Color code problem

Hello.
I have this code:
colors = [0xFFCC00,
0xFFFF00];
alphas = [100, 100];
ratios = [0, 0xFF];
matrix = {a:100, b:20, c:5, d:100, e:0, f:10, g:100, h:10,
i:5};
beginGradientFill("linear", colors, alphas, ratios, matrix);
I use it to fill a clip with a gradient color.
I want the second color (in first line) to be taken from a
variable.
I tried:
my_color = "0x"+"FFFFCC";
colors = [0xFFCC00,
my_color];
alphas = [100, 100];
ratios = [0, 0xFF];
matrix = {a:100, b:20, c:5, d:100, e:0, f:10, g:100, h:10,
i:5};
beginGradientFill("linear", colors, alphas, ratios, matrix);
It doesnt work, it doesn't read the variable as a color and
the color it sets is black.
Anyone knows how the color code should be composed so that I
can have that color code taken from a variable?
Thank you.
- Adrian.

quote:
Originally posted by:
Rothrock
I'm not certain, but I would try:
my_color=0xFFFFCC;
How does that work for ya?
Hi.
That would normally work as you wrote it but I need the color
to be made from a variable value that doesnt contain the # or 0x.
So I have a value as "FFCC00" and I cannot merge the 0x with
it because it only allows the color code to be added after 0x and
not a variable name.
a_variable="FFCC00"
my_color = "0x" + a_variable
that doesnt work. It only works if I type color code
directley after the 0x as you said 0xFFCC00.
Do I make sense ? :)

Similar Messages

  • Png files not exporting in correct color code

    Hey everyone I've had this continual problem in illustrator with png exports, for some reason my png's export with duller, less saturated colors than what I am seeing inside of illustrator. However, my jpegs export correctly. I've been able to figure out that my png's are not exporting with the correct color code (sRGB), even if this option is selected in "save for web" options. I have been having to open the png's in Mac's preview program or opening them into photoshop and exporting with sRGB profile embedded from there. I figure there must be some setting I don't have selected within illustrator. Document color mode is RGB, working space is sRGB, "Color Management Policy" is preserve embeded profile, and under the "Assign Profile" option it is set to working space RGB: sRGB. Any suggestions?

    I don't think there is anything wrong with the color management you are using.
    I suspect that you are using Illustrator CS6.
    Although you can specify that the image has to be converted to sRGB (and it probably does), the profile is not embedded in the file.
    The latest CC version does, although you cannot check a box: ICC Profile like you can when saving JPEG.
    I think the reasoning behind this could have been: "PNG is a web file format. and Browsers cannot be trusted with colormanagement, most of them think that all files are sRGB, so why embed the profile..."
    So you did the right thing by assigning the profile in Photoshop.
    Ton

  • No colored code view

    I have the problem that my dreamweaver 8 don't displays
    colored codes in the code view
    can somebody help me?
    plz

    A.Translator wrote:
    > Edit > Preferences > Code Coloring
    That allows you to change the default colours. If Code view
    isn't
    displaying the default colours, go to View > Code view
    options, and
    select Syntax coloring. This option is toggled on and off by
    selecting
    it. If there is a check mark next to Syntax coloring, it's
    on. If
    there's no check mark, it's off.
    David Powers, Adobe Community Expert
    Author, "The Essential Guide to Dreamweaver CS3" (friends of
    ED)
    Author, "PHP Solutions" (friends of ED)
    http://foundationphp.com/

  • Can I change the color of an image to a specific color code?

    Since I was unable to do this in Photoshop, I was wondering if there was a way in Flash to simply change the color of an image to a speciifc color code.  The image is more or less a simple line with rounded corners.  It is only composed of 1 color.  Does anyone know if it can be done with Flash?

    Shouldn't be a problem to do it in Photoshop or Flash. Since you couldn't do it in PS, I'm guessing that there is more to it than you are making obvious here.
    But in Flash you would import it, make it into a movieclip or graphic. Then apply a tint from the color effect portion of the properties panel.

  • Muse Color Management Problem

    Is there a way to control how Muse handles color?
    When using websafe background colors in Muse, the color renders drastically diffrent when exported and displayed in Safari and Chrome.
    In addition my photographs are way too saturated when exported from Muse and displayed in those browsers. The original files display properly when used in any other way or in any other program, and they have sRGB profiles attached.
    If there isn't a dialog for configuring the way Muse handles color management, it's extremely important that one is created or photographers are not going to be able to get accurate color.

    That advice doesn't help with this issue. I don't need to use a color checker to verify that the colors are different. It's very obvious. I'm having the same issue this guy was having that was never addressed:
    http://forums.adobe.com/thread/1250202
    I actually think I figured it out. The problem is that Muse is color managing all of the colors displayed when working in the program, basically it's applying a profile, probably sRGB, to everything you see in Muse. That's a problem, because once the hex color code goes to the browser and tells it render a color like websafe color 0066cc, for example, the browser will render that color without  applying a profile to it.
    The color shift amount will depend on the color, and websafe colors will shift less, but either way Muse shouldn't being color managing any color that the browser will render from hex code.
    You can test this by taking a websafe hex code, lets use 0066cc, fill a small square with it in Photoshop, saving it as a Jpeg with an sRGB profile embedded, then discard the profile by going to:
    PS/Edit/Assign Profile/Don't Color Manage This Document
    Save a second Jpeg copy of that same color square without the profile.
    Make three pages in Muse, one page with 0066cc entered as the BG fill in Muse; one with with the backgoung set to a tiled BG image in Muse using the the 0066cc square Jpeg with the embedded sRGB profile as the bg image; then the third page should be configured like the last with the 0066cc square Jpeg that's untagged without the profile, set it as the tiled bg image.
    When you compare the 3 pages in a browser to the 3 page displays in Muse you'll notice that the only page that matches the Muse color is page 2 with the tiled bg image set to the 0066cc filled square Jpeg that has the sRGB profile embedded.
    The reason why is that the browser is reading the embedded sRGB profile from the tiled BG image Jpeg and so it's color managing the browser fill, since it's a Jpeg not a hex code, Muse matches that one and on all three pages displayed in Muse, because it's color managing everything no matter what, regardless if there's a profle associated with that color or not.
    This is just one color problem with Muse, I found another pretty bad one that I'm going to save for later...

  • 1142 Color Codes

    Hi ;
    We have deployed many 1142 APs on a site.When i have checked color codes , some of thems LEDs are static green which we have expected.But some of them are not giving out any light.But from the controller menu i saw them active and operating.And i can connect that APs but no led is lid.
    When i get closer to the AP i saw a Red color which can not be seen from distance (Not Red flashing LED).What the possible error can be ? Is it a factory default mistake or so ?

    The problem is , AP doesnt give out any lights.LED doesnt light on.
    But from the controller ; i saw AP is operating , and i can connect on it.
    Here is output of booting AP that can successfully join the contoller , and this is happening in more than one AP
    *Mar  1 00:00:08.073: %SOAP_FIPS-2-SELF_TEST_IOS_SUCCESS: IOS crypto FIPS self test passed
    *Mar  1 00:00:08.085: *** CRASH_LOG = YES
    Security Core found.
    Base Ethernet MAC address: FC:99:47:D5:39:C6
    *Mar  1 00:00:09.661: %SOAP_FIPS-2-SELF_TEST_RAD_SUCCESS: RADIO crypto FIPS self test passed on interface Dot11Radio 0
    *Mar  1 00:00:10.233: %SOAP_FIPS-2-SELF_TEST_RAD_SUCCESS: RADIO crypto FIPS self test passed on interface Dot11Radio 1
    *Mar  1 00:00:10.264: %LWAPP-3-CLIENTEVENTLOG: Read and initialized AP event log (contains, 16 messages)
    *Mar  1 00:00:10.287:  status of voice_diag_test from WLC is false
    *Mar  1 00:00:11.330: %LINK-3-UPDOWN: Interface GigabitEthernet0, changed state to up
    *Mar  1 00:00:12.411: %LINEPROTO-5-UPDOWN: Line protocol on Interface GigabitEthernet0, changed state to up
    *Mar  1 00:00:12.449: %SYS-5-RESTART: System restarted --
    Cisco IOS Software, C1140 Software (C1140-K9W8-M), Version 12.4(23c)JA3, RELEASE SOFTWARE (fc1)
    Technical Support: http://www.cisco.com/techsupport
    Copyright (c) 1986-2011 by Cisco Systems, Inc.
    Compiled Tue 18-Oct-11 14:52 by prod_rel_team
    *Mar  1 00:00:12.449: %SNMP-5-COLDSTART: SNMP agent on host HR-Test is undergoing a cold start
    *Mar  1 00:11:32.043: %CAPWAP-5-CHANGED: CAPWAP changed state to DISCOVERY
    *Mar  1 00:11:32.110: %LINK-5-CHANGED: Interface Dot11Radio1, changed state to reset
    *Mar  1 00:11:32.110: %LINK-5-CHANGED: Interface Dot11Radio0, changed state to reset
    *Mar  1 00:11:33.110: %LINEPROTO-5-UPDOWN: Line protocol on Interface Dot11Radio1, changed state to down
    *Mar  1 00:11:33.110: %LINEPROTO-5-UPDOWN: Line protocol on Interface Dot11Radio0, changed state to down
    *Mar  1 00:11:33.303: %SSH-5-ENABLED: SSH 2.0 has been enabled
    *Mar  1 00:11:41.233: %DHCP-6-ADDRESS_ASSIGN: Interface GigabitEthernet0 assigned DHCP address 172.16.78.207, mask 255.255.248.0, hostname HR-Test
    *Mar  1 00:11:50.911:  status of voice_diag_test from WLC is false
    *Mar  1 00:11:50.972: Logging LWAPP message to 255.255.255.255.
    *Mar  1 00:11:52.367: %CDP_PD-4-POWER_OK: Full power - LOW_POWER_CLASSIC_NO_INJECTOR_CONFIGURED inline power source
    *Mar  1 00:11:52.390: %LINK-3-UPDOWN: Interface Dot11Radio1, changed state to up
    *Mar  1 00:11:52.415: %LINK-3-UPDOWN: Interface Dot11Radio0, changed state to up
    *Mar  1 00:11:53.374: %LINEPROTO-5-UPDOWN: Line protocol on Interface Dot11Radio1, changed state to up
    *Mar  1 00:11:53.375: %SYS-6-LOGGINGHOST_STARTSTOP: Logging to host 255.255.255.255 started - CLI initiated
    *Mar  1 00:11:53.401: %LINEPROTO-5-UPDOWN: Line protocol on Interface Dot11Radio0, changed state to up
    Translating "CISCO-CAPWAP-CONTROLLER.dpu.edu.tr"...domain server (194.27.43.17) [OK]
    *Mar  1 00:12:02.006: %CAPWAP-5-DHCP_OPTION_43: Controller address 172.16.64.10 obtained through DHCP
    wmmAC status is FALSE
    *Dec 10 14:03:03.000: %CAPWAP-5-DTLSREQSEND: DTLS connection request sent peer_ip: 172.16.64.10 peer_port: 5246
    *Dec 10 14:03:03.000: %CAPWAP-5-CHANGED: CAPWAP changed state to 
    *Dec 10 14:03:03.836: %CAPWAP-5-DTLSREQSUCC: DTLS connection created sucessfully peer_ip: 172.16.64.10 peer_port: 5246
    *Dec 10 14:03:03.837: %CAPWAP-5-SENDJOIN: sending Join Request to 172.16.64.10
    *Dec 10 14:03:03.837: %CAPWAP-5-CHANGED: CAPWAP changed state to JOIN
    *Dec 10 14:03:03.983: %CAPWAP-5-CHANGED: CAPWAP changed state to CFG
    *Dec 10 14:03:04.100: %LINK-3-UPDOWN: Interface Dot11Radio0, changed state to down
    *Dec 10 14:03:04.114: %LINK-5-CHANGED: Interface Dot11Radio0, changed state to reset
    *Dec 10 14:03:04.114: %CAPWAP-5-CHANGED: CAPWAP changed state to UP
    *Dec 10 14:03:04.115: %LINK-3-UPDOWN: Interface Dot11Radio0, changed state to up
    *Dec 10 14:03:04.166: %CAPWAP-5-JOINEDCONTROLLER: AP has joined controller DPU_WIFI_KONTROLLER

  • How to Color-Code Categories on Desktop?

    I just purchased a Palm Z22 after years of owning a T5.  I can choose colors for the categories on the handheld, but cannot get any color-coding on the desktop.  Any suggestions on how to do this?  Also, how to change the background colors on the desktop as well?
    Post relates to: Palm Z22

    Hello legendeld-
    Would you please add the suggestion to color code events? It strikes me as odd that Palm has removed a very useful piece of functionality that has been in its software as long as I can remember. I upgraded to 6.2 to fix the problem where undated tasks were given the date "12/31/2031" in Palm Desktop 4.1.4. Finding the removal of category colors was not a welcome result. I'm certain it's not making your other users happy either, especially after waiting a very long time for this upgrade.
    Thanks very much,
    Sean
    Post relates to: Centro (Sprint)

  • I want the gold security padlock back, not your color codes, otherwise I will return to Internet Explorer

    I want the gold security padlock back, not your color codes, otherwise I will return to Internet Explorer

    Install this add-on: https://addons.mozilla.org/en-US/firefox/addon/padlock-icon/
    '''If this reply solves your problem, please click "Solved It" next to this reply when <u>signed-in</u> to the forum.'''

  • Color code in calender on touch

    Hello,
    I have some calendars in iCal and they have different color codes. Synching to my iPod touch (2.0) shows color codes on the iPod, but the colors does not fit the color codes of iCal. Anybody has the same problem?
    Regards
    Pat

    Everybody has the same problem. For example, when I sync both my IPT and my iPhone 3G, I get different colors for the calendars on the two devices, and neither scheme matches iCal.
    I'd encourage you to submit feedback to Apple:
    http://www.apple.com/feedback/ipodtouch.html

  • Why won't the color code I am trying to use from a windows machine work on my Mac? Code: PMS7409

    Hi I'm an intern at a telecommunications and management company who are about to release an update on their website and server screens. My job is to create the new graphics and remake the presentation layers. I am also assigned to create a business card template, which is where my question comes. I am give a color code, from a Windows OS, and try to input that code into Photoshop CS6. That color code won't appear. It's a deep orange and the code I am being told is; PMS7409. I'm not sure thats a code (atleast on the Mac), but I haven't used a Windows OS in so long I don't even know if Windows has their own color coding system or what. Can someone help me out and tell me if this is me, my boss, or we're missing something and I'm going to look like an idiot?

    Definitely not a colour code for mac, the only thing I suggest you do is if you get the code on your windows version is to get the other values i.e
    instead and input those into it rather than the #colour code (Hue, Sat, B, R, G B) etc.
    Also ... Colour codes are 6 figures long i.e the one displayed and also black #000000 and white #ffffff
    however the one you gave is 7!
    Message was edited by: ConstantAngel

  • PLEASE HELP - COLOR SHIFTING PROBLEM on output NTSC monitors

    http://www.smmlv.com/testproject/
    Above is a link to a layered photoshop file that has a USA map and over a dozen network overlays used in a section of our video. I animate each layer on sepeartely in the video and have noticed a major problem recently, the color of the art does not hold true to placement. I created the art originally in Illustrator and then converted the file to Photoshop at 640x480, 72dpi. This has always worked perfectly in the past to display and animated artwork in FCP.
    Right now, in FCP I am using the NTSC DV 3:2 frame size, and the compressor of DV/DVCPRO - NTSC. I have a JVC Profressional DV deck that hooks up through firewire and sends S-Video to my monitors. This setup has always given me a great picture even though it is not completely upcompressed. Using these settings and this art, the color lines on this map in red, light blue, yellow and purple all have a "color shift" to the left about 5 pixels. It makes it appear that the line is where it is in the file, but the color overlaying the line is offset to the left 5 pixels and transperant to about 50%. This occurs only when viewed on some TV's and NTSC monitors and projectors. The strange thing is, some monitors display the color aligned almost perfectly on these maps and other monitors and projectors show this "digital halo" of color shifting really bad. If I take the layered network overlays in these colors and color tint them to black or grey, white, light green, or even light orange, they no longer have the color shifting and the detail is perfect.
    Is there any way to fix this problem? I have tried duplicating the sequence and setting the compressor to 8bit Uncompressed, and while my captured footage is not this compression, in theory the art should render at this higher resolution setting. This did nothing to solve the problem.
    I also have tried using different Broadcast safe and Y/C corrector filters with different results. The Y/C filter allowed me to reposition the color problem and thus removing most of the problem, but also removing most of the color. Nothing else has allowed me to seemingly move the color into the proper possition.
    What is causing this color shift on the displayed NTSC image?
    In FCP 4.5 I can see my rendered video in the program viewer screen and besides the pixel compression appearing on the lines, overall the video looks great paused or even better when playing. Then you view it through my deck onto my Pro Sony NTSC 19" color monitor and it also appears great, with a slight color halo to the left of these colors, but the color in the lines are there. If you are a few feet from the screen and know what you are looking for you might see it, but doubtful. Then you view it using the same signal on a 17" Samsung TV and the color shifting makes the map and other art, like the clients blue logo, look horrible, with each color line appearing twice and offset left from each other as if you had double vision. Normally I would think it is the TV causing this, but then we tested this same movie on 2 differnt projectors. The $700 Epson projector displayed everything beautifully, again with only the slightest color halo to the left, but then the Panasonic $4000 projector made everthing in these colors look double vision again. What is going on???
    One more thing to keep in mind, my color bars also show this problem with these colors as well as shot footage of these facilities. There are tall red poles in the shots and everything displays fine except for the red pole color looks like it's glowing off the pole to the left.
    PLEASE tell me there is a solution to this.

    I have tried Degaussing, using filters, changing cables, and testing other monitors and systems on these monitors, everthing I can think of to solve the issue. Is it FCPo or is it the monitors?... or is it a signal strength thing. Can monitors and projectors shift color when the signal is read from a DVD or Mini DV Deck? Is there a fequency difference (Ie: 75mgz or 80 mgz) that might be causing the shift in some monitors and not so badly in others. But if this was true, how would some DVD's (like Baby Einstein DVDs that use really bright colors) display red and blue perfect using these same player and monitor, while my projects is shifting color? Doesn't that rule out the signal from the DVD player if other DVD's do not have this issue?
    I have uploaded the original art used, an exported .jpg file from the FCP timeline and sample photos of 2 different monitors to show to show this problem as best I can. http://www.smmlv.com/testproject/
    Someone out there must have had this problem before. There's no way a color shift problem like this with Mini DV has gone on this long without someone seeing it.
    One last thing about what I have tried... I do understand that with editing in Mini DV instead of uncompressed or HD video I lose a bit of resolution (4:2:2) and I see this compression occuring in some of the areas in the video where these problems persist. But, I did remake the art and rerender this project in an 8bit uncompressed settings and then displayed that up on the screen and I get the same color shift. I keep going in circles trying to find the culprit that is causing the delema.
    PLEASE HELP! There are large tours going through our facilities daily and the large screen projector is displaying this problem as well. Let's just hope they don't notice and that their TV's at home or office does not display it on our final DVD's made.

  • How do I replace image color with an exact html color code?

    I simply want to change the color of a small pic to an existing html color code, 3399CC.  The pic is very simple, and only has one color.  In Photoshop CS4, I go to:  Image -> Adjustments -> Replace Color.  For the new replacement color, when I type in 3399CC, it doesn't give me that color - it gives some other shade of that color.  (I can tell because I use a program that tells me the exact html code a color is when I hover my mouse over it).  It seems the only way to really get the color you want is to adjust the sliders (hue, saturation, and lightness).  But it'd be practically impossible to play around with every increment of those sliders until I get the exact color code.  
    There's got to be a way to simply enter the html color code and have the pic changed to that color.  Does anyone have any idea?

    Turns key.  WhirrRRRrrrrRRRrrrr....  Nothing.  (I answered in the other thread)
    Perhaps I've had too much coffee today, because I just got a clear vision of Bart Simpson, at the board, chalk in hand...
    SRGB IS KING!!!  SRGB IS DEAD!!!  LONG LIVE SRGB!!!
    SRGB IS KING!!!  SRGB IS DEAD!!!  LONG LIVE SRGB!!!
    SRGB IS KING!!!  SRGB IS DEAD!!!  LONG LIVE SRGB!!!
    SRGB IS KING!!!  SRGB IS DEAD!!!  LONG LIVE SRGB!!!
    SRGB IS KING!!!  SRGB IS DEAD!!!  LONG LIVE SRGB!!!
    SRGB IS KING!!!  SRGB IS DEAD!!!  LONG LIVE SRGB!!!
    -Noel

  • Best Calendar App to connect to Google Calendar and color code appointments

    I am looking for a replacement calendar app that will connect to Google Calendar and allow me to color code individual appointments.  I have looked at a ton of apps in the app store but none of them talk about the color coding option I am looking for.  I don't want to do the trial and error thing and waste my time and money. 

    Download Gmail app. itunes.apple.com/us/app/gmail/id422689480?mt=8

  • Setting color codes for more than one photo at a time

    Is there any way to set color codes for more than one photo at a time?

    Hi John,
    I will look at keywords. My issue is speed. Right now I am culling and editing an event shoot that spanned a week with 35 separate events and more than 5000 images. So I use the fastest most convenient method I can and it still takes a long time to have a completed and final shoot. On this shoot I will end up with a final set of around 1500 images. Right now I am finishing processing a show that will hang in the Deutsches Amerikanish Zentrum in Stuttgart.
    As I am sure you are aware by now, having seen enough of my inane questions that over the last two years or since Lightroom version 1.xx if I could not figure out how to do something I skipped it. So many things in Lightroom are buried and unless you have a mind like a steel trap (and think that some of you guys in the forum do) locating how to do something is not obvious.
    For example, I only learned (in the last hour) that I could assign colors as a group of selections by using Shift + number. I found this in a side head in Martin Evenings Lightroom book. I still do not know how to find a way to display the color filter "selection" set in Library mode. Is there a way?
    To top it off, Stuttgart Media University asked me if I would add a Lightroom module to my schedule this year. Now I have a compelling reason to learn all those missing pieces that I have created workarounds for. Hence the number of posts you have been seeing from me over the past few of weeks.
    I tell my class that there are no such things as stupid questions, only questions. Now I am practicing what I have been preaching for the last gazillion years. Guys like you have been great.
    My workflow is
    1. I first separate all images by event. I do that at the time of import.
    2. I do a fast pass rejecting all the obviously bad images
    3. I do a second pass grouping the images by sub-group (speeches, people talking, performances, etc.) This is where I run out of selection methods and your key-wording could work but it would probably take too much time to establish a keyword set for a single event. Where I have more than five subgroups I set up different collection sets with one collection for each sub group. However I would like to keep a single event in one collection.
    4. I then select the images to be used by color code.
    5. Next I process the final images (crop develop etc) by collection.
    6. Last I output the set according to client requirement.
    If you have a better workflow, I am all ears.
    By the way, what is your photo specialty and where are you located?
    Jim

  • 3D Map - Color Code and Cursor Tracking

    Hi, I need some help trying to implement some user interface functionality for a program I am developing.
    This will be a tuning tool for automotive ECU. The program will be reading in two signals (Y-axis is RPM, X-Axis is manifold pressure) and use a 2D interpolation to output a Z value to be used in a calculation. There are two pieces I'd like to add to this. 
    1. Color code the cells based on the cell value in relation to the max and in of the entire 2D-Array
    2. Have a live currsor that tracks the current cell of the 2D array and highlights the cells that are being used in the interp calculation so it makes it easier for the user to make changes and calibrate the tables. 
    3. BONUS: An easy way to be able to select a range of cells and increment them by a set amoun or scale them all by an imput amount (like scale range by 90%).
    Basicly, I'd like to recreate some of the user interface functionality of the software shown below in the second picture and the video linked below. 
    VIDEO:    https://www.youtube.com/watch?v=OkVUJCy0sJ4
    VIDEO:   https://www.youtube.com/watch?v=oeZc-ka6ago      (at 16:45 you can see a good example of the currsor tracking through the cells as teh two inputs change)
    -As you drive and the RPM and loading changes there is a blue ball that tracks on the table the current x-y location of the 2D map and the four coresponding cells around the ball are highlighted to show witch of these cells are being used in the calculation so the user can easily alter these cells in real time to tune the output he is looking for. I'd like to be able to highlight, or blink either a single cell closest to the current value, or the 4 corners around it and have it update real time as the user drives the car. 
    Any ideas of how to implement this kind of functionality? The current VI is attached. I should note the x-array and y-array won't necessarily always be constant spacing between cells.
    Thank you for any help in advance!
    Attachments:
    3D Map Color Coded & Currsor.vi ‏17 KB

    Okay, so I made some progress on this. I was able to use an intensity graph to visually color code the relative position of the cells. Is there a way to make the 2D array translucent and overlay the color array intsity graph behind it? is there a better way to do this. 
    I was able to get the closest current cell value to update as black and track around live on the intensity graph. I did this by temporarily setting the cell's value to 0. Is there a way to somehow highlight the actual cell on the 2D-Array instead? 
    The code is attached. I added a random sine wave input to simultate some signals for the x and y input. The Y array now runs in reverse order which made it tricky to get some of the functions to work properly so I had to use a 2D transpose and 1D reverse array to get it back in the right form. There's probably a better way to do this. 
    Any help is great appreciately and rewarded with Kuddos!  
    Attachments:
    3D Map Color Coded & Currsor (Rev B).vi ‏33 KB

Maybe you are looking for

  • Unable to initialize video deck

    I'm using Final Cut Pro 7.0.2 and I get this message when trying to Capture Footage from my camera: "Unable to initialize video deck". My settings are on Firewire NTSC which is what I always use. I used it a week ago and it worked then and many times

  • How 2 create dynamic internal table and can we pass it to gui_download FM

    HI all,      How can we create a dynamic internal table? I have a requirement where  i have to create an internal table with the no. of fields depending on the selection screen values, i think tat can be possible though dynamic creation only.        

  • Net crashes when 3 computers on network? I think?

    Hey, This just recently became a problem, and I'm not too sure what the cause of this would be. I have a wireless router, and my computer/ my brother's computer are plugged into the wireless router, as they've always been. I also have a laptop that a

  • Sum quantities in message mapping

    Hello there. I'm trying to map a xml message with items (material/quantity) into another one with exact same structure but collecting the lines by material. The XML's structure is like: header_fields ... <items>   <item>     <matnr>1</matnr>     <qty

  • Cisco ASA Not Responding to SNMP

    Hi All, I have a Cisco ASA that I am trying to discover with SNMP (Solar Winds). The Solarwinds server can ping the ASA on the E1 interface (on the same network as the server), yet it cannot be discovered using SNMP, it fails every time. This is the