that sequence as a 4k file, will Premiere compress that original 4k footage to 1080p, then expand it back to 4k in the exported file (please say no)? Or is Premiere intelligent enough to interpret the export scaling using the size of original footage, rather than the sequence size? (Hope that makes sense)
    Of course it's wise to create a sequence based on your delivery requirements, but sometimes clients change their mind and I don't feel like rescaling every damn clip. But thanks for the advice
    Thanks!
    David

    Premiere will export to the settings of the timeline / sequence you've created.  It doesn't matter what formats you've used withing that timeline.  So if you use 4k in a 2k sequence, Premiere sees it as a 2k sequence and, without user intervention, will export at that format.
    Obviously you can up-scale during export but i) why would you want to do that when you've previously down-scaled and ii) anything above 100% magnification will begin to pixelate.

  • Using HD footage in an SD sequence

    Hi,
    I have Final Cut Pro 5.1.4. I have a project which will be output as SD. I wanted to see if it is possible to import HD footage in such a way that I can have a large image which I can create a move across (as opposed to the loss of quality I would incur from simply blowing up SD footage). Can this be done by simply capturing and editing the HD footage into an SD sequence and then resizing the footage or is there a clever way of automatically opening the HD footage in the sequence in such a way that only an SD sized portion (720 lines by 576) of the HD (1440lines by 1080) is on screen. I am worried that if I simply edit the HD footage onto an SD timeline, Final cut will simply reduce the line resolution to SD and any resizing will be like blowing up native SD footage. Anyone done this?
    Thanks
    Dom

    Dom in Sheffield wrote:
    Any thoughts - am I off the chart?
    So long as you remove the scaling adjustments that FCP will make after you drop an HD clip into an SD timeline, you should be fine.
    Because it's typically what users want, when you drop in an HD clip, FCP will letterbox and/or scale down, but resolution in the clip itself is not thrown out. So, if you need to scale back up to 100% (basically) do pan & scan maneuvers, you won't lose quality. (Just don't go over 100% for the clip's scale)
    FCP +does not+ downsample or convert an HD clip into SD just because the Timeline is set that way.

  • Using 1080 footage in a 4k sequence

    Hey everyone. I'm editing r3ds in a 4k sequence, but some of my slow motion footage is 3k, and some of the overlays I'm going to use are only 1080. In the end, I'll most likely be exporting 1080 files for Blu Ray or Vimeo. At most, I might export a 2k version of the film for limited theatrical screenings. The thing is, for the purposes of editing, I've been upscaling the lower resolution footage to fit in the 4k sequence under the assumption that when I export my sequence out at 1080, there won't be any negative impact on the quality of the lower resolution footage, and the higher resolution footage will still look pretty good. Does anybody know in reality if there are any potential problems with this approach? Actual experience would be awesome, as opposed to a theoretical viewpoint, but that'd be helpful too. Thanks!

    Doing a test would give you "actual experience" but meantime...

  • Raid 0 for media or previews? Using DSLR footage with Avid codec Sequence for smart rendering

    I am on a PC currently  using raid0 for media (4x 7200rp drives, read/write at 600) and exporting (no previews) to my sas 15k rpm (read/write about 180) previews/render drive.
    I want to use avid codec for my sequence settings, will be doing smart rendering and exporting preview files for quicker exports.
    My question, should I export to my raid0 since I will be exporting previews?  Or is it better to keep the same setup and just add an export drive?

    Either would work but since the Media array is so much faster than the Render drive, the export times probably wont change much exporting to the Render drive.
    Eric
    ADK

  • 16x9 footage is 4x3 in camvas window.  Sequence set to animorphic????

    Hello all.
    I have searched the threads and can't find the specific answer to fix my issue.
    Sequence set to animorphic. Footage shot in squeeze mode on DVX 100A. Digitized via Sony 900 calm shell as animorphic in FCP.
    Problem:
    When opening 16x9 footage file from bin, opens in canvas window as 4x3 (not 4x3 in 16x9 canvas window - viewer window remains in 16x9). When dropped into sequence, must change aspect ratio back to 0. Clip will not retain aspect setting and reverts back to 4x3 if taken off of timeline. Have to repete process each time. Clips do not need to be rendered.
    Any help appreciated.
    enzo
    Dual Core 2.3 G5 PCIe   Mac OS X (10.4.5)  

    so when you double click the clip in the browser they open into the viewer window which shows them in their correct aspect (16:9)
    but when edited into a sequence it distorts to 4:3 (and the canvas window is 4:3 not 16:9)
    this suggests that the sequence settings are actually not set as 16:9 anamorphic
    can you recheck them... with the problem sequence open and active, press Cmd-Zero or choose Sequence menu > Settings...
    in the settings window check to see if the Anamorphic (16:9) checkbox is checked
    if it is please post the exact details of all settings in that sequnece window plus all the format details of one of th eproblem clips (select one in the browser and press Cmd-9)

  • 16x9 Widescreen footage captured as 4x3

    Since I upgraded from CS4 to 5.5, when I capture 16x9 Widescreen footage it shows on the source monitor as 4x3 (video is squeezed).
    For every clip I capture I have to do an "interpret footage" and change the pixel ratio from 0.9191 to 1.2121.
    I'm using the AJA Kona LSe capture card with the 5.5 drivers, and my footage is all SD 720x486 Wide.
    AJA tech support tells me that Premiere has difficulty interpreting 16x9 footage (some work, some don't). 
    Also, when I grab a frame from 16x9 video previously captured using CS4, the still picture is 16x9 but not wide. So the subject in the picture is squeezed.
    That seems to confirm that CS5.5 has problems interpreting footage.  I didn't have those problems with CS4.
    Is anyone else experiencing this?

    I agree that it's not a big deal.
    But I'm working on a documentary that includes several sections.
    After a day of shoot, I often come back with footage that goes into several different bins.
    I don't necessarily put that footage on the timeline right away, but I like to do the correction as soon as I capture it.
    So I have to stop the capture every time to interpret the footage or keep track of where each clip went (and I have a lot of bins).
    Not too difficult, but extra work.
    Is Adobe aware of that issue and working on it?
    Thanks!

  • 4x3 using 16x9 ratio?

    Hi,
    I want to use some old VHS footage (the entire 4x3 video) within a 16x9 ratio screen. If I use the 16x9 ratio in FCE and simply position the 4x3 to the left with some room for text on the right of the screen, would that fly?

    I have NO idea about FCE. Please try the FCE discussion.
    (This is the iMovie discussion. What you want is not possible in iMovie)

  • What timeline format shall i use for footage in AVCHD format?

    I am shooting with the Sony HXR NX5, and i would like to ask what timeline format shall i use for footage in AVCHD format? I do not see any format in the Final Cut Pro and in Motion that matches my camera format.
    Thank you very much for your assistance.
    Best regards,
    Richard

    IF you are working with FCP 7.0.3 (the last version) then you use Log and Transfer to ingest your footage from that camera, and Log and Transfer will convert the AVCHD camera files to ProRes.
    Once the camera files are ingested, make a new (empty) timeline, and either drag a source clip or edit it to that timeline and you will be prompted to match the sequence settings to the source clip. Say yes and you should be good to go.
    AVCHD, H.264,etc. files are not directly usable in FCP without conversion.
    MtD

  • What to do with SD footage in HD project/sequence?

    Sometimes I work with HD footage but need to use some old archives (all PAL SD + 4/3)  too. What should I do to keep the maximum quality possible from the SD footage? Clear that they are much smaller in size and scaling it to much bigger sizes would cause serious losses. What's the best way to use SD 4/3 footage in an HD sequence (16/9 or higher)?
    Thanks, Jim.

    Another approach could be to use Neat Video - best noise reduction for digital video to reduce the noise and Red Giant - Products - Instant 4K 1.5.1 to increase the scale of the SD material.
    Be creative with that. Here is an example of old 8mm film (from 1961), digitized to SD and upscaled to 960 x 720 for inclusion in a HD project:

  • Downsizing 5d mkii 1080p and Gopro 720p footage into same 720p sequence

    Hey guys,
    I'm new here and have looked around on the forums and FAQ's for answers but have turned up with nothing.
    Basically I have filmed footage in 1080p with a Canon 5d mkII and also 720p footage with two GoPro's.
    I want to export a 720p video using both of these resolutions.
    What I had planned was downsizing the 1080p footage (already in the sequence) to 720p to match the rest of the footage and can't seem to work out how to do it!
    My current attempts have the 720p footage come up as a smaller  'box' in the final clip, where you can still see the 1080p footage below  it.
    In other words, the 1080p footage isn't downsizing, and is staying at 1080p.
    If anyone could help me, it would be much appreciated!
    Using Premiere Pro CS5.5
    Cheers

    It looks exactly the same quality, just compressed!
    That's rather a contradiction in terms.  Most compression types aren't lossless, and certainly the options from Handbrake aren't, which means some level of degredation will be introduced in the process.  It's not good advice to convert already heavilly comrpessed footage for editing, unless you're converting to a lossless format.

  • Record Widescreen (16x9) footage LIVE into iMovie?

    Does anybody know how I can record widescreen 16x9 footage into iMovie? I don't think I can do it with the built in iSight camera.. I know I could probably purchase a widescreen firewire camera, perhaps.. but is there a usb or standalone firewire camera I can use to do this?
    I like recording directly into iMovie for what I do, but I can't seem to figure out a way to record in widescreen mode.
    Thanks!

    You're welcome, Chazzzzy
    You are correct that iMovie records the entire iSight image. Let's see what happens when you take a couple more steps.
    When I drag the newly captured "media" to the project editing window to "create a new project", the image stays in iSight's normal aspect ratio.
    However, when I click the "Play Project from beginning" button, the iSight clip ("media") is cropped to fill the 16:9 view window.
    When I then Share that project to iTunes, the saved file also plays back at 16:9.
    See if it works that way for you, too.
    Cheers,
    EZ Jim
    PowerBook 1.67 GHz w/Mac OS X (10.4.11) G5 DP 1.8 w/Mac OS X (10.5.2)  External iSight

  • Using iPhone4 footage

    I have spent hours on this and have one final question I still can't answer--Do I use a 30fps or 29.97 sequence?
    Trying to use iPhone 4 footage 1280x720(p I think) in FCP 6.0.6 OS 10.6.5 Mac Pro 6 core.
    The sequence settings I made 1280x720 30p 48kHz.
    I had been trying to use Compressor to convert the H.264 original footage and it always gave me a red line over the audio even when it asked me to convert the sequence to match (I thought I had matched them) and I said yes. Finally figured out had to change the audio to Linear PCM 48kHz at 16 (and not use the default Apple lossless). Finally no red line. I noticed the fps is 30.
    Also found this link where Meg the Dog said to use mpeg streamclip:
    http://discussions.apple.com/thread.jspa?messageID=11768281&#11768281
    I notice this changes it to 29.97 fps.
    In A/V settings for ProRes 1280x720 the only setting I see is for 30p.
    My understanding is when I drag this 30fps footage in whatever sequence I choose it will be changed to whatever I drag in, so in this mpeg streamclip case it is 29.97.
    So for iPhone4 footage, do I need to use 30 or 29.97 fps or does it matter?
    Thanks.

    29.97 is 30 - it's just called 30 to make it easier than telling people "hey man, shoot 29.97 for me, will ya?"
    Like how 59.94 is called 60.
    pJ

  • What is use of exclusion indicator in access sequence

    what is use of exclusion indicator in access sequence, if we tick this indicator what will happen to pricing procedure..

    Hi sahu
    If you are having more than one condition tables i.e accesss in your access sequence and if you put exclusion indicator in any of the starting tables then system wont search further as it stops searching.
    Ex : say you are having condition tables 501, 502,503
    and you have put exclusion indicator at 502 . then system will start searching from 501 then next it goes to 502 and it stops there and it wont search further.as you have put exclusion indicator at 502.
    But if you have put exclusion indicator to all accesss i.e., conditon tables then system will search from the 1st access and stops at the last access and if any valid condition record is not found in the last record then the system will take the previous conditon table record
    Regards
    Srinath

  • Having Issues Keeping My Footage from matching the Sequence

    Hi Everyone,
    I have a weird question. I am trying to bring my 1920x1080 footage into a 1080x1440 custom sequence. Premiere keeps preserving my footage at 100% but is scaling the footage down to fit the 1080 width. I want the wrong aspect ratio and I do not want Premiere to scale down my footage. This happens as well when you bring a 1920x1080 footage into a 1280x720 sequence. It scales down the footage. I want to preserve the large aspect ratio and move it around in the program window. does anyone know haw to prevent this. The only way I have found is to bring a sequence into a sequence and preserve the existing settings, but then I can not see my wave forms in the audio.
    I need a preserved 1920x1080 footage to fit "oversized" in a 1080x1440 timeline. I do not want Premiere to assume I want it perfectly fitted within it, leaving black bars on the top and bottom.  HELP!
    Thanks!

    Are you sure?
    I have never seen PPRO automatically scale source footage to match sequence setting ...unless one has checked the options to do so.
    Scale to Frame Size or Set to Frame Size

Maybe you are looking for

  • Updated Adobe Cloud and Mac Os but Bridge doesn't open.

    Updated Adobe Cloud and Mac Os but Bridge doesn't open. Appear the following report: Adobe Bridge cannot be opened because of a problem. Problem details: Process:         Adobe Bridge CC [302] Path:            /Applications/Adobe Bridge CC/Adobe Brid

  • DG Observer triggering SIGSEGV Address not mapped to object errors in alert log

    Hi, I've got a Data Guard configuration using two 11.2.0.3 single instance databases.  The configuration has been configured for automatic failover and I have an observer running on a separate box. This fast-start failover configuration has been in p

  • Mail - can't get attachment closed

    I opened up a pdf attachment on one of my emails and can not get it to close. How do I back out?

  • TC Doesnt mount as external drive?

    hey guys, so i use my 1TB TC as my back up drive.. and basically i set it up in airport so that it doesnt have wiereless just connected to my mac via ethernet. okay, so the light is green, and well its doing the back ups.. but NO WHERE can i find a w

  • Please help me "Dedupe"

    Hi gurus, I am having a hard time with some XML data. I have posted on that forum, but so far I have not been able to solve the problem. Thus I used a way to get the data from the XML that results in deplicates, as follows, ChargeKey     ChargeSequen