Split track audio in Premiere CS5

Greetings all,
I'm getting acclimated to working in Premiere CS5 after years of editing on Avid Media Composer and Symphony. There are of course similarities and differences, some of which I can figure my way through and others where I'll need to ask for help. Here's one.
Suppose I have a piece of video that was shot split-track. On channel 1 we have the lavaliere mic worn by an interview subject. On channel 2 we have the on-camera mic so while searching I can hear the interviewer's questions which aren't so audible in the interviewee's mic. In the final edit I wish to discard channel 2 and center-pan channel 1. On an Avid the audio channels are on separate tracks on the timeline - you can literally remove the channel 1 or channel 2 audio clip and then use a pan tool to take the remaining audio clip and pan it as desired (typically center-pan is what you want with an interviewee but in fact you have infinite choices between full-left and full-right).
How do we approach this issue in Premiere? I'm sure this has been addressed before but after a lot of searching I guess I don't know the correct search terms to find it.
Thanks in advance for any insight.
Peter

Thanks Colin (and Jim).
It's amazing how wedded one becomes to a particular way of working, and how unusual it feels (after nearly 20 years) to start using a different platform.
For anyone who has NOT used Avid (the Meridian and pre-Meridian versions, anyway): imported materials are literally split up into components and stored/handled separately; thus, video ends up in a video file and each audio track ends up in a separate mono .wav or .aiff file, so when they're brought into a sequence they are quite literally individual and totally independent tracks. One major disadvantage of that generation of Avid is that materials need to be imported and reprocessed into Avid media; they don't come in natively. Newer generations of Avid (I believe) have improved this.
Premiere's handling of native clips, where stereo audio is just that instead of individual and independent tracks, is an alien concept that takes getting used to. Modifying the clip to treat audio channels as "mono" is exactly what I was looking for. The "fill left" and "fill right" effects, while they would work, seem a little bit more limiting.
Thanks, incidentally, for not saying "RTFM." I have the download of CS5 and there ISN'T a FM nor can I find pdf FMs as an additional download anywhere. So I'm stuck with tutorials (none of which seem to cover this) and the help files (which don't cover this unless you already know the name of the function). My oh my do I miss software suites with complete read-'em-in-the-tub printed manuals!
Thanks again,
Pete

Similar Messages

Split Track Audio Output Problem

I'm trying to make a split track audio output as one requirement of the deliverables list on my current job. Dialog goes left, music right.
But even though I set up my sequence as two track mono, and have pre-panned the tracks all the way to the left (A1) and right (A2), I seem unable to make a quicktime that will play them as discrete tracks.
Inside Premiere, they play back properly -- A1 is coming out of the left speaker, A2 out of the right. No bleed or overlap.
I'm exporting them as quicktime, 2 mono tracks, ProRes 422. But when I play back the resulting quicktime -- voila, the tracks have been re-mixed together without my consent!
I've tried Media Encoder, with the same results.
FYI, In the "Channel Layout" section I've tried clicking both "mono" and "discrete" without any improvement. I feel like the problem might be that I'm choosing "Stereo" from the "Channels" popup, but there is no option for two channels that are not in stereo. It goes from mono to stereo to 3.
Any suggestions would be most welcome. Especially if they arrive soon! : )
(Using Premiere Pro 2014.1 on a MacPro Quad Core 2.93GHz machine with 16GB of RAM.)

i'm experiencing the same issue since today.
very loud (nearly ear damaging) glitches on crossfades on audio channel. doesn't matter if mp3, aif, or wav.
plus one channel of stereo sometimes randomly gets louder on transitions for a short time.
is still there in export. no matter if directly from premiere or via media encoder. (export as prores 422 with uncompressed audio). disabled native ppro import in AME, didn't help
cleared all media caches and preview files, didn't help.
not using preview files for export.
read alot about this bug being in older version here on the forums, but it is still there in CC 2014 v8.0.1
i am on osx 10.8.5.
please help Adobe.

Split track audio glitch

Hello all,
Just switched from FCP7 to PP 2014. A lot of my video work deals with split track delivery and post. In FCP 7 I would bring in a Pro Res file and have the left track on audio track 1 and right track on audio track 2.
In Premiere 2014, I learned how to replicate this. The problem is that when I pan track 1 all the way to the left I get major distortion on my second track. When I pan the second track (right Channel) to the right the distortion continues. We have two edit suites and I was able to replicate this on both systems.
I thought it was a Pro Res issue, but turns out that I was able to replicate this using PP's own color bar generator. I also experimented with other sequence settings like 29.97 vs. 59.94.
Here's how to do it:
1. In PP go File>New>Bars and Tone. Hit Ok to create this file.
2. In the Project bin, right click on the Bars and Tone and select Modify>Audio Channels...
3. Set number of audio tracks to "2" and Channel format to "Mono".
4. drop into a timeline and pan track one to the left. You should hear distortion on the right or 2nd audio track. Pan the 2nd track to the right and its the same.
The odd thing is that if I pan everything to 99% either way, all is good on both tracks.
I called Adobe and was told that they would look into this as they could not replicate this. I was told I would get a call back in 15 min. 3 hours later I am here sending this out to the community.
This is something that needs to be fixed if I am to use PP at all. Anyone else able to replicate? I am open to any ideas as I have gone through all the settings that I know of. Also, I tried turning off OpenCL with the same results.
Additional issue I found is audio level jumping up when another track comes in. I have a stereo track of music play on track 1. A little into the song I place another audio mono track on audio track 2. I pan the Stereo track to the left and Mono track to the right. When I hit play, the music is at say -12db. Once the playhead hits the mono track, the stereo track jumps up in level even though the mono track is panned to that side.
Thanks,
Jeremy
Mac Pro 2014
OS X 10.9.4
PP 2014 Build 8.0.0 (169)

i'm experiencing the same issue since today.
very loud (nearly ear damaging) glitches on crossfades on audio channel. doesn't matter if mp3, aif, or wav.
plus one channel of stereo sometimes randomly gets louder on transitions for a short time.
is still there in export. no matter if directly from premiere or via media encoder. (export as prores 422 with uncompressed audio). disabled native ppro import in AME, didn't help
cleared all media caches and preview files, didn't help.
not using preview files for export.
read alot about this bug being in older version here on the forums, but it is still there in CC 2014 v8.0.1
i am on osx 10.8.5.
please help Adobe.

Split Track Audio

Ever need to provide the client (networks most often) with a split track master of your show...with Stereo mix on Ch1 and Ch2, and Music and Effects on Ch 3 and Ch 4? Well, here is how you do that:
http://proapptips.com/tips/article.php?story=20060721234257115
This really only works if you have a capture card. This will not work over firewire.
Shane

Ah...thanks Jerry. I forgot about that. Never tried it because of the yuckiness. If you care to share how to do that (iffin you know) I will add that to the tip.
You know, I got my monitor...but the HD/SDI card wasnt' installed, and it required that the motherboard be replaced with the one supplied. So I took it to Sony and they installed it for free. Woo! But then I bring it home and connect it to my Decklink HD, and can only get an SD signal out of the card. So I move the card to the other slot and turn on the monitor and...and...nothing. No power. So, back to the shop it goes.
Man I have bad luck with equiment.
Shane

How do I create a split track audio recording (2 outputs)?

I am trying to create a two-output track for use with IEM and house sound (right channel with some instrument tracks to house; left channel with click & choral voices to IEM only). I don't know how to assign the output to L or R in Express. I've seen some online answers in Pro, but they don't work the same.

Maybe it's just me, but I don't want to have to think about instrument numbers when I'm creating music.
"Create with next" requires you to:
1) Highlight the last used instrument (highest by number)
2) Have another (n+1) instrument ready to go in your Environment
If you fail at step #1, you'll get a duplicate, and if you fail at #2, you'll get some other type of track entirely (maybe a bus, a master fader, etc.)
Maybe I'm old-fashioned or something, but when I want a fresh track, I just want a fresh track... I don't want to have to think about existing track numbers, or the state of the Environment That's why I use "Create" and "Create Multiple," and I haven't found much use for "Create with next."
But, hey, really, I'm glad it works for someone!
James
[email protected]
Dual 1.25 G4 Mac OS X (10.4.8)

Split track Export Issue

Hello,
Computer: Mac OS 10.95 - I-Mac Processor 3.4 GHz Intel Core I7, 32GB 1333 MHz DDR3, AMD Radeon HD 6970M 2048 MB
This is extremely frustrating since creating Split Track Audio files in both Final Cut and AVID are pretty much straight forward. However, Adobe Premiere's workflow has quite a few additional and somewhat unclear steps that in my personal opinion I think there should be an update where (similar to final cut) you ASSIGN each Audio Track in the Sequence Timeline along with a simple change preferences "8 tracks audio" etc... instead of the loop around workflow you have to go through. Lately I've been seeing numerous errors and bugs and glitches and flaws in the Adobe Premiere system (along with the creative cloud where there's a new glitch when your purchased software becomes a 'free trial') but that's a different story. Moving on....
I have created a Split Track Audio Workflow and it appears to be inefficient due to the final export.
Here are the Steps I have:
1. Create a NEW Sequence and set it for the BELOW settings:
On the TRACKS tab - In New Sequence dialog window, choose 'Custom' then go to 'Tracks' tab. Master should be set “Multichannel”, and Number of Channels “4”. (or 8 if that's what you want).
Once The sequence is made and the previous sequence is copied to the new timeline that has the split tracks. Open up Audio Mixer to select the tracks:
Once Everything has been checked off it's time for the FINAL EXPORT.
Here's where the ISSUE takes place:
1. On Different COMPUTERS using the SAME EXACT Up to date Version of Adobe Premiere the Export Options in the Audio Settings Change.
See Attached Images:
Problematic Version - Notice no "Audio Layer Track" Option:
Preferred Export Setting with "Audio Layer Track" Option:
What is causing this? And what would be the appropriate option to troubleshoot this to make these steps as simple as possible? Is there a step I am missing?
Thank You.

Ronin Edits I completely agree with you! I mean I remember Adobe Premiere back in 2001 and I am impressed with their improvements over the years including the whole creative cloud feature etc... I've always preferred Adobe Photoshop as their "top of the line" but all of the other programs have a lot of work to do.
I mean for instance what you said up there is not a simple solution for the everyday person who is in a rush and cannot think of extra workarounds in order to have a final master. With this day in age everything is happening now at the speed of light that no one has time to do things the traditional way. Times are definitely changing so I'm doing my best to pick up the pace and find a standardized (semi-fair) solution.
For Example Final Cut Pro > This is perhaps the easiest/best option to select individual tracks for Split tracks or/and Surround Sound Audio. Don't get me wrong there's been several bugs with this program/system but FCP 7 has been one of the best (aside from AVID). FCP X not so sure about.
I truly agree that Adobe is only trying to beat their competitors and launching how it is despite the bugs and flaws that they still haven't fully developed and figured out.
I've tried the cleaner tool and every time it has been used it's always been unsuccessful for me and the other members in the studio that I work in.
Adobe Premiere has numerous amounts of bugs including the "Media Pending" issue when it comes to reading and "supporting" (quotes there for a reason) .mts workflows.
There's also the mysterious "Get Trial version" bug where a complete uninstall/reinstall has to happen.
Unfortunately with this day in age there's not much time for these flaws to happen.
Thanks for your feedback since it looks like there's no exact conclusion/reason why this is happening, I will do an uninstall/reinstall on a few computers and check out the export settings and choose the "4 channels or more" of audio along with export as mono tracks in order for each Audio track to be exported on at their own channel.
The option (that's apparently removed) for "Single Tracks" was a great feature that should have not been removed....ever.

Split track movies

Howdy,
already posted this over at LogicPro Help, apologies if I'm boring anyone.
I work in tv composing, and frequently get sent split track movies (temp music on one side, everything else on the other).
My current monitors (old Genelec 1029s) have a handy power stitch on the front, so I can switch off the temp side, and listen to my cue (in mono) in situ. But my new monitors (KH120s) have the power switch at the back.
So I was wondering, how do people deal with their split track qts? I know I can extract audio, but that seems too time consuming, as I start a new project for every cue, and its a nightmare lining up the audio every time. And I don't want the movie audio coming through the main outs.
Am I missing something really easy?
I guess I could pull a cable out of the duet each time, but that doesn't seem very elegant...
Thanks in advance

To mute the speaker in OSX, use the Audio Midi Setup app. There you can mute the left or right channel separately.
However, I wonder why you are not extracting the audio from the video. This is basic scoring workflow.
You do it only once when you start a show and each new cue is just a "save as" copy of the previous cue (project) so the video/audio track is already in place.
Once in Logic, You click-hold on the output icon (the double circle) and you can just select the left or right channel. I usually create two audio tracks with same copy of the split track audio file and have one selected to play only the left channel (dialog) and the other one to play the right channel (temp). Now they are technically two independent mono track (that you can pan left to right)
This gives you complete mixing controls (if you have an external controller) for this tracks: solo, mute, eq, etc. Sometimes the production track has problems that you can fix (with automation) so it doesn't bother you when scoring with the dialog.
Screener. Don't you have to make screeners, little quicktime files of you cues to send to the director/producer for approval? Having the dialog on a track in your project, you can quickly make a decent mix, even for your own show reel.
Routing. Usually I have the dialog and temp tracks routed directly to a different channel on my audio interface, so it doesn't go through my master bus. This way they don't show up on the bounce and don't mess up my meters that I monitor constantly. Just for the export video procedure, I route them to the master bus.
Hope that helps
Edgar Rothermich
http://DingDingMusic.com/Manuals
'I may receive some form of compensation, financial or otherwise, from my recommendation or link.'

Playing split track as mono

I am a choir director and I use my ipod daily for classroom use. I have a lot of performance CD's that are split track (voices on one side, instruments on the other). Is there any way to change the settings on my ipod to play just one side of the split track? I am only using a single speaker, so unplugging one speaker, will not solve my problem. I have looked under the EQ settings and could not find a balance anywhere.
E-mail [email protected]
PC Windows XP

To mute the speaker in OSX, use the Audio Midi Setup app. There you can mute the left or right channel separately.
However, I wonder why you are not extracting the audio from the video. This is basic scoring workflow.
You do it only once when you start a show and each new cue is just a "save as" copy of the previous cue (project) so the video/audio track is already in place.
Once in Logic, You click-hold on the output icon (the double circle) and you can just select the left or right channel. I usually create two audio tracks with same copy of the split track audio file and have one selected to play only the left channel (dialog) and the other one to play the right channel (temp). Now they are technically two independent mono track (that you can pan left to right)
This gives you complete mixing controls (if you have an external controller) for this tracks: solo, mute, eq, etc. Sometimes the production track has problems that you can fix (with automation) so it doesn't bother you when scoring with the dialog.
Screener. Don't you have to make screeners, little quicktime files of you cues to send to the director/producer for approval? Having the dialog on a track in your project, you can quickly make a decent mix, even for your own show reel.
Routing. Usually I have the dialog and temp tracks routed directly to a different channel on my audio interface, so it doesn't go through my master bus. This way they don't show up on the bounce and don't mess up my meters that I monitor constantly. Just for the export video procedure, I route them to the master bus.
Hope that helps
Edgar Rothermich
http://DingDingMusic.com/Manuals
'I may receive some form of compensation, financial or otherwise, from my recommendation or link.'

Premiere CS5 to Encore 5.1 Blu Ray track from six mono wave files

When preparing a 5.1 mix for a theater presentation, I had repeated trouble trying to get a blu ray disk to reflect the 5.1 mix our sound engineer created, so, having had success this time, I wanted to record my procedure. You gurus might catch something I missed, so critique this where necessary:
I'm running Windows 7 Professional, Premiere CS5 and Encore CS5.
You will need to purchase the Minnetonka Surcode for 5.1 ( http://www.minnetonkaaudio.com/index.php?option=com_content&view=article&id=56&Itemid=74)
Mine installed without any hitches.
In your Premiere sequence, make sure you create a 5.1 Master audio track. (Very important)
Create 6 5.1 audio tracks
Import your six mono wave files. (L.wav, R.wav, Ls.wav, Rs.wav, C.wav, LFE.wav) but DO NOT drag them to the timeline yet.
Right click on each .wav file in the project panel.   For each one, select Modify -> Audio Channels
In this dialogue box, you can select mono, stereo, mono as stereo, or 5.1. Choose 5.1.
Each of your wav files should be mapped to the proper representation of the 5.1 icon, with the black dot appearing where the final name would imply. (the *c.wav file would match the icon as it appears below.
Continuously click on the icon will bring up new channel options. (see illustration below)
For more info on channel mapping, see: http://help.adobe.com/en_US/PremierePro/4.0/WS1c9bc5c2e465a58a91cf0b1038518aef7-7f46a.html
(continued..)
When all your wav files are mapped to the master 5.1 audio track, you can drag them to the sequence and you can export your audio file.
File -> export -> media
My objectives was to get an *.ac3 file to drop into my encore project, since I had trouble with dynamic link, so the next step for me was:
Format: H.264 Blu-ray (note export audio only didn't give me the 5.1 surcode option, but I got it this way:)
uncheck export video
export settings, h.264 Blu-Ray, Dolby Digital, SurCode for Dolby Digital
Our engineer recommended:
Dialog Normalization should be -31
Dynamic Compression should be set to none
The export resulted in an AC3 file that was a perfect match to the sound mixer's file on his end.

You can skip the Modify step and just route the tracks from the Mixer.

Premiere CS5 doesn't import AVCHD audio

Sorry out there, but I do need some help!
Premiere CS5 wont import the audio of AVCHD clips (1920x1080 50i) shot with a Panasonic AG-HMC151E.
Is it possible I miss an AC3 codec? Thanx

If the AC3 is fully Dolby-compliant, the full-paid version of PrPro will have not issue with it. I would assume that your camera WILL produce fully Dolby-compliant AC3's.
One of the issues with some AVCHD cameras is that they allow the user to record as DD 5.1 SS (6-channel), and PrPro will Import those into a 5.1 Audio Track. The rub comes with the Export from PrPro. It requires the Minnetonka Audio SurCode DD 5.1 SS encoder plug-in (costs extra), to Export as DD 5.1 SS, but PrPro will do a mix-down to 2-channel just fine.
Good luck,
Hunt
PS - if one DOES go for the SurCode plug-in, be sure to buy it from within PrPro, as they will get an Adobe discount below the price from the Minnetonka Audio site. It's only about US$50, but that counts.

Quicktime audio & video out of sync in premiere cs5

i filmed a video using the built-in isight camera in my new macbook pro and the QuickTime video recorder. the videos look and sound fine, but when i put them into adobe premiere cs5 for editing, they audio and video get out of sync. how do i keep this from happening?
thanks!

In most cases I convert to PNG format (Portable Network Graphics) rather than JPG. File sizes are larger than JPG but rarely prohibitively so (and if they are I will then use JPG) .
Importantly, for this generally insignificant increase in size, you get a perfect lossless graphic with PNG.
For example this whole screen capture (1920 x 1200) shot is:
694K PNG (lossless)
2,341K JPG (lossless)
493K JPG (standard lossy)
Note that the forum scales images for display. To actually see it at full resolution you would right-click the image and 'Save As Image ...' to then view it in your favourite image viewer (I use VuePrint, XN-View and FutureixImager to view images).
Cheers,
Neale
Insanity is hereditary, you get it from your children

Audio out of sync h.264 file. Premiere CS5.5

After building a new machine with Premiere CS5.5, using NVIDIA Q4000 card, I'm having troubles wioth my audio being out of sync. I am exporting DSLR footage which the same sequence was previously fine on export on my old computer. Now, when I export, the audio is a few frames out of sync. There's something really funny going on. When I play the same video file in Windows media player, it seems to be in sync. When I play it in Quicktime, it's clearly out of sync. Also, when I upload it to Vimeo, it's out of sync as well.
If you'd like to see the specs of my computer, you will find them in this post:
http://forums.adobe.com/message/4211881#4211881
When I export the same file to Mpeg DVD, it seems in sync. Does this issue sound familiar to anyone?

Cripes, what I've seen looks in order. I don't think it is a hardware issue.
Is the audio consistent, or does it drift?
The Audio in the sequence is wav extracted from raw footage, no? Was the audio recorded in camera? Was it a multicamera shoot? Was the original audio\video file the same sampling frequency? Same fps as the sequence?
And, if the audio was doctored outside of premiere, is there a chance that the time was altered?
Are the audio and video locked together on the timeline? Was it locked throughout the process?
Do you monitor the audio through the Blackmagic Decklink Intensity Pro while editing? Does the windows media player also use the card? I only ask because I had a matrox card that did this. If the Card's audio is looped back through the system, it could cause the delay in playback monitoring.
The source sequence is 50fps and the output is 25 fps. Have you tried outputing a 50fps file? Is the source footage 50fps?
If you export an un-edited source clip from the project, do you still get the issue?
All those questions aside, it seems really strange that it plays fine on the timeline, WMP, and VLC, but QT and Vimeo don't work for you. Are you getting the exact sme delay in QT and Vimeo? Could you post a link to the vimeo page? Have you tried test a youtube upload. Have you tried a HD WMV, mpeg2 or DVD of the project?

Whenever I Split and Audio Track, it stops playing

Ok,
Been using imovie 11 for a few weeks. For the first couple weeks, i had no problem splitting an audio track into many pieces to adjust the volume on each piece. Now, regardless of the project, whenever i split an audio track, neither part will play. When i hit command-Z to put it back together, it plays with no problem, then if i try to resplit it, no volume.
I tried a new project, very simple -- 1 video clip, dragged the audo track to a point in the video and as long as i dont split it it works.
I do not have beat-sync on.
any help is appreciated!
thank you

It is possible that your anti-virus software is corrupting the downloaded files or otherwise interfering with downloading files by Firefox.
Try to disable the real-time (live) scanning of files in your anti-virus software temporarily to see if that makes downloading work.
See "Disable virus scanning in Firefox preferences - Windows"
* http://kb.mozillazine.org/Unable_to_save_or_download_files

Left audio track disabled in premiere when importing to Audition... Any way to enable?

I'd ask in the Audition forum but I cnanot post there for some reason.
Anyway, I sent a range of clips from my work area to Audition. Made some edits on some clips and realized that I left a track disabled in premiere when I sent them to Audition. is there any way to enable this track now in Audition or am I going to have to scrap whatever I did so far and start a new import with that track enabled?

Source Patching http://forums.adobe.com/thread/1442800?tstart=0
-and a FAQ https://forums.adobe.com/message/6725752

Premiere CS5 import avi clips without sound. How can I import avi clips with sound without convert?

Dear Adobe Forum,
I have the following problem, please help:
I would like to import avi clips in adobe premiere. All clips have the same avi codec. But unfortunately my adobe premiere does not import the sound of a few
avi clips. It is wired because about 10 out 70 avi clips which have all the same avi codec does not work with sound in premiere CS5. In the timline premiere import the video and audio line but there are no audio waves in the about 10 avi clips. additonally premiere plays the 10 avi clips in the source monitor without sound. Furthermore when I open the 10 avi files without adobe premiere they have sound, but with premiere there are no sound in the 10 avi clips.
What can I do, so that I can import all avi files with sound. I do not want to convert each of the avi files because then they have not a good quality and it is to complicated and it takes to much time to convert all files in this video project and in the other video project in my future.
Consequently How can I import all avi files so that they have immediately sound? Do I have to change some premiere settings?
Thank you in advance
Leonardo

Now I show you details of 2 files:
the first video clip which you can import with sound (works):
Video:
1280 x 720
data rate: 4259 kBit/s
total bitrate: 4387 kBit / s
Single bit rate: 29 single images / second
Format                           : AVI
Format/Info                      : Audio Video Interleave
File size                        : 63.5 MiB
Duration                         : 2mn 1s
Overall bit rate                 : 4 388 Kbps
ID                               : 0
Format                           : AVC
Format/Info                      : Advanced Video Codec
Format profile                   : [email protected]
Format settings, CABAC           : Yes
Format settings, ReFrames        : 4 frames
Format settings, GOP             : M=3, N=15
Codec ID                         : H264
Duration                         : 2mn 1s
Bit rate mode                    : Variable
Bit rate                         : 4 248 Kbps
Maximum bit rate                 : 4 001 Kbps
Width                            : 1 280 pixels
Height                           : 720 pixels
Display aspect ratio             : 16:9
Frame rate                       : 29.970 fps
Color space                      : YUV
Chroma subsampling               : 4:2:0
Bit depth                        : 8 bits
Scan type                        : Progressive
Bits/(Pixel*Frame)               : 0.154
Stream size                      : 61.4 MiB (97%)
Audio:
Bitrate: 128 kBit/s
Channels: 2 (stereo)
sampling rate: 48 kHz
ID                               : 1
Format                           : AAC
Format/Info                      : Advanced Audio Codec
Format version                   : Version 4
Format profile                   : LC
Format settings, SBR             : No
Codec ID                         : FF
Duration                         : 2mn 1s
Bit rate                         : 128 Kbps
Channel(s)                       : 2 channels
Channel positions                : Front: L R
Sampling rate                    : 48.0 KHz
Stream size                      : 1.85 MiB (3%)
Alignment                        : Aligned on interleaves
Interleave, duration             : 21 ms (0.64 video frame)
the second video clip which you can import without sound (doesn't work with sound):
Video:
1280 x 720
data rate: 4278 kBit/s
total bitrate: 4406 kBit / s
Single bit rate: 29 single images / second
Format                           : AVI
Format/Info                      : Audio Video Interleave
File size                        : 69.3 MiB
Duration                         : 2mn 11s
Overall bit rate                 : 4 407 Kbps
ID                               : 0
Format                           : AVC
Format/Info                      : Advanced Video Codec
Format profile                   : [email protected]
Format settings, CABAC           : Yes
Format settings, ReFrames        : 4 frames
Format settings, GOP             : M=3, N=15
Codec ID                         : H264
Duration                         : 2mn 11s
Bit rate mode                    : Variable
Bit rate                         : 4 267 Kbps
Maximum bit rate                 : 4 001 Kbps
Width                            : 1 280 pixels
Height                           : 720 pixels
Display aspect ratio             : 16:9
Frame rate                       : 29.970 fps
Color space                      : YUV
Chroma subsampling               : 4:2:0
Bit depth                        : 8 bits
Scan type                        : Progressive
Bits/(Pixel*Frame)               : 0.154
Stream size                      : 67.1 MiB (97%)
Audio:
Bitrate: 128 kBit/s
Channels: 2 (stereo)
sampling rate: 48 kHz
ID                               : 1
Format                           : AAC
Format/Info                      : Advanced Audio Codec
Format version                   : Version 4
Format profile                   : LC
Format settings, SBR             : No
Codec ID                         : FF
Duration                         : 2mn 11s
Bit rate                         : 128 Kbps
Channel(s)                       : 2 channels
Channel positions                : Front: L R
Sampling rate                    : 48.0 KHz
Stream size                      : 2.01 MiB (3%)
Alignment                        : Split accross interleaves
Interleave, duration             : 21 ms (0.64 video frame)
Consequently, as you can see, they have both nearly the same information
Both video clips have the following audio codec:
AAC
In the folder where all raw video clips exist there are a few new files with the codec ending: .AVD ("the name of the file".AVD)
But the 2 video clips mentioned above does not have any files like .AVD oder something else like that. But the first one works and the second one doesnt work.

Split track audio in Premiere CS5

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