Design flaws in 1.1.3 implementation of Gmail with IMAP

After updating to 1.1.3, I noticed that the mail app started downloading read emails from my Gmail account. Moreover, when I began to delete the files, I found that they were also sent to the trash on the Gmail server. Rather than laboriously downloading all 5,500 email files 200 at a time and moving them to the "All Mail" folder, I deleted my Gmail account and re-added it manually as a POP3 account.
I would like to use IMAP, but I should be able to configure it to only download unread or recent messages. Moreover, the default should certainly not be that deleting messages on the iPhone also deletes them on the Gmail server. Part of the philosophy behind Gmail is to not delete messages.

I've been using gMail IMAP through two firmware updates, including 1.1.3, and have not seen any change in its functions at all. It is still the very best workaround for lack of mass deletion of messages on the phone.
BREAKING NEWS: I just found this on Google's site. It explains why I saw no change (I was always IMAP) and why you did:
Attention iPhone POP users
If you configured Gmail access on your iPhone by tapping the large 'Gmail' icon in mail setup, please note that installing software update 1.1.3 will automatically convert Gmail on your iPhone from POP access to IMAP access. This means that actions you take on your iPhone will now sync with actions in your Gmail web interface (i.e. messages you read on your iPhone will show up as 'Read' in the web interface). This also means that messages you delete on your iPhone will be moved to the Trash folder in the Gmail web interface, and thus deleted after 30 days. Please exercise caution when deleting messages, as this behavior is markedly different from POP access.
-dan
Message was edited by: DanH to add news

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    I'll put headings on this posting because it's gonna be long and you may want to skip parts.
    *Executive Summary*
    Multiclips do not retain modifications. So far I've tried adding markers and adjusting levels to a multiclip in the Viewer and after switching angles and switching back, the markers disappear, the levels revert to default.
    *What I'm Attempting*
    I've got hours of two-camera interviews. Cam A is subject, Cam B is host. Clips are several questions/minutes long. I spent a day and a half syncing and multiclipping and then was ready to screen and pull selects. Or so I thought.
    _Approach 1._ My thinking was the most logical workflow would be to watch the interviews then subclip bits I like. We have neither time nor budget for transcripts nor the man-hours to read and highlight them. And even if we did, I'd still need to isolate those parts.
    It turns out +you can't subclip multiclips+. Modify>Make Sublcip is grayed out and if you try to subclip by extending a marker and then making a subclip from that you get a new clip with a length identical to the original full clip, but with the name of the marker appended to the head of its original name and the original clip also now has this modified name and there seems to be no way of changing that name back.
    Still with me?
    _Approach 2_. OK, so I'll put markers where I find a sound bite I like, name them by subject matter and then, at least, I'll be able to find my selects in my Interviews bin by turning down the disclosure triangles next to the relevant clips. Not as good a solution, but it's what I've got.
    Not.
    +Multiclips do not retain modifications.+ Put a multiclip in your viewer, apply a marker (or adjust audio level), play, switch angles, play, switch back. Your marker (or level adjustment) is gone. They're just gone.
    *Corporate Response*
    I got on with Apple Care Enterprise. My tech guy reproduced my problem exactly. He then put me on hold and went to an upper level tech. When he came back he told me that's the way it's supposed to work. Multiclips have a sync relationship established by the mere fact that they are multiclips so markers are superfluous. I told him I thought markers served several purposes and he started to get a little testy with me. I laughed a little (not derisively, I swear), said thanks and he hung up without even saying goodbye. I was hurt.
    *Why I Care*
    I've got hours of these two-camera interviews and no script. I need to find what I like before I can build it into a show. I need to have access to both cameras as I screen because I can't hear the host on the subject's mic nor vice versa.
    *Less Than Satisfying Workaround*
    Here's the best I've got so far. I make a sequence out of each multiclipped interview, I then mark in and out points when I find a bit I like and I make a sublclip (sub-sequence, really) of it. Let's say I make a 10 second sub-sequence of a soundbite I like. When I'm ready to work with it I drag it to the Viewer and I have a fullscreen image of either the host or the subject. I'm now into the cutting and I know precisely which part of this subclip I want. I mark an in and an out, I cut it into my show, I'm good. And if I want the host and the subject is showing in the Viewer I simply hit SHIFT 1 or SHIFT 2 to get the other angle.
    Here's the downside of this process (besides the extra steps). If I do choose to switch angles in the Viewer, the Viewer reverts to a copy of the original full-length multiclip with a Media Limit set at the In point. If, now that I'm cutting, I find I want to include the host's question with this response I can't without another workaround.
    How many workarounds does it take to screw in a light bulb?
    *If You've Made it This Far and Have a Better Solution I Would Be So Grateful*
    And don't think I'm just looking for problems; this is going to be a huge issue for me on this project.
    Rant
    More and more often I'm finding FCP simply isn't designed for long-form editing, especially long-form documentary where organization, searchability, flexibility and general versatility are essential... No, at best, I've only got one person still with me. No sense in ticking you off too.

    I'm sorry. I didn't mean to raise such ire. Let me respond briefly in turn.
    Zebulun wrote, "How would you go about this if you were in a linear suite with tape machines and a switcher? Lotsa logging."
    I didn't come from tape editing, but rather film editing where you could pull selects. Then for most of the past 15 years I've been cutting on Avid products that work in the manner to which I've become accustomed. I could group then subclip or add locators (markers in FCP) that would not disappear. I've come to realize in FCP I have to change (not lower, simply change) my expectations and my post was in pursuit of direction.
    "...who said editing was easy?" Certainly not me, but any editor worth his or her salt finds ways to eliminate pointless impediments.
    +Patrick Sheffield+, your posting was very helpful and the link to your other posting was so good I've already passed it on. I will say that a long stringout of preferred soundbites, while I may resort to it, is hardly as manageable (for me, for me, we all have our own approach) as a nice bin where every subclip is named by its particular subject. Still that may well be the way I go.
    +David Bogle+: "It's not even a design flaw. But you knew that..." Well then why does it allow me to apply markers and change audio levels if it isn't going to maintain those modifications? I hate to believe after two feature-length and several shorter projects on FCP I still don't understand its fundamentals to such a degree. But perhaps I don't.
    " You say you don't have time or money to do this properly so you appear to be attempting to blame the software product you have chosen as your editing platform."
    Who said there's one proper way? Jeez. I came on to this project as editor and post-producer after a lot of key decisions were made and most of the money spent. I am trying to view the material for the first time and pull what appeals to me as I go. I've reread my original post and, with the possible exception of my rant it just didn't seem harsh enough for this sort of response; I was pointing out something that appeared to not be working or which I didn't understand and looking for a solution. Isn't that what this site is for?
    "I decide what I need to tell the story and then I work on it. That is, I'd select the sound bites and then figure out how to edit the multiclips later"
    Perhaps I wasn't clear. I can't tell what the host is saying while watching the subjects camera nor vice versa. And both sides remarks are important. I had no say over how they shot this show so I have to live with that. This show will be almost entirely a series of dialogues between the host and various other people. And it is part of my job on this project to find the interesting conversations and mold them in to something worthwhile. Yes, I can watch the host's camera until the subject speaks then load the subject's clip and listen to that until the host speaks again and then go back to his clip. I was hoping for something a little more elegant.
    "...this is easily corrected by cutting and pasting the tracks together and merging the new clip's tracks or nesting and exporting."
    Thanks David, this is what I will probably resort to. I am sorry if I offended you or anyone else who replied or merely read my original post. I have no desire to get into one of those 'FCP vs. Avid' dialogues that are so common on these sites. Avid is blowing their market share, my clients and prospective clients are moving to FCP and it is on me to learn to love this application. I am in no way out to alienate those who would guide me.
    Regretfully,
    Martin

  • Content Server News Portlet major design flaw ?!

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    Thanks for the quick reply.
    We are using Content Server 6.1 with all Hotfixes installed and we are not planning to upgrade to G6 at the moment.
    As far as I understood the 'filtered.published' property contains the date the content item was published the last time. So it will always be 'true' if the item has been published in the past, no matter if it's currently published or not.
    The index template with the code snippet you sent will display the currently not published (but changed) item properties whenever another item was published. Have you changed the design in 6.2 so that properties of an item in a list property of another item are just copied and not linked?
    As a workaround I now compare the 'modified' property with the 'published' property and if it is greater or equal I don't display it in the index. But that's not the way Content Server was designed to behave, is it? With this solution I can suppress the item in the list if it has been modified after the last publishing, but of course I rather want to have the data of the last published version.
    Isn't that possible? Is it possible in 6.2? Is there any way to update Content Server to 6.2 without acquiring G6?
    RegardsStefan

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