Using split track cd

We are wanting to use an iPad to play music at church. The music on CD has multiple tracks within each song. Is it possible to rip that music/those tracks onto an iPad and use Garage Band to play them?
Thanks

Hi There,
How did you create the CD? Is it a re-writable disk that you've been using over and over?

Similar Messages

Split track error

I had a weird one the other day. I had imported an mp3 into GB of a radio program I had been a guest of, which was about 45 minutes long. When I started editing it, I used split track at the first edit mark, but as soon as I did that, the portion of the track after the playhead disappeared. Normally I can select which side of the track I want to delete, but this was automatically deleting everything after the playhead.
Any ideas?
Paul

Hi Paul,
First, you should save every five minutes or so. Good habit to be in. The reason is when things like this happen and undo doesn't fix the problem, you can close the song and it will ask if you want to save the changes. You need to select no. Then when you re-open the song, the file will be intact (unless the song file is corrupt).
For your issue, Iw ould do a search for ".plist," find the one realted to Garageband and trash it. Do another search for ".cs," find the one related to garageband, and trash it. (Garageband will create new versions on it's next start up.) Restart your computer and try GB again.
Good Luck Paul, let us know how this works out for you.

Split Tracks While Recording w/MediaSource Play

I'm converting some cassettes using MediaSource Player. Can I split tracks while recording, i.e. record the whole cassette and then split that into individual tracks? I've done that with Microsoft Plus!, but can't seem to find that functionality with MediaSource. Also--if I want the absolute best quality recording of the cassettes, am I right in thinking I'd select WAV stereo, w/96.00 kHZ and 24 bits? The cassettes are li've recordings that I'd like to?have professionally mixed in a studio and then released as CD's, so I need the optimal "starting point" as far as the digital files are concerned. Thanks for any advice.

Yes, recording at 24/96 wave is the best that you can go with.
If you have one of the Creative sound cards, check whether you have the Creative Smart Recorder application. It has a split track function.

Split track audio in Premiere CS5

Greetings all,
I'm getting acclimated to working in Premiere CS5 after years of editing on Avid Media Composer and Symphony. There are of course similarities and differences, some of which I can figure my way through and others where I'll need to ask for help. Here's one.
Suppose I have a piece of video that was shot split-track. On channel 1 we have the lavaliere mic worn by an interview subject. On channel 2 we have the on-camera mic so while searching I can hear the interviewer's questions which aren't so audible in the interviewee's mic. In the final edit I wish to discard channel 2 and center-pan channel 1. On an Avid the audio channels are on separate tracks on the timeline - you can literally remove the channel 1 or channel 2 audio clip and then use a pan tool to take the remaining audio clip and pan it as desired (typically center-pan is what you want with an interviewee but in fact you have infinite choices between full-left and full-right).
How do we approach this issue in Premiere? I'm sure this has been addressed before but after a lot of searching I guess I don't know the correct search terms to find it.
Thanks in advance for any insight.
Peter

Thanks Colin (and Jim).
It's amazing how wedded one becomes to a particular way of working, and how unusual it feels (after nearly 20 years) to start using a different platform.
For anyone who has NOT used Avid (the Meridian and pre-Meridian versions, anyway): imported materials are literally split up into components and stored/handled separately; thus, video ends up in a video file and each audio track ends up in a separate mono .wav or .aiff file, so when they're brought into a sequence they are quite literally individual and totally independent tracks. One major disadvantage of that generation of Avid is that materials need to be imported and reprocessed into Avid media; they don't come in natively. Newer generations of Avid (I believe) have improved this.
Premiere's handling of native clips, where stereo audio is just that instead of individual and independent tracks, is an alien concept that takes getting used to. Modifying the clip to treat audio channels as "mono" is exactly what I was looking for. The "fill left" and "fill right" effects, while they would work, seem a little bit more limiting.
Thanks, incidentally, for not saying "RTFM." I have the download of CS5 and there ISN'T a FM nor can I find pdf FMs as an additional download anywhere. So I'm stuck with tutorials (none of which seem to cover this) and the help files (which don't cover this unless you already know the name of the function). My oh my do I miss software suites with complete read-'em-in-the-tub printed manuals!
Thanks again,
Pete

Split track Export Issue

Hello,
Computer: Mac OS 10.95 - I-Mac Processor 3.4 GHz Intel Core I7, 32GB 1333 MHz DDR3, AMD Radeon HD 6970M 2048 MB
This is extremely frustrating since creating Split Track Audio files in both Final Cut and AVID are pretty much straight forward. However, Adobe Premiere's workflow has quite a few additional and somewhat unclear steps that in my personal opinion I think there should be an update where (similar to final cut) you ASSIGN each Audio Track in the Sequence Timeline along with a simple change preferences "8 tracks audio" etc... instead of the loop around workflow you have to go through. Lately I've been seeing numerous errors and bugs and glitches and flaws in the Adobe Premiere system (along with the creative cloud where there's a new glitch when your purchased software becomes a 'free trial') but that's a different story. Moving on....
I have created a Split Track Audio Workflow and it appears to be inefficient due to the final export.
Here are the Steps I have:
1. Create a NEW Sequence and set it for the BELOW settings:
On the TRACKS tab - In New Sequence dialog window, choose 'Custom' then go to 'Tracks' tab. Master should be set “Multichannel”, and Number of Channels “4”. (or 8 if that's what you want).
Once The sequence is made and the previous sequence is copied to the new timeline that has the split tracks. Open up Audio Mixer to select the tracks:
Once Everything has been checked off it's time for the FINAL EXPORT.
Here's where the ISSUE takes place:
1. On Different COMPUTERS using the SAME EXACT Up to date Version of Adobe Premiere the Export Options in the Audio Settings Change.
See Attached Images:
Problematic Version - Notice no "Audio Layer Track" Option:
Preferred Export Setting with "Audio Layer Track" Option:
What is causing this? And what would be the appropriate option to troubleshoot this to make these steps as simple as possible? Is there a step I am missing?
Thank You.

Ronin Edits I completely agree with you! I mean I remember Adobe Premiere back in 2001 and I am impressed with their improvements over the years including the whole creative cloud feature etc... I've always preferred Adobe Photoshop as their "top of the line" but all of the other programs have a lot of work to do.
I mean for instance what you said up there is not a simple solution for the everyday person who is in a rush and cannot think of extra workarounds in order to have a final master. With this day in age everything is happening now at the speed of light that no one has time to do things the traditional way. Times are definitely changing so I'm doing my best to pick up the pace and find a standardized (semi-fair) solution.
For Example Final Cut Pro > This is perhaps the easiest/best option to select individual tracks for Split tracks or/and Surround Sound Audio. Don't get me wrong there's been several bugs with this program/system but FCP 7 has been one of the best (aside from AVID). FCP X not so sure about.
I truly agree that Adobe is only trying to beat their competitors and launching how it is despite the bugs and flaws that they still haven't fully developed and figured out.
I've tried the cleaner tool and every time it has been used it's always been unsuccessful for me and the other members in the studio that I work in.
Adobe Premiere has numerous amounts of bugs including the "Media Pending" issue when it comes to reading and "supporting" (quotes there for a reason) .mts workflows.
There's also the mysterious "Get Trial version" bug where a complete uninstall/reinstall has to happen.
Unfortunately with this day in age there's not much time for these flaws to happen.
Thanks for your feedback since it looks like there's no exact conclusion/reason why this is happening, I will do an uninstall/reinstall on a few computers and check out the export settings and choose the "4 channels or more" of audio along with export as mono tracks in order for each Audio track to be exported on at their own channel.
The option (that's apparently removed) for "Single Tracks" was a great feature that should have not been removed....ever.

Split track movies

Howdy,
already posted this over at LogicPro Help, apologies if I'm boring anyone.
I work in tv composing, and frequently get sent split track movies (temp music on one side, everything else on the other).
My current monitors (old Genelec 1029s) have a handy power stitch on the front, so I can switch off the temp side, and listen to my cue (in mono) in situ. But my new monitors (KH120s) have the power switch at the back.
So I was wondering, how do people deal with their split track qts? I know I can extract audio, but that seems too time consuming, as I start a new project for every cue, and its a nightmare lining up the audio every time. And I don't want the movie audio coming through the main outs.
Am I missing something really easy?
I guess I could pull a cable out of the duet each time, but that doesn't seem very elegant...
Thanks in advance

To mute the speaker in OSX, use the Audio Midi Setup app. There you can mute the left or right channel separately.
However, I wonder why you are not extracting the audio from the video. This is basic scoring workflow.
You do it only once when you start a show and each new cue is just a "save as" copy of the previous cue (project) so the video/audio track is already in place.
Once in Logic, You click-hold on the output icon (the double circle) and you can just select the left or right channel. I usually create two audio tracks with same copy of the split track audio file and have one selected to play only the left channel (dialog) and the other one to play the right channel (temp). Now they are technically two independent mono track (that you can pan left to right)
This gives you complete mixing controls (if you have an external controller) for this tracks: solo, mute, eq, etc. Sometimes the production track has problems that you can fix (with automation) so it doesn't bother you when scoring with the dialog.
Screener. Don't you have to make screeners, little quicktime files of you cues to send to the director/producer for approval? Having the dialog on a track in your project, you can quickly make a decent mix, even for your own show reel.
Routing. Usually I have the dialog and temp tracks routed directly to a different channel on my audio interface, so it doesn't go through my master bus. This way they don't show up on the bounce and don't mess up my meters that I monitor constantly. Just for the export video procedure, I route them to the master bus.
Hope that helps
Edgar Rothermich
http://DingDingMusic.com/Manuals
'I may receive some form of compensation, financial or otherwise, from my recommendation or link.'

Audible tick in between split tracks

I recently recorded a classical guitar piece. In between a few of the split tracks is a tick. It's undetected in the audio spectrum. I tried deleting the portion where the tick lives but, it is always there. I've had luck burying it in other sound but, there is a solo piece where I can't get away from it. Any help?

When you were editing your tick did you completely max out to zoom function in the edit window?
If not try that to find the offending area. I find 99 percent of my tick sounds this way.
You can also expand the edit window vertically upwards using the little hand icon. Take the hand and resize the window upwards to its max. Maximum zoom and maximum vertical height on the edit window will give you a lot more detail on the audio waveform.
Also if two regions are close to each other you might try to join them into one region using the join command. This should create one region and often it will remove the tick sound.

Split Track Audio Output Problem

I'm trying to make a split track audio output as one requirement of the deliverables list on my current job. Dialog goes left, music right.
But even though I set up my sequence as two track mono, and have pre-panned the tracks all the way to the left (A1) and right (A2), I seem unable to make a quicktime that will play them as discrete tracks.
Inside Premiere, they play back properly -- A1 is coming out of the left speaker, A2 out of the right. No bleed or overlap.
I'm exporting them as quicktime, 2 mono tracks, ProRes 422. But when I play back the resulting quicktime -- voila, the tracks have been re-mixed together without my consent!
I've tried Media Encoder, with the same results.
FYI, In the "Channel Layout" section I've tried clicking both "mono" and "discrete" without any improvement. I feel like the problem might be that I'm choosing "Stereo" from the "Channels" popup, but there is no option for two channels that are not in stereo. It goes from mono to stereo to 3.
Any suggestions would be most welcome. Especially if they arrive soon! : )
(Using Premiere Pro 2014.1 on a MacPro Quad Core 2.93GHz machine with 16GB of RAM.)

i'm experiencing the same issue since today.
very loud (nearly ear damaging) glitches on crossfades on audio channel. doesn't matter if mp3, aif, or wav.
plus one channel of stereo sometimes randomly gets louder on transitions for a short time.
is still there in export. no matter if directly from premiere or via media encoder. (export as prores 422 with uncompressed audio). disabled native ppro import in AME, didn't help
cleared all media caches and preview files, didn't help.
not using preview files for export.
read alot about this bug being in older version here on the forums, but it is still there in CC 2014 v8.0.1
i am on osx 10.8.5.
please help Adobe.

Split track audio glitch

Hello all,
Just switched from FCP7 to PP 2014. A lot of my video work deals with split track delivery and post. In FCP 7 I would bring in a Pro Res file and have the left track on audio track 1 and right track on audio track 2.
In Premiere 2014, I learned how to replicate this. The problem is that when I pan track 1 all the way to the left I get major distortion on my second track. When I pan the second track (right Channel) to the right the distortion continues. We have two edit suites and I was able to replicate this on both systems.
I thought it was a Pro Res issue, but turns out that I was able to replicate this using PP's own color bar generator. I also experimented with other sequence settings like 29.97 vs. 59.94.
Here's how to do it:
1. In PP go File>New>Bars and Tone. Hit Ok to create this file.
2. In the Project bin, right click on the Bars and Tone and select Modify>Audio Channels...
3. Set number of audio tracks to "2" and Channel format to "Mono".
4. drop into a timeline and pan track one to the left. You should hear distortion on the right or 2nd audio track. Pan the 2nd track to the right and its the same.
The odd thing is that if I pan everything to 99% either way, all is good on both tracks.
I called Adobe and was told that they would look into this as they could not replicate this. I was told I would get a call back in 15 min. 3 hours later I am here sending this out to the community.
This is something that needs to be fixed if I am to use PP at all. Anyone else able to replicate? I am open to any ideas as I have gone through all the settings that I know of. Also, I tried turning off OpenCL with the same results.
Additional issue I found is audio level jumping up when another track comes in. I have a stereo track of music play on track 1. A little into the song I place another audio mono track on audio track 2. I pan the Stereo track to the left and Mono track to the right. When I hit play, the music is at say -12db. Once the playhead hits the mono track, the stereo track jumps up in level even though the mono track is panned to that side.
Thanks,
Jeremy
Mac Pro 2014
OS X 10.9.4
PP 2014 Build 8.0.0 (169)

i'm experiencing the same issue since today.
very loud (nearly ear damaging) glitches on crossfades on audio channel. doesn't matter if mp3, aif, or wav.
plus one channel of stereo sometimes randomly gets louder on transitions for a short time.
is still there in export. no matter if directly from premiere or via media encoder. (export as prores 422 with uncompressed audio). disabled native ppro import in AME, didn't help
cleared all media caches and preview files, didn't help.
not using preview files for export.
read alot about this bug being in older version here on the forums, but it is still there in CC 2014 v8.0.1
i am on osx 10.8.5.
please help Adobe.

Exporting Multi-Channel Split-track Stereo

Hello,
I am wanting to export multi-channel split-track.
I have 3 tracks in my sequence: 1 mono track for COMMS, 1 stereo track for FX and 1 stereo track for the soundtrack.
What is the best way to to export this so that I have 3 stereo pairs?
I could do this easily in FCP 7 but the fact that stereo tracks occupy just one track in PP complicates things a bit.
Thanks
O

Ok so i order to help anyone who is interested.
The only ironic solution to this problem i found was to use a plugin called xto7 to convert the xml to the old fcp7 format.
i then imported this into premiere pro.
this was then able to export an OMF that when imported into logic 10 that was using the correct 6ch mono setting as separate tracks.
Insane but it works until Apple fixes the incorrect meta data import in FCPX that sets the xml export to the default import that is always surround.
this is the only way i was able to send stems with all the edit points and fades for the sound editor.
If you don't have premiere lying around you maybe able to do it with fcp7 too we just didn't have it in this studio.
Fingers crossed Apple fixes the fcpx xml export.

Playing split track as mono

I am a choir director and I use my ipod daily for classroom use. I have a lot of performance CD's that are split track (voices on one side, instruments on the other). Is there any way to change the settings on my ipod to play just one side of the split track? I am only using a single speaker, so unplugging one speaker, will not solve my problem. I have looked under the EQ settings and could not find a balance anywhere.
E-mail [email protected]
PC Windows XP

To mute the speaker in OSX, use the Audio Midi Setup app. There you can mute the left or right channel separately.
However, I wonder why you are not extracting the audio from the video. This is basic scoring workflow.
You do it only once when you start a show and each new cue is just a "save as" copy of the previous cue (project) so the video/audio track is already in place.
Once in Logic, You click-hold on the output icon (the double circle) and you can just select the left or right channel. I usually create two audio tracks with same copy of the split track audio file and have one selected to play only the left channel (dialog) and the other one to play the right channel (temp). Now they are technically two independent mono track (that you can pan left to right)
This gives you complete mixing controls (if you have an external controller) for this tracks: solo, mute, eq, etc. Sometimes the production track has problems that you can fix (with automation) so it doesn't bother you when scoring with the dialog.
Screener. Don't you have to make screeners, little quicktime files of you cues to send to the director/producer for approval? Having the dialog on a track in your project, you can quickly make a decent mix, even for your own show reel.
Routing. Usually I have the dialog and temp tracks routed directly to a different channel on my audio interface, so it doesn't go through my master bus. This way they don't show up on the bounce and don't mess up my meters that I monitor constantly. Just for the export video procedure, I route them to the master bus.
Hope that helps
Edgar Rothermich
http://DingDingMusic.com/Manuals
'I may receive some form of compensation, financial or otherwise, from my recommendation or link.'

How do I play Split-track songs?

Hi, how do I play split-track songs in my library. It comes through with vocals and music together. How do I turn the vocals down? I am not sure that I can, but thought that the question should be asked.

You could always play an unchecked song if you selected it and clicked play. iTunes should however skip over any unchecked songs when playing the next song after playback of the current song completes. iTunes 11.0.1 seems to behave properly for me...
What version of iTunes are you running?
Which view are you using when you notice a problem?
tt2

Unable to see logs while using split tunnel for RA

hi everyone,
I have config RA VPN at my home lab using split tunnel.
I can connect fine and able to browse the internet.
When i go to internet sites i do not see logs generated on the VPN ASA?
Need to understand whats the reason behind this?
ASA1# sh conn all
5 in use, 12 most used
UDP outside 10.0.0.51:138 inside 10.0.0.255:138, idle 0:01:38, bytes 201, flags -
TCP outside 192.168.98.2:49509 NP Identity Ifc 192.168.1.171:443, idle 0:00:07, bytes 1067370, flags UOB
TCP outside 192.168.98.2:49507 NP Identity Ifc 192.168.1.171:443, idle 0:00:03, bytes 137779, flags UOB
UDP outside 192.168.98.2:49903 NP Identity Ifc 192.168.1.171:500, idle 0:00:01, bytes 40927, flags -
TCP outside 192.168.99.2:35902 NP Identity Ifc 192.168.1.171:22, idle 0:00:00, bytes 179887, flags UOB
Where 192.168.98.2 is IP of PC.
10.0.0.51 is IP assigned from VPN pool to PC.
Regards
Mahesh

Hi Mahesh,
You are using Split Tunnel VPN. This means that you have configured the VPN Client connection to only tunnel specific networks through the VPN Connection while its active. You have probably configured an ACL that contains your LAN network behind the ASA.
This means that only traffic destined to that LAN network mentioned in the ACL reaches your ASA through the VPN Connection.
The Internet traffic of the user or any traffic that is NOT destined to that network in the ACL will simply use the VPN Client users PCs local Internet connection or local network.
This is the reason you are not seeing any of the Internet connections from the VPN Client on the ASA. The VPN Client connection is only configured to forward traffic to the LAN network and pass all other traffic past the VPN Connection through the users local network connection.
If you were to configure Full Tunnel VPN for the user this would mean that ALL traffic would be forwarded from the VPN Client through the ASA and the ASA would control where that traffic would be forwarded and if that traffic would be allowed.
If you want to look at the current configuration on the CLI you would first have to issue
show run tunnel-group
And find the connection that you are using at the moment. Then you would have to check what "group-policy" is configured under that "tunnel-group"
Then you could issue the command
show run group-policy
This would list you the Group Policy configuration for the VPN connection and would show something like this under it
split-tunnel-policy tunnelspecified
split-tunnel-network-list value
The above configuration would show you the ACL that the VPN Client configuration is using to tell the VPN Client what traffic to send through the VPN Connection.
Hope this helps
- Jouni

I am getting electric current type shocks whilst using my track pad on my macbook pro. This happens when it is both plugged in to charge and also unplugged. I am left with a constant type pain of prickly pins and needles even when I am not using it.

I have recently bought a Macbook pro and have noticed that I am getting an electric current running up my fingers when using the track pad. This happens when it is charging but most worryingly it happens when it is not plugged in. It leaves me with pins and needles type feeling in my hand and arm even when I am not using it. Also when I sit it on my lap I get the same electrical current in my legs and down to my feet.
Surely this cannot be what I should expect with an apple product?, has anyone else experienced this?.
Yesterday I couldn't bare to use it the current was so strong. I went out for the rest of the day and suffered with pins and prickly needles all day.

Two possible courses of action suggest themselves:
(1) Return your computer immediately to point of purchase and/or authorized service provider.
or
(2) Consult with your doctor about your neurological symptoms.

I am trying to use motion tracking to have text follow a section of the background.The text box follows the motion path, but the text just sits there. What am I doing wrong?

I am trying to use motion tracking to have text follow a section of the background.The text box follows the motion path, but the text just sits there. What am I doing wrong?

Motion basically looks at the the source footage and it's timing (in the timing section of the Inspector) when analyzing for tracking. Filters are basically ignored by the tracker. Retiming actions, like time re-mapping, or retiming behaviors that are applied before the tracker should be used by the tracker. Did you change the timing after doing the tracking? If so this would also require you to re-track the shot. Understanding that you found a workaround, describing the effects you applied would help to explain why you ran into problems.
Cheers!

Using split track cd

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